Fenturtns

RICHARD CORBIN
TONY DANIIL
ALIXHORLEY
JOEJUSKO
ELIO LEONE
JOELINSNER
DAVID MACK
WENDY PINI
WILLIAM STOUT

S5.95USA S6.95CAN
SPECIAL EDITION
SPRING 1998 • ISSUE 1
 a Mumperdido/ scan
humperdido@)hotmatl.corn

Dear Reader,
I guess the Is, "So what have I been doing the past
first question
couple of years?" The answer to that is quite simple, enjoying
precious time with my family. I hope that you enjoy this magazine,
many hours have been spent getting it to this stage. What a joy it is
to see the work of so many talented artists all featured In one
publication. There are few opportunities for those in our artistic
community to combine their creative talents and produce something Cover
worthwhile.. .that is the Intention of Frank Frazetta Fantasy Illustrated. Frank Fretzella
Turn the pages and you will find stories from some of the most "The Silver Warrior"
exciting and creative artists working today. Thank you to all of my
fans and fellow artists that have sent cards and letters offering their Publishers
support.
Jeimes Breitbeil
To inspire a new generation of
artists is an honor and a privilege
Joe Kingsley
which I welcome and relish.
Art Director
James Breitbeil
Advertising Manager
Joe Kingsley
Graphic Design
Rich Ponder
Eric Needle
A Letter From The Publishers
Additional Colors/Lelters
Well here we are after a year of planning and production Frank Frazetta
Fantasy Illustrated Is a finished magazine. Many thanks to the people who got Blue Earth Press
us to this point, especially the artists and writers who are featured in this very
special premiere Issue. Thank you also to the media who promoted this SepereUions
release and created public awareness of our project. Most Importantly, thank Phil Haxo
you to the living legend himself, Frank Frazetta, for being the inspiration and
soul of this magazine. Frank Frazetta's Illustrious career has spanned five
decades. His paintings have Influenced an entire generation of artists many Qrculalion Consuttants
of whom are featured in this very magazine. Irwin Billman
We hope that you enjoy reading Frank Frazetta Fantasy Illustrated as much as
we enjoy producing it. It is our intention to provide you, the reader, with Ralph Perricelli
art and stories from the best artists and writere In the world in each and every
Issue. Don't miss our fabulous second issue on sate in May featuring
Foreign Sales
more of your favorite creators. The production schedule will be quarterly this Steve Schanes
year and will change to bi-monthly in 1999 giving you even more of an
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opportunity to see the greatest storytelling in the world. PHONE (A07| 599-1272 FAX [407| 599-0906
Thank you for purchasing this Issue and making it all possible. For without an
audience, what Is a story? So, sit back, relax and prepare yourself to be f toflk frozaK) FoNoiy Ikwoiad li pfo6u<«d aad pvUnhad
quoiMy by OuoMum Ceil tnfortdHvnvnl. hic daaci
thrilled, shocked, saddened and amused
Frank Frazetta Fantasy Illustrated #1 Is about to begin. Tiorh Pi«x«no Fonimy IHuurolvd, P.O boK 3126, Wimvf
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 Ctmtfmis

ShadowsInTheMist
byRichardCorben

ThePsychicWars
byJosephMichaelLinsner
finishesKevinJ.Taylor

DinosaurPoems
byWilliamStout

^^^eJury
bjWendyPini

HellRiders
byJoeJusko

LittleThings
byTonyDaniel
andBaharehHarandi
inKsHowardM-Shum

Infernu^rra
story ElioLeone
ariAlexHorley

Kabuki
byDavidMack
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15
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 WILLIAM STOUT’S
POEM COLLECTION

THE DINOSAUR PARADE

Last night 1 was awoken
To sleep’s dark silence broken
My dreams scattered to the night
Tripping by tiptoe
Islipped to my window
And spied the most marvelous sight
Of dinosaurs dancing
And reptiles prancing
Last night in the Dinosaur Parade.

From slumber they tumbled

Ground under them rumbled
They lumbered and fumbled
For a place in the Dinosaur Parade.

34
As I sat I saw and listened
Lizard skin in moonlight glistened
Creatures ancient, weird and wizened
Slinked into the Dinosaur Parade.
Plodding painted circus wagons
Drawn by Earth's primeval dragons
Dragged and pushed in slow progression
Bumping some from the procession.
Steps tripped into graceful stumble
As more jumped to join the giant jumble
Clumsy prancers found fancy feet
Saurians bounced to the building beat.
Staggered spins; swirled spiraled leaps
As reptiles reeled away their sleep
Scores of creatures now in motion
Freed from bonds of stone and ocean.
Duckbilled dandies danced as leaders
Curved crests bobbing, throbbing meters
Wrangling rolling rhythm beaters
To the drums of the Dinosaur Parade.
Pirouettes from Triceratops
Performed as a sly pair of hops
Establishing tone, style and pace
Displaying elephantine grace
A knowing smile crept 'cross her face
Causing my heart and soul to race
Last night in the Dinosaur Parade.
Monster max Tyrannosaurus
Never could begin to bore us
The gaping yawn of great big jaws
Long dagger teeth and stronger claws
First class unsurpassed worldbeater
Royal supreme chief meat eater
Naturally selected leader
King of the Dinosaur Parade.
Brontosaurus blundered bold
Stately howdah trimmed in gold
Lumbered down the darkened street
Ground thundered under great gray feet.
Pteranodons trilled tremeloed tunes
Swooping, they zoomed past hot air balloons
Harmonies crooned to choirs below
Squeaks squealed high as ballads boomed low.
Heavenly lemon-lime lollipops
Were peddled by Pentaceratops
Bipedal Archaeopteryx
Presented eye-popping optic tricks.
Stegosaurus, his plates erect.
Designed for shade and to protect.
Waddled forth with outstretched neck;
A tailspike wake described its trek
The acrobat was a renegade Raptor
He showed us how to elude a captor
Bouncing hither and yon, this way and that
A free style high flying clawed acrobat.
Creatures streamed on down the highway
Rhamphorynchus swarmed the skyway
Iguanodorts sporting thumb spikes
Tramped on timeworn local turnpikes
Right where Main Street rounds the bend
Thumped an armor plated friend
Plodding plump ankylosaur
Sporting club and spikes galore.
Com dogs uncovered by carnivores
Caused a hundred hungry dino-roars,
Fat feeding frenzied dinosaurs
Left trails of candied apple cores
Cotton candy by the clawfull
Caramel popcorn by the jawfuil
Fizzy soda filled each maw full
Sweet, delicious, rich and awful
That feast in the Dinosaur Parade.
A selection fine and classic
From Triassic to Jurassic
A collection of Cretaceous
Both outrageous and bodacious.
Of dinosaurs dancing
And reptiles prancing
Last night in the Dinosciur Parade.
As a new dawn's sun ascended
The great pageant gently ended
The saurians ceased their creeping
Stopped their laughing, stayed their leaping
Then lo, the Bnal giant stepped
Like some great tortoise crawled, then crept
But, then, at one last moment— leapt!
Within memories to be kept
Of that night in the Dinosaur Parade.
Sinking back into my pillow
Banners softly ceased their billow
I slept from the dreams of ages
Of old animals in stages
Slipped free once from ancient cages
Ivowed to create these pages
To bring back the Dinosaur Parade.
35
 I’M SEDIMENTAL OVER YOU
On this old dust an ocean danced;
Sea mud consumed our long romance.
Our lives lost to land primeval)
Deaths disjoined by Earth’s upheaval.
Though loam and clay replaced our bones
And our hearts’ space filled up with
stoneS)
We lie at last entwined cilone
As I’m sedlmental over you.
Lost a strata) sphere’s darh might;
In
Like two schists passing In the night.
I’ve missed you for a million yearS)
A billion tlmes) a trillion tears.
Cast astray in time’s mortared space)
While we await some distant race.
You shifted up between slate seams;
I felt your kiss within my dreams.
But now so close) we almost touch;
I want to be with you so mucK
I sifted down through drifted sand
To touch upon your upturned hand.
36
A rain of yearS) raging weather
Brought us both at last together.
Now side by side) a rock romance)
Tossed by time; embraced by chance.
The mountains rose) the oceans fell;
Inever wavered from your spell.
Eons passed ’fore eyes had seen us
And pried your form from layers ’tween
us.
They cracked and carved away your case
To gaze upon your quarried face)
Your cfuintessential frame of grace;
I’m still sedimental over you.
Stripping binds of sandstone boulderS)
Exposed to light enwoven shoulders.
HammerS) picks; chisels chipped us free.
Shipped distantly from time’s dead sea)
Assembled none too carefully.
I’m part of you and you of me)
Together for etemit^h
Always sedimental over you.
I HATE MAMMALS
OF all of the beasts They’re the pits with their tits;
I like mammals least Gives me fits
They’re ugly and hairy Get ’em outa here!
Their faces are scary
They’re small) tough and mean They devour strange food
Smell bad; they're unclean They're coarse and they’re rude
They bear their bids live Their bad attitude
How do they sur«ve? Gives me a foul mood-
They suckle their young
They make smelly dung Moving in; taking over
I Hate Mammals! Named "Spot", "Prince" and "Rover"
Their poop's in our clover
Use a comb; Go back home; Make ’em roam; They’ve slunk like delinquents
Get ’em outa here! Through the Mesozoic sequence
They’re up to no good
Keep those long nasal friskers Not in our neighborhood!
Referred to as whiskers 1Hate Mammals!
And their short furry legs
Away from my eggs. They're the worst; What a curse!
They breed just like flies We're the first
Too many of these guys Get ’em outa here!
They hop, skip and thump
And make my heart jump Before it’s too late!
Their noise is too loud
For things so endowed
I Hate Mammals!

37
 /

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43
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46
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49
51
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53
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57
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ri.1. JusTw'-A/T'ni.
THEy SEP POWN ANP..

"PAMV/ THEY'RE NOT WAJTINOt UOOKS H<E THEyRt

JtBBY-BI&OZN0 "Xim KINP OF FUEt UNE'
WAtTAMXNW
WHArS SOINSOJ?

ITS ALMOST A 5>/4«S

TO HAVE TO KEEP
KIUTN6 THEAl'

'BeSOUBSSAUX
UnUE SUSSERS'*
 .

t^ver&iANVPi WWB IS NOT MUCH THAT He HAS WOT OR

'

HWrANTWABtl He HIMSei.P«>V/5XHCe JOININS this CAMPAI5N.

Normm. hov^^r coulr H«/e CMABNei. HOUS$ POeS NOT Be&IN

PRePAIReP HIM FOR THIS! TO pescRise -rue sisht seFcwe him.'

WAVeSOFAM^SMCASCAPeOVeRHIM.' J

' ms Ati He CAN po TO Keep from

WBercHim at THe stsmch of BorreB
MeATm> BeeAYtmFUSHi

HOBBOB ANP BtWlSrON OUICKt-Y TURN Tol

BUBNtm MATBMB ANP umBZPtgP FUBTtJ

jWBoW
 w^u, mu! A ezs hunk
usPA PBim Beep!

OOP! Txe STENCH IS

MAKINS MY EYES TBAB'.
ICANTS^f SH-.

'ZPCm...WAITt'

;
'63
 ...THey ALWAYS T4ST6
SeTTER WHEN YOU COOK
THEM ALtVB!

TO Be CONTTNUeP
...THey ALW^sysMSTe
perreR when you cook
Twm Ai-r/Bi
TV Be CONTTNUeP
 UMi. TOMMY JONES OETS
TO STAY UP All mUTI HE
SETS TO WATCH RERUNS
, ANP MTV ANP STUFF. WISH
I WAS OVER THERE.

BUT NOOOO, I OOTTA OO

TO BEP ALL EARLY. NO
.RERUNS, NO MTV.NO NOTHING.

IftOOPM ROANOKE, VIROINiA.

-'OROAN-HERE COMES
ORAMPS, JUST LIKE
'

.TtME FOR ANOTHER NIOHTMARE. CLOCKWORK. POESNT

HE EVER FOROET TO
CHECK ON ME?

r NAH, OBAMPS. TOON RAIPER^

PUTS ME TO SLEEP, IT'S TH66S
AAONSTERS.EVERY TIME I SO PEE WEE.'YOU HAVEN'T
L TO BEP, THEY KEEP SINOINS j BEEN EATINS CANPY IN
ANPSTUFF. . BEP, HAVE YOU??!'.

AW ORAMPS, I PON'T
FEEL LIKE IT. I CAN'T
NEVER OET TO SLEEP
BEFORE MiPNIOHT
. ANYMORE ANYHOW/

I KNEW LBTTINO YOU PLAY

THOSE £K?SHPARNEP VIPEO r MONSTERS. EH? SINOINO?
HMM.. LET'S HAVE A LOOK-SEE.
OAMES BEFORE BEP WOULP NOPE, NO MONSTERS HERE.'
KEEP YOU FROM SLEEPING/ k WAIT A MINUTE... .

66
67
 ILa.

HEY,
SKULLS'
COOA!

py ^
'^-YEAH ^
^..ANP"^

WHPRe AM IT?
WHAT'S HAPPENIN?

TASTY LirTte THING,

. ISN'T HE? ^
 * AW MAN,
WHAT AM I ON?
.A OlANT flY\K&
-1 UILYPAP? _

I CAN NEVER
OET A BREAK/

pr
'
I PUNNO
WHERE TMIS
^
PREAKIN' LILYPAP
IS HEAPEP, ANP
, I PONT WANNA
\ KNOW// y

WHAT IS THIS,
ATTACK OF THE r OREAT >
KILLER LILVPAPS? NOW I'M STUCK.
AT LEAST I OCT
My CANPy BACK/

TEEHEEHEE... '
I6NT HE THE AWRIOHT/
OtTEST LITUE THArS T/
I THIMP? 4 WHOEVER you
ARE,COME OUT
ANP FIOHT LIKE
^ A AWN/ ^
 I C>UNNO WHO OR WHAT
you ouys are. but r THIS OUTOWTA
WANNA 00 HOME, AND BE OOOD.
I WANNA OO HOME NOW.'

SOOOOO... I

you WANT US TO OET

you HOME, HUH? WHY
SHOULD WE DO THAT?
WHAT HAVE YOU EVER
k DONE POR US? ^

I CANDY?.' WHAT
/ AND YOU BETTER DO I WANT WITH
MAKE rr OOOD, 'CU2 CANDY WHEN I SOTS
I'M IN THE MOOD FOR r UH,
^ ALU THESE YUMMY
SOME CRUNCHINOS FLIES AND SPIDERS ,
CUZ I'M _ ANDTHINOS'? /
\
AND MUNCHINOS.'/ f A OOOD
V KID?^

I
 fMO\C
CANUY?

^NOW WIO ON
JUST A secotio
mERe, Boy. you
PIRNT TEUL ME IT
WAS MAOIC
CANPy.'
^ANP PIMME ’

SOME MORE
OF THAT
OOOP I.OVIN7

OK, SON,
TEUU yA WHAT,
I'LLHOLLER AT
OL' BOOKy, SEE
IP HE PAN SIVE
you A RIPE
SOMEWHERES.

WH-WHAT?
WHAT IS
THAT THINS?

I'P RATHER
SO SWIMMfNS
IN THE TOILET
I’M SUPPOSES AFTER SRAMPS
TO RIPE ON
JUST TOOK
THAT?/
. A PUMP/

71
 HEV. ^S,
BINKO OR BOINKO,
OR WHATEVER THE HECK
k THE/ CAUL YOU... >
' THOSE CHEAPSKATES.'^
WEUt, I'LL SHOW THEM.'
I WILL OET OUT OF
S^^HERE ON THIS THINO.'

...YOU SURE
YOU KNOW WHERE
^
YOU'RE OOiNO?

YTOOK
MAYBE I 1
A WRONO
TU-WHOOPS" J
k MY BAD... V
YEAHYEAHYEAH.'
IT'S RIOHT OVER
^ HERE.' M
^ I THOUOHT
YOU KNEW WHERE
YOU WERE OOINO,
YOU SILLY RABBIT.'

^
MAYBE
UH...
IT'S
^
OVER
k THIS-A-WAY.'

irsTHe
LANQ OF THF
”
FOBGOTT0N LAVA! I
 * Houy •

p^^RRy, P£6 W£E,^ SW&gT

I CAN'T STICK AROUNP/ jeeus.'
Hey, WATCH BOZO,'
NOW^
THIS
IT,

IS RIRII-CAl-ESS' ^ r (50TTA GO

you DUMB RABBIT.'

WAIT
I'M
mI OET HOWE'
OONNA TEAR UP
EVERy ONE OF My
SISTER'S STUFFED
^ BUNNIES' .

w AFTae Au Tnaaa
MY pBAYaea
“ VaASa OF WAJTJN6 •

I FINAUY&ar TO
HAVa FINALLY ’
aAT Moea CMtT/[
BaaN Mswaeapi

MMMGGGCGHmmi

PLaASa PON'T
aATMa. Misrap,
PLaAsa PLaAsa

X-I'LLBa ^
6oop"i swaApr

73
 I AM THe CANpy
iMONST£S ANP YOU F OK urme turNsrl
*
WIUU RePgR TO SIMCe I'P RATHSR
Mg AS SUCH. .
SAT CAMPY THAN YOU, •

’TAKS YOU UPON YOUR

* SSNSROUS OFFER. ^

I CAN SPINS
YOU MORE’ IF
YOU EAT ME,
THERE'S NO
TELUIN' WHEN
YOU'UU SET
k. MORE/ ^
'
C-CANPY
MONSTER?.

HERE V
MEEP.
"TAKE IT"
YOU CAN HAVE
fill MY CANPY/
" ANP IF YOU
PONT COME SACK-

PONT WORRY
1'l.U COME TO YOU/

REMEMBER
I'MRISHT UNPER
YOUR SEP.

OoooKK/WMAVyyYyW!
N^V^R A6AXN!
N^VER A&Aim

I PROMISe.'.' ril UISTEW

MO MORE TO &RAMF9
CAwmyvYyy/ ALWAVS.'/.'.'

1'L.L. CIMN
MV ROOM.'

TM HOMP.' ^
WAS IT A
NIOHTAMRe??

WHArS THIS-
CAti^r??!

(JST AWAY
FROM Mfi.'"
SeT AWAY,'
ItU NSVeR
TOUCH YOU
A0AIHH

ORAMPAAAAAAA/.'/.'
IN A woftio uiwiscovenep,
YST CLOsen wan any othbu.

seNses Ne/ONreNgp..
ms PULSS QWCNgNSP

STORy: guo ueoNe art: auex horuby

r.' ( iiiiij n

\HBeYes msNhcr conqubst.

 l^^^^yFFT^T'AA

3HH

iull[T7t^^^^

r wl^Kf
V 'VB

THE W4RRI0R
TAKEN FIRST BLOOD.

A SMALL ONE
.AT THAT. ^
 FEELING THE /)IR RUSH UNRER
HIM, HE TURNS BACK TO CAMP.

WHERE HIS LORR,

y'Ek?R, AWAIT6....

PIP you
^
FINP THEIR
KNEW you^ CAMP? ,
WERE OOOP
FOR SOMETHINO. ^I'Ve UOCATEP^
OUR NEXT VICTIMS,
^ you MAy BE
THE LORP'S FAVORITE
IF THAT'S WHAT BUTCHER BUT I FINP yOUR
^yOU'RE ASXINO^
^ METHOPS REPULSIVE.^

r yOUR OPINION OF ME IS >

NOT SHAREP BY YOUR SISTER.
SHE FINPS My METHOPS
ENTlREiy STIMULATING. ^
 AHHH....CyRU6,
M/ VICIOUS PISCIPLg.

IT SSEMS MV
LORP STiLL FINPS
TIMe TO ENJO/
LIFE'S PLEASURES. ^ PUT OF COURSE,
WITHOUT PLEASURE,
LIFE IS NOTHING. NOW,
WHAT PIP you FINP?

THE LOCATION OF
OUR NEXT SLAUGHTER.

LETS KILL THEM

ALL, SHALL WE?

ANP CyRUS, INSTRUCT

THE OUARP6 TO OlVE
ME PRIVACy, I'LL BE
Busy FOR A WHILE.
 TWE SKY AKQ SAKTH FlUU WITH
TUB /iTT/kC>ON& MAMUPERS...

TME EARTH SHAKES

ANP THE PBBY QUIVERS.

ViB'RE VtAPPeV!
THERE'S TOO MANY
OP THEM... I PON'T
WANT TO PIE.

'
WE MAY l/IC TOPAZ.
PUT NOT WITHOUT FIRST
SENPINO A FEW OF THESE
. 8ASTARPS TO HELL/ \»0U? ISN'T THIS N0Uf\
I
PEATH IS IN THB AltL \
CONTINUgP
UN/WOVtNS..
FROZ6N_
A FELON OF
NEWTON'S L/»W_

THE TELEVISION
RBlVWINS IN AMOTION.
CO/WOTION, /»0ENTS
OF THE NOR
SH4DOW IC>eNTITy_
l/ioeo R£ALITY_
ttfsTTlt. THe AGBNCy^
SHOWeo /MB WHO I

WAS supposeo TO se-

BY SeNONG /HE
A SULLET WITH
/V\Y NAA'E ON IT.
Ut-t.THg KINS5 A
HORSeS..
AND ALL THE
KINC3S /MEN_

PUT AIE
TOGETHER
AGAIN.
k

THE/ PICK fM aSAtN,

THE/ WINP /ME UP.
THEY PiNP OUT WHAT
AWAKES /WE TICK.
'about wy
/MOTHER.
rtlOTHeR. WHEN
you RRST
CiA/HE TO («e..

>OU OIEO
WHEN I

WAS BORN.

CAN WE NOT BOTH

tNHABIT THE SAME
PM/StCAL WORLP
AT ONCE?
93
TURN BACK TI/MB.
UNWINQ RBLOS
\OF COLD. A
CARRION SIRa

I /HUST PULL
/virsetp
TOaeTHER.
c