“ON AIR LIVE WITH…”
The ON AIR exhibition itself is an experiment, trying different assemblages, working with
LE PALAIS DE TOKYO REMERCIE LES PARTENAIRES DE L’EXPOSITION
PALAIS DE TOKYO THANKS ITS EXHIBITION PARTNERS
ON AIR - CARTE BLANCHE À TOMÁS SARACENO | 17 OCT 2018 – 6 JAN 2019
Coproduction Design sonore Partenaire des concerts Jamming with spiders
Sound design coproduction Partner of the “Jamming with spiders” concerts
LE PALAIS DE TOKYO ET / AND TOMÁS SARACENO REMERCIENT PARTICULIÈREMENT / ESPECIALLY THANK:
Gallery Esther Schipper, ainsi que / as well as: Andersen’s Contemporary, Copenhagen; Pinksummer Contemporary Art, Genoa;
Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York.
TOMÁS SARACENO REMERCIE AUSSI / THANKS ALSO:
Aerocene Foundation, Gobierno de la Provincia de San Luis, Massachusetts Institute of Technology et / and Georgina Alioth,
Ayla Busch, Ellen Callamari, Christoph Seibt Collection Contemporary Art, Emily et / and Jérémie Dyen, Impact Art Rodriguez
Collection, Evelyn et / and David Lasry, Christian Just Linde, Thibault Poutrel, Frédéric de Goldschmidt, Nathalie Guiot et
deux donateurs qui souhaitent rester anonymes / and two donors who wish to remain anonymous.
LE PALAIS DE TOKYO BÉNÉFICIE DU SOUTIEN ANNUEL DE
PALAIS DE TOKYO BENEFITS FROM THE ANNUAL SUPPORT OF
PARTENAIRE DES ACTIVITÉS TOK-TOK
TOK-TOK PARTNER
PARTENAIRES MÉDIA
MEDIA PARTNERS
LE PALAIS DE TOKYO REMERCIE ÉGALEMENT
PALAIS DE TOKYO ALSO THANKS
Le Tokyo Art Club Entreprises, le Tokyo Art Club et les Amis du Palais de Tokyo
13, avenue du Président Wilson 75116 PARIS - www.palaisdetokyo.com
Tomás Saraceno
Hybrid Solitary Semi-social Instrument ESO 146-IG 005: built by two Argiope anasuja-two weeks, three Cyrtophora citricola-three weeks, one Cyrtophora moluccensis-two weeks,
and one Tegenaria domestica-ten weeks, 2015 (detail).
Courtesy of the artist, Andersen’s Contemporary, Copenhagen; Ruth Benzakar, Buenos Aires; Tanya Bonakdar Gallery, New York; Pinksummer Contemporary Art, Genoa; Esther Schipper, Berlin.
© Photography by Andrea Rossetti, 2016.
L’ATELIER DES REGARDEURS TOURS & WORKSHOPS TOKYOPASS
(DE)TOURS THROUGH THE HISTORY OF ART
Palais de Tokyo’s cultural mediators are available to respond to any questions you may LIVE AT THE RATE OF PALAIS DE TOKYO DURING ONE YEAR
different human, non-humans, and matters. On one Friday each month, Rebecca Lamarche- have or to discuss the art works. FREE UNLIMITED ADMISSION AND NO QUEUING / EXCLUSIVE GUIDED-TOURS /
Two unconventional series of 7 classes offer an offbeat journey through the labyrinth of
Vadel, curator of the exhibition and Tomás Saraceno will introduce the “ON AIR live with…” INVITATIONS, DISCOUNTED RATES AND GIFTS
the history of art, from its very origins through to its most contemporary expressions.
days, inviting the visitors to take part in workshops, concerts and seminars that bring together
researchers, activists and artists in conversation within the exhibition spaces. PASCAL ROUSSEAU SOLO - 40 €: from 26 years old
(Schedule of each day and further workshops to be announced on Palais de Tokyo website GUIDED TOURS DUO - 60 €: with guest of your choice
www.palaisdetokyo.com) “Le coefficient d’art. Une (autre) histoire du ‘processus créatif’”
(Class in French) Lightning Visit JEUNE - 20 €: for 18-25 years-olds
Mondays from 5 November to 17 December 2018, 7 P.M. – 8:30 pm
th th A general introduction followed by a visit of Tomás Saraceno’s exhibition. ART - 20 €: for art teachers and artist-author members of the Maison des Artistes
FRIDAY OCTOBER 26 2018 TH Every day, except Tuesdays / Every hour between 1 pm to 10 pm. Duration: 30 min
JEAN-HUBERT MARTIN Free upon presentation of your entry ticket If you join the Tokyopass community the day of your visit, we deduce your admission
ON AIR WITH AEROCENE “Canular / L’art en rit / Ricochets” (Class in French) ticket from the price. You can purchase the Tokyopass at the welcome desk and online:
Aerocene is an open invitation, an emerging community that imagines a new epoch of Earth’s
Wednesdays from 7th November to 19th December 2018, 7 pm – 8:30 pm Grand visit www.palaisdetokyo.com
planetary history, focused on do-it-together, participatory practices, opening up to social,
A complete panorama of the Palais de Tokyo and its exhibitions.
mental and environmental ecologies. Cycle of 7 classes (Full price: 60 € / Concessions: 50 €) Saturdays / 3 pm / Free upon presentation of your entry ticket. Duration: 1 hour
CONVERSATIONS* / ON AEROCENE: Introduced by Rebecca Lamarche-Vadel and Tomás Individual classes (Full price: 12 € / Concessions: 9 €) For Young Visitors & Families
Saraceno. Moderated by Sasha Engelmann. Keynote by Aerocene Community. With Primavera Information and booking: www.palaisdetokyo.com
de Filippi, Stavros Katsanevas, Derek McCormack, Nick Shapiro, Débora Swistun, and Marie
Thébaud-Sorger.
WORKSHOP: Museo Aero Solar: construction of a flying museum made of taped reused plastic WORKSHOPS FOR YOUNG VISITORS & FAMILIES CONTACT & INFOS
bags. Storytelling visits [For 3-5 year-olds accompanied by an adult] PLAN YOUR VISIT
CONCERT JAMMING WITH SPIDERS: Heartbeats to the Moon concert by Alvin Lucier. An introduction to art through an amusing and captivating tale, taking young visitors on
Tel : +33 1 81 97 35 88
LA MANUTENTION
a magical exploratory journey of the works.
AEROSOLAR FLIGHTS WITH THE AEROCENE FOUNDATION ON mediation@palaisdetokyo.com
Sundays / 3 pm / 6 € per child and free for any accompanying adult with a valid entry
OCTOBER 16TH AND / OR OCTOBER 27TH PERFORMERS IN RESIDENCE ticket. Duration: 1 hour
www.palaisdetokyo.com
ON AIR
(Weather-dependent, location to be announced. More information on: www.aerocene.org /
La Manutention is a residency programme dedicated to performance. The selected WALTHER KÖNIG & CAHIERS D’ART BOOKSHOP
www.palaisdetokyo.com)
Flights free from fossile fuels and free from borders. artists unveil their personal universes and those of their invited guests at weekly
Tok-Tok workshops [For 5-10 year-olds] Open midday to midnight daily, closed Tuesdays
Handle, cut up, mould and assemble: after an exhibition visit, learn all about the Tel: +33 1 45 63 11 70
Aerocene Explorer flight: Launch your own Aerocene sculpture and start sensing the Thursday evening events that take place throughout the Palais de Tokyo’s spaces over
different methods which can be used to transform a raw material into a work of art. lalibrairie@palaisdetokyo.com
atmosphere. the course of a month. Wednesays and Saturdays from October 17th to December 19th 2018
Human flight: Come together with the Aerocene community for the first fully-certified world
And every days during school holydays (except Tuesdays and Sundays) from October
record for manned solar-balloon flight in France. NSDOS: Thursdays from 18th October to 8th November 2018 READYMADE BAR/CAFETERIA
Free flight: Going beyond symbolic and political borders, the Aerocene Foundation will set two 20th to November 3rd and from December 22nd to January 5th
VESTOJ: Thursdays from 22nd November to 13th December 2018 2:30 pm / 12€. Duration: 2 hours
Open midday to midnight daily
Aerocene sculptures free, re-examining freedom of movement between countries.
Free with valid entry ticket. LES GRANDS VERRES RESTAURANT
Family workshops [For people of all ages]
FRIDAY NOVEMBER 23 2018
ON AIR ACROSS NETWORKS
RD
Innovative and creative interactive sessions for people of all ages, with family or friends,
combining practical art workshops and guided tours of the exhibitions.
Open daily 12 pm – 2:30 pm and 7 pm – 11 pm
Cocktail bar open 7 pm – 2 am
Reservation advised
CARTE BLANCHE TO
What does it mean to be ON AIR? From the social theory of networks to art history and
anthropology, the discussions reveal the myriad of material and immaterial architectures, visible
Sundays / 4 pm / 8 € per child, free for any accompanying adults with a valid entry
ticket. Duration: 2 hours
Tel: +33 1 85 53 03 61
www.lesgrandsverres.com TOMÁS SARACENO
and invisible in which we are entangled.
CONVERSATIONS* / ON AEROCENE: Introduced by Rebecca Lamarche-Vadel and Tomás
LASCO PROJECT RESTAURANT MONSIEUR BLEU
Saraceno. Moderated by Anna-Sophie Springer and Etienne Turpin. Keynote by Bruno Latour BEHIND THE SCENES OF THE BUILDING Open every day OCT 17, 2018 - JAN 6, 2019
With Albert-László Barabási, Bronislaw Szerszynski, d'bi.young anitafrika, and Estelle Zhong LUNCH: From Mondays to Fridays, 12 pm – 2:30 pm
Since 2012, different approaches of urban art have crossed in the basements of Palais
PARTENAIRES DU LASCO PROJECT Mengual. BRUNCH: On weekends, 12 pm – 4 pm
LASCO PROJECT PARTNERS
WORKSHOP; Jamming with the work Algo R(h)i(y)thms.
de Tokyo, from Futura 2000 to O’Clock, without forgetting Mode 2, Boris Tellegen,
DINER: From Sundays to Wednesdays, 7 pm – 11 pm and
CONCERT JAMMING WITH SPIDERS: The Spider’s Canvas of Evan Ziporyn, with Christine Dran, Skki, Evol, Vhils, Azyle, Horfée and Ken Sortais, Lek & Sowat, Stelios Faitakis,
from Thursdays to Saturdays, 7 pm – 11:30 pm
Southworth and Isabelle Su. Pablo Tomek and Philippe Baudelocque. With its deployment in spaces that are usually
BAR: Open 12 pm – 2 am
closed to the public, the LASCO PROJECT means being able to explore Palais de Tokyo
Tel: +33 1 47 20 90 47
in an original way.
FRIDAY DECEMBER 14TH 2018 VISIT OF LASCO PROJECT YOYO
contact@yoyo-paris.com
ON AIR WITH SPIDER/WEBS Every day (except Tuesdays) 12.30 pm and 10 pm / Duration: 30 min
Tel: +33 1 84 79 11 72
Arachnologists, biologists, historians and philosophers of science and media as well as Sundays / 3 pm. Duration: 1 h
composers think on and with the spider/webs, paying renewed at-tent(s)ion to them and to Free of charge, on presentation of an entry ticket.
their symbolic and affective dimensions, might mean we discover new threads of connectivity.
JOIN LES AMIS DU PALAIS DE TOKYO
Visits to these spaces are made in the company of a facilitator.
& BECOME A MEMBER OF TOKYO ART CLUB !
CONVERSATIONS* / ON ARACHNOSOPHY: Introduced by Rebecca Lamarche-Vadel and To learn more about the exclusive activities offered to Les Amis du Palais de Tokyo
ISSUE #24 OF THE MAGAZINE PALAIS IS DEDICATED TO THE LASCO PROJECT.
Tomás Saraceno. Moderated by Filipa Ramos. Keynote by Vinciane Despret. With Frédérique and members of the Tokyo Art Club: +33 1 81 97 35 79
Aït-Touati, Mitchell Akiyama, Alex Jordan, Jussi Parikka, Christine Rollard and Gabriele Uhl
lesamis@palaisdetokyo.com / tokyoartclub@palaisdetokyo.com
WORKSHOP; Public visits of the Palais de Tokyo and the ON AIR exhibition following the
Les Amis du Palais de Tokyo & the Tokyo Art Club
500 spider/webs inhabiting it. With Christine Rollard, biologist and arachnologist from the
Muséum d’Histoire naturelle in Paris. Public workshop revolving around spiders vibrational
communication with Dr. Roland Mühlethaler, researcher of Studio Tomas Saraceno.
CONCERT JAMMING WITH SPIDERS: Concerto pour arachnides by Eliane Radigue.
With Carol Robinson, Bertrand Gauguet, Julia Eckhardt and Yannick Guedon.
* The conversations are in English.
THE SEMINARS ARE SUPPORTED BY FONDATION DANIEL ET NINA CARASSO.
THE “JAMMING WITH SPIDERS” CONCERTS ARE SUPPORTED BY LE FESTIVAL D'AUTOMNE À PARIS. LASCO PROJECT BENEFITS FROM THE SUPPORT OF EDMOND DE ROTHSCHILD ; ADAGP.

The exhibition ON AIR is an ecosystem in becoming, hosting emergent
choreographies and polyphonies across human and non-human universes,
where artworks reveal the common, fragile and ephemeral rhythms and
trajectories between these worlds. As a hybrid ecosystem, ON AIR is made
of a myriad presences, both animate and inanimate, that meet and cohabit
within it. Some voices become quiet, whilst others, perhaps those less
often heard by human ears, are magnified. The exhibition functions as an
ensemble for silent voices, performing the hidden scores that link events and
sensibilities, earthly and cosmic phenomena – weaving a web of relations
that cannot be described but maybe can be felt.
CE
AN
TR
ON AIR proposes a space and time that makes manifest the forces and
EN
entities that float in the air, and their interactions with us: from CO2 to
cosmic dust, from radio infrastructures to reimagined corridors of mobility.
Thus, the invisible histories that compose the ecologies we are part of invite
us to poetically rethink different ways of inhabiting the world – and of being
CE
AN
human.
TR
EN
While extractivist activities that mine the Earth for resources continue to
threaten entire ecologies, ON AIR celebrates new ways of thinking about
our relation with the planet, through new modes of knowledge production.
This is to open itself up to the debate and global challenges posed by the
Anthropocene, a word proposed to define the current epoch we live in on
Planet Earth, in which some human activities leave an impact so important
that they profoundly modify terrestrial ecologies. It is especially through
the activities of Aerocene, an interdisciplinary artistic project initiated by
Tomás Saraceno that seeks to reactivate a common imaginary to collaborate
ethically with the atmosphere and the environment, that visitors are invited to
collectively engage in an exercise of urgent planetary attunement.
ON AIR echoes the artist’s practice as it gathers numerous collaborators
and collaborations, bringing together scientific institutions, research groups,
activists, local communities, visitors, musicians, philosophers, non-human,
and celestial phenomena, all of whom equally take part in the evolution of
the exhibition. A series of workshops, concerts, public symposiums become
part of a continuous process of transformation of the Palais de Tokyo into an
EXIT
evolving “cosmic jam session”.
Curator: Rebecca Lamarche-Vadel
17
EXIT
18
17
18
FOLLOW US
@PalaisdeTokyo
1 EVENT HORIZON The question of what inhabits the air emerges as a crucial one: particulate matter
is the very material that we breathe.
flight (which thus set two new world records), and the flight of eight Aerocene Tata
Inti sculptures.
and temperature. This connection between the Earth and the Sun further reminds
participants that humanity relies on a reciprocal alliance between the elements and
Level 2 - Entrance Level *Livestream provided by KM3NeT in Capo Passero, Sicily, Italy. True technical feats in their own right, these artistic experiments are also political and their effects, and encourages them to evolve into homo flotantis, the human of the
Event Horizon offers an opportunity to listen to the vibrations produced by a
The artwork Particular Matter(s) is supported by the Rolls-Royce Art Programme. The sound system of the work has been poetic gestures: the former took place at the site of the first detonation of a nuclear new Aerocene epoch.
realized with the support of FOCAL.The artwork Particular Matter(s) benefits from the support of Palais de la découverte.
Holocnemus pluchei, a species of spider that has been living at the Palais de weapon, while the latter was conducted over the Salinas Grandes Salt Lake, a site The artwork A Thermodynamic imaginary benefits from the support of Napapijri.
Tokyo since long before the exhibition began. Could this highly sensitive animal, which in recent years has become home to an intensive lithium extraction industry.
though blind and deaf in comparison to humans, be able to detect the vibrations
of colliding black holes that occurred more than a billion years ago?
The vibrations of these cosmic events are transmitted live to the web of
5 RESEARCH VITRINES 15 ALGO-R(H)I(Y)THMS
Level 2 - Entrance Level
the spider, which eventually senses them and responds in turn with its own Level 2 - Entrance Level 10 WEB SDR / TURNING HORIZON Level 1 - Lower Level
vibrations. These potential jam sessions are then translated into frequencies The practice of Tomás Saraceno and his studio is animated by the assemblage Level 1 - Lower Level
audible to humans via a speaker. Just like spiders, we too become able to pick of different knowledges. Starting from their artistic research, they carry out Algo-r(h)i(y)thms is an invitation to join an ongoing jam session that will continue
up the vibrations of cosmic events. This work unravels new scales of perception, Web SDR projection displays the radio frequencies generated by meteoroids for the duration of the exhibition. Participants are invited to play by gently plucking
interdisciplinary projects with different scientists, researchers and prominent
impacting the last layer of the atmosphere while Turning Horizon is a clockwise turning
those of other species that might sense and feel differently in the cosmic web in institutions and universities. These collaborations have led to a series of technical or sliding their fingers up and down the strings. In doing so, they become part of
image of the Milky Way shot in the salt lake of Uyuni, Bolovia. Meanwhile in the first
which we are all enmeshed. a network of unexpected encounters, jamming and tuning in to the reverberating
inventions that open up new perspectives. Some of these are on display here, such
projection, borders between Earth and outer space collide, in the second one the rhythms that surround them. Each of the strings in the work resonates at different
* The cosmic events in Event Horizon are live streamed from the VIRGO antenna at the European Gravitational Observatory as the Interspecies translator or the Aerocene Float Predictor, a tool that allows
(CNRS/INFN). same borders are upturned, decentering the viewer’s cosmic orientation. frequencies. Some of these are audible while others are beyond the range of
individuals to plan a journey around the world in a post-fossil fuel era, following
1 2 the rivers of the wind and crossing geopolitical borders without the use of helium, human hearing and can only be felt as vibrations. Infrasound amplifiers transform
the floor into a speaker, and lying in the floor, the visitor’s body becomes an
hydrogen, solar panels or batteries.
to
extension of their ears, a vibrating membrane that shifts attention towards other
WEBS OF AT-TENT(S)ION
COSMIC LEVITATION
level
4 1
2 11 modes of perception.
Level 2 - Entrance Level
The work Algo-r(h)i(y)thms benefits from the support of PLANTA, Fundació Sorigué and Arthub Shanghai / Hong Kong.
Level 1 - Lower Level
AEROGRAPHIES
The sound system is realized with the support of FOCAL.
1 6
5 2 3 Webs of At-tent(s)ion is made up of 76 hybrid spider/webs* – sculptures The projection Cosmic Levitation shows specks of cosmic dust coalescing around
to
level
interwoven by different spider species where individual threads and sensory worlds Level 1 - Lower Level the vibrational rhythms of different sound frequencies. Individual particles here are
4 1
combine to form a floating landscape. These spider/webs are an extension of the transformed into new assemblages as part of an experiment conducted with the
MULTI-MESSENGER ROOM
This room puts into perspective the different ways in which the movements of
spider’s senses – they become its ears, eyes and mouth – while at the same time Jaeger Lab at the University of Chicago. 16
people, heat, animals, and spider silk affect and are affected by the air.
providing a home for its body. Through the filaments of the spider/webs, spiders
Pens suspended to balloons draw with black carbon ink PM2.5 pollution from the Level 1 - Lower Level
5 3 send and receive vibrations, and perhaps even thoughts: they offer a way for these
air of Mumbai. Spider’s webs laid out on paper produce strange new Spider maps,
creatures to connect to the world. Some of these spider/webs have been amplified The Multi-messenger room is a space in which the many different forms of
with special microphones that allow us to listen to the rhythm of their vibrations.
A population of over 500 spiders lives at Palais de Tokyo, and this constellation of
while the trajectories of balloons that float freely in the air without the help of fossil
fuels trace out Aeroglyphs. Together these ‘Aerographies’ are letters, characters and
12 RADIO GALENA knowledge present in the exhibition come together, whether in the form of books
and essays or live-streams of data from the deep cosmos. As in a traffic jam at a
signatures of a new language for the Aerocene era.
spider/webs invites us to reflect on our coexistence with this ever-present species. Level 1 - Lower Level crossroads, these signals collide with the local ones generated within the exhibition
*We do not isolate the spider from the web as the latter can be considered an extension of the spider’s senses and even of its Radio Galena is a real stone. It is not connected to any electrical grid, batteries, space. These intersecting codes and languages are conveyed through the installation
cognitive apparatus: the external world is perceived by the spider through the tensions and vibrations of its web.
solar panels or electronic devices. And yet, it is a radio receiving electric radio Algo-R(h)i(y)thms, with the room imagined as a site of encounters, a roundtable or a
meeting room.
7 UNDERWATER SPIDER waves. It functions like a traditional crystal receiver, an early radio device. Here
it picks up a Mapuche radio station, broadcast from southern Argentina, which
Level 1 - Lower Level
SOUNDING THE AIR
Level 1 - Lower Level focuses on this indigenous people’s legal claims to territorial autonomy. This stone
3
tunes us in to ecological frequencies and proves that even inanimate objects can
The Argyroneta aquatica is a unique spider species that lives mostly underwater.
enable us to go “on air”. 17 MUSEO AERO SOLAR
16 Level 2 - Entrance Level Tomás Saraceno explores the capacity of certain species to transform their way of
Sounding the Air is a musical instrument composed of five strings of spider silk that life to adapt to new environments. Will humans someday be able to live in the air? Level 1 - Lower Level
float and resonate in the air. It is not played by an individual human but rather by Museo Aero Solar is a community that, since its founding in 2007, creates a
15
14 an ensemble of forces and presences that transform the surrounding space and
its dynamics: invisible movements created by differences in temperature or by the
13 SPACE ELEVATOR collective flying museum by pasting together used plastic bags in which the visitor
AEROCENE EXPLORER
can enter. A trace of our current era, this at once fascinating and monstrous
16 flux and the breathing of visitors. Translating vibrations into sound frequencies, this 8 Level 1 - Lower Level
13 7 museum introduces the final part of the exhibition: a collaborative space dedicated
12 installation lets us hear the sound of the air itself. to Aerocene.
8 6 Level 1 - Lower Level If a colony of spiders living on an acre of land were to collectively and continuously
Sound system realized with the support of FOCAL.
11 10 weave a thread of silk, over the course of just 10 days they would produce a fibre long
9 14 The Aerocene Explorer is a sculpture that rises into the air without the use of fossil
enough to reach the moon. This imaginary thread provides a possible link between
fuels, helium or hydrogen. It is sent aloft as a signal that calls for the deconstruction
15 the Earth and the Cosmos, and acts as a symbol of possible cosmic futures. In this
13 7 4
EVENTS OF PERCEPTION
of aerial borders and the preservation of our air. It contains several sensors that
capture atmospheric data such as temperature, humidity, pressure and air quality.
installation, spiders are invited to spin their webs between different balloons to form 18 AEROCENE
12 8 new airborne habitats and architectures that could inspire mankind.
6 Its users are invited to appropriate it and to improve its functionalities. It is a Level 1 - Lower Level
11 10 Level 2 - Entrance Level
9 sculpture that is always evolving through an ongoing, collective and open process of
Aerocene is an international and multi-disciplinary community aimed at inventing
Air is a restless substance, forever in motion. How might we listen to the particles construction, a poetic tool for imagining a new era without fossil fuels and new ways
new ways of being in the air, free from borders, free from fossil fuels. This space will
A THERMODYNAMIC IMAGINARY
floating within it? In the installation Particular Matter(s) Jam Session (2018), a of decarbonizing the atmosphere through the removal of particulate matter.
14 be activated by workshops and interventions throughout the exhibition’s duration.
beam of light illuminates dust particles of domestic, terrestrial and cosmic origin.
Promoting do-it-yourself and do-it-together practices, these sessions will ask a
Cameras record the position and velocity of the particles in real time, transforming Level 1 - Lower Level profound question: what would it feel like to breathe in a post fossil fuel era?
them into musical tones that are amplified through speakers spread out across
WHITE SANDS / TATA INTI
Aerocene benefits from the support of Audemars Piguet, E-Cube Strategy Consultants and CCK / Sistema Ferderal De
the exhibition space. This unique composition combines the vibrations of spider/ 9 In this black-and-white environment, objects and humans cast their shadows across Medios Y Contenidos Publicos / Argentina.
webs, the sounds of dolphins and of potentially hydrofracking live-streamed from an ever-changing lightscape, where everything floats, grows, reveals and fades
Level 1 - Lower Level
the depths of the Mediterranean Sea* and the cosmic and terrestrial dust stirred away. Encountering a succession of solar eclipses amongst planet-like shadows,
by the breath and movements of visitors. It reveals the complex assemblage of White Sands and Aerocene Tata Inti are videos that present two actions conducted the visitor is reminded of their place on a cosmic scale, and of the elemental
vibrant matter in which humans are inextricably entangled. by the Aerocene community: the first and longest entirely solar-powered manned forces of thermodynamics, the branch of physics that studies the forces of heat