Two elegiac melodies

Deux mélodies élégiaques

g
I. Heart's wound
Le coeur blessé

   
Edvard Grieg (1843-1907), Op. 34
Allegretto espressivo, q=72

                       


Violino I
p
   
f

         
       
Violino II

p


f
Violino II     
  

  
p f

           
Viola
     
p f

           
     
Viola

p f

  
  
  
 
      

Violoncello

f
p

  
Contrabasso     

                         
  

6

        
p mf pp

       
cresc. molto
   
         
p mf pp cresc. molto

       
 
p mf pp cresc. molto

       
 
        
 
p mf pp

    
cresc. molto

        
 
   

p mf pp cresc. molto
   
      
   
  
p mf pp cresc. molto
2

         
12
1
      
 
  
f

        
fp

         
f
 
fp

               
  
   pp
f fp

     
  

          
f fp pp
  
                
          
f fp pp

                    
f
             
fp pp


       
    
f fp mf cantabile

                  
                       
17

   
pp


                                   
                    
pp

    
                                  

         
                               
           
  
                                 
              

                  
                     

                     
  

                                 
 
pizz.


pp
 3


         
      
2
       
       
21

      


                                  
 
                
                                  

 
                                  

                                 

                     
               

                       

  

 

                               
  

               
                   
25

    
pp cresc. molto f p

                           
           
pp p
  
cresc. molto
    
f

                                  
pp p
cresc. molto f
        
                                  


pp

f p
 
cresc. molto

                                 
     
  
pp f p

                  
cresc. molto
       
          

 
pp

f p
 
cresc. molto
   
   
            
 

pp f

                                 
cresc. molto fp

        
pp cresc. molto f p
4

                       
3
  
29

       
pp f marcato

                 
  
           


   
   
pp f marcato
       
            
  
    
pp f
       
        
       
       
pp f
 
       
       
  
    
pp f
          
         
pp

f
   
               
 

   
f
        
 
    
arco


f


    
34                            
     

             
sfz più f
            
    
     
sfz più f

     

 
   


 
sfz più f
         
       

  
sfz più f
        
       

sfz più f
      
          

   
   
sfz più f

        

   

         
sfz più f
     
   

     
sfz

   
più f
    
 
   
sfz più f
 5

                     
4
    
39
     
  
pp ff pp

         
cresc. molto ffp dim e rit. morendo

           
  
  
   
pp ff ffp
  
dim e rit.

cresc. molto pp
 
morendo
    
       
pp ff dim e rit. pp morendo
cresc. molto ffp

    
             
pp ff dim e rit.


cresc. molto ffp pp morendo

       
       
pp cresc. molto ff ffp dim e rit. pp morendo

   
             
pp
  

cresc. molto ff ffp dim e rit. pp morendo
       
      

pp cresc. molto ff ffp dim e rit. pp morendo

      
           
pp cresc. molto ffp
ff pp
 
dim e rit. morendo

   
          
pp cresc. molto ff ffp dim e rit. pp morendo

aA
 6

II. Last spring

Dernier printemps

   
Andante

Violino I                 

     
 
p

Violino II      


p

   
Violino II           
p

Viola           
p

 
 

  
Viola


p
    
Violoncello   
p


Contrabasso     

                           
6


pp

          
 
pp


    
         pp

           

pp

  

      
pp

 

      


       
7

           
12
    5   
  
 
fp

cresc.

           


fp cresc.

              
   
fp cresc.
    
           
cresc.
fp
               

cresc.
fp
    
       
p cresc.

                     

17

   
fp pp

cresc. molto

      
      
fp pp cresc. molto

         
fp

pp cresc. molto

             
fp pp cresc. molto

          
  
fp pp

cresc. molto
 
       
fp pp
cresc. molto

                
23 tenuto

          


f fp pp
 
         
fp

f pp

        
f
 
pp
  
fp
         
f

fp pp

   
      

    
f fp pp

   
  
f fp pp
 
8
 
  
29

       
pp

  
       
   
pp
  
    
     
pp

  
            

pp

  
 

     
      
pp

   
     
   
pp

   
 

      
   
pp

                        
sul ponticello

     
35
6
 

pp


sul ponticello
            



pp

    
sul ponticello
        
   
pp


     
     
sul ponticello

         

 
pp

                 
 
l'arco nel modo ordinario
41    


                       
l'arco nel modo ordinario

 

     
l'arco nel modo ordinario

        
   

      
 
l'arco nel modo ordinario
 
      
       
pp
 
   

        
pp
 
                          
9
46
7



  
p cresc. fp

                
  
   
p cresc. fp

         
 
    

p cresc. fp
              
   


p cresc. fp

             
  


p cresc. fp
   
             
p cresc. fp
        
 

p fp

cresc.
   

  
p fp

8
     
         
 
  
       
51

 

  
cresc. f ff e ben tenuto

             

 
     
  



cresc. f ff e ben tenuto
          

cresc.
 
f ff
       


 
f ff
  
cresc.

      
f ff
     
cresc.
       

cresc. f ff
      
     
cresc. f ff

        
 
 
cresc.
 
f ff
    
 
p cresc. f ff


              
10
56  


         
ffp pp dolcissimo

           



ffp pp dolcissimo
         
  

ffp pp

          


 
ffp pp

         

   
ffp pp
        



  
ffp pp
         


ffp pp
  
     
pp
ffp
 

     
ffp pp
 
 
 

  
62
     
   
rit.

pp f p ppp morendo
fp
     
     rit.


pp f   
 

p ppp morendo

   
fp
           

rit.
  
pp f p fp

ppp morendo

   
  
    
rit.

    
pp f p


fp ppp morendo
  
            
rit.

   
pp f p fp ppp morendo

    
      
rit.
    
pp f p


fp ppp morendo
  rit.

         
 p fp

ppp morendo
      
rit.

    
p fp
ppp morendo

 


 
   
rit.

  
ppp morendo
Violino I

Two elegiac melodies

Deux mélodies élégiaques
I. Heart's wound
Le coeur blessé
Edvard Grieg (1843-1907), Op. 34

                           
Allegretto espressivo, q=72

        
p p
f

                
  

7

      
  
mf pp cresc. molto

              
       
12 1
      
 


         
f pp
fp

 
       
        
f fp pp

                                  
18  
     

 

          
                       
   

        2                 
22 
           
pp

                 
cresc. molto

      
      
   
       
pp cresc. molto

                        
26

      
 
  
  
pp

f p

                            
    
 
 p
f pp
2 Violino I

  
   
3
         

           
30

         
sfz
 
f marcato

                
  
  
 
  
 

   f marcato
                        
sfz

            4
35
   
 
                         
più f pp

 
 
     
         
più f pp

         
40
     
  

         
  
ff ffp
dim e rit. pp

cresc. molto morendo

  
    
   
 
cresc. molto ff ffp dim e rit. pp morendo

II. Last spring

Dernier printemps

              
Andante

        

      
p

                   

8

  


pp

             
13
    5    
  

fp fp

  
cresc.

     
           
 
 
18 tenuto

  
 
pp cresc. molto f

         
24

           

 
fp pp
  
29

                    
pp
                         
Violino I 3
sul ponticello

    
6
35
     

pp

 ponticello        
 sul     
 pp

   
                  
l'arco nel modo ordinario
41    
 

                       
l'arco nel modo ordinario


   
    
46
7
                  



          
         
p fp
 
cresc.

  
fp
     
p cresc. 8
               
      
 
51


f ff e ben tenuto
     
cresc.

             
      

cresc. f ff e ben tenuto


    
56            


ffp pp dolcissimo

         

        

ffp pp dolcissimo

 
 
 

  
62
  
rit.

  
pp f p ppp morendo

  
fp
     
     
  
rit.


  
pp f
p
  ppp morendo
fp
Violino II Two elegiac melodies
Deux mélodies élégiaques
I. Heart's wound
Le coeur blessé

 
Edvard Grieg (1843-1907), Op. 34

             
Allegretto espressivo, q=72
  
               
  

 
f p

       
p


mf

    
   

 
f p mf
p
9 1
               
    


pp f fp

  
cresc. molto

           

  
pp cresc. molto f fp

                           
16

                  
         
pp

       
                      

    
pp

              
20 2
                               

      
                               

                                 
24

       
      

pp f
          
cresc. molto

                      
  
pp

 
f

       
cresc. molto
3
  
28

                          
p

pp f
  
                          
  

p
pp f
            
2 Violino II

      
33

      

 
         
sfz più f

         

sfz più f

            
39 4

        
 
pp cresc. molto ff ffp pp


dim e rit. morendo
     
 
         
pp cresc. molto ff ffp dim e rit.
pp morendo

II. Last spring

Dernier printemps
  
      
Andante

          
  p   
                  
p

 
10 5
             


pp fp


 
cresc.

                  
  pp

 
fp cresc.
17

      
        
 

fp pp

 
cresc. molto f

           
fp
 f

 
pp cresc. molto
25
  
             
  pp

fp pp
  
          

 

fp pp pp
   
Violino II 3

        
6 sul ponticello

       
35
 

pp

                   
sul ponticello

     
pp

                      
l'arco nel modo ordinario 7
42

 
p cresc.

         
   
l'arco nel modo ordinario

p cresc.

               
48
  

fp cresc.

           

    
fp cresc.

     
8
        
54

   
f ff ffp pp

 
 
        
f ff ffp pp


  

    
  
61
      
 
rit.
 
pp f p fp


ppp morendo

        

  
rit.
    
pp f p
fp ppp morendo
Viola
Two elegiac melodies
Deux mélodies élégiaques
I. Heart's wound
Le coeur blessé

  
Edvard Grieg (1843-1907), Op. 34

            
Allegretto espressivo, q=72

 
        

            
p f p

     

     
     

p f p

          
8

         
 
    
mf pp cresc. molto f fp

 
   
      
      
mf pp cresc. molto f fp


  
15 1
              
                    
pp

 
        
      
                 
pp
        

       
                                  
19

  
     
         
                             
           

                                 
23 2
    
pp cresc. molto

     
                        
      
pp cresc. molto
2 Viola

        
3
  
27

                              

f p pp f

  

            
                   
f p pp f

                  

32

  
     
 
più f
   
sfz
   
             
sfz più f

        
4
 
39

       
  
pp cresc. molto ff ffp pp
dim e rit.
    
  
morendo
        
pp cresc. molto ff
  
ffp dim e rit. pp morendo
II. Last spring
Dernier printemps
   
Andante

               

p
  
 
       
p

      
     
9 5
  
      
pp cresc.

     
fp

  
 
        
  cresc.
pp fp

      
17
             
fp pp cresc. molto f

   
 
     
fp pp
      
cresc. molto f
 Viola 3

   
25

            
 pp
fp pp
 

      
 
         
pp
fp pp

               
6


33

   
pp
 
 
          
      
pp

                   
7
    
46

       
p cresc. fp cresc.

        

   
p cresc. fp cresc.

     
8
     
52

      
f ff ffp

          
        
f ff ffp

 
            
       rit. 
60

  
pp f p

pp fp

       
ppp morendo

 
   
rit.
     
pp pp f p
fp ppp morendo
Violoncello
Two elegiac melodies
Deux mélodies élégiaques

I. Heart's wound
Le coeur blessé
Allegretto espressivo, q=72

 
Edvard Grieg (1843-1907), Op. 34
 
           
 
      
    
f p mf

       
p

      
9 1
        

 
pp cresc. molto f fp mf cantabile

          
 
              
18

2                  
       
    
23
   

pp cresc. molto f

  
      
   
28 3
        
  
  
fp f

             
 
34 4

     

         

sfz

   
più f pp
  
 

sfz pp

           

più f

40

     
 
ffp

cresc. molto ff dim e rit. pp morendo

  
 
 
         
cresc. molto ff ffp
dim e rit. pp morendo
2 Violoncello

II. Last spring

Dernier printemps

Andante

  
       
      
p
 
       
11 5
  
p cresc. fp pp



20
   
          
f

 
fp pp

cresc. molto
  
     
29 6

   
  
pp

   

       
   
pp
    
      
 7
       
47

  
p cresc.
   
fp
  
cresc.

  
p fp cresc.

   

54
 8
     
     


f ff ffp pp
   


  
     
  
f ff pp

 
ffp
61  rit.

         
 p fp

ppp morendo

  

   
rit.

     
p fp
ppp morendo
Contrabasso
Two elegiac melodies
Deux mélodies élégiaques
I. Heart's wound
Le coeur blessé
Allegretto espressivo, q=72
 1    
Edvard Grieg (1843-1907), Op. 34
         
pizz.

 
pp

              

20 2
                
 

                                        
25

       
pp cresc. molto f p

            
30 3              
 
arco
    
f sfz

       
37 4
         
più f pp cresc. molto ff ffp dim e rit. pp morendo

II. Last spring

Dernier printemps
Andante
 5  6 
 

47 7      8

      
p cresc. f ff
57  
      
rit.

      
ffp pp ppp morendo