Sie sind auf Seite 1von 21

MK4000 - Analysing Buyer Behaviour and Brand Dynamics

James Albert - W12009829

Contents
Clodagh Hartley - W12005539

Callum McDonnell - W12032326

Rachael Kirk - W12005625

Li Gan - W13032496

Word Count - 3289

Part 1 Page 4

Introduction Page 4

The Original Blue Jean Page 5

Business Distribution Structure Page 6

Customer Segmentation Page 7

Brand Analogies Page 8

Brand Timeline Page 10

Part 2 Page 13

Brand Inventory Page 14

Brand Audit Page 16

Brand Equity Page 18

Brand Extention Page 22

Distribution Channels Page 23

Brand Issues Page 24

Part 3 Page 27

Glastonbury Recommendation Page 28

Spotify Recommendation Page 30

Ray-Ban Recommendation Page 32

Conclusion Page 34

References Page 36

Appendix Page 38
Part 1 The Original Blue Jean

T
he essence of Levi’s is personified in its Levi’s campaigned for AIDS awareness as

core values: empathy, originality, integ- well as being the first Fortune 500 Company

rity and courage. The quartets of values are to extend medical benefits to employees’

evidently valuable to the functionality of the domestic partners (Fairchild, 2014). External

brand as they feature heavily across any in- to the company, Levi’s enforce empathy

quisitive documentation of the company; through promoting their products to be for

particularly marketing campaigns. everyone. The inclusiveness of this promotes

These are Levi’s guiding principles that al- a valued relationship between consumer

low them to make decisions and channel and company.

through their products. Levi’s have demon- The originality of the brand goes without

strated over the years their ability to keep saying. The brand stands on the forefront of

aligned with the originality that they express user imagery, and those tangible attributes

through their products, namely the 501 jean. to which they believe consumers buy Levi’s

However, the path in which Levi has taken, for; the very nature of its iconic blue jean. The

being complacent with originality, has al- originality seeps through all corners of the

lowed them to ignore the obvious trends in brand, however its ability to stay relevant has

the apparel market thus resulting in a signif- caused serious concerns for the future of the

icant loss of percentage in the jeanswear company; the brand has remained strong

marketplace. by capitalising on its heritage however the

Nonetheless the empathy Levi’s value is reliance on originality has led to a compla-

Introduction worth its weight in gold. For instance, in 1982 cent attitude toward the brand as a whole.

L
evi Strauss and Co is a global manufacturer of brand-

name clothing; designing, producing, distributing and

selling a range of clothing products but primarily denim ’The Levi’s brand epitomizes classic American style and effortless cool. Since the invention and patent of riveted

clothing by Jacob Davis and company founder Levi Strauss in 1873, Levi’s jeans have become the most recog-
jeans. The American apparel company owns a range of
nizable and imitated clothing in the world – capturing the imagination and loyalty of people for generations. And
subsidiary clothing brands, these include: Dockers, Signa- while the patent has long since expired, the Levi’s brand portfolio continues to evolve through a relentless pioneer-

ture, Denzin and the iconic Levi’s. ing and innovative spirit that is unparalleled in the apparel industry’’

figure x taken from the Levi Strauss and Co website

5
Business Distribution Structure Customer Segmentation

L
evi Strauss’ apparel see’s transactions in more than 110 A typical Levi’s consumer may fall into two age categories with distinct characteristics:

countries, with approximately 50,000 retail locations. It

operates manufacturing, distribution, and finishing facili- Age: 15-30 years Age: 30-50 years

ties in the Americas, Europe, and Asia/Pacific regions. The This age bracket is made up of both male and fe- Levi Strauss and Co targets both male and female

company favours a multifaceted retail structure, namely male, fashion conscious consumers with ranging consumers in this age bracket and have developed

using a wealth of department stores, company operated household income. The medium – high income a strong sense of loyalty from them. These customers

retailers including online retailing, as well as multi-brand consumers typically buy the Levi’s brand and low- are considered to be professionals and blue collar

speciality stores. er income buyers opting for the Signature brand. workers, who have been wearing Levi’s since their

The selling and distribution spans across the global plat- This target market holds values of self-expression, youth. Their values are a sense of loyalty, American

form with significant success shown in established markets authenticity, peer acceptance, trendsetter and ef- spirit, familiarity and self-expression.

in Japan and Western Europe as well as emerging mar- fortless cool.

kets such as India, China, South America and Russia.

In terms of business stability, Levi’s revenues had shown

significant losses and in 2003, Levi made a bold strategic

move. The company formed alliance with supermarket

giant Walmart, in a bid to secure future finances for the

company. Prior to the partnership, Levi had opposed the

initial idea of selling its apparel in supermarkets. This was

evident in 2001 when Levi sued UK supermarket chain Tes-

co for selling Levi Jeans at half the recommended retail

price for UK approved outlets (BBC News, 2001).

7
Pinterest is visual social media site that allows users to ‘pin’ ideas and create mood boards. The highly influen-

tial social media outlet suggests that Levi is associated with the following attributes:

• Modern Cummuter: someone that owns a bike or skateboard

• Cowboys

• Motor Bike Owners

• Musicians

• Movie Stars: Jonny Depp

Converse Diesel
Brand Analogies

Ray-Ban VW Beetle Budweiser HMV

Glastonbury Festival Casio Fender Vans

9
Timeline
Part 2

Brand Audit

The purpose of this section is to establish the current positioning of

the brand. Over recent decades, Levi’s has allowed their prod-

ucts to essentially sell themselves and be carried through cultures

on the shoulders of trend-setting youths. However every brand

needs to develop in order to stay relevant. Despite Levi’s strong

brand equity, ‘the company favours maintaining its brand integri-

ty over jumping onto the latest trends’ (Lee Yohn, 2015). The pre-

vailing assets that provide value to the Levi Strauss brand will now

be explored.
Brand Inventory
Brand Audit

17
Brand Equity Loyalty

C
ustomers of Levi’s have forever been loy- used to strengthen the seams. Although Levi’s

al to the brand because of their quality, are still considered to be of a very high quality,

originality and style. During WW2 American sol- modern technology has allowed their competi-

diers wore their Levi’s overseas and when they tors to overcome the patented rivet design, and

returned they were passed down through their equal Levi’s quality. A strong emphasis on quality

generations. Since 1996, the loyalty of recurring can be seen throughout their marketing efforts

customers for Levis has fallen; which is evident as well as “quality clothing, every garment guar-

in the drastically falling revenue figures. This is, anteed” being stitched on the leather patch on

in part, due to the rise of close competitors giv- all Levi products.

ing consumers much more choice, but also be-

cause Levi’s have failed to recognise popular Awareness


Key Drivers/ Core Associations
consumer trends. Many of the marketing meth- Levi Strauss has been a household name ubiqui-
American Heritage
ods currently used by Levi’s emphasis the word tous with the blue jeans for over a century. One

L
evi’s has been stitched into American cul- Not many brands have a history as long or event-
“original” in an attempt to develop loyalty from study into brand awareness found that Levi’s
ture for decades, becoming the staple cloth- ful as Levi’s and this story of their heritage is used
younger customers. One study found that re- was the most recalled brand when prompted
ing for America’s labourers by offering comfort throughout many of their marketing campaigns.
peat purchases were more common within the with the word “blue jeans”, a recall rate of 40%
and durability. Founded in California Levi’s may Whether it was the American soldiers wearing Le-
older population when compared to the youth (Wight, 2011). The results of this test suggest that
have spread globally but it has never forgotten vi’s during WW2 or the athletes clothing of the
(Wight, 2011). brand awareness for Levi’s remain considerably
its roots. Levi’s association with Americanism has 1980 and 1984 Olympics, Levi’s has been through
high. In addition to this another study by Dolbow
helped the brand flourish in its biggest market, a lot. It is this experience and longevity that gives
Quality (2000) asked school students to name the pair
America, where the consumer’s patriotism at- consumers the confidence to find value with Le-
Quality is an integral part of the Levi’s brand and of jeans they were most likely to purchase in the
tracts them to brands like Levi’s. vi’s products.
has been a primary driver for their sales since the near future. While Levi’s won the majority, the
Original Cool
company was founded. For decades Levi’s jeans result was only marginal (see table) with many
The original blue jeans were created by Levi The term cool has been associated with Levi’s
have been the leader in product performance, competitors close behind.
Strauss and his business partner Jacob Denis in since the 1950’s when jeans started becoming
this originally stemmed from the patented rivets
1872, 144 years later and Levi’s are still primarily fashionable and a symbol for rebellion. Howev-

known for their jeans. Being the founder of such er the rise in competition, developing fashion

a prominent piece of clothing gives the brand a trends and Levi’s complacency to develop their

special status in the eyes of the consumer and brand has meant that the term cool is no longer

automatically reassures buyers that they will re- linked with the brand as it used to be.
Table x - Shows what jeans brand students would most likely purchase next

ceive value.

19
Keller CBBE Pyramid Kapferer Brand Identity Prism

Behavioural loyalty Resonance


• Red tab • Casual
Strong online community
• Iconic blue jeans • Authentic
• Cool • Recognised Judgements
• Two horses • Effortless
• Lifestyle • Trust

• Following • Quality
Feelings • Affordable
• Community • American Individualism
• Inclusive • Way of life
• Excitement
• Empathy

Imagery
• American • Workmen • Sustainable • Fashion • Trendsetter
• Trendsetting
• Musician • Rebellious •Standardised • Durable • Rebellious
• Multi generations
Performance • Independent
• Biker • Cowboy • Heritage • Reliable

• Household name, • Globally recognised brand Salience

• High brand recal response

21
Brand Extention
I
n order to grow and expand, Levi’s has leveraged 2016). Although Levi’s blue jeans account for roughly

its brand and attempted to introduce many new 85% of their revenue (Fairchild, 2014) they have many

products in accordance with a brand extension strat- examples of successful brand extension products i.e.

egy (Kotler, Keller, Manceau, & Hémonnet-Goujot, belts, t-shirts and wallets.

No go areas

Extention Areas

Distribution
Belts Caps
Inner Core
501 Original
Channels
511 Slimfit
T-Shirts Shoes Online Levi’s stores
569 Loose

L
evi’s sell all of their products directly from their own Levi’s own a number of stores to sell only their prod-
517 Bootcut
website, this has obvious cost saving advantages ucts in throughout various cities. Although these stores
Suits Mobile
Wallets Jackets Phones but it also allows the brand to be displayed and mar-
do not bring in a substantial amount of revenue com-
keted in the exact way that Levi’s see fit for their cus-
pared with the third party retailers, they do allow Le-
tomers. Levi’s also sell their products via other online
vi’s complete control of their customers experience
retailers such as asos, this however limits the image
with their brand.
exhibited of the brand but does help maximise brand

awareness and sales.


Second hand market

The second hand market does not contribute to any


Department stores
of Levi’s revenue however it does contribute massive-
Like many apparel companies, Levi’s sell most of their
ly to the brand itself. Retro clothing is a massive trend
products through retailers like JCPenny or John Lew-
among young people (Guffey, 2006) and old Levi’s
is. Within these department stores Levi’s have their
clothing fits perfectly into this classification. The result
own areas that are designed in accordance with the
of many people wearing old Levi’s clothing is that its
brand, although beneficial, they have no more con-
reputation for quality increases, as the clothing has
trol over their customer’s experience of the brand.
lasted so long, and also the awareness of the brand

increases.

23
Brand Issues
Brand extension failures Trends and Competition Athleisure Trend

P S A
roducts that were associated with the brand ince their peak in 1996 Levi’s has used their fast growing movement in the apparel in-

but have had a negative impact are: market dominance and household name dustry is the athleisure trend among the

to drive business. This lazy and one dimensional millennials generation. It is this age bracket that
Levi’s Tailored Classics - Formal, pretentious, ex-

pensive compared to Levi’s casual, unpreten- strategy has meant that innovative companies Levi’s are targeting and yet this segment are be-

tious and affordably iconic jeans. like Calvin Klein and Wranglers have chipped coming more health conscious and turning to

away at Levi’s market share. The premium jeans the more comfortable athletic clothing; breath-
Levis Mobile - Drastically different industry which
market has been growing rapidly since 2000 and able and stretchy fabrics. Euromonitor predict
confused the identity and positioning of the
Levi’s have been complacent in reacting, this that the denim jeans market growth will slow to
brand.
left the door open for Calvin Klein to capture the just 1.4% by 2017 whereas Barclays forecast that

market. Similarly Wranglers has taken control of the athletic apparel market will grow by $30 bil-

the discount jeans which leaves Levi’s awkward- lion (Hanlon, 2015) further diminishing the want

ly the middle. for denim jeans.

Figure x - Levi’s Tailored Classics Figure x - Levi’s Mobile

Ageing consumer market

D
ue to a loss of focus and lack of innovation,

Levi’s typical consumer has been getting

older and Levi’s has become less associated with


Figure x - Global market share, jeans companies
Chart Source: Euromonitor
youth connotations, for which their blue jeans

have been a generational symbol. Although Le-

vi’s have attempted to target the 15-25 year old “There is no question, we got
market, their typical customers are actually 20-45

years old (Vrontis & Vronti, 2004).


complacent” – Chip Berg, Levi’s CEO
25
Part 3
1
What is Glastonbury?

G
lastonbury is a performing arts festival that at- Predominantly, sponsorship works so long as the part-

tracts thousands of festival goers every year nership of the brands aligns with, or ‘fits’ one anoth-

to its famous green fields. The festival entices vibrant er’s brand attitudes, values and beliefs. Both Levi and

crowds and fashion forward trendsetters; quintessen- Glastonbury strive for sharing sustainable change in

tially the festival was voted the third trendiest brand the world (Levi Strauss, 2016), as well as attracting

in 2015 (Brown, 2015); the ideal target audience that compatible, like-minded target audiences (Jagre,

Levi require in order to enhance their brand image. Watson & Watson, 2001).

Benefits Sponsorship Strategy

T I
he sponsorship will aim to increase initial brand n search for a new, edgy and effortless cool, it is rec-

awareness and loyalty as well as generating cus- ommended that Levi’s should be the official sponsor

tomer preference through means of high brand re- for the world renowned Glastonbury festival held in

call. Levi’s has precedent associativon with music; the UK. To enhance positive brand equity, Levi’s need

therefore the company will understand the famil- to encourage brand preference and recognition of

iar connotation with music ventures. Sponsoring an what it offers in comparison to other apparel brands.

event as vast as Glastonbury will provide Levi with an Through event sponsorship of Glastonbury, Levi’s will

opportunity to build its brand position through its as- to trial their brand through pop-up stores across the

sociation, especially in the UK, as well as expose the festival, offering exclusive custom Levi apparel in a

brand to the media platforms that cover the event. bid to win new consumers as well as attempting the

Research of event sponsorship ventures indicate retention of past and present consumers. A stage

that it alters brand image positively and while initially within the festival will be named as the ‘Levi Stage’ as

used in a rather cavalier manner by many sponsoring a form of brand marketing. Levi currently uses guer-

companies, is regarded today as a highly cost-effec- rilla marketing in the ‘Live in Levi’s’ campaign that is

tive method of marketing communication’. (Meen- both striking and imaginative; the quirky advertising

aghan, 1991). Essentially, event sponsorship buys two will be featured heavily across Glastonbury platforms,

things; exposure with the audience and the image namely posters, flyers and small billboards.

association.

The Recommendation

T
o increase Levi Strauss’ brand awareness amongst younger consumers through

official event sponsorship of the Glastonbury Festival of Contemporary Per-

forming Arts.

29
2 The Partnership Strategy The Proposition

U T
sing the associative network memory model he store soundtrack and the marketing cam-

(Keller, 1993), Levi, using brand knowledge, can paign soundtracks will be available as a feature

build Levi’s customer based brand equity through the on the Spotify ‘genre’ feed. A Levi content section

association with Spotify. In 2014, the team behind Le- will be available alongside the pop, rock jazz gen-

vi’s store soundtrack stated that ‘music is an extension res, to name a few, to entice the curiosity of Spotify

of the brand’, and music is a marketing tool which users. Spotify was a new entry in the top 20 trendiest

can affect the consumer brand experience (Busnyuk, brands of 2015; so the association of Levi with Spotify

2014). The ultimate goal is to reinforce positive brand will have impact on the brand equity. Furthermore,

awareness in association with Spotify, as it Is evident Spotify’s platform allows content to be easily spread

through past ventures that Levi’s high regard music by word-of-mouth through Facebook and Spotify’s

The Recommendation as a part of their brand. social feed. If Levi was to be advertised via Spotify’s

To enhance the Levi Strauss brand image and attract a younger customer base through a partnership with Facebook, this would equate to millions of viewers

Spotify. through social media marketing strategies (Busnyuk,

2014).

What is Spotify?

T
he digital music service has created an online to a pool of worldwide users who no doubt use Spot-

platform that has given listeners access to a vast ify on a daily basis.

music catalogue. Spotify is a global success, reach- Using the collaboration with Coca- Cola as an exam-

ing more than 100 million active users including 15 mil- ple Spotify provides the technology and music need-

lion premium subscribers. ed for Coca-Cola marketing. This would be similar

Well-known brands such as Coca-Cola and Face- for Levi’s; Spotify can help boost the online market-

book have successfully partnered with Spotify, high- ing for Levi’s and help draw in more customers (Dai

lighting the integrity of the company and the benefits & Pietrobon, 2012). Spotify has gained a tremendous

that Spotify can contribute to brand equity. brand equity from their current co-branding partner-

ships, and having another collaboration will only help

The Benefits strengthen this.

T
he benefits Levi would obtain from a partnership

with Spotify is unfathomable; the music streaming

service is so current and in high demand. It’s readily

global platform would essentially be Levi’s for the tak-

ing; in essence, Levi would have unrestricted access

31
3 To rejuvenate the ‘cool’ image of the Levi Strauss brand,
The Recommendation
Why Ray-Ban? Benefits

R T
ay-Ban is being recommended as it is strongly he Levi’s brand would benefit from this acquisition

associated with being a cool brand, so much by adopting the cool associations with Ray-Ban
this report proposes the acquisition of the brand Ray-
so that it was voted the 2nd “coolest” brand in 2015 while keeping the ‘Original American’ image. This
Ban.
(CoolBrands, 2015). This recommendation looks to re- would allow Levi Strauss to develop a brand portfolio

juvenate Levi’s lost ‘cool’ image and therefore must which strongly reinforces the company’s values while
What are Mergers and Acquisitions (M&A)?
identify a brand that is deemed ‘cool’ but also holds branching out into a new but similar market. This ac-
M&A in general is a term used for the amalgamation of
similar values. quisition would go on to rejuvenate the diminished
two or more companies. The duration of this report will
In a similar way to Levi’s, Ray-Ban holds a close as- sense of ‘cool’ previously associated with Levi’s. Le-
focus on one specific type of acquisition being (A + B =
sociation the phrase ‘Original American’, this arose vi’s would therefore be able to leverage secondary
A1 + B).
because Ray-Ban founders, Bauch & Lomb, invented brand associations gained form Ray-Ban in order to
This type of M&A depicts the controlling parent compa-
the first aviator sunglasses for the US Airforce in 1929 increase its own brand equity (Campbell, 2002).
ny represented by A (which is able to make strategic
to help combat glare. Furthermore Ray-Ban also cap- Acquisition strategy
controlling action) and the purchased brand being B
italise on their heritage in a similar way to Levi’s to Firstly, once the target brand (Ray-Ban) has been
(Ray, 2010). For this report A will represent Levi Strauss
drive sales and develop as a brand. identified a brand team will be created in order to
and B representing Ray-Ban.
Although there is no overlap in product offerings be- conduct marketing due diligence. The primary goal

tween Levi’s and Ray-Ban, Ray-Ban have recently of this team will be to observe the transaction through
Type of Acquisition
launched a new line of sunglasses made from real the customers ‘eyes’. This is done in order to sustain
According to Ray (2010) there are three primary motives
denim. This link could be capitalised on too assert a loyal customers once the acquisition is completed,
for pursuing a brand acquisition.
connection while keeping their strong brand individ- making sure that the various customer touchpoints
• Growth strategy
uality. Furthermore Ray-Ban, like Levi’s, is a large ad- remain constant (Kumar & Hansted Blomqvist, 2004).
• Defensive strategy
vocate for guerrilla marketing as mentioned by Levin- The next step would be determining the method at
• Financial opportunity
son, Meyerson, and Scarborough (2008), evidence of which brand equity would be transferred from the
This recommendation will be based on pursuing the
this can be seen in their Never Hide campaign. acquired brand to the parent company, in essence
growth strategy theory as Levi Strauss and Co is currently

experiencing controlled organisational growth.

Evidence of Successful M&A

• The purchase of jaguar cars Limited and Land Rover

in 2008 by Tata motors Limited (Lee et al., 2011).

• Louis Vuitton Moet Hennessy using the ‘house of

brands’ strategy to develop a successful brand port-

folio and maintaining the brands core values (Kumar

& Hansted Blomqvist, 2004).

33
the goodwill. This report then proposes as mentioned

by Uggla (2004) the use of ingredient branding. This

theory would then be applied to the new denim line

of sunglasses produced by Ray-Ban. By associating

the original denim produced by Levi’s with the Ray-

Ban denim range. The outcome would have the ef-

fect of connecting two customer bases as well as

rejuvenating the brand equity and ‘cool’ brand as-

sociation of Levi’s.

Conclusion

T
his report has identified the need for the Levi’s

brand to become re-associated with the term

cool and to attract a younger demographic. By be-

coming affiliated with branches of the music sector

and strategic partnerships with “cool” brands such

as Glastonbury and Spotify, Levi’s will become a cool

brand once again. To further establish themselves as

a quintessentially cool brand, this report has recom-

mended to Levi’s the acquisition of Ray-Ban, who’s

brand identity aligns flawlessly with Levi’s and who

was also voted the 2nd coolest brand in the UK.

35
References
Aaker, J. L. (1997). Dimensions of brand personality. Journal of marketing research, 347-356.
Keller, K. L. (2000). The brand report card. Harvard Business Review, 78(1), 147-158.
Anholt, S., & Hildreth, J. (2004). Brand America: The mother of all brands: Cyan Communications.
Kotler, P., Keller, K. L., Manceau, D., & Hémonnet-Goujot, A. (2016). Marketing management: Pearson.
Bergh, C. (2016). Who We Are. Retrieved 09/03, 2016, from http://www.levistrauss.com/who-we-are/
Kumar, S., & Hansted Blomqvist, K. (2004). Making brand equity a key factor in M&A decision-making. Strategy
Brown, A. (2015). Netflix is cooler than Aston Martin - the 20 COOLEST brands of 2015 REVEALED. Retrieved & Leadership, 32(2), 20-27.
10/03, 2016, from http://www.express.co.uk/life-style/science-technology/608420/Cool-Brands-Top-20-Netflix-
Aston-Martin-Virgin-Atlantic-2015-Apple Lee, H.-M., Lee, C.-C., & Wu, C.-C. (2011). Brand image strategy affects brand equity after M&A. European
Journal of Marketing, 45(7/8), 1091-1111.
Busnyuk, A. (2014). Soundtrack of Consumption: An exploratory study of Spotify playlist’s potential use for
commercial purposes. Levinson, J. C., Meyerson, M., & Scarborough, M. E. (2008). Guerilla Marketing on the Internet: The Definitive
Guide from the Father of Guerilla Marketing: Entrepreneur Press.
Campbell, M. C. (2002). Building brand equity. Journal of Medical Marketing, 2(3), 208.
Meenaghan, T. (1991). The role of sponsorship in the marketing communications mix. International journal of
CO, L. S. (2014). The musical trio behind the Levi’s store soundtrack Retrieved 10/03/2016, 2016, from http:// advertising, 10(1), 35-47.
www.levistrauss.com/unzipped-blog/2014/01/musical-trio-behind-levis-store-soundtrack/
News, B. (2001). Q&A: The Tesco-Levi battle. BBC News. from http://news.bbc.co.uk/1/hi/business/1261829.stm
CO, L. S. (2016). Sustainability Retrieved 10/03, 2016, from http://www.levistrauss.com/sustainability/
Pietrobon, A., & Dai, Y. (2012). Branding for Start-ups: A case Study of Spotify.
Co, M.-L. S. (2016). COMPANY PROFILE Levi Strauss & CO. Retrieved 09/03, 2016, from http://store.marketline.
com/Product/levi_strauss_co?productid=BA3D19BC-9CC4-487D-8B88-40809F65CE14 Ray, K. G. (2010). Mergers and acquisitions: Strategy, valuation and integration: PHI Learning Pvt. Ltd.

Cuneo, A. Z. (1998). Dockers aims to equal jeans sales: Levi Struss sets $50 mil campaign seeking younger buy- Rosenbaum-Elliott, R., Percy, L., & Pervan, S. (2015). Strategic brand management: Oxford University Press, USA.
ers for brand. Retrieved 09/03, 2016, from http://adage.com/article/news/dockers-aims-equal-jeans-sales-
levi-strauss-sets-50-mil-campaign-seeking-younger-buyers-brand/66607/ Thomas, A. R., & Wilkinson, T. J. (2015). The Customer Trap and Brand Destruction The Customer Trap (pp. 13-
26): Springer.
Dolbow, S. (2000). Assessing Levi’s Patch Job. Brandweek, 41(43), 34.
Uggla, H. (2004). The brand association base: A conceptual model for strategically leveraging partner brand
Fairchild, C. (2014). Does Levi Strauss still fit America? Retrieved 26/02/2016, fromhttp://fortune.com/2014/09/18/ equity. Journal of Brand Management, 12(2), 105-123.
levi-strauss-chip-bergh/
Vrontis, D., & Vronti, P. (2004). Levi Strauss: an international marketing investigation. Journal of Fashion Market-
Guffey, E. E. (2006). Retro: the culture of revival: Reaktion Books. ing and Management: An International Journal, 8(4), 389-398.

Hanlon, P. (2015). Athleisure Trend Signals New Brand Icons, New Work Rituals. 2016, from http://www.forbes. Wight, S. (2011). Levi’s brand equity Retrieved 10/03, 2016, from http://www.slideshare.net/wight012/le-
com/sites/patrickhanlon/2015/09/23/athleisure-trend-signals-new-brand-icons-new-work-rituals/#3fd9a4e- vis-brand-equity-presentation-7105794
ae070
Yohn, D. L. (2015). How Levi’s Became a Brand With Staying Power. Retrieved 09/03, 2016, from http://www.
Jagre, E., Watson, J. J., & Watson, J. G. (2001). Sponsorship and Congruity Theory: A Theoretical Framework for entrepreneur.com/article/243412
Explaining Consumer Attitude and Recall or Event Sponsorship. Advances in consumer research, 28(1).

Keller, K. L. (1993). Conceptualizing, measuring, and managing customer-based brand equity. the Journal of
Marketing, 1-22.

37
Appendix
Porters 5 Forces Analysis
SWOT Analysis
Power of Suppliers - Low
Switching Costs Low Strengths • Established brand portfolio encourages repeat purchases
• Global footprint
Strength of Distribution Channel Low
• Multiple distribution channels increase market penetration oppor-
Supplier Competition Low tunities.
Differentiation of Inputs Low
Weaknesses • Dependence on few customers for substantial portion of revenues
Buyer Dependence Low • Reliance on contract manufacturers for product procurement,
manufacturing and finishing.
Threat of Potential Entrants - High
Opportunities • Increasing online retail spending
Capital Availability High • Growing US apparel market
Access to Technology High
Economies of Scale High Threats • Increasing competition
• Laws and regulations
Access to Distribution High • Increasing labour costs
Barriers to Entry High
Government Policy High
Industry Profitability High

Threat of Substitute - High


Product Substitution High
Brand Substitution High
Buyer Price Sensitivity High
Differentiation Within the Market High

Power of Buyers - Low


Buyer Dependency Low
Product Features Low
Product Importance Low
Buyer Information Availability Low
Buying Power Low

Industry Rivalry - High


Market Growth Rate Low
Total Number of Rivals High
Exit Barriers High
Sustainable Competitive Advantage Low
Advertising Expense High
Product Capacity High
39

Das könnte Ihnen auch gefallen