Beruflich Dokumente
Kultur Dokumente
4-1-1991
Recommended Citation
Fraleigh, Sondra, "A Vulnerable Glance: Seeing Dance Through Phenomenology" (1991). Dance Faculty Publications. Paper 4.
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III. A VulnerableGlance:
Seeing Dance through Phenomenology
SondraFraleigh
When phenomenology is true to its intent, it never knows Falling in love may take "an instant,"for example, and some
where it is going (1). This is because it is present-centeredin chores may "never"get done.
its descriptive aims, accounts for temporalchange, and does Heideggeralso describesthe "ecstasyof time"-those times
not have appropriateand inappropriatetopics. It might move when past and future are realized in the present-as "the
from Zen to dance to baseball to washing dishes, and even moment of vision" (4). We say we "lose trackof time" when
isolate a purity of attention that under certain circumstances we become fully involved in an experience; then conscious-
connects them all. Phenomenology develops unpredictably, ness is not divided, and an act or thought emerges from a
according to the contents of consciousness. This is its first present-centeredness. Insight, or moments of vision, as we
level of method. Its second level develops philosophical take "sight"as the basis for "insight,"depends on our experi-
perspectives from the seed of consciousness. It holds that encing the fullness of present time. Lived dualisms (tugs,
"philosophyis not the reflectionof a pre-existingtruthbut,like pulls, and scatteringsof attention)disappear,and the unity of
art,the act of bringingtruthinto being"(2). HereI will discuss our being is experienced.
phenomenology as a way of describing and defining dance, When I use the term phenomenology I mean existential
shifting between the experience of the dancer and that of the phenomenology, the development of EdmundHusserl's phe-
audience. nomenological philosophy by latertwentiethcenturyexisten-
tialist philosophers: MartinHeidigger, JeanPaul Sartre,Paul
Experiential Truth Ricoeur, Maurice Merleau-Ponty,and Gabriel Marcel. The
Phenomenology depends on immediate experience, but in- common concern of these philosopherswas to describe exis-
cludes more. It hopes to arriveat meaning,perspectiveson the tence from the "horizon"(Husserl's term for the "context"in
phenomena of experience (dance in this case) which can be which experiences arise) of being-in-the-world. Existential
communicated. It is not devoid of past and future,since both philosophy originatedprimarilyin the thinkingof men-with
are lived as partof the present. Presenttime takes its meaning the exception of feminist Simone de Beauvior. As a revolt
in part from past and future. Heidegger described time as against traditionalwestern philosophy, it developed several
belonging to the totalityof being, as "thehorizonof being." He concerns consistent with feminists (see Addendum on Phe-
chose the vulnerable image of falling to describe the lived nomenology and Feminism). Of particularinterestis that the
dimension of present time. Falling is both a movement and a body (mythically associated with woman and the mystery of
symbol of our existential mode of being-in-the-world(3). birth)has been ignored and denied by traditionalphilosophy,
Existence is not static. It moves always just beyond our but is importantin phenomenology, and is a centraltheme in
grasp. It has no specific shape, no texture,no taste (because it existential phenomenology.
is nowhere). Yet we assume it is something. We can't see it Existentialphenomenologyis vulnerablebecause it rests on
(because it is everywhere), and we feel its perpetual"dance" experiential descriptionsof the lived world; more precisely,
inside us. It is of the essence of vulnerability. It surfaces to human experiences arising always in particularcontexts of
attentionthroughreflection in literature,history, and philos- being-in-the-world. While much of male dominatedphiloso-
ophy, with the urgency of word and gesture, formulationsof phy has striven for invulnerabilitythroughlogic and reason,
concrete materials,the actions and passions of drama,and the phenomenology took up the risky position of experiential
infinite combinations of sound and bodily motion in the description. It is clear, however, thatparticularconcernshave
various arts. Here psychic life, visible form, and experiential helped to shape phenomenologicaldescription,making it less
truthmerge;thoughtandfeeling converge, andmeaningarises. relativethanit would be withoutguidingprinciplesor method.
Art is an attemptto give substanceto existence, thatwe may Phenomenology does not rely primarilyon the uniqueness
gain insight throughdistilling life's ongoing nature,repeating of experience. Overall, it is propelled by a universalizing
selected gestures,motions, andsounds,moldingandmaintain- impulse, since it hopes to arriveat sharedmeaning, recogniz-
ing certainshapes. Art in its various forms holds these before ing thatthis worldis indeed"ourworld,"thatourbeing-in-the-
our senses. It allows us to absorbthe textures,meanings, and world is conditionedby the existence of others. Self andother
motions of a perishablebodily existence. Artandexistence are are terms that take on meaning in relation to each other.
both within the context or "horizon"of time. Both are subject Individualsubjectivity is thereforeunderstoodin view of its
to the ways in which time is lived-compressed, elongated, intersection with a surroundingworld, constituted by other
endless, a long time, a short time, barely enough time, etc. objects, naturalphenomena, and other human beings. Inter-
Lived time does not refer to clock time, but to how time feels. subjectivity is a given. It is the basis of both alienation and
Sondra Fraleigh directs the graduatedance programat State University of New York, College at Brockport. She is currently
Presidentof the Congress on Research in Dance, and has published a book on dance aesthetics, Dance and the Lived Body. She
has publishedmany articles on dance, frequentlypresentspapersat CORD conferences and conferences of the AmericanSociety
for Aesthetics, and has choreographedworks for studentand professional dance companies.
NOTES