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Narrative Writing
What is Narrative?
Often, the word narrative is synonymous with story. A narrative is the story (fiction or non-fiction) told
and the order in which it is told. Sometimes, there is a narrator, a character or series of characters, who
tell the story. Sometimes, as with most non-fiction, the author himself/herself in the narrator.
You are narrators of your own lives all the time. Something happens in class. You go to lunch; then, you
tell the details that are important to you in the order that seems right to you. The story that you tell is
a narrative. A reporter who tells a human interest story for the Olympics about an athlete that fought
for years to get to the Olympics might emphasize his hardship, the time he had to sleep outside for a
week, the eight hours a day that he worked out. The narrative is shaped by details.These details offer
clues about the author’s purpose. Clearly, the author who emphasizes the hardships of an Olympic
athlete wants to show us that this person overcame adversity to succeed.
Narrative writing in fiction and non-fiction (and even poetry) tells others the stories of our personal
experiences and allows us to gain empathy and sympathy about the world around us.
Even though the correct answer is that whether a piece of writing is good or not rests entirely with the
reader, many people think that good writing is effective writing. And it’s true.
Good writing follows a flow. Good writing is focused. Good writing is written for a purpose. Good writing
is grammatically correct and readable. And…
And I hear you saying: “what is vivid description anyway?”… So here we are!
Vivid description is writing which makes you feel as if you are standing there, right there where the
author has just described something. Vivid description appeals to the senses — eyes, nose, ears, skin,
etc. You use vivid description when you describe something, whatever it may be. And… yeah, you knew
it, here’s a note (seems I can’t do without one):
Note: – Vivid description is undesirable in some cases. Too much of a good thing is usually a bad thing
(once again!).
If you want to use vivid description, then you want to play with all the senses. Don’t just say the wind is
fast. Compare it with something that the readers are familiar with. As an example, compare these two
sentences:
Rather than leaving the details to the reader’s imagination, why not list them out in your writing? It is
incredibly annoying to imagine something based on what has been written only to discover that our
image is wrong. (Read this post to see why novels and films differ when writing character description for
it). In contrast, if we had the proper details, wouldn’t we imagine better? Wouldn’t we have a clearer
image of what the author is saying?
Description is necessary but boring, and so you have vivid description. Concrete details. Everything the
reader would want to know, and nothing more. You explain it, they understand it, and your writing is
okay.
But what if you want your writing to be more than just ‘okay’?
Then you have to write for the senses. Hit your writing with some scent for the nose and make the
reader feel as if he’s there with you sniffing. Play with noise. Play with feelings and sensations. Make the
writing wash over the reader, as if it’s not there at all, as if he/she is seeing the event or whatever you
are describing.
When the reader has that feeling, then you know that your piece was a success. Then you know your
work has paid off. Then you know you’re ready to see results, and all from applying a very simple writing
tip: just use vivid description.
When you are using vivid description, it’s better to use the active voice, and for a good reason. The thing
is, when you use the passive voice, as for example: “The door was opened by the man” rather than “The
man opened the door” your writing loses a bit of its punch. It loses the “vivid” part of vivid description,
and along with filler words, can completely weaken your writing. My advice: stay clear of it!
Note: – This applies almost everywhere, but not in exceptions. Is your writing project a scholarly or
academic one? Law? Advertising? Then this advice does not apply to you; passive voice and filler words
are actually recommended. But not all the time. 🙂
When you use active voice on the other hand, your writing becomes concise and more readable. You
reach closer to the goal of having the reader feel that he’s there with you when you describe something.
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Concrete details means the complete opposite of becoming a fancy writer: more punch, more strength,
more vigour. Better results.
Brilliant writing is an art form. Only few writers pen down something which may be called brilliant, and
they make it look easy. For the rest of us… but the art is learnable. As usual, the main thing you should
do is: (drumroll) practise!
When your writing is brilliant, your description automatically becomes brilliant. You don’t need to worry
because of it; you need to worry because of your writing. Improve how you write and you’ll improve
your description.
As with narrative and dialogue, try not to use too much description. It bores us. It bores the heck out of
us, and even if you’ve got vivid description, it won’t help if you keep at it. Mix it up — I guarantee you
will see positive results! Try it today. Experiment with various techniques. You may want to use some
quotes, lists, charts or anything else to break up the description. All are recommended, so you can use
any of them which you like.
Conclusion
If you’ve got a description, it’s most likely languishing in your writing, scorned as “boring”. You’re
worried. What do you do as a solution? The answer: make it vivid. Make it exciting. End of story.
Oops, let me swallow that last sentence. It certainly isn’t the end of story. Share tips and tricks of your
own. Disagree? Got feedback or criticism? Then share it in the comments: that’s what it’s there for. To
get updates on the latest articles in the Writing Tips series, subscribe here
Verb tense consistency refers to keeping the same tense throughout a clause. We don’t
want to have one time period being described in two different tenses. If you have two
or more time periods, start a new clause or a new sentence.
Finished and went are in the past tense, but tidies is in the present tense. Mark’s
actions shift from the past to the present and back again, which is not logical unless
you are Dr. Who. We could fix this in a couple of different ways:
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Mark finished his essay, tidied his room, and went out for supper.
Or:
Mark finished his essay and went out for supper, and now he is tidying his room.
In the second example, Mark’s past actions are described in the first clause, and his
present actions are described in a new clause, complete with its own subject and verb.
Here, it is unclear whether this weather is wreaking havoc in the past or present. To
ensure verb consistency, the writer must choose one or the other:
The winds along the coast blow the trees over when the weather gets bad.
Or:
The winds along the coast blew the trees over when the weather got bad.
Consistent verb tense is especially important when showing cause and effect over
time, and when a secondary action requires you start a new clause:
I’m eating the cake that I made this morning.
The verb agreement in this sentence is logical because the cake must be made before
it can be eaten. I’m eating the cake is a clause unto itself; the word thatsignals a new
clause, complete with its own subject (I) and verb (made). If you pay close attention
to verb tense agreement, you will find that your writing can be easily understood by
your readers
Anecdote
From Wikipedia, the free encyclopedia
For the 1989 film, see Anecdote (film). For a comparison of anecdote with other kinds of stories,
see traditional story.
Flashback (narrative), in literature and dramatic media, an interjected scene or point that takes
the narrative back in time from the current point
Flashback episode, an episode of a television series that consists primarily of excerpts from
previous episodes
Flashback (psychology), in which a memory is suddenly and unexpectedly revisited
Acid flashback, a reported psychological phenomenon in which an individual experiences an
episode of some of LSD's subjective effects long after the drug has worn off
Flashback (welding), a dangerous hazard of using an oxyacetylene torch
Flashback arrestor, a device most commonly used in oxy-fuel welding and cutting to stop the
flame from burning back up into the equipment
time-stretch
Verb
(third-person singular simple present time-stretches, present participle time-stretching, simple past
and past participle time-stretched)
1. To change the speed or duration of (an audio signal) without affecting its pitch.
Time Summary. The film is set in the year 2169, a time when people have stopped
aging at 25 years old. But one year after their 25th birthday they die if they aren't able to
add credit to the time remaining on their lifespan. The story focuses on Will whose
mother, Rachel, passes away after her time runs out.
Flash-Forward
Flash-Forward Definition
Dialogue is a narrative technique in which the author has two or more characters
convey important information to the reader by speaking directly to one another. ... It can
convey important information that a first-person narrator might either not be unaware of
or unwilling to share with the reader.
A definition is a statement of the meaning of a term (a word, phrase, or other set
of symbols).[1] Definitions can be classified into two large categories, intensional definitions (which try
to give the essence of a term) and extensional definitions (which proceed by listing the objects that a
term describes).[2]Another important category of definitions is the class of ostensive definitions, which
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convey the meaning of a term by pointing out examples. A term may have many different senses
and multiple meanings, and thus require multiple definitions.[3][a]
In mathematics, a definition is used to give a precise meaning to a new term, instead of describing a
pre-existing term. Definitions and axioms are the basis on which all of modern mathematics is
constructed.[4]
connotation is a commonly understood cultural or emotional association that some word or phrase
carries, in addition to its explicit or literal meaning, which is its denotation.
A connotation is frequently described as either positive or negative, with regard to its pleasing or
displeasing emotional connection.[1] For example, a stubborn person may be described as being
either strong-willed or pig-headed; although these have the same literal meaning (stubborn), strong-
willed connotes admiration for the level of someone's will (a positive connotation), while pig-
headed connotes frustration in dealing with someone (a negative connotation).
Denotation is a translation of a sign to its meaning, precisely to its literal meaning, more or less like
dictionaries try to define it. Denotation is sometimes contrasted to connotation, which
includes associated meanings. The denotational meaning of a word is perceived through visible
concepts, whereas connotational meaning evokes sensible attitudes towards the phenomena.[1]
Analysis is the process of breaking a complex topic or substance into smaller parts in order to gain
a better understanding of it. The technique has been applied in the study
of mathematics and logic since before Aristotle (384–322 B.C.), though analysis as a formal concept
is a relatively recent development.[1]
The word comes from the Ancient Greek ἀνάλυσις (analysis, "a breaking up", from ana- "up,
throughout" and lysis "a loosening").[2]
As a formal concept, the method has variously been ascribed to Alhazen,[3] René
Descartes(Discourse on the Method), and Galileo Galilei. It has also been ascribed to Isaac Newton,
in the form of a practical method of physical discovery (which he did not name).
collocation is a sequence of words or terms that co-occur more often than would be expected
by chance. In phraseology, collocation is a sub-type of phraseme. An example of a phraseological
collocation, as propounded by Michael Halliday,[1] is the expression strong tea. While the same
meaning could be conveyed by the roughly equivalent powerful tea, this expression is considered
excessive and awkward by English speakers. Conversely, the corresponding expression in
technology, powerful computer is preferred over strong computer. Phraseological collocations should
not be confused with idioms, where an idiom's meaning is derived from its convention as a stand-in
for something else while collocation is a mere popular composition. The ability to use English
effectively involves an awareness of a distinctive feature of the language known as collocation.
Collocation is that behaviour of the language by which two or more words go together, in speech or
writing.
There are about six main types of collocations: adjective+noun, noun+noun (such as collective
nouns), verb+noun, adverb+adjective, verbs+prepositional phrase (phrasal verbs), and verb+adverb.
Collocation extraction is a computational technique that finds collocations in a document or corpus,
using various computational linguistics elements resembling data mining.
Comparison or comparing is the act of evaluating two or more things by determining the
relevant characteristics of each thing to be compared, and then determining which characteristics of
each are similar to the other, which are different, and to what degree. Where characteristics are
different, the differences may then be evaluated to determine which thing is best suited for a
particular purpose. The description of similarities and differences found between the two things is
also called a comparison. Comparison can take many distinct forms, varying by field:
To compare is to bring two or more things together (physically or in contemplation) and to examine
them systematically, identifying similarities and differences among them. Comparison has a different
meaning within each framework of study. Any exploration of the similarities or differences of two or
more units is a comparison. In the most limited sense, it consists of comparing two units isolated
from each other.[1]
In order for things to be compared, they must have characteristics that are similar enough in relevant
ways to merit comparison. If two things are too different to be compared in a useful way, an attempt
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contrast
verb
con·trast | \ kən-ˈtrast , ˈkän-ˌtrast \
contrasted; contrasting; contrasts
Definition of contrast
(Entry 1 of 2)
transitive verb
: to set off in contrast : compare or appraise in respect to
differencesContrast European and American manners.Contrast the two
major characters of the novel.—often used with to or withcontrasting the
painter with her contemporaries
intransitive verb
: to form a contrast
Etymology (/ˌɛtɪˈmɒlədʒi/)[1] is the study of the history of words.[1] By extension, the term "the
etymology (of a word)" means the origin of the particular word and for place names, there is a
specific term, toponymy.
For Greek—with a long written history—etymologists make use of texts, and texts about the
language, to gather knowledge about how words were used during earlier periods and when they
entered the language. Etymologists also apply the methods of comparative linguistics to reconstruct
information about languages that are too old for any direct information to be available.
By analyzing related languages with a technique known as the comparative method, linguists can
make inferences about their shared parent language and its vocabulary. In this way, word roots have
been found that can be traced all the way back to the origin of, for instance, the Indo-
European language family.
Even though etymological research originally grew from the philological tradition, much current
etymological research is done on language families where little or no early documentation is
available, such as Uralic and Austronesian.
The word etymology derives from the Greek word ἐτυμολογία (etumología), itself
from ἔτυμον(étumon), meaning "true sense", and the suffix -logia, denoting "the study of".[2][3]
In linguistics, the term etymon refers to a word or morpheme (e.g., stem[4] or root[5]) from which a later
word derives. For example, the Latin word candidus, which means "white", is the etymon of
English candid.
Exemplification, in the philosophy of language, is a mode of symbolization characterized by the
relation between a sample and what it refers to.
extended
adjective
ex·tend·ed | \ ik-ˈsten-dəd \
8
Definition of extended
1: drawn out in length especially of timean extended visit
2a: fully stretched outan extended battle line
bof a horse's gait : performed with a greatly lengthened stride but without a
break— compare COLLECTED
c: INTENSIVEextended efforts
3: having spatial magnitude : being larger than a pointan extended source of
light
4: EXTENSIVE SENSE 1made available extended information— Ruth G.
Strickland
function
noun
func·tion | \ ˈfəŋ(k)-shən \
Definition of function
(Entry 1 of 2)
1: professional or official position : OCCUPATIONHis job combines
the functions of a manager and a worker.
2: the action for which a person or thing is specially fitted or used or for
which a thing exists : PURPOSE
3: any of a group of related actions contributing to a larger
actionespecially : the normal and specific contribution of a bodily part to the
economy of a living organismThe function of the heart is to pump blood
through the body.
4: an official or formal ceremony or social gatheringThey went to
several functions during their college reunion weekend.
5a: a mathematical correspondence that assigns exactly one element of one
set to each element of the same or another set
b: a variable (such as a quality, trait, or measurement) that depends on and
varies with anotherheight is a function of agealso : RESULTillnesses that
are a function of stress
6: characteristic behavior of a chemical compound due to a particular
reactive unitalso : FUNCTIONAL GROUP
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function
verb
functioned; functioning\ ˈfəŋ(k)-sh(ə-)niŋ \
Definition of negation
1a: the action or logical operation of negating or making negative
b: a negative statement, judgment, or doctrineespecially : a logical
proposition formed by asserting the falsity of a given proposition—
see TRUTH TABLE
2a: something that is the absence of something actual : NONENTITY
b: something considered the opposite of something regarded as positive
synonym
noun
syn·o·nym | \ ˈsi-nə-ˌnim \
Definition of synonym
1: one of two or more words or expressions of the same language that have
the same or nearly the same meaning in some or all senses
2a: a word or phrase that by association is held to embody something (such
as a concept or quality)a tyrant whose name has become a synonym for
oppression
b: METONYM
3: one of two or more scientific names used to designate the same
taxonomic group— compare HOMONYM
compare-and-contrast essay analyzes two subjects by
either comparing them, contrastingthem, or both. The purpose of writing
a comparisonor contrast essay is not to state the obvious but rather to illuminate subtle
differences or unexpected similarities between two subjects.
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Analogy
Analogy Definition
Metaphors
A metaphor is a figure of speech that describes an object or action in a way that
isn’t literally true, but helps explain an idea or make a comparison.
It equates those two things not because they actually are the same, but for the sake of
comparison or symbolism
If you take a metaphor literally, it will probably sound very strange (are there
actually any sheep, black or otherwise, in your family?)
Metaphors are used in poetry, literature, and anytime someone wants to add some
color to their language.
oxymoron is a figure of speech containing words that seem to contradict each other. It's often
referred to as a contradiction in terms. As with other rhetorical devices, oxymorons are used for a
variety of purposes. Sometimes they're used to create a little bit of drama for the reader; sometimes
they're used to make a person stop and think, whether that's to laugh or to wonder.
A common oxymoron is the phrase "the same difference." This phrase qualifies as
an oxymoron because the words "same" and "difference" have opposite meanings. Bringing them
together into one phrase produces a verbally puzzling, yet engaging, effect.
Personification
Definition of Personification
We see from the above examples of personification that this literary device
helps us relate actions of inanimate objects to our own emotions.
II. Read the following four passages. Each one gives an example,
or some examples, from a particular set or class. Notice how each
example is introduced.
3. There are some very interesting legends in our folk-lore about the
origins of the peoples of modern Ghana. For example, some of the Asante
believe that their ancestors came out of a hole in the ground, near
Asante Manso. (F.K. Baah)
*The belief that "their ancestors came out of a hole in the ground" is
an example of a legend that the writer believes to be 'very interesting'.
III. In the following passages, find the examples or illustration, and say
which set or class the examples belong to. Underline the words or
phrases that signal the example. Pay particular attention to the
position in the sentence of the example /illustration.
3. The Second World War stimulated the production of manganese and bauxite.
Nothing illustrates this better than the case of Sieera Leone, where the
value of minerals exported increased from £252 in 1929 to £3.3 million
in 1945.
4. The last decade of the nineteenth century and the first three decades
of the twentieth may well be described as the railway age in West Africa.
Between 1890 and 1926, the French, for instance, constructed railways
from Dakar to Bamako in Senegal and Mali, from Conakry to Kankan in Guinea
and from Cotonou to Paraku in Dahomey.
5. The earliest examples of man-made glass have found among the remains of
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Oxymorons
5th grade6th grade7th grade8th grade9th grade10th grade11th grade12th gradeElementary SchoolMiddle SchoolHigh
SchoolCollege
An oxymoron is a figure of speech containing words that seem to contradict each other. It's often
referred to as a contradiction in terms. As with other rhetorical devices, oxymorons are used for a
variety of purposes. Sometimes they're used to create a little bit of drama for the reader; sometimes
they're used to make a person stop and think, whether that's to laugh or to wonder.
A common oxymoron is the phrase "the same difference." This phrase qualifies as
an oxymoron because the words "same" and "difference" have opposite meanings. Bringing them
together into one phrase produces a verbally puzzling, yet engaging, effect.
Common Oxymorons
It's likely you've used, or at least heard, a couple oxymorons in your everyday life, even if you didn't
realize it at the time. Let's see if any of these examples of oxymorons hit home for you:
Act naturally
Alone together
Amazingly awful
Bittersweet
Clearly confused
Dark light
Deafening silence
Definitely maybe
Farewell reception
Growing smaller
Jumbo shrimp
Only choice
Open secret
Original copy
Painfully beautiful
Passive aggressive
Random order
Small crowd
Sweet sorrow
True myth
Walking dead
Weirdly normal
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Purpose of Oxymorons
Why use phrases that don't seem to make logical sense? Well, there are a few good reasons why,
starting with dramatic effect.
Dramatic Effect
Saying that a picture or a scene is "painfully beautiful" calls attention to the speaker and the object of
inquiry. Such a phrase shows that an object can have two different qualities at once, making it a
subject for study and analysis.
For Entertainment
Sometimes people aren't trying to make a profound statement when they use oxymorons. Instead,
they want to be witty and show they can use words to make people laugh. One example of this is
when Oscar Wilde comically reflected on the fact that he "can resist anything, except temptation."
Pointedly Foolish
So you can see that oxymorons add humor or drama to speech or writing, allowing you to make a
funny or pointed remark. As well as playing with oxymorons, Oscar Wilde was also a master
of symbolism. He enjoyed writing things that weren't meant to be taken literally, simply pondered
upon.
When you're ready to graduate from oxymorons to symbolism, enjoy these examples of symbolism
in literature. May they inspire you through all your writing adventures.
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Personification
Personification Definition
The non-human objects are portrayed in such a way that we feel they have
the ability to act like human beings. For example, when we say, “The sky
weeps,” we are giving the sky the ability to cry, which is a human quality.
Thus, we can say that the sky has been personified in the
given sentence. With the above definition of personification, let us look at
some personification examples.
We see from the above examples of personification that this literary device
helps us relate actions of inanimate objects to our own emotions.
“I hied me away to the woods — away back into the sun-washed alleys
carpeted with fallen gold and glades where the moss is green and vivid yet.
The woods are getting ready to sleep — they are not yet asleep but they are
disrobing and are having all sorts of little bed-time conferences and
whisperings and good-nights.”
The lack of activity in the forest has been beautifully personified as the forest
getting ready to sleep, busy at bed-time chatting and wishing good-nights, all
of which are human customs.
Example #2: Romeo and Juliet, Act I, Scene II (By William Shakespeare)
There are two personification examples here. April cannot put on a dress, and
winter does not limp, nor does it have a heel on which a month can walk.
Shakespeare personifies the month of April and the winter season by giving
them two distinct human qualities.
1 [countable] a picture in a book, article etc, especially one that helps you to understand it
2 [countable, uncountable] a story, event, action etc that shows the truth or existence of something very
clearly
illustration of
For the purposes of illustration, some of the more important symptoms are listed below.
illustration
• The best illustration of what the relationship involved is found in the careers of two esquires, Nicholas
Molyneux and John Winter.
• They are beyond and outside what was obligatory book illustration.
• Taken as a set, the most critical performance-driven distinctions that emerge from the illustrations
operate at two levels.
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• In the illustration, the pullover is shown with the motif in allover repeat, using the central row of
diamonds version.
• The illustration of the horizontal organization presents the richest contrast to that of the vertical.
illustration of
• The wrecked car was a graphic illustration of the dangers of being hit from the side.
visual plasticity manikin lacquer vanishing point perspective nude life-size symbol carving
caricaturist gilt mezzotint calligraphy figure ormolu mount illustrate pose crayon draughtsman
engrave tattoo composition caricature doodle tessellated gallery objet d'art shade abstract gilt
laser sketch pantograph graphic needlepoint retrospective sketchpad conceptual art
fact
NOUN
1A thing that is known or proved to be true.
‘the most commonly known fact about hedgehogs is that they have fleas’
Synonyms
Synonyms
Phrases
before (or after) the fact
o Before (or after) the committing of a crime.
‘an accessory before the fact’
Synonyms
a fact of life
o Something that must be accepted and cannot be changed, however unpalatable.
‘baldness is a fact of life for a lot of men’
Synonyms
Synonyms
Origin
Late 15th century: from Latin factum, neuter past participle of facere ‘do’. The original
sense was ‘an act’, later ‘a crime’, surviving in the phrase before (or after) the fact. The
earliest of the current senses (‘truth, reality’) dates from the late 16th century.
Pronunciation
Anecdotes
5th grade6th grade7th grade8th grade9th grade10th grade11th grade12th gradeMiddle SchoolHigh SchoolCollege
Anecdotes cover a wide variety of stories and tales, especially since they can be about basically any
subject under the sun. What is an anecdote? An anecdote is a short story about a real person or event,
usually serving to make the listeners laugh or ponder over a topic. Generally, the anecdote will relate
to the subject matter that the group of people is discussing.
For example, if a group of coworkers are discussing pets, and one coworker tells a story about how
her cat comes downstairs at a certain time every night, then that coworker has just shared an
anecdote. Let's look at some more examples of anecdotes.
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Anecdotes in Literature
Of course, our favorite novels are just giant stories. In the midst of each story, the characters might
share little anecdotes with one another. It's a nice opportunity for the character to blossom and for the
reader to learn more about them. Here are some examples:
Oh, I would never dream of assuming I know all Hogwarts' secrets, Igor. Only this morning, for
instance, I took a wrong turn on the way to the bathroom and found myself in a beautifully
proportioned room I had never seen before, containing a really rather magnificent collection of
chamber pots. When I went back to investigate more closely, I discovered that the room had
vanished.
- Dumbledore to a visiting headmaster in Harry Potter and the Goblet of Fire by J.K. Rowling
I like talking to myself. It is one of my greatest pleasures. I often have long conversations all by
myself, and I am so clever sometimes I don't understand a single word of what I am saying.
- The Rocket from The Happy Prince and Other Tales by Oscar Wilde
Still, it's not easy to say to you what she hasn't. I'll tell you they were in love. Young and wild
for each other. Happy in it, though they scraped and squabbles. She was going into seventeen
when they came together the first time. It was after they'd been together the mark came on him.
He didn't tell her. I don't know whether to blame him for that, but he didn't tell her. And when
she found out, she was angry, but more, she was devastated. He was defensive and the same. So,
it's been an open wound between them ever since. A dozen years of wanting and turmoil and too
much distrust.
- Meara to Iona in Dark Witch by Nora Roberts
Purpose of Anecdotes
Whenever an anecdote is introduced, either in real life or fiction, it provides background information.
A co-worker might tell a little tale from her childhood and all that does is paint a brighter picture for
the other person. An author might write a scene where one of the characters tells the other a bit of
their backstory, usually to create depth and intrigue. Let's explore some of the purposes behind
anecdotes.
To Bring Cheer
Sometimes telling a story just makes people laugh or brightens the mood. Here are some examples of
anecdotes meant to harken back to happy memories:
A student writes a brief account of his favorite holiday moment for a school assignment.
A teacher tells a brief account about the first Thanksgiving to her students before beginning a
lesson plan on the pilgrims and Native Americans' interactions.
Before Christmas morning breakfast, parents tell their children about their very first Christmas
together.
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To Reminisce
In most anecdotes, people are talking about their past. They are looking back favorably on moments
in their lives and sharing the joy of that time with others. Here are some examples of anecdotes with
a hint of reminiscence:
A mother tells her son a story about a family vacation when she was growing up.
During a conversation about amusement parks, a child tells a story about his favorite trip to
Disney World.
High school students go around the classroom telling their favorite memories from elementary
school.
To Caution
Sometimes, just laying out rules for individuals is not effective, They need to hear frightening stories
of dangers that can be avoided by following regulations. Here are some examples of cautionary
anecdotes:
At the beginning of a speech about fire safety, the speaker tells a short cautionary tale about a
serious injury that occurred as a result of not following protocol.
Before beginning a lecture on why staying out late is inappropriate, a father tells his daughter
about a scary incident he had one time when he stayed out too late.
Before giving a presentation on the dangers of drug abuse, the speaker tells the audience how he
himself used to abuse drugs and explains the negative effects it brought about in his life.
To Persuade or Inspire
Sometimes, people just want others to know they've faced similar struggles and they're there to help.
They can also be conveying the message that, with a little bit of hard work, brighter futures are
ahead. Here are some examples of inspirational anecdotes:
An animal rescue team tells stories to an audience about the many successful rehoming
situations that they have had over the years.
Before beginning a tutoring session, the tutor tells the student how he used to struggle with the
subject matter in the past and how he managed to grow past these difficulties.
Church youth group leaders tell stories about their conversion or recognition experiences to the
teenagers in the group.
Storytelling 101
Of course, anecdotes don't have to serve such specific purposes. They can just be part of a natural
conversation with friends and family. They're a nice way to get to know one another.
That's why they're a useful literary device for writers. What better way to get to know characters than
through their own retelling? Learn more about rhetorical devices in this article. You'll review
everything from alliteration to hyperbole, and parallelism too.
detail
noun
de·tail | \ di-ˈtāl , ˈdē-ˌtāl \
Definition of detail
(Entry 1 of 2)
21
detail
verb
detailed; detailing; details
opinion
noun
opin·ion | \ ə-ˈpin-yən \
Definition of opinion
1a: a view, judgment, or appraisal formed in the mind about a particular
matterWe asked them for their opinions about the new stadium.
b: APPROVAL, ESTEEMI have no great opinion of his work.
2a: belief stronger than impression and less strong than positive
knowledgea person of rigid opinions
b: a generally held viewnews programs that shape public opinion
3a: a formal expression of judgment or advice by an expertMy doctor says
that I need an operation, but I'm going to get a second opinion.
b: the formal expression (as by a judge, court, or referee) of the legal
reasons and principles upon which a legal decision is basedThe article
discusses the recent Supreme Court opinion.
observation
noun
ob·ser·va·tion | \ ˌäb-sər-ˈvā-shən , -zər-\
Definition of observation
(Entry 1 of 2)
1a: an act or instance of observing a custom, rule, or lawobservation of the
dress code
b: OBSERVANCE SENSE 3The characters in her novel are based on
close observation of her family.
2a: an act of recognizing and noting a fact or occurrence often involving
measurement with instrumentsweather observations
b: a record or description so obtainedScientific observations were sent to
the committee.
3: a judgment on or inference (see INFERENCE SENSE 1) from what one
has observedbroadly : REMARK, STATEMENTan
insightful observationbased his observations on his own research
4obsolete : attentive care : HEED
23
observation
adjective
Definition of observation (Entry 2 of 2)
: designed for use in viewing something (such as scenery) or in
making observationsan observation towerthe observation platform
Planning your research
Why plan?
Comprehensive planning early in your research degree will pay dividends. Studies of completion rates for
doctorates have shown that the eventual result is shaped by decisions made in the first few months.
However, you will also find that it is difficult to say definitively where the research will lead; you will need
to be flexible and ready to adapt your plans as your research progresses.
Your doctoral project may be part of an existing research project or a large, multi-researcher with a pre-
determined research plan. You will need to know your role in this and what the milestones are, but you
will not be expected to plan independently.
However, in general, particularly in social sciences, arts and humanities, from the outset of your doctoral
project, you will need to:
Set realistic objectives: an important part of managing your research project, this will help you focus on
the crucial aspects of your project.
Manage your own time: undertaking a research provides a lot of independence, which is a positive of a
research career but can be stressful if you fail to manage your time effectively, so take time to work on
time management early in your doctorate.
Manage the project itself: you will need to plan your competing research projects to make the most of
your time and research opportunities, and revise this plan with time to quickly identify if you drop behind
your targets. As a doctoral researcher you may want to refer to the typical milestones of a doctorate.
familiar
noun
fa·mil·iar | \ fə-ˈmil-yər \
Definition of familiar
(Entry 1 of 2)
1: a member of the household of a high official
24
familiar
adjective
fa·mil·iar | \ fə-ˈmil-yər \
peak/peek/pique
Let's look at three homophones: peak, peek, and pique.
Peak is a topmost point, such as a mountain peak, or to
reach that point:
We're sort of at peak demand right now.
25
A peek is a glance or a quick look, like you do with the unwrapped Christmas presents at
the bottom of your loved one's closet. It can also mean to glance or to peer at. It's frequently
paired with sneak, which can lead you to use the incorrect peak:
Finally, pique is to upset or excite someone. You will sometimes see peek one's
interest for pique one's interest, but don't be fooled. If you're piquing someone's interest,
you are exciting their interest not taking a quick look at it:
If that doesn't pique your interest, you can leave (but I'm keeping your shoes).
Materials
Let Us Be Part of Your Research
As the premier archives on Indiana and the Old Northwest, we are here to share
Indiana’s stories. Whether you are just starting or deep in the trenches of your
research, we are sure to have something you need. If we don’t have what you’re
looking for, we hope to be able to point you in the right direction.
The library provides free on-site access to several other online databases such as
AncestryLibrary, American Civil War Database and others.
Definition of 'interview'
Learner: interviewVideoEnglish: interviewAmerican: interviewExample sentencesTrendsTranslations
Word Frequency
interview
(ɪntəʳvjuː )
Word forms: plural, 3rd person singular present tense interviews , present participle interviewing , past
tense, past participle interviewed
1. variable noun
If you are interviewed for a particular job or course of study, someone asks
you questions about yourself to find out if you are suitable for it.
When Wardell was interviewed, he was impressive, and on that basis, he was hired. [be VERB-ed]
He was among the three candidates interviewed for the job. [VERB-ed]
3. countable noun
4. verb
5. verb
27
When the police interview someone, they ask them questions about
a crime that has been committed.
The police interviewed the driver, but had no evidence to go on. [VERB noun]
Are you fortunate to be a part of a growing organization that is hiring once again? If it has been
awhile since you interviewed candidates for position openings, I have written some tips for you
to incorporate into your interviewing process. The following are helpful approaches to planning
and strategies for questioning that can reveal the “real” candidate.
Unplanned interviews are generally a waste of time. They encourage judgments based on
whether you had a pleasant chat rather than whether the candidate can do the job. Planning for
the interview should include these key steps:
1. Know what you want in a candidate before you interview. Review the job specifications
and requirements that you’ve prepared.
2. Know the job and its responsibilities. Review the job description.
3. Review the candidate’s resume prior to the interview. Make note of anything that stands
out, needs clarification or may be a “red flag.”
4. Plan a set of standard questions for all candidates. A series of general questions will help
you determine whether applicants can meet your requirements. The inquiries should concern the
candidate’s skills, abilities and past work performances that are related to the position you’re
filling. Plan to ask each candidate all of your basic questions. This consistent approach is
important for three reasons:
It is fair and legal. If you ask certain questions only of specific candidates, you may be illegally
discriminating.
It allows you to compare candidates. If you converse about technical aspects of the job with one
candidate and future trends with another, how will you compare the two?
It helps you remember all questions. It is all too easy to forget important questions, especially when
you’re interviewing several candidates.
5. Plan questions for individual candidates. In addition to the questions that you ask all
candidates, prepare special questions for each individual candidate. These special questions
usually arise from review of the resume and application or from a phone call. Use the questions
to help clarify particular aspects of each candidate’s background.
6. Crafting the interview. Careful questioning and listening are at the heart of any interview. As
an interviewer, mastering how to ask effective questions, as well as learning how to listen, will
elicit a candidate’s meaningful answers. Here’s how to frame productive interview questions:
Ask open-ended questions. Rather than questions that can be answered with a simple yes or no, ask the
question so the candidate must describe, explain, clarify, etc.
Avoid telegraphing the answer. For example, “Do you like working under pressure?” Answer: “Oh, yes, I
love working under tight deadlines.” You’ve “telegraphed” the answer the candidate thinks you want to
hear. Ask instead, “In what type of environment do you prefer to work?”
Probe for additional details. If you ask the question, “Tell me about an important project in your
previous job,” determine the candidate’s true role in the project. Listen for clues to the real scope of
duties, the time involved in the project and the results. The responses may reveal a more accurate
picture of the person’s true scope of involvement.
28
Use reflecting to get more information. For example, if the answer is, “I managed big projects,” reflect
the answer back: “You say you managed big projects?” It’s interesting how much information will often
come forth.
Present a scenario. Describe a typical situation that might occur in your organization and ask what the
candidate might do. Scenario questions can be very effective, but don’t be locked into expecting a
specific answer. After all, the candidate can’t know all of the particulars of your operations. Instead,
listen for the logic of their ideas.
These resources search a variety of databases and reference sources to return a wide
spectrum of scholarly and popular material, and they'll exclude the Book, DVD,
Government Document, and other formats available via SUMMON. These resources feature
primarily articles from newspapers, magazines, and journals.
Description:
The purpose of this lesson is to teach students about the fundamentals of the Dewey Decimal System to
enable them to locate books in the library. Many students are overwhelmed when entering the library
because of the vast amounts of books on the shelves. Learning the Dewey Decimal Classification System
will guide the students to the books of their choice!
29
Background:
The Dewey Decimal Classification System is the most widely used method for classifying books in the
library. This system is a general knowledge organization tool that is continuously revised to keep pace
with knowledge. It is named after Melvil Dewey, an American Librarian who developed it in 1876. This
system is a numerical scheme for the arrangement of subjects of nonfiction books, and it classifies books
by dividing them into 10 main subject groups that are called categories. Each category is represented by
figures beginning with 000 and going on to 999. In other words, it is a system of numbers used to mark
and arrange mostly non-fiction books.
Each number stands for a special topic. Every book is given a number and is put on the shelf in number
order. Books with the same number are put in alphabetical order by the author’s last name. There are
three summaries of the DDC. The first summary contains the ten main classes. The first digit in each
three-digit number represents the main class. For example, 500 represents natural sciences and
mathematics. The second summary contains the hundred divisions. The second digit in each three-digit
number indicates the division. For example, 500 is used for general works on the sciences, 510 for
mathematics, 520 for astronomy, 530 for physics. The third summary contains the thousand sections.
The third digit in each three-digit number indicates the section. Thus, 530 is used for general works on
physics, 531 for classical mechanics, 532 for fluid mechanics, 533 for gas mechanic. A decimal point
follows the third digit in a class number, after which division by ten continues to the specific degree of
classification needed. A subject may appear in more than one discipline. For example, "clothing" has
aspects that fall under several disciplines. The psychological influence of clothing belongs in 155.95 as
part of the discipline of psychology; customs associated with clothing belong in 391 as part of the
discipline of customs; and clothing in the sense of fashion design belongs in 746.92 as part of the
discipline of the arts.
The Dewey Decimal Classification System is used in most Public School libraries. It is essential for
students to understand why books are numbered and how to find the numbers on the shelves, so they
can use the library effectively and in a friendly manner. Dewey is also used for other purposes, e.g., as a
browsing mechanism for resources on the Web. One of Dewey's great strengths is that the system is
developed and maintained in a national bibliographic agency, the Library of Congress.
Objectives:
Locate non-fiction books and explain the call number by using the Dewey Decimal System.
30
Materials:
Computer, pen, pencil, paper and handouts identifying the categories of the Dewey Decimal System.
plagiarism
[pley-juh-riz-uh m, -jee-uh-riz-]
EXAMPLES|WORD ORIGIN
noun
an act or instance of using or closely imitating the language and thoughts of another
author withoutauthorization and the representation of that author's work as one's o
wn, as by not crediting theoriginal author:It is said that he plagiarized Thoreau's plagiarism of
a line written by Montaigne.
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31
RELATED WORDS
infringement, piracy, falsification, appropriation, fraud, borrowing, theft, stealing, cribbing
Origin of plagiarism
First recorded in 1615–25; plagiar(y) + -ism
There are different types of plagiarism and all are serious violations of academic honesty. We have
defined the most common types below and have provided links to examples.
Direct Plagiarism
Direct plagiarism is the word-for-word transcription of a section of someone
else’s work, without attribution and without quotation marks. The deliberate
plagiarism of someone else's work is unethical, academically dishonest, and
grounds for disciplinary actions, including expulsion. [See examples.]
Self Plagiarism
Self-plagiarism occurs when a student submits his or her own previous work,
or mixes parts of previous works, without permission from all professors
involved. For example, it would be unacceptable to incorporate part of a term
paper you wrote in high school into a paper assigned in a college course.
Self-plagiarism also applies to submitting the same piece of work for
assignments in different classes without previous permission
from both professors.
Mosaic Plagiarism
Mosaic Plagiarism occurs when a student borrows phrases from a source
without using quotation marks, or finds synonyms for the author’s language
while keeping to the same general structure and meaning of the original.
Sometimes called “patch writing,” this kind of paraphrasing, whether
intentional or not, is academically dishonest and punishable – even if you
footnote your source! [See examples.]
Accidental Plagiarism
Accidental plagiarism occurs when a person neglects to cite their sources, or
misquotes their sources, or unintentionally paraphrases a source by using
similar words, groups of words, and/or sentence structure without attribution.
(See example for mosaic plagiarism.) Students must learn how to cite their
sources and to take careful and accurate notes when doing research. (See
the Note-Taking section on the Avoiding Plagiarism page.) Lack of intent
does not absolve the student of responsibility for plagiarism. Cases of
32
accidental plagiarism are taken as seriously as any other plagiarism and are
subject to the same range of consequences as other types of plagiarism.
Paraphrasing
involves putting a section of a text into your own words
changes the words and phrasing of the original text, but keeps the
original meaning of the text
includes an in-text citation that states the author’s last name and
the publication year: (Lee, 2016)
Summarizing
involves stating the main ideas and findings of a text into your own
words
presents a general overview, so is usually much shorter than the
original text
33
includes an in-text citation that states the author’s last name and
the publication year: (Lee, 2016)
Data Gathering
During our time, dissertation writing is perceived to be a simple research process converted
to a narrative essay. It is true that writing such a project is easy if you have the right sources
but one of the most problematic aspects in writing a dissertation paper is the aspect of data
gathering procedure. Usually, it involves statistics and knowledge about using it. This is the
major dilemma of students when it comes to research paper writing.
There are different data gathering procedures that you can use for a term paper. It will
depend on your convenience and the ease in gathering the required details that you can
use for the research results. In any case, we will discuss some of the major types of data
gathering procedures.
Data Mining-this procedure is simple. You can easily find many resource materials where
data and numerical figures are already tallied and presented. Usually, you can find data
among research institutions and academic centers. Data mining is simply using an already
published set of data.
Interviewing-is another example of a data gathering procedure. One benefit that you can get
from this process is that you can actually gather raw and reliable data direct from your
subjects. Although it is time consuming, you can still have very credible result from this data
gathering procedure.
These are just some of the basic data gathering procedures that you can utilize for your
research paper. Send us any inquiries about other concerns in writing a dissertation paper.
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Organizing Data
Raw data is collected through research, through actual scores or values from a questionnaire,
survey or assessment. We must decide how best to organize this distribution. This can first be
done through a series of data tables. Two of the most common examples are:
1. Frequency distribution
10, 9, 9, 8, 8, 8, 7, 7, 7, 7, 6, 6, 6, 5, 5, 4, 4, 3, 2, 1
Value Freq
10 1
9 2
8 3
7 4
6 3
5 2
4 2
3 1
2 1
1 1
An ordered arrangement of scores that are condensed into meaningful groups set by the
researcher
Grouped frequencies when there are too many individual data values and/or some
individual data values occur rarely
Frequencies of group occurrence is reported, not individual scores
Data are grouped into equal-sized ranges called class intervals
o We want the number of intervals to generally be between 5 and 15.
o The interval size should in round numbers (ex: 11-15, 16-20, 21-25).
The following data set will be used to construct a grouped frequency distribution:
35
3, 7, 9, 7, 9, 5, 8, 5, 0, 4, 6, 6, 7, 5, 3, 2, 8, 5, 10, 9, 10, 6, 4, 8, 8, 8, 4, 8, 7, 3, 8, 8, 8,
8, 7, 9, 7, 5, 6, 3, 4, 8, 7, 5, 7, 3, 3, 6, 5, 7, 5, 7, 8, 8, 7, 10, 5, 4, 3, 7, 6, 3, 9, 7, 8, 5, 7,
Interval Freq
10 - 11 14
8-9 41
6-7 44
4-5 34
2-3 15
0-1 3
As you know, putting together a good proposal is a great skill to possess regardless of
your occupation. Surely, there are different kinds of proposals for different goals, and
they all have specifications of their own. There can be proposals for safety measures,
proposals for process improvement, proposals for cost savings, etc. Still, there are
some common guidelines that apply for all kinds of proposals to make them convincing
and captivating.
We have tried to put those together in this how-to guide. So, the process of shaping a
firm and straightforward proposal can be broken down into the following stages and
steps:
only information that should be in your proposal is the new information. To sum it up,
here is a checklist of questions that you have to answer about your proposal:
So, you should realize that your task is not only to convey the situation to your
audience. You need to convince them that you possess sufficient expertise and
authority to deal with the issue properly.
This has to do with the classical persuasion methods suggested by Aristotle in his time:
pathos, logos, and ethos. When putting together a proposal, writers often concentrate
on logos – the one that appeals to rational thinking and operates facts and logic. While it
is quite important, it must not overshadow the other effective persuasion methods:
pathos – the one that appeals to emotion, and, of course, ethos – the one that is meant
at establishing you as someone who possesses just the sufficient authority on the
subject. In case of a proposal, you should employ ethos to convince the reader that you
understand the issue better than anybody, so you should be the one to deal with it.
You are welcome to learn more about these persuasion technique – ethos, pathos, and
logos – from handbooks and guides in rhetoric. This is essential for coming up with a
firm proposal.
Among the details of your solution that you must provide in your proposal, one of the
key aspects is the timeline. All the stages of implementation need to be clearly outlined,
so that you could convince the most skeptical audience that you have an insight into the
problem which you are able and willing to solve.
Evidently, people are different. We all have different points of perception. Some of us
like to think of ourselves as perfectly rational people who can only be won over by cold
facts (logos). Others would hate to be seen as lifeless robots without emotion, so they
tend to be prone to more emotional persuasion (pathos). These are some general
examples of the factors to consider when building the appeal of your proposal. In reality,
you will need to go into much deeper detail.
However, in any case, you should avoid relying solely on emotional appeal – because,
strong as it may be upon first impression, it can vane just as quickly, unless it is based
on some solid facts to back it up.
Once you have conducted a thorough research on the problem and your audience, you
are ready to put together an outline to write your convincing proposal. The outline
should be defined by what you have learned while completing previous steps of
preparation. Here is a template of a comprehensive proposal outline:
1. Introduction
1. Give the relevant background information on the problem.
2. Main body
1. State the problem and justify why it needs to be addressed.
2. Suggest your solution.
3. Detail how your solution will be implemented.
4. Take a look at other possible solutions and prove that yours is better.
3. Conclusion
1. Restate the problem and your ultimate solution.
In some cases, you will have to devote separate subsections to budget analysis and
details of organizing the works.
You want to get your reader engaged from the very first line, so it is not prohibited to
give some shocking information in your introduction. Then you move on to providing
some background information. In one of the previous steps, you have already sorted out
how aware your reader is about the issue. You know that you don’t need to repeat this
information for them, because it will only make them feel like you are wasting their time
and get them annoyed. You don’t want that. So, instead, you refer to the information
that your reader already knows, expand on it, and reveal your own expertise on the
subject, thus capitalizing on it.
At this point, you are supposed to be in tune with your reader, and you are the one
directing the further narration. Now, it is the high time to get to the meat and state the
problem. Since you have already shared some background information, now it makes
sense to go deeper on the subject by offering your take on some of the more specific
details of the problem. These details usually include (but are not limited to) the
following: the root cause of the problem, the reason why it is regarded as a problem,
what negative effect it has, etc.
In this section, you pay special attention to the reasons why now is the high time to
address it. Naturally, it can be useful to include some forecasting about what will
happen if the issue is not tackled with immediately and decisively.
Once again, depending on what you know about your reader, you may get emotional
and personal to some degree. But – nevertheless – be strongly encouraged to employ
some external sources of information to back up your standpoint. It is not prohibited to
treat the facts from these sources somewhat liberally for the sake of persuasion.
In the benefits section, it is always great to think as global as it can get. Consider how
your solution can be applied for the good of as many people as possible, and not just
one particular niche.
As a part of convincing your audience that you are the best choice to tackle the issue in
question, you should pay respect to other possible solutions, even when they are
opponent to yours. By acknowledging them, you highlight your awareness and authority
on the subject-matter. In this part, it may also be useful to mention why you want this
problem solved, what interest you have in solving it.
the problem;
why it's necessary to deal with it now;
39
At the end, you can suggest some further actions that may be taken in the direction that
you have outlined. It will be a good addition to your proposal, even better revealing your
commitment to the issue. However, this is not a must.
It is a must, however, to thank your reader for their attention and tell them how much
you value the time that they took to look through your proposal. Such words of thank are
the ultimate way to wrap up a proposal.
The most common issues to pay special attention to in this regard are as follows:
Avoid jargon and cliches. Opt for general vocabulary at all times.
Try to stick with shorter words, sentences, and paragraphs.
Always prefer active voice over passive.
It may be challenging to point out all such minor errors in your own piece of writing.
Therefore, be advised to run your proposal through some spelling- and grammar-
checking software. Also, it is always useful to have a second pair of eyes to proofread
your text
Each time you revise a proposal by uploading one or more new documents, the system overwrites the
old documents with the new ones. You cannot retrieve the old documents through eCPS. You should
therefore keep a copy of your old documents on your hard drive or network drive. If, after revising a
40
proposal, you decide that you want to use your original document(s), you need to revise your proposal
again by uploading the original document(s) again.
Uploading a new document into eCPS permanently overwrites the old document in eCPS.
4. To upload your new Business Proposal PDF document, do the following, but please heed the
warning that follows:
a. In the Business Documents section of the screen, by "Business Document PDF,"
click Replace.
b. Browse for your document on your local machine or local network.
c. Double-click on your document.
Do not click Back or close the window at this point, because your work is not yet saved by
the system.
5. To upload your new spreadsheet, do the following, but please heed the warning that follows:
a. In the Business Documents section of the screen, by "Business Document Spreadsheet,"
click Replace.
b. Browse for your document on your local machine or local network.
c. Double-click on your document.
Do not click Back or close the window at this point, because your work is not yet saved by
the system.
6. To upload your new Technical Proposal document, do the following, but please heed the
warning that follows:
a. In the Technical Document section of the screen, click Replace.
b. Browse for your document on your local machine or local network
c. Double-click on your document.
Do not click Back or close the window at this point, because your work is not yet saved by
the system.
Note: You may revise your proposal as many times as you wish until the solicitation closing date and time.
41