INSPIRED DESIGNS FOR THE PASSIONATE BEADER

Make these
fabulous
peyote
stitch
bracelets p.20

MEET OUR
NEW DESIGNERS
OF THE YEAR!
(Hint: Diane Fitzgerald is one of them)

Get the Scoop on Seeds

Our favorite beads demystified p. 78

CV~l The best beading tools J:l.14

Our beaded bead series kicks off J:l.18
A fun take on beaded bead caRS p.74
contents
FEBRUARY/MARCH 2012
VOl,UME IS NUMBER 1

Designer of the Year Projects

20 AFFINITY $E8:1ES)t'O'IPOIWr
Pey«~itltdi&fitttrl rig Mnglesth.u. datak totl~n
worn solo or in multiplcil

24 A 811 Of LACE Of.,~ F;~,,,/J

Ctt.u~dtpnt v.~.ar.tblc i.(I, adort1.!l'lg MUhlM-Madii:
bee with be.ding;tind ~nl

28 EDWARQIAbl RllfilE.S.tl'rl1t Frtaltr

Combi~~ed~l\d pr.a.oot ~-In t)it~bnctlrt tli~ r«A.11.s
ruin~ rtg:.tlMlornM«"t1t1
32 CHARMED. l'M SURE~J~0,rtti.WtndyHuhlcA:
F,a,f;hion .a wlorlu.J duirm br•c~let ol MJ"!l'~...-iitc:Md c:ubf:
•nd PY'f•mld ~•lkd bt-.lels

Feature
18 lSWAtJNl'VERSABXBFAOFOBFAO CONTEST
Kick oif thiS yo($onf(li~wric$o(bc.,,dcd '-ls with
Stt!ngSt•u by ~1c11nda 811rt11

Projects
38 £YEQNIHE PRIZE BRACELET Cd!/oCti.rmaz
42 EALUblG.LEA'tES LABl4l,C.trokHOfl'I
48 CRYSTALSQUARESSRACfLEIEk<mort l'itptr
S2 SILV£8TIE AFfAIRGlorionrv l.Jui»ch
60 SEASON'S DEi KjHTS fASRINGS Abu Kmz,o,,

62 ~aftM.AoxanfW ROJ:""'"
66 WMl'SfQUAB.Jdll>e~

STITCH INDEX
8N0(5TITCH&i.
BUTIOlff)lE OR 81.ANKEl SlTTCH .U.
flt!~ 2412.
HUIRl'KAONEIDJCH 2& l& U. U.
l>.DOf.ASmCH2tl. ll.
N£TIINGl&il
PEYOTESTITC'H 1&. 2A.l&. l& t1 d,. Sl.
"°' 62. d6. lA
PICOT~62.
RIGHT•AHGl.E wtAVl 2.1. l& Sl. 6Q. 66.
souut smcH u. ia. 62. 64
\'tWWOAKU.
contents

Departments
6 Pa-ssinq Through
8 W!J B 0 (Whfll 0111 Rtacftrs Did)

10 CooulbJ.lrors
12 TheCNllenge
t• C_ooLSwfl
74 SimQIY Sttd' hkfuur VA...~
78 St~'b.&(UiwoJ(oo'«.XWccd..k3ds
94 T~chnigues
96 8txJ,ArJ.ist: 1<.Jbtint \.oQf!tMiclttllcMQ(h.

PROJECT RATING G©© GG(i) GGG

on Ow~pmjttt PrajKtl wittd to I~ IWW °""'9M '°""Ml in:f1~ Su.n hf-ft W 'JfN "'"up'°'
IO!fng J)'S.'tl'IJ. lt!t.if'tl/lC)lt ui W!fd b«.Cin9 or to bf-"6rc.. botgiMtr ~..oy liO
the ltw~P09tclto<h ~nmJbt4d~loolUng. fX.,.ndh~ \ .... 01¥1
•~or IOOti119 '"' •
ck-Ltllf.d PIVflK1 Iba: f«!Uim
(OV(T ~ lJ)'OIJl'gufdt fO tot-•qut(j:; ~ ~~rlooking • lontrs 1lml!COM'!I~
d«idofl9 w!ll(JI fJ«1jKtt
:O/'l'>Okf'1'$r:
'°'".
t)IOjM l~t WOtl't ~
wiec~ IO (tlmj)tc:I(-
WHAT OUR READERS D!D

w.o.r.d.

)(ARMEN l. SCHt.11()T,PHO,OF OREGON CITY.ORE.GOH,

created these ·oanc:IAg wilh the Sta1s'" w1lstle1s af1er
b(ting inspife<I by im:ige-s of the ht;)venly bodies sent to
E<1rth by the Hubble S~c reteseese.

MICHELLE
MCENROEOF
JACt<SOH, NEW
JERSEY. made
these verslons
o.fKtiSt~I Wick's
Romantic: filigree
bra.celet from the
Api il/M3'y' 2011
rswe.

VEAONIKA HENGEHOLOOF NEUSS, GERMAHY, cre;ned

1his vtrsion of Smlld.lr G1ossm~n·s Wheels of Fonune
bra.celet. whkh was published In the June/July 2011 Issue.

DIANE FITZGERALD HONORED WITH SPUN GOLD AWARD

TheTu111ttff11~lnMl1111e~Mln~~-•rdtdlu1nr1u.l$piwnGoklAW¥dt0~ ~n.tt"ol11Wi
Yt111.DiMfRll9fl.tld.Tht~¥dhonorst~fromthtuPS*fMid~whohwt~tdttit;1~11oribtratll.
Ot.nt k 11M: third bffdtr to be honor~ Oufin9 ~'

•
MMI 1ecipWM\ foc'il\ on'llrl'tavlng,qulllhg. dyeln!J.Of ~
CMH(. OiMt hM ~ltd toll'IO(e tt111n t!WtY'fMI <ounlrlti 101t.1m 11nd 1t11<1\ lncl»dlng South Alitc.a. Gtrm11ny,
lfld IM ceo Af$1ut)llc. Sl'lt's Ibo 11111'.0rtd lllOft thll'I • h•~ottn btld'i1191!1lts. lnd"6in9 Slldf,>Hff#·
worltll11rt Cr.ru,.2009). T~kodtdGi::itdtrl (lnttrwt-., l005i 11nd blfll'tr.Jl}lltd~ l)\t-11\lt; l007).
-Mkhtl~~

WI! •MC 10 ...... fn#I )'Oii! l!)'Ol(w bttn lnlf*td llr)' p!ojf(tt. h- .... ll<WOf hM llS» t0 IN"f, *'"'61~II. bN6>000•11~(-
()w(1t-~.~"""1'lW(f)!\f0f«ittf«lonJ.l-Nflolndhf~.
 0

_...,...,.,..,....,
""°"EL 0
BEAD
RIFFS

TMt SIA!' 01 •tADWOlltlMVlll$ YOU TOSlNOYOUll MlWttAC>'liW!Ktll(o Plt()QIJ(;-1$ fOll(OMSIOlt.ATM)lrlllrl(OOl $1\IJ,,

PllASl Sf NOAU, SUIMISSIOMSlO~ftJllNTll!l.'(lA.Xf
my lQ6.lTMlRWIJM(OMPllll PllOOUClllUO<tMANON.

BEADWORK fel>ru..,ry/nwrc;h 2012 1S

 beaded bead contest
••••••••••••••••••••••••••••••••••••••••••••••••••••••••••
BEAD ONE: seeing stars
Melinda Barta

I) BRONZE STARS. ~pe)'Otestit<h 2) BURGUNDY STARS. Ma~2buiy,undy

To kick off BeadworKs I 5th
Anniversary Beaded Bead Contest
(see box on &..12) in this special
edition of Custom Cool, I peyote·
stitched a star-studded fabric
of seed beads that covers a core
bead. Use the same versatile
pattern in size 1 s•s or 11 °s
to surround a round bead
or a rondelle.
MATERIALS & TOOLS
t 9 bfonu m~.,lk duo 1 s• W'fll beMli 1,A)
I 9 bur!Jllndy lrfl m.eullk Jlt• IS" 1.etd budi (8)
24 olivine gold '"'""' Mi• 1 s• Jffd bf.idi 10
I Cl)"UI12X9mm rond~eor 10mm PHrt round
Smok• 6 lb btllld~ bt.idlng 1hrud
Sc.l~OrS
Siu 12 be.>cllng nff<lle
and netdngto create ast.a.r:
Round 1: Use 12" of thread to string SA.
lie a knot to (onn .a tight cirdt.Pess
1hrough rhe (irs:t Astrung(Fig. 1, blue
thre.1d).
Round 2: String lA:lnd p.a$S through the
next A of ROlu\d t: repetit foot c:ilnes re
add a toW of SA. Em from the first A
~in tbis round O:ig. l, f~ th.reacl).
Round 3: String3A and pass through the
next Ao( Round 2: repeat (our times to
add a toc~lof f~3A ne<.s. Exit from the
i;e<Ond A added in this round.:it the tip
of the fir$t Mt (Fig. 2). Seeure the thread
and trim.
Repe;at this entire step three rimesf«
a total o( 4 breeee st.lrt..
surs th.lt ccenece to 2 bronze 'til"
to
compkte tho 6m half cl tho beeded bead:
Rounds 1 ~nd l: ~at St~ 1. Rounds 1
And 2, u~ng 8br.,.ds.
Round 3: $1ring3B and p.)SS rhrough 1he
next B (){Round 2; reeeu co form ~ St(·
end 381,et. String 18; J)3$$through the
rip o( n beenee-seer net. SOing 1 B: pass
through tN next B of Rccnd 2 on this
star, String t U: pass through ~tip ol
.a net on a second becnze star, Sering 1.B;
~ 1hroogh the next 8o(Rol.Jnd 2 on
thissr~r. $tring3Sand pus through
the next B of Round 2 on this St.tir to
fotm the fliul net. Eidt ftom the S«.Ond
Badded in this round.at the tip(){ the
first net (Fig. 3, blue t.hre;r.d). Secure
the thread J.nd trim.

f"INISHEO SIZE: '.4° (pt;)JI toundcorel;

1'1.x ~· (ays1al rond<>Ue core)

TECHNIQUES
drtvi..r ~ote stit.<h
netting
Stt g,.Jj (<JI hfip!ul
r «MiQUf informorlOll.

PROJECT LEVEL Gl)©

Stt 0 "fot poi«r·lnittN1folmodM,,
Rt-pelt this entire step to connect another
burgundy stir opposite the one just placed
(Pig, 3, red lb.read).

3) SE(ONOHAlF. ~.it$tepsl.ind2to
form the $C(ll)IM} h,lfof 1he be<Kk.-d beed.
\Yhen ,_ it(hing the fhu l burgun<ty srar,
use 2' of th.read :u\<:I don't trlm lt after
compledng. \t/ea\-e through beads to l"Xit
from the tip of .a burgundy star's center net
a.sin Fig. 3.

4) JOIN. Connect thet\\'O halves along tbe

point$ of Ihe $1;'11'$:
String 1C; p.'\#th!'<l'igh the ripe)( 1hene:it-
°''
ese $S<le net .a butgundy u:u· on the fits:t
half. Strhlg lC: p.1$$ through the dp of the
ne.utSt side net on the adj.)cent bronu sear
on the first haU. String lC; pass thTough
tht Am. bead exited in this step. Wea\'!:
through beads to exit from the tip ol the
cent"' ncr en 1hc (l~l bronu
n.e.if"l!$t n,. '' Join11"191hf fvs1
~~t\lbf<,
11t;oir(m the flt'l$t hoi)f(Fig. <4, blue th~).
String IC; p:.ss through the dp of the near-
~ ssde net on tl-.e .adjtant bro•nie~1.ron
the sttond half. String 1C; ~ss through
dletipoi the nearest SW. net on tbe dos·
t$t burgundystMon tiwS«ondhall Artist's Tips
String lC;pass through the tip o( the near- o( the conne<tions.After \oo"'Ol'king6 con·
·When ending threads. be sure you
es:e «'f!ter ne( on the (best bronie Sf,O)r. necrlon$. insert (he corebt.li<I .,nd tnJike
don't po$i1ion ,) knot so th.lt it ends
Repe;i,t the thrt:id poirh :and ,,:e<i.~through sun: ics hole~Hgn$with the openingin
up filling 3 bc<Kf <11 thc tip of•' net.
~s t<>~it from the 1\e'Xt S;idc ~on the the center of the fiM hatrs 4 $L'lrtand
fil'$t h.:ilf's dcsest bronte sur(Fig. <4, red the openingIn d.e unttr of the seceud ·If the beeded cove1 f('('l-s a blt loose.
threitd). half'S 4 5tlll'I. \'{erk the flnlll 2 connections omit the beads added between the
Condnue connecting nets in the $.'111\e to completdy }<>On tht 2 bal\'eS. Secure nets in Step 4. If the covc1 is ti9h1, use
manner. re(mi:ng to Fig. S (or a skit view l<1rget be~ds(wch as size 11•s or lmm
the eheead .tnd trim. •
cryst;)!s} In 1>l1Ke of the 1s•s In Step 4.
·For a la1gc.r be3dt-d Mad, use S4~ 11•s
it'I pl.:l(Cof IS~ th1oughovt ihe p~ttern
anduscoi 14mmbcoidforthccorc.
The 1e-sult Is a%" beaded bead.

CALLING All BEAOERS: Wewant YOU tohc:fp1.1scclt-bl~tc our ISth

Ml!LINOA 8Al\TA *' t4itorol ~k,M)w)t
« tht Ml~ boolJCustomCod kwt.try .arid
<1nnlvers.ary! Here'show: In eecb of ovr upcoming 2012 lswes-thls Issue. H>p to Stirch..and <l»'.llhor of MlJtld Ml<IDh
Al)llVMay, June/July, Au9ust/Sep1embe1. and October/NOV«nber-wewill (lntMYt~. Xllli->0:)9),Sht ltM l'\lm(CI(WI)
pybli:Sh .l bc.lded be.Kt l)(Oject. Fotk>'N along with U$ llnd m.-.keyour own °"
vetsion(sl o( e<ich ol the five bt';)(fcd beads.
WOt'~ Pt)'l)(C itltd\ h(lll"'l!bo!Wstitch.
rl'$in, Md mort-. Look fol 1-.itr f'lt'Nnl bool 1M
~ Wtlle( mtlindabaci+mm
t•
At the end of the ycoir,sh'1re a piece of jewelry you moidc th'1t incorpor.)tt'S ilt
least OM ofeach of the five annt./ersary beaded beads. The winning jewelry RESOURCES ChttltYo.. ~ be.ad $hop or
pr~. whi(h will be chose-n by kadingDoilY.com mcm~s. w.11 be s.howc.Js('(f (OfU.\C1: Hid.Inc bt.ald(d bt.ad•"9 :hrt.ld 111<1
In the Feb1uary/M;,uch201l tssve of Btodworlt m~932lne. ~ bf-Mis: lkyqnd 8t..01'1'y. j&OO) $«1·SS'S.
C>tsldflne fOf eotues Is October ~. 2012. Visit beDdtnqcJaily.com/ W't(t(.bf;yoad'W4o1YUWXI Sw~Mli l)e.arlS
beadedbeadcontest for entry de-talls and rules. •rid rond~ fqMpnlrMi\ mm ~ '81 • JSS9.

8£ADWOllK ltbr.i.\ry/maicb 2012 19

DESIGNER of the Year

TECHNIQUES
dr<ul.W .rind tubuf.arpeyote itltdl
laddft'st!1(h
SH~fotfi,,lpfW
t«lw\!4w 1t1fom1~

PROJECT LEVEL GG[)

5Hg. f for pml!cr·ltlwl#!formcrion..
 Jean Power

affinity series JNn Powtr IS an

ilW¥cJ.~

)""''Y-·
__
3Ulh04', -.d
tt.)(hcf.\\'htn not
tta<hl"9 or writ·

PEYOTE-STITCH THESE SPARKLY AND shapely bangles

i~she~to ,
wfth mlletd mac~
that, when worn in multiples, fit together nicely to add l'lals.vd
even more undulation. ttthnlques and play rolef dttby. Vlsl1
JNn'swd>sfteat ~com.

1t OISC. lJkpeyo(t:Andl~det"ttitthe$tO optho>ugh the flrg1 B added in 1hi$ MATERIALS

fonna~dkc
Rou.nd 1: Add a tension bead to 3' of
thread, at:i.\tinga6·tail String 4A; pass
throughthe first A to form " tight dl\'le.
Don'ttit .11 knot.
Round 1: StringlA.md pass through tht
ncxc Aof R.ound 1; ~c three lil'nC$
fc>r:a 10~1of4A. Stier op rh~gh the
99t.i1Ytr 1l'lttfllic Site 11•'1ftd~s(A)
round(Fig. 2). Nell: YouwUIft0\~·....10&
in 11 oou1,cen:&oclc....1# dtl'«t~n. I):9 ~Iver metalliclite r seed btad' (1)
116ra~ mf1<tllic4mmflt~polidltd
Rour'ld 7: \.Vork8 peyote stit<hes wkh lC roundstc)
in each stitch(ora tot.U of8C. \'lea\'e SMOk• f lb bt<lfdtd bt.Olng thrud
through I.he beeds o( Rounds 6 ard 7
again to align and reinfon:e;step up TOOLS
through a 8ofRound6(Fig. 3, blue ~ 11 bffdlng nttdlt
thrc.i.d). S<ISSOfS

fl11t A:Mlded in th15 l'OU1'1d (Fig. 1, FINISHED SIZE: 6•

orange thread).
Round 3: 1A'Otit 4 peyo<e stitches with 2A
in ~chstitch for a tot.:il of SA; step up
throughthe fin;t A .ldded in this round
(Fig, 1, gret'n thread). Options
Round 4: Worlc 8pe)'OCC stitches"';1h 1 A Fcemwide1 ver·$ionsof 1~ bangle
in t'<1ch stitch ((Y( :a total of8A: step up using these bcold combil\iltions::
throughthe fir$t A added in this round Medium 8aogle
(Fig. 1, blue thr~a.d).
11 g sue 11• seee be.;ids (A be.Jds)
Round S: 1M>rlt 8peyo<e stitches with 18
15 g $ite s·
seec be~ds ce
bt1ldsl
in e:i.ch stitch for a total of 88: stiepup 192 pressed·glass 6x4mm roMeUes
through t~ first B added in this round
(Fig. 1, red thread), Large Bangle
Rovnd 6:$1Ting J 6. })1.S$ through the 1-.st 3S g sl~ r seee bt;)(ls <A btOOs>
B exited, I he next A ol 'Rot.lnd 4, ~nd the 2S 9 size 6•seed beaes (9 beOOs)
followingB <>f Round 5; repeat seven 136 J)fessed·glass SxSmm tondeUes
times tobddtt-stltth a toral ol 88. Step

BEADWORK ftbru.uy/mat"ch2012 21
DESIGNER of the Year
Roul'KI 8: String 18. pass throogh the last
B cxir~. rhe ntxr C of Round ?, :lnd
the following B of Round 6; repe:ir
seven times to ladder-srlech a total of
88. Step up through the tint B added
in this round (Fig. 31 red thread),
Nott': You will new week in a<lockwiu
direction ag~in.
Round 9:Worlc.8pc)'04e stitches....,·ith lA
II\ e:ith ftitth for 2 roul of SA. Sre·p up
through the fl1'$t A Mlded in thl$ rou1'd
(Fig. 4, blue threAd).Thls\\iU pull the
l:ulder-sriuMd beads of Round8 t~·;ird
th-to center oi the disc.
Pig, S:~Nn9 AOUl'<d 11
Round 10: Repeat l\ound9(Fig, 4, red
thrc.i.d).
Round t1:Stril'lg lAa.M paurhroughthe
next 2Aof Round !Oto fonn. a deaeai:e;
tt~r three times for a tOl;'IJof4A.Step
up through the first A ~ in this
l'OUnd(Fig. S).
Rounds 12 and 13: Work 4 pe)'Otelllit.c:he$
with lA in each stitch for :1 total ol 4A in
e~h oi2 r¢'1nd.$ (Fig. 6).
~r geends3-13 '"''tnly-one rtmesor
to the desired ~ngth. to fonn .l <01,dnuous
strand of beaded discs.
Artist's Tips
• Uyou'd like towc.-r sevtlfollb;i.n9le-s
a1 once, note 1ha1 1hey1I onty nestle
togetherwith on.c <1nothcr if they're
stuched with the same bead
C'otnbll\iltion (U\iUIS. Site I l°'S,
size 8"s. and fire-polished rounds).
-vco m;,rynttd to "dd cxtr3 length to
a bangle that Incorporatesrcncenes.
·Form a necklace 01a ruff bracelet by
bt~dll\9 n length of the p.a1tcrn, 1hen,
without 7ipping I~ ends. string the
beadwork on a metalcuff or neck wire.
2} ASSEM8LV. Remove the lt1•6i<m bead
~MR.Ot11'1ds 1-4 <>f the flT1t di$(. U$e rhe
"'"Orki.ng thr~ from the fiiuldls( tO"-'Ot'k
Rounds 3 and 4: tip Round 4 «> R.eund S
of the f\m di.$(. •
RESOURCES Clwdt )'Oii' k>c•I bt•d '"°P
(Oftt.cl: Sftd bot~S #Id firri.lt'lt l>!IJld~
bNdlrlg IJ\lt~:fw-t ~ rue St.Ml 8Wnm.,
WWW ddtabt¥k co •ek hrt'9()1hh«I rounds: T1te
Ct~s. WW'« oo&uttttafts com ~lies Tl'lt
SolJt,.......ptOnktdShop.~
kMl!llQp<Au.\, Slmllk m."l!ttl.\b (US. iOllKt):
!Hdl.b'J' BIMldlf',(201) lSS·6l2S,
w:w:w ~™Acbt
UlO'-
DESIGNER of the Year

Artist's Tips
Earring~ iH(' llnothtt" btautlfuJ W1'y to
wear embc-lAshed tece. Paint eee ~
TECHNIQUES a.ndlot embellish a single lace flower and

......
butl<lnholitOI bl;tnUI Sd'l(h

SHe.J!.fottwlp/ul
stiffen it with Pk<tge With fu1ure Shi~
ocrytic floor finish. Once dry, use f-6000
glue to attach an earring flnchng to the
ttdliil4w hl(Mi1~ b-O(k, Slmllluly, you c_.n torm b prtttY
brooch with a clustet of flowers sewn
PROJECT LEVEL IJV.~ togethef .:.nd overlapping; st!W a pin b~
&tp,4for.om\!(t-!rwf#I~
to th.t b3Ck oft~ cmbelli$hod Rower$,
 Diane Fitzgerald

a bit of lace Oiant fllttg« aid IS

ii bead jewelry
~.•ud'lor,
3nd lntet'Nl:ionbt
tcKhcr, but it
dotVI 't stop tt\tl'e.
WHETHER IT'S THE PEEK-A-BOO quality or the intrigue She 11lso collects
glas.s bHds. both §
of the positive and negative space resulting from the cld Mid IWW, .Ind ;i
pattern, lace has intrigued us since it first became popular trJvels f1equcnfly
tole.wnmote
a
in the sixteenth century. Embellish bold machine-made 11boutb~ •00to encotW.lqt ~bdefs..
Oibne'5 skill$ art ba~ on formol tr•ining
lace with beads to create a fanciful adornment that will In dtslgil'I. colo(, ~ commu~dons.
and sM ~~ tn<fl.es.s ~a&>n from
never go out of style. her students.as wtll. Visit~
f!~~.5om

MATERIALS
1} PREPARE. Cut tbetaceintoont T piece guelitcand 1 seed bc~pass back S 9 t111ct\lois.e Of)lqu• Jiu IV J;,P'f!fft
and one 19' piKe. 1·tw long pittotshould through the marguerite and into the <N•tontt
h.l.\'e 10 nov.~1'$; thes.hort pi«eshould I.ace (Fig. 4, red t-hrc~ct). Rtpe3t rhc: '8 IOl)lt 2.6mm (sin SS9l !O'K monlffi
s
h,;\\~ ~-.:!'$. ch~ p:ich lie\.t..,<al llmcs:co reinfOl'(c-; l 2 fkotm~ blue 8mm <')'5tal
$C(U1'e the thre3d and c:rhn.. fl\11911trft•s
4 black ~lu l (7mm) ww•on '!\ti»
2) EMBCLLISH. Use seed beads and ltepe;'.lt this scey to embellish three more
30' of'l)l.)(k IYt'wldt llMI lt<.4
(rySt.ll.t toembellisa tbt boe 001,\'Me of the Lace floo...'en in the same v..•irf. ~ving
8hK-k stee 0 ~ ~.tding tiw.d
Edgin9; T\ea knot;it thtendof 'Z oi the p.litiaJ end flo\..-erblank.
thtt.ad and stitch (remback to front TOOLS
tlrroug}> the ..!ge of ch. full md no.-., Sc:luon
on the T lace piece. '$tTing l setd besd. Siu 10ot 12 be;idtngnttdt.'
'1tWinco the edge ol chc flowCf' l bead
FINISHED SIZE: UR
space from the I.Ast exit point fl'Om b.'lck Fi •• 1; ,CWfl'lng•
to front; before pulling light, p:\$$ blAllOl"ll\otl:1-tildl
throughme thn-lld loop Jw:t formed
•••••• ••
to form a bnrtonbcle or blanl<et sduh
(Fig.1).Rtpt-.a.t(rom• around eheedge
o( the lace fb..w, (ollowing the lace's
J»ltcm to define the (1¢'.".'l'f" pet;,ls as
......
•
.,
desi~I (Fig. 2). MM: 'fostit~hbeeds ••
on the fro1lt ol the ~-er todcf"me the
petal$, sritch under a few thre~ oo fig. 3: SlltehlNJOtlto ee
WtbCtOftlltlkt
the face of tM l.llie (inste-.MI of tht Mge)
to fonn a thread Soop (Fig. 3).
Roses Mont~es:Sew through thetaoe
(rom beck to front to exit ;at tbe base n,. 2:Addlngt>t.xkuimt
of"' fk:M·~ petal Seeu rely~· l rose ~"' • lkif f\owft"
montCe to the bee. R.cPf'.&C co.-td
S r'O$e$ mol'l~ C<> t~ fb..-er(e'llter
(Fig. 4, blue thread).
Marguerites: Se\..• through the tsee fron\
bsek to front on a leaf ne.lr\~i.ere the Fig. 4;A<ldwt9ltlt~
monliti ~ 1'>'11"9JCll~
margueritc will be p&:icM.Stringt mar-

BEADWORK fcbru.uy/rnat"ch2012 2S
DESIGNER of the Year

Artist's Tip
3) FINISHING. S«utelysew2 snap halws
to the b.Kk of the fint ernbelhsbed ~'l"r. You Coln m.lkeyour embe-lliShed Iece pieces m0te versatile by
stwtheothermaph.ahiesto the f.l(eofthe ~.uing thtm in m¢te th.:in onew.l)'.For e:x.lm~. the eeeusee
blank ~-er &O tbe snaps match the fint featured hcreccln also be worn as a 19" neclda<ewlth r
bracelet.
In the Sl'ltnl" fashk>n, YQU ca" connect a shQft 1eng1h oltnibeUlstwxs
Sf't (Fig. S).
lace to it bt'1cclct to form a choker.
Repc;tt Step 2 to (.'fTlbclli$h 1he 19· 1.ace-
s»e«. thiis 1imec:mbeUi::1hing;1l1 of the
fle¥.'tt1e:uepl01\ly half of the fin.al 11o\\-er.
Positlo1l the sn.aps so that whim sn::ipped
together \>Jith t~ short piece or embel~
lish.ed Lace. then-.'O forma Y~sh.iiptdneck·
lace, Ensure thit all tbe roses monttts sit
on the inside of the necklace and that tht
2 emlx4.li11hcd lece pieces s:1 :.ck c:k>;Jinly
to <0nee.11thc 11n:ipt1 "''hen c:.bed.. •
RESOVAC£S (Jlt(tyourlo<•ll>eH ~hopo1
<onttct: W.'9'1tS ~ no.tf ~I.Ke: Do~
Orlgl11o11b lflm\. l'60) 6Jl>9l:xt, wwwdowOf!qlNls
rdtm mm ~ IO·Ann fabllc and Crall sees,
(183)1w-.c120, 'Q)'<.i)&!t(l'oaa .i.c~d
Wmic1t f,lbric p.Mr\l: 1.Kqu.lrd. {SCIO) .W)·O&SS,
';"W·tK;Mmost.Kswxr. $WMOY\U fNtglllft11~
ra111dt J700J w JOSts M<W1rtts i.rlklts s) 100.
S)IO),M'd S) IO)l,-6bt.Kh,•nd Nynlo
bc.)d'irg t~ flrt MountMn Gtll'\$ and kadi.
(800) )S~l 137, 9"'-'fktme;t.!rstmf,.,<e.

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Embellishing 81<"nd•ng th(' p,llnt <of<M'S .lddslnt('fC'St and

liigllllgihts. To blend cOlo.s. SQutttc two smal
Lace with Pain1 dois of p'lricontow.11xed J)llP('f,bnd ,1fte1
~)1)4nOI O!\C'Co&or to lht' 1~ 01nd btfo1e It dries.
Y« can be p.ltM:ed
with f,Jbrlc ~nts.. '?Ply the S«ond cob with bru.lh
~trokcsfrom thc«Mcr of the
• 01ane u~d ~qua1dt.vmi~re m~lic fabfic
pl!int\., which are known (Of thci1 unooth flowing tl()WCf t0......,1dth•OlltOI ¢d0o.
• qu.tl.ty "ndf'k:xlbllty .tftcr dr~ng. The wmpltt hctc Apl)fy.a lightcw cdof to the
••
•
• were nwde wllh the li.m~1•Mini E.eiter P11ck. whiChCont<1illS edge of <".'!<h flO'!Wf to h~
eight h;,lr·oun(e bottles*' lhcsc lusdouscdols.: pearl turquolie, d~ln(' ee ~pe Yov cC'ln <>Cid
• ~Ii wN1t. mctallk bfon~. halo <Aolct·giold. mct.l11ic olv(o, h~ bead°" Oytt.ll em~lliihMtnts •
•• tOPi'inttd &lice-; be sure the- I~ 1$ ••
• J)lnk..g;old.pewter.and Metallk gold. SNokethe bottle well, thot<>VQNy drybt(Ofc dOing so.
sqceeee a sm..,l a!T\oO'UM oniow.i:iecd PlllX'f.and apply dN! p.rint
• to the lac• -Mth • small ~!ntbrush.
•• •
....................................................................................... :
DESIGNER of the Year

TECHNIQUES
cirtutu Pt)'Ol• Stit<h
drwl.-t ri9M·•"11• ~
herringbone 5tltdl
Sttp,J.Jfor h<tlplul
tttltrlqlJ!t lnfom101ioti.

PROJECT LEVEL l)t~

Stt p. • lcl-f)((>J«r-~ b'ifor11iof'll)l'I.
 Leslie Frazier

edwardian Cenu-61 Califotnlil

anlstltsl~ rr.uiet
ha~~ (l(':;'lling
<ind lt.actlfn9 hc-t

ruffles
WEAVE THIS BRACELET WITH Japanese seed and peanut
beads in colors that flow into one another in a ruffled
design, reminiscent of Edwardian styles. The focal point,
a sparkling beadwoven dome, hides and protects a small
magnetic clasp.
1) HEPTAGONS. USt"pe.tnut andseed
beads todrrul<1r peyotNtitch.a 7'4idfd
psece olrulO..t b..ul•'Ooc
Round 1: Uu8' ofth-re.;acl to.C1i11g7D,
l«tving:i. ff' t;ail. Tiea knot to fonn :i
tightclr(it,.Exit from the fln;t D lld&d.
Round 2: String 1 Daad p.us through the
ne:ict Doi Roul'ld 1; rtpe.u six rimesfcea
toul of 70. Step up for the next and sub-
"'Juml rconds by J)'SSing throog)> the
first bead .-.dded. in tbe eurrenr round
(Fig, 1, blue thread).
Round 3: \York 1stit<:hes \'lith 20 in
each sritch for :i coral of 140 (Fig. 1,
red thread).
Rou.nd 4: Work 1 stitch \\-kh 2A and
1 stitch ,,..,it:h IA; repeat six dmt"$ f«a
total of21A(Fig. 2, green thread).
Round s: Wolk 1 stitch with 2A .11nd
l5-tit(.he$. with l A in e~h stitch: r~pe;ic
di«lnctiveclesqls
since t99S.
Although latgeily
Sf'lf·li'J~.w
crtdlts Nfty
dasses with Nan(
M*h111d1.Ci1tol
Wlcox Welk.~ Robin Atkins for influ·
endr.g her to ft.Wtheof e.xpklfe the world
of ~tng pos.Sibilitles. Htt' impit<lliOM
tilngr from nait\lfeto ;11chltc«vte 11nd
trom antlql)e tocoo1emporary f~loos.
Yfllifs ol an rt-*'9 i.re rent'(t~rn hff
color <holcos~ wtll .s lflt °"".a
<on·
ceptolht'.( ~· Vtsitwww.ltsf1£
frtdtf.(00'!.
six times for~ totalol28A (Fig. 2, blue
thread). Not« ~stitdltS 1.<.'0l'kffi ,-nth
MATERIALS
2A fcem tbe fint herringl>onestitches.
49s.ltY1tt meullk 'lu 11•
Round 6: \Vork 1 •titch wilh lA <'Ind J.itp."INH sef'd be.itd' (A)
3 s1i1c:hes with 1 A in e..c:h 11titc;h: 7 9.11ndqueJllwt' metilllc st2• 11•
repetit s-lx times for 11. total of 3SA J11p."1neM1 wed beads {a)
(Fig. 2, red thread). 11 9 brOtl.t• rnet11llk A8t.itit n•
Jllp.lnts.it Mt.<! bit11dt CC)
19 9otd·lil'lil'd dear 2x'4mm
pun1,11 bt11ds (0)
I Wv•r &mm ~~k: <Q~p
tli" of $llvef"frendiwlre
SMok• 6 lb b~ldit<I btfdlng 11\rud
TOOLS
Sdss~
st?it 12 bit1dlng l'lffcllff
FINISHED SIZE: 6•

Artist's Tips
• Use very tight tension w;th this pro~t
to achieve the ptol)ef ruffling ofrhe
~Pt~on _.nd hcx_.gon comP<)rwtnls.
• Afttr ~ Section of peyott $trtCh, kff'P
your tension tight by putllng f!tmJybut
gent:tybythe thtead,notthe needle,
.-iftCI' cnt~ri"9 the fHlt~ of the
he"lngbonecolumn.
·Slight s.czeadjustrnents m,;rybe made by
changing the- Joc.at>onof 1~ clasp.YCAJ
<:.>n ,-,!so lengthen or shorten the br.tc:dc1:
by varyingthe numb« of hexagons.

B£AD\'10RK !C'bru.uy/nwirch
2012 29
DESIGNER of the Year
Rou"d 7; Work 1 stitch with 28 and
4 stitches with 18 in each stitch;
repeat six times (Of a total o( 428
(Fig. 3, purple thre:ad).
Round$: \York 1 $lit(h ~·ith 28 .and
5 stitches whh 18 in each $titch;
rl!'pe:at six thne!I for a tOtlll of 49B
(Fig. 3, orange thread).
Round 9: work 1 stitch ""'ith 28 and
6 stitches wuh 18 in each stitch;
repeat six times (Of a tot:i.l o( 568
{f.ig. 3, pink thread).Not~: ihe piece
shoo~ begin to rl1fOe,
Round 10: \t/o& 1 $titt:h whh 2C and
7 $titchd ....·ith 1C in e:wh stitch;
repeat slx tlmH for a total of 63C
(Fig. 3, grttn thread).
Round 11: Work 1 uit·ch with 2C and
Sstitches with tC i.n e.Khstitch:
repeal iix timn for a total of 70C
(Fig. 3, blue thrc;td).
Round 12: V.'oirk 1$1itchwith2Cand
9 $ti'tche$ \vith re in ~h stitch; rtpe-.at
eree. \'leri<.1 stitch v.1th 3C :u~d
9stkches....;th JC: r .. nt foutd.mes for
a toc.'1oi82C(Fig. 3, red thread).
Secure tht."thtt3Clancl trim.
' '
FIS- S: fl.)11111119ttw 11~
flU"*'°ol~ ~fl
2) HEXAGONS. usepeancrandseed
beadstocirrul.trpt)'Ot~cha 6~kled
pieeecf rulfled be~'Ol'k:
Roundi t-11: UM 6' of th rt.ad rorepe.1t
Step 1. Rooncb: J 11, thi$ rime ht-gin
nlng Round 1 wtth 60. Niu: Beceuse the
first round SL'UU\l."ith GD tastead of 70,
)'OU will add l less herrin~sdtch
column and one less peyott·sduh
section per round beeween the 2·bt<id
stitches (or aO ol the rounds.
Round l2: \'/Ofk 1 stit'h wichc:u. ~ding a
bfo.ad at the comer.Work911titc.he!s with
1Cineath$t£tch. Work 1 stluh wirh3C
and 9 srlrcl~eswiah lC in eech $tir:Ch.
\Vori< 1 stitch with 2C and 9 stitthes
.,.,;th IC in e:.Kh stitch: repeat once. \'/ork
1 sdtch "ith JC end 9stitches with lC.
N«e: Only (M sidesot the htxJ.gon are
stitched in chis round.
Zip: Pia«" the uni;titchl"<l11ide of Round 12
n.cxt te ehe heptagort ona side.! 1h:et h33 a
2C<Olumnon eseh comer. Zip the side$
togethe:tto fonn a seamless join (Fig. 4,
blue: thre:.\d)and weave through it
ag;iin to rein(O«e (Fig. 4, red thread).
Secure the thtt<id and trim.
ffg.•:~(ht
htPl"90" and
~logt(l\tl
' '
' '• '
l l
' •
o/ .al bfJCdtl<orrv>Ol"f'"ts{l!Urrlbttt I~
' '
tot~
11\t POlflt.sIn Sbllnd 1iJ
l) ASSEMBLY. Sdtch.lndconl'lt'(t3mote
COtl'lponmts to lini.sh the- bracelet base.
lolm.ing Fig. 5 (or Paammt:
H•xagon5 2 ;,nd 3: Rcpt;it Seep 2 tv.'kt-.
~<IC-h tirne tipping theo.in\!f'lt hiexagon
to the pt<e\lkms!y 1n.ade one.
Hcpcagon l: R~t Sup 1.but in R.ow'od 12,
\I.wk 1 srit<h with lC(at the <erner) and
9 stit<heswith lCin t.)(h stitch; repeat
once. Work 1 sntch "'tith JC <and
9.stitches with 1Cin e.-ch.stit<h; rtpeJ.t
four times for A roe;i) fi SOC. As in Step
2, plaee the unstitched llidc: o( Roond 12
next tot ht firul hc:x:igon on 2 side tlu1
ha$a 2Cdumnon e;ach end. We:t.\~the
sideos: togtthel' to form a seamless join.
Se:cun-the rhresd and trim .
4) CLASP COVER. Usedrculnrright-mgJe
V.'t'A\~ to stitch ;i domedw.·er forthem.ag
nc<ic;,1.asp;
Round 1: 0$e9' ofth~«>ftring6A.
leaving" 6. rail P:i8$ through the 6.i\
ag.1ln to fonn :'l dght drc:le;e:xlt from the
flm A strung.

Round 2, Unit l:Strlng4B;pass through
tht last A exited and the ftrst B added In
this unit (Fig. 6, purple thrc;i.d).
Round 2, Unit :Z: String 38: pas.sba<.k
through th•,,..tAol RoondJ, th<
»eerest 8 in tht previousunit, tbe 38
jtl$t ndtk-d,and 1he fol'°""-ingAol
Rot.ind 1 (Fig. 6, or:.ng-0 thread)
Rou.nd 2, Unit l: Strlng3B, pass through
the nearest A of the previous unit. the
ntarest B<:J Roond l, .and tht first B just
~~(Fig. 6, green thread).
Round 2, Units 4 •nd S: Repe.at Round 2,
Units2.md3(Fig. 6, blue thread)
Round 1, Unit 6: String 28, p."S$throttgh
the nearest 8 in Unil 1 of Round 2. the
open A in Round 1, the l\ell'e$t 8 in
Unit Soi Round 2.and the 28 ~st lld(led
(Fig. 6, red thread).
Round l.Ui'lk l:String3C:pusthrough the
last B eoted andtbe 6rst Cjust added.
Round 3, Vnh l:String2C; p.1$$ beck
throughthene:xt 8ofltoond2, r~near
t"SI C in rht previo.,1$uni1. the 2C just
addtd, :ind the following B of Round 2.
ff(M.nd l, Uni! 3: String 2C; pass tl\rough the
nearest C of the previous unit. the next B
ot Round 2, :ind tht fint Cjust added.
Round 3,Vnhs 4-11: Repeat Round.3.
Units 2~3 four times.
Round 3,Unlt 11:$.tring ic, pi;58 through
1hene.oirestC in Unit 1 of Round3. the
open Bin Round 2, the ne.'U!;!StCil'I
Unit 11ofRound3, ~tldthe Cjust llodde-d
(Fig. 71 blue thre;1.d).
Round 4: R.tpeat Round 3, us1ng C to form
4-beMluniuof(ofRound3(fig. 7, red
thread). \Ve:i\'t throogh beads to exit
from Rottnd 1.
Emb•llish: String 10: p.l.S5 throl1gli the
oppOSice A ol Round l and the neal't$C B
of Round 2 (Fig. 8, green threild).
Leslie Frazjer
StJing 1D Md pass th.rough the next
side Bot Round 2; repeat fl\•etimes to
add ID to the center of eech Round 2
unit and exit from the nt:.mst side C of
~md3 (Fig. 8. blue thre:.d).Con
ttnce to.mi 10 to thecmt.....-of eech
uni! in Rounds 3 :ind 4. Eic'it (l'Offl :i C in
Round 4 (Fig. 8, red thrc.'ld). f'Jc- $: ~ching Round 2
Ollllt(IMI)~
Round S: String JD :ind pass through the
next oor.s~ edge C o.f Rouild 4; repeat
ele\'ttt times fora total of 120. Step up
through the fintD added in this round.
Rovn.d 6: String 30 and pass through the
next I) of R.ound S; repeat eleven
time$ for .. toc:il or 120. Secure cho1;:
thread and trim.
aa1p: Sc.rt 3' or new th1-ead th:it exits
down through Rotu\d 1 at the topof the
~lldeddome. String 1A. one h.a.lf of che
clasp. and 11\:pass through the opposite
A in Round 1. Repeat tM tbread path
several times to reinforce. weave
1hro1,.1gh lx.';)(1$ tc exit fl'Om Rwnd 6;
l)C(\,lrt:ly itil(.h c he 11\d.e of the ~ded
don'le to Round 4 or the first hept.'lgol'I.
Secure the thre3'1 and retrn.
Add a needle to the center of 2· of thread
and join the ends to doubleit. Secure the
thread.so it exits from Round 4 of' I.he
htpugon ee the other end ol the beace-
I.ct. $tril1g che(refl(.hwireand the ocher
hlilf of the(.bt1p~nd J>OISS th~h tht
tese A eened, Secure the thread and
tl"im.+
RE SOU RC(S Olt<t your 1oui1b«d iohop or
(Ofll.Kt: $fof'd .-!ICI Pfoilllfl b@M:IS M'ld FiltlW
br..icstd be.d1n9 th~.MlOut on "Wti"1. C*OOJ
2:)>·)111,........,wt*nbtf<IJ.(Q(O.~ ~
CSS9)22~ WWWJudatlfrt<M(nm Kia:
~fr.Mc, IOO!(.ftlo'idrldit.t mm
BEAD\YORk ftbruilfYlmatth2012 31
DESIGNER of the Year

TECHNIQUES

SHa2! for h$/vJ

~ .lnfortnotfott.

PROJECT LEVEL··~
scte • fmrma.:r·Jcrd'"~iro..

charmed,
I'm sure
SQUARE-STITCH CUBE AND PYRAMID beaded beads,
add head pins, and you've got wonderfully colorful,
graphic charms for this fun bracelet.
11 CHAIN. CUtlhei:~ln b'to 16piecesth.v
inchkte 1 srnnll tink/1 large link.It small
link: set aside Cut the rem.iiningchain
into one 1%' piece.use 1 head pin to string
1 ~Mt and.form a \\lf;tpPf(l.Joop f.N.t
:i.tt.a<:hes.to the end of rhe longch:iin
co form :in cxttndier. set a$ide.
2) PYRAMID. Squ:1re-sti.t£ha beaded
bead shaped like a pyr.unld!
B.as.e Rows 1-9: Using 6"o( thread, A, B,
.lnd C and &taving a 1' tail, squ.ire.stitch
JI square 9 beads wide by 9 w...'!l long.
01nittinga 11tltch ac thecenterol RowS.
Follow Fig. 1 for be<acl·<Okirpbcement.
Note:To 01ni1 the stitch at the cenrcr oi
1l)ll,71t
C!QCICJOOODCI
UUUOUULJUCl
Q(J 00
88 88
88 88
888888888
Fis. 2: f«flll"9!hr~
1n~AowS
Sue Jackson and
Wendy Hubick
Slsttrs Sut J.cksM and W«tdy Hubkfr:
l\Jvc btt'O t~hll)9 togethtf foi °""
eighteen ft¥S. 1hey'w held dassei In
Mt:ld<o. Japan. the Unlttd Ki"!>(fom. and
tlv~t the Uniltd Sl;ll.C'S. Sue ilnd
Wendy Wft'e among the first'f)l.-ce
wfnnm tn the 2006 TOHO compedtlon,
wtlkh wM them ., c~ toJ~11n. They
sp«l'.1111zt., using Japal'IC'S(? cyHnd«
the base, ~'1!3\"C'through beads to skip the
fifth stitch in Row S .indcomplete t~
•e
be-ads; thtir f~ite s:titchH ~e.
squ;irc, herri~ and btid(. Visit
row(Fig. 2, blue thread).then.wdan 'olO"W.hl,l.!Dmh"lQ~OJ'!I.
extra bead to bridge the gap auct'd by
the skipped stitch when (orm.ing the MATERIALS
i;i.xih S!it<:.h in Rq..,.6(Fig, 2, red thrc.'\d). 10 9 bl~k ''u 11· cylind1r be•d• r.-)
Side 1, Rows 10w16: Con1inue \VOtil:ing Sgffdl ~ire 11•(ylin6e:rbNchin
squ:.R! stitth off of Row 9 for 7 more ~~ (8*, llglu green (C), yttlow (l)l.
rot\"I.~ng:A, B, ::u'WIC. dea~ingto red(£>. meuHk putple (F'), ot•nge tGl.
And m~.tlk tO"I {H)
apoint,andfollcw:il~gfig, 3 (orcolor
lg bl;Kk stze 11•w-edbffds(I)
pl.lctment and sh.lping. Nott: There is
14 blM.k 4Xlmm gla$S fOndellti
a decease at the bf.gininng and md o(
) bi..cll 7mm 91""' (Ubti
Rows 10, 12.14,and16. To form the
4 bl11c:k 10mm g&at, ho11n'
deo-f'.15e. $imply st aet or #op 1he row
2 black 10mm r.ac11td 9t.ss<Oifts
i;hort from the pr\Mol.li; row. 4 black 1Smm 'mooth 9i,~, c:oini
Side 2: Use theull thread to repeM 4 bl11ck 8)(1lmm f11uted 91;1.<\' te11rdrops
Ski< I off of Bu< Row I (Fig. 3). 7 blade t4mm gl.MS tings with 7MM hOlff
a '1..,.,,9,1iwr 1mm 14•g.)IJ9t Jump"•
Artists' Tips 14 uHllng \ll'wr9mm 14·9M19t
·If you wtSh to make (ewer s11tched j...-np ring'
chorm$, create more dllnglt'$ with I' of s~rling dlwr l.5-'SX4·6mm long•
beads that YIOlic with your col01 .and·sllortth.aln
sc:h.e-me inste.ld. lJ mfllng ••r 2·~pins
I it~fl9 Siiv8' 9.<1$tftMlobstlt' dlSI)
·For~ little Sp.)rkle, ..cld a c::1)"$t<ll a1
the top of c<Kh charm when
8111<-k nylonbe.acing tflrffd
llYol de.., M)'I•'
pl.tsd< sMetlng
suing ng them on the head pins, 6X 1· ple<eot l4or Ho' thkl( fo,,l'l't PKldng
Shtl'linO
TOOLS
S<iSSC)(S
SU.e 11 bffdi"9 nttdle
tffavy needle«-'
wtrtc:untrs
2 pairs of di.am. Or fl.at·nose pitr•
Rounlf.rocxe pl!ett
FINISHED SIZE: 7'1t (expat\dable
to 8»">
BEAD\IJORK februuy/nwGh2012 33
DESIGNER of the Year
Side 3, Row 1: \\1ea\•eone of the threw
thYOtlf',h beads to exit from an end bead
in Row2.Scring1 be.}d(following
Fig. 4 (or color pbrernent),p.l$$ do\o.-n
th""'gb tbe Row2 bead ju« •xked..00
I'"' up th""'l!I> th< endbead ;n the
~trow: re~t fl\•erime${Fig. 4, blue
thrt:ld).Form 11'¢ fin.al srirch by siring
Ing l bead and !)3S:Sing b:icJt through the
6be.Wjusta&kd(Fig. 4, red thread).
PiJ.4: l"-OfMll'19~(1"S:.fO"Nol
Side J, Rows 2-7: \'/odc:ingoff of the l'OW' ~ l ol the P)'fatrfd
justadd.M, ttpeatSide 1,ROk-s 11-16.
Sid~ 4: Repeat Side 3 on tbe open side o(
tb<b.&<(F;g. S~
Mylar: Cut a pie«' of Mylar jt.1$t $lightly
$ma lier 1 han l he stl\Wtre formed by &$e
Rows 1-9.1.JSie the heavyneedleotawl
to poke a bolt in the center of the $qUare
to correspond with thtbolein the base.
Setasidt.
As~mbte: U~l headpintostringl nm·
delle, the be adv.wk through the hole in
the bese, •he Mylar$(}u.11re, and 3or 41.
C:i.thcr thc4 pointsof rhe lx-adv.'Orit
aroundtheht2dpin(Flg. 6). Use an
avallab~ thread tc> p.a~ throughthe
point!! several times. J( desind, \<\'e3Ye
through Side 1. Ro1,1,• 10; Side 3, Row t:
Si<le-2, RowlO; and$~4. Row l(just
above tM bauof each point) to further
~lizc. Stia.ire<11llthe th~.ads and
triln. String 11; form awrapped loot>
th.1t connttt1t roa snull link 01' one
of the )'hon <hahu. Set the pyt.1.mid
dAngl< ..id ..
Repe-at thisenrire step seven times to form
a tot.ilol 8pyrn.middangles. Use A as be-
(Ott in WloUowing 7 co10r'\\'ays,.but$Ub-
$Citute BIC with DIE. C/H. ~ I.VF.CIG.
M.~ndH/F.

O'.'iCIOC18C1
O::J 0 000
OD 00
OD
B3aaoB8
00
3) CUBE.Squa*stitch abeaded bead
shaped like a rube:
lhst Rows 1·24: Using6' of thre<tdandA.
D. a.ndl!, (olJ~·Fig. 7 fcr beed-colce
pll\C'emcttl :.1\11$C'flL1'fC $fif<:.h a reicr.-angle
7 be,1(1$widt!: by 24 row. Jong. k;\ving
aG~taIL
Tube: Square-stit<.h RCM'S l ::ind 24
t~ther to fonna seamless tube. Secure
the thread and trim. St-t tbe robe aside.
Top: Using3' o( threaid.andA. 0. and E.
follow Fig. 8 for bead colorplacmw:nt
aocl sqti:irc-4til<:.h "'$<1\iare 1be.ds wide
by?~°"' long. leavingaO t11il.Omit a
s.tltth :u d.eunterofRow4 as\l.1lththe
pyramid'sbase. Exit from a oomer A.
Oon"t trim the threo:ad; set the top aside.
Rq)Nt d\is entire secoon to form t~
bottom, (olk>wing Fig. 9.
Bottom connection: Fold tbe tube .ikmg
the bl~ltlin"so there are fourei:(l.l<il
fa«$ Use the\\"Orking threM:lof rhi,i bol
tom to p.U$ d°"'tn tht<JUg.h the t0rner
edge bead ol the front bee of tht cube.
up throujth the following edge bead, up
thYOUghthe next edge Aof the bottom,
and&,..,, through the following edgt A
(Fig. 10). Continue connttting tbe top
d(y...rn this edge.
The next edge will req\1ire c.onn«ting
hol'it0n1.2l :.rut \ltf'Ck<ll be:ld$. Ex'iting
from tht((llttleredgeA<>f the bcrecm,
JWS ~'n ehrccgh the ~ be:wfof the
tube, up through the follO\\ingedge
bead o( the tube, through the nexredge
Aon the bottom. and down through t~
tube bead just exited; r~At along the
«fge (Fig. 11).
Continuestitd,ing,:uound 1he edge
until d)t bottom it fully connected.
Top connection: Cut 2 sm:ill p&ecei of
plll:stk .iind pl:.ce them 1-n:JSde the
"'"!'.)))
cube. Note: Using 2 plec~makes it easier
to press the head pin throog.h tht cube-;
Sue Jackson and Wendy Hubick
000
000 ODO
000~ §83
fig. 8: COlcW p.tttttn tor tl'lt
topol'!l'ltrubt
the plastic wnp should fill the rube to
help hold its Wpe. Stitch the top squnre
to theopenendol thembe 41$ bdore. QCIOQCJfJOI
Secure All threads And trim.
Assemble: Uk l heMI pin l011tring 1 ron 8CJ OOJO
o a o
8
deDc, the cube 1hn>ugh rhe bouom
and top hole$;. and 1 rondelJe. Form
awrapped'°'°I) th.at at~ ro a
small link on oneol the short chains.
8a~~~§
Rt-peat the entire step sewn times to fonn Fig,'- Color~tttnfor lbt
b0tcomot1to.<u~
a total o( 8 cube dangles, Use A as bef ere in
tht fol~ing 7 coSon-.·;1)1$.butsllhstitute
OIE•«h E/8, HJC. C/H,C/B, r-JG,l)IH, aaoaaaaa
D
;ln<lC/I'. D UCJD a
aaog
G OCJD
4) BRAC[lfT ASSEMBLY.C(')nniect the
ccmpcnenrs to form the brecelee:
a
Glass danglti: Usie 1 heed pin to string
1 glass coin; form .a ""'r.apped loop that
att41Ches to tht short [ink at the md
o
aLJCl
o( 1 cubedangle'schain. Rt-peal ftftet'l'I
tin'\($ USing the l'elnAining head pins
:u'ld bbtk glass beads to add 1 glass
§§§
d;tngie :it tht end o( eath cube and
triangle danpJe. ttg.. 10-: 5.;r.<h'lg dit l1lst tdgir of
tl'>rbol lO!fl to ee Sidies ol tilt lVbe
At,ach: Ugeone ?mm }unlprini:t to atrsch
the> chain ol 2 dangles to tht clasp. t-.'ott':
\Vhen .itt:.1<:hing this and the following
chains. pa$$ the jump ring thr()l.igh the
bnglinkofthcch:iin, "Useone9mm
jump ringaruch the pt't'VlOU$jtunp ring
ec 1glassring.Atuthone9mm jump OD DO
ring to the other skle o( tht ring. Use 00 00
one 'linm jump ring to att.'ICh the chain
ou ()O
o( 2 dangles to the PfC'Viousjump ring.
Repe;W_ from· six limes. arranging the
B~a0088
colors and shapes415 deaieed, Include Pie,. lt:SbeicNngd'~!«Ood
thefree mdof thee.xt('fl<krch.'lin in rdgitclthtbottom !Olht
~olll'oir~
the(-hial ?mmjwnp ring. •
RE SOU ACES ChKk your ~ bt.td stlop or
(Oflt..Ct O,lkil()'llnOH brads, ffyl'l'IO ~Ing
tht.td.W Sklbl (la.!;S bt~ oll'ld flndorigs:
fil'f MO'Jn~ ~Md 8uch. CklO) lSS· l ll7,
w-lvt!!'b,!nt*'91'11\$.m.
BEADWOR.K ftbru.trylmatch 2012 35
eye on the prize
bracelet CSILLA CSIRMAZ

Stitch this stunning bracelet that features a

swirling, sparkly knotted center. Make the
inventive focal using two Interlocking ropes
of embellished tubular herringbone stitch.

TECHNIQUES
l.idd"lthth
tubtilM htrrl~ ttlrd!
s1hch
S(l\.l•tt
rlght-b"{lte WHYe:
peyote \tl1dl
SH e..1;!_for bllplvl
t«ltt»4vt Wom1ortoti.

PROJECTLEVEL··~
~ p. 4 fOI ENOf!ct·lftd information.

1> FIRST SIDE. Fonn a tubular hming"
bone-stitchtd rope for one sklc of the
br.;l(tlet:
Round 1: l.adder·sduh n soip in this color
onlC'f': JC. 1C. 1 D, 1 E. 11!, nod l D. Stir(h
tht final Oto tht Ont C to fonn a ring.
Round 37: String 2C; pass ~-n through
thtntxt C in the pre'libu round and up
through the (ollO'>\•ing P.String 1 P .lnd
1£; p.1ss down through tbe nea Eln the
JWtY~1$ round and up thf'Ol.lgh rhc fol
k>w:ing E. String l E and 1 F; pass down
MATERIALS
1 9 sllW,.llntd <Sur AB sft• 15"' 5ttd bNdi (A)
1 9 si!Ytrl'l'lfl~ttlciii. 1s• Sttd ~(Bl
Sg $1fw_rmt"t.allitt.iu It" ued be.d5 (C)
5 9 nwine 5llVH me1..tlk$ltt t 1• wed
be.J<k(D)
5 911~1 g.otd mtQ111< site 11• eylll'ICkr
ti..Jdi(E}
1 9 !'Nile sl,._. "'''~ W:e,- seed~ tl'I
1 SJ ilMrm.ullcS.U.rseed bffdstG)
)8 Wf'ld op.JI A!2X 4mm ap:talb'kones(HI

Exit up through 1he first Caddeicl
(Fig,1).
Round 2: String 2C; pass~'l'l through
rhe next C in the pl"e'ViOU$ round and up
through th• lolloMng 0. String 10 ...t
lE; p.tss down tl\roogl\ the next E In the
prtYious round and up through tbe fol·
)(l\\•ing E. String 1 E and l 0: p.'tS6 down
thl'0<1ghthe ntxt Din the p~s
round,up through tht follO\\'ingC. and
step up f« the ~xt round by p.us!ng up
through tbet'in;t C .td<kd in this round.
Rounds 3-35: Re!)f'at RouJ\d 2 thirty·
three tlm"- Af ter compkting tv('I')'
fifth row.stitch the 20 togtthcr to form
a rtct"'ngular sh.'pe.11nd $1tp tip thl'Ough
the fim C ~to resumebeedtog
(F'i& 2).
Round 36: String 2(;; ~Jo\...,,through
tht next C in tht previous round and up
through the followf ng 0. String 1 F and
1 E; PQSSdowilthrough the next E in the
pil!\lious round nnd up thtOUgh the fol·
)o\.,.•ing E. ScT'ing l Eand 1F; p.usdown
through the ntXt 0 in the pm'iow
round, up through dle folk».ing C. and
"1tp up f<.w tht ntXt round by p;t5$ing up
throogn c ht fl rse G added in this round
(Fig,·~
1hro1Jgh the next Fin the pl'e!'Viou$ 6 <tN.tn r01>e 3mm ~tMpe#t roul'llk (I)
round. up through the (ollowingG. and 1 <rum rose 8mtn crystll pu.f round (J)
1 $ilvef.-plated llx.Umm dKor.uive2-hote
seep up fot the next round by passi9'gup
magnetk f°'6-oYH dasp
through dlC fil'$t Gadded in rhh; r()tlnd
Clfft 4 lb bf•ided tie.clilng 1hre.ld
()Ilg.·~
Round 38: String2G; p.'l.$$down 1hrough TOOlS
the nexe G in th" previous round and up
through the f'ir'$1 G In the previous
l'Ql.lnd and the fil'lt bead jl,u,-i Jiddtd to
compfeteasquare stitch (Fig. S, green
threa.d).St-rlng lE; paudov.•n through
the 11ttond G just Jddai and tl1t' n~t G
in tht previous rou1\dandup through
thefollowingF (Fig.S, blue th«:.ld).
String ) F and 16: pass down through
the ntxt E In the previous round a1\d up
through tl\e foll~·ing £..String 1 €and
1 F:p.usdoY.'!l through tl\t ntxt Fin the
pl1.'\';o.l'.$ round, up through the follow'
ingG. and step up l<.w tht next round by
p.Wng up ch rough the first Gadded In
this round (Fig. S, ..-~d th«:1id).
Artist's Tips
·for ad ffcrcnt look, use a larger pearl or a bezcted
crystal rlvoU at 11\e <4N'ltc1 of the btol<ctel.
·Make you• bta<"~et fancier by addlng extr.t
embellishments to the S'tt<'ps.

·~
l~-·

fic,. l:~t.-sTtliCh~.-d Fit, 2;$Cit~

(Ol'll'lttlltlcJ llourd I lht~tff~
ol tht fOl,lflcj to
((ltm • r«llJngk

8£AOWORK !t-'bru.iry/nUirch2012 39
Rounds 39-47: String 2C: ~ss~<n
through thenexc Gin the~
rou1\d 0\1ld up through the fil'$t C in the
prtviou11 round and the fuse bead just
addtd to oomplefe a square stirth..
String lH: pou down th""'l!J> the
SIKOOd G just added and ebe next C In
tbe prcviOU$ l'OIJndJind up through the
following F (Fig, 6, blue thrt:11.d),String
lF :and 1E; ~SS d~-n through the 1\t)Cl Fie. 7:~i'.<NN) Rounds86--91
E in tbe prev;ous round Mld up through al'ld Jlou~ 1~-'~lh-rto
foan~br~I~
the fol~1ng E. String 1 E and 1 F: p.1SS
dr;r...rn throogh the next Fin the prcvlol.1$
round. up through the follzy,.,ing C.and
step up f« the r\C'Xl round by p.'l.$$!ng up
throogh the fin;t G added in this round
(Fii. 6, red thrnd). Repnt eight times
to add a tori! of9H (lH in each of
9 rO\o\'$)along the tdge cl the bt:ad\\-ork.
Nou:The rope willcur.-t.
Rovnds 46-53: Rtpcdt Round38six
nrees.
Rounds $4 ..'9iS: Repear Round 2 fOl't)'
-..
End: Place RouJldi 88-91 and Rounds 1-4
sidt by side so the 2.E from each round f1g. 8: Ad(Jlr!9!Jlt
tOU(h 6'des: squ11.te-stitch tht Etog.«her c«r.er pe..-1
from eech round to form the end (rig. 7).
Secure the thread .and trim. Ste: the
be:id\\'Ot'k aside.
Rt-peat Rounds 1•·91 to form the second
side of the bracekc.. stoppi.ng befote you
sritcb the ends togethCI'; don't trim die
thread. \Y('<l\'C through be*
to uit
from:aGofRound36.

2) ASSEM8lY. Ceneece WMes.add

the cien1erpear'l,.1ndadd ehe d3$p:
Connect: Slide thcS«ond sick through
the loop of the lil'$t $lde so that one set
ol 0)'$t.a1 <."fl"lbcllishnlent.$ sits at the top
 f1oot of the hoops and the «her set sirs
.lt thf-bottom fTOnt. Rt"ptat the nld
instructions from Sttp 1 to finish the
$C!IOOll)d .tide Att.'ICh Rounds 36-38 cl
one side to Ftounds 49 51 o( the otht':r
sidt>, sdtd)fng through the Cs th.it
touch to secure the top and bottom cl
thot loops: repeat on the ceber skit'
of the bi':l(ele1.W-e.1vc through beads
to txit 00\\"n through an l!.lt the top
cl the opening (~at thetttuttof
t~loops.
P@.lr1:String1J: pass through.an Eon the
cppeske side of the open.Ing so the pearl
sits on the ume side .u the bkcne
embellistunent8. Repeat the thread ~rh
to ~nforc:c (Fig. 8): secure the thrc.ld
and tri1n,
Clasp: St.ut 1' of ne\\.•thtt.MI that e:duout
from aCin lbmd lo( ooeof tbebrece-
ler'ssld~ ~iat'h one half of the 'I.asp I I
to this end o( the b(;l(dc( so both the
brMel¢t and the clasp sit (acrup. String
78 and the ~rest loop ot the d3.S(>:
pass througjlthe next Cin R.ound1 to
form a loop and pass up through the fo).
lowing D. String 78 l'lnd p.i.ssthrough thrOl.lgh be.ids to ~xii lrotn 1he 1op H Co11nect: $tring3C; ~s rhrough the top
ee seme clasp loop; pass through the oiUnit 1 (Fig.10), Col thitcenterunit on theothtrsidit o(
1'le31'$ mil Oto fonnanother&oop. Round 2: \'/ofk peyote st'Jtch.adding the band.and ~s.s hll(k throttg1) the last
A.cpt-.it the thresd paths f<W both loops 1 bead beeweeneach top be.id in Round 1 2Cjust added.String IC: pa.a through
to relnfotte, then ....reave throoghbeads in this«del': 2F. 18, 6C, a.nd 1 B. \\le.ive the next F ildde<l ln Ro\u\d 2. Repeat the
to exit fto1n a Con d'le othe1' edge oft he through bead$ tol!"Xlt from the botrom thrt:id parh re reinforce. f:onn ;a few
s.lmebracdd md(Flg,. 9, blue thre:td), H of Unit 1. Ri!"pl!".lt &om the bfginning stitthes to secure the band to tM her-
Connect to the seicood clasp loop as with of this 1'0U1ld, adding beW berween rlngbone rubes, kttpblg then\ in plac:I!"
the Arlt (Fig. 9. red thr~ad). Secure tbe eech bottom bead in Round 1 so they .lbout 1%' from tht cl"sp. Secure tht
th..-elld 111'1d trim. Rept-at thls.$«tion on match the top beads (f:ig. 11, blu1i: thread and trim.
th4! othc;r cud of the br.ac.:-lct. thre~d). W¢;it.-c throughbe<id.s to exit R.cpeat this cnC'i rt- step to add ;a b.}nd
up through the lin;t side bead in Unit 1 to the otmr skit o( the bracelet. •
3) BANOS. Seit ch embellishment binds (Fig. 11, r~ thread).
to wrap the br~kt sides: Embclli5h: String 18. U, and lB: pass up (SIL.I.A CSIRMA t..:. ~l..n Mt.Q lt11 londofl.
Rou11d 1: Us.e4.otthrl!"lldand H to form UlirifclIC'.in9(1on\~tltff'i ~ bNdfdjtoowkyIOI
through tbe slde bead In the next unit: fol.II ye.tli.tk-J f~YOlflAo fN':~ ••e ....~~Ms
3 right·~gk weave units. Ute C to form re~t c wlce f11r a t«.._I ol 6"6 and 31 ilnd SM\l'tmtl'crys?M,.but btr ~ d1~1t11 ls co
61nore right~'1nglc· ....'C01\'C"units loc.,. (Fig. ll, bll.W! thread), String 18: pass li:•l'll~$0Shfatl~hC"l'O'<t>Tl~<)ds.

tot.al of 9 units. \'lr.1p tht b.arkf :.round
one of the br~l sid~ placing tht H
tO\<\'.'l.rd the front oi the br;ici!"lrt. Strinn
tC; 1~ upthn>ughrhc$ide H oft he
lint unit, String JC: p.lSS00....'n through
thoe side Ho( the ninth unit. We:t\'t!
dor.o.·n through tht IMt I :tdded.scl'lng
1 B, 0ind pass up tl1roogh the side 00.d RESOVACE $ Clltde }'()Cir kX•I btH shOp or
(OlltKl; l)diU ~ft budi, Fftt.inttH•ldfil
of the next unit; repeat t\\ict' to cross
~9 lflriehd,$11111MCIJISI).M'ICI ,. IKl!ff !rw.tft.)IS:
through n1131 and add a tol.31 oi f)B Fl~ ~1•lt11Gt-m'•nd 8Hd$. (soot lSS.1117,
(Fig. ll, red lhr-e.11d). \\'tavethrcM.1gh W#)'t dtcfOQ!«'l!.l!QOC(OS-(oO'
bc-W to alt the: fust F added Jn Round 2,
~\'3rd the «11ter of the W,nd.

BP.At>WOR.K lt'bn.wy/rn..1rch 2012 41

 falling leaves
lariat
CAROLE HORN

Stitch this pretty lariat that

features a snap-on closure
embellished with sculptural
peycte-stttcb leaves.

Get tll1t• rniRage out of your

dt"lgnby m.iklng 11 wcond
~on~"" 1H1<l •l'l'lbl<lllstii~
i1 with •diffe1•ntfoc.tl wth•~
the rl11oll 1'1own ~re.

TECHNIQUES
Mttin,
peyote itl1d!
fr.nge
seeI!:.!!_'°' h«pl~
tttlw»qw Wom!Olfotl.

PROJECT LEVEL Ill©

SH p. 4 IOI ftOi«r·~~ informcfiQn..

1t ROPE. Sduha netted rope to form ebe
bodyof the nt><:~
Round 1: Use G' ol thtt-~ tosoing f] D and
2A) three thne:s fot:i fOlal ol9be.id.$.,.
leMng a 6"' tail. Tie <ii square knot to
fo1m a tight cb·,k. PMs: through the
fl11t 1 D :iru:l 1 A (F'ig. r, blue th re.ad).
Round l: String 10 and 2A.skip 2 beeds
ol Round 1.and pass through then~
t':. rcpeit.String 11) and 2A,sldp
4 be.W,and p.1$:S through the flm A
ol the fll'$C net f01"1ned in this round
(F'i!- 1, red thread),.
Rounds 3 and on: String 10 and 2A. then
pass throogh the fil'$t A in tht nearest
3-bead net; rel)dt twice fora total of
9~inc.xhrovnd.~tf1K2'9°Qr
to the desired lmgth, N«r.Thcrt- is no
need to form step-ups for thls rype of
spira1ing~.
Flnal roulld:StrlnglDandpas:s: through
the fil'$t A in the ne.vest 3 beed nrt:
repear twice Strure tht threads and
ttiin.
Fie,. 1: Swi'lng Aol.lflCh I
•NI 2 of ail' topt
MATERIALS
ts g 90ld·llned ,,q\lJ site 1 S- sttd bt.ids (A)
l) FRINGE. Surt 3' of new threadthat 2 9 l~rt:SIM'ttl\1eq14 IUillt SIU 1 S- Mtd
t!Nds(B)
exit:; (JQm an A ;it the end ol the ~~
2 g mec1Hi< bronu lite 11• cy1i~ bNdi (CJ
String l bkcne, 34E. 3A. l dagger,.;ind 3A;
Jl 9 light Ital matte op.lqUI Wu 11° wfll
pass b.ick th rough the 34 E and the bkone. bNds(D)
·we.Jvethrough beads on the 1-ope to exit S 9 llgt11 wl tNlte op•quc slu 11• seed
do1,,.-nthrough the bkone. String 34 E, 3A, bt.ids(El
l dagger, :ind 3A; J»iU b.1(1( through 1 he Sg tN1t•tn.1~Hk btoNAA8sl:e 11·~d
bNds(F)
34Emd the bi(0t1e(Flg. 2). Repea.t. from·
rm nmes iofOf"r'l'l a total of 7 ft'i:i~
Secure the thread and oim. Rt~t to
.......
14 ~~tSX1Smm~ud-gless
2 ColOrHo~2 8mm(lySCal bkon1s.
edd 7 (ringif'S to t 1.e Othereed ol th~ rope 2 slfw.rate l (1tntn) sc-0!\ snaps
Set che briat ;l$.ide. tchald sb.e D nykln beading 1hr1~
TOOLS
'""""
SiZlt 10 b8ding tlft:dlts
BP.AD\YORK !t-btw1ry/rn.ar(h2012 43
3) LEAVES. Peyote-stitchacytinder-bt.W
spine :tnd then \~-o& one side of the le.lf at
afimetoform the~nd~mbellishment:
Rows 1 and 2: Ust S' of th~.ad tosoing
31 C, ie.'lv'ingII f!i' tlli1.
Row 3:Skipt.M last C strung and pass
ba<:k throtigh the next 2C to fom'Ithe
le;\( point. Work 14 $1irche$"•ith in ic
each stitch. P.11s.sb.ukthroughthe Wt C
addt<l in tM p1'evlous r<YW. ~:The
thtt.1d will sit on the outsidt o( the beed
(Fig. 3, blue thrci;iid}.
Row"': Work J stitch h;th 1C. 11 stitch~
\\.ith lF in eech stitch, and 1 stitch ll.'ith
lC. Loop around thl'Nds beeween ~s
and reverse direction by pa.s:sing
through 2C(fig.3, red thrud).
Rows 5... 15: R.~R.ov.·'1 eleven tilT!f$.
ttdudng thenumbcrof Fin eieh row
by 1 t<> fonn ll I tl.:ingit.
Row 16: Workl stit.c,hwithic, \IJeive
through beads toeidt from. the fine Cln
Row 1, ne;11rthe flfiil lhrt:.'ld (Fig. 4).
Row 17: Repeat Row4.pullingthethrt.ad
tighllyto slightly ecrve the ~f.
Row" 18-28: Rcpc<it 1\(y..;4 M·en timC$.
redudng the number of F In eschrO'.\' 4) BAND. Peyote-stitch tbeclesuee b.1-1,d:
by l tof0rm the ocher side of the ~f.
Row 29: \Yori( 1 stitchwith IC(Fig,$).
Strip: Use 3' of ne-,\·thre:wl to peyott·$1ih:h
a strip 20E \\ide .11od 46 r~"Skmg. Exit
. ..
Secure the thread and trim. Sd the frotn r})e near'eSt edgt E. ... ... .. . . ~.
lea.( asidt. Embellish: "Stringl8•ndloopuncltr tht
Repeat thl:sentln- step to form a c h~'\Clbet\\'een rows at the edge of the
strip: r~td0'.\,1 the edgeol the strip
S«Ond i..1......------- O:ig, 6). Work 10 stitches ll.'ilh 18 in
each sdtth to erebelllsh the end of the CA.ROLE HORN Isa nb;fWNfwY~llA'!OkWOlt
strip. Repeat from· toembelljshthe ~ btf'fltdibitf'd ~ m11r.y Wfl'JI"\ In Nf-<NYOl'lt: City.
Htr ...oil< N1S bttfl l'tbtUttd In stwtlilbootJ.and ~
rernainlngedges of the sttip. ha.\ t.igM at ttw ~411 C..•f; ~. COQPK-
l~aves:Stitch the )e.1vC$tc the stTip$0 H!:Wflt~ (m~ .:ind fOf dlt~
SOdrt)'ol <itt¥.t'fH-YQtl(_
they are b>\'.rcd horioontally across
thesbeee eenter,
RESOURCES !Md: )'OUf 9oco11I beolld 'hop or
Snillps: S«ur<lyst;itch thedi\'otalsn;1psto COllCf(I: St«!~ 0(11(11(Yll\Ckf ~~S.
the comerson tht Jett from ol tht b.1nd. Sw..-ovi;ltibkOMS. prn~d199tn.alld~o
bNditlg IMMI: Beach &ye&.ln<bt,(101) US-61?S.,
Securely $lit th the: p(liintediNPf to the
WWW·~'tl!!n<pt oo. Of C11r.-,11nStld'I.
comers on the right back ot the band, (800) ?)0"""1. ....... ,,,,.~0" St\..)l)S,'.
5e(ul'f:all chl'Ndsa1~ trim.• 11>-hin F•ic ,1nd Clalt S:orH. (833t 7)t-41 M.
www.19!nru;Of!\.

44 bt-11dworlnT1J1AA~ne.com
 crystal squares bracelet
ELEONORE Pl EPER

Square windows, left open or embellished

with dear crystals, are made using a
combination of one· and three-drop flat
peyote stitch in this contemporary cuff.

TECHNIQUE
odd•(°"t'll l)CyOle Stheh
StttJ:tfoth.tlp/lJI
~"' .irlfc>tJ"J1(llliM,

PROJECT lEVEl GOO

Sttp. 4 ~ JNl?ltt!·~Mlf«mcrrlOtl..
1) BODY. Alti!1'n.1tt one-and thttt-drop
peyote stitch to create wi~-s.
Rows 1 and 2: Use 11.comforo:ibfe length of
thread to sering 33A. le<1vi:ng .1 6. WI
(Fig. 1, green thrc.ad),
Row 3: String lA. skip ]A from 1hie prevt-
ces r<YW, aed pass back through the
next A, then string lA, skip 1A from
1he pYCV\oo$ row, n nd J»$$ ~k
through the next JA: repeat four times.
Siring lA, 11kip 1 A fl"On'I rite pre-Vious
row. and I»" back through the ne.xt A.
Siring lAand tie a kno1 ~-Ith the t;<i\l
and \\·o&ing rhreM.I re secure tl'¢ rO\.<o•.
Pus back through the last A s;trung
(Fig. 1, blue tbrud).
Row 4: Work l stitch with 1Aoi.nd \'>'Ork
1 $t'l(th with 3A: repeat four rimes.
Work1 scit(.h '"'-ith lA (Fig. l, red
th.re.ad),
Row S: Workl sdtch with tA,tha'I \.<o'O&
.lnothtr stitch with L-\, t1~ating the 3A
from the prtvious r<r.>.•as l bead; repeat
four times. Work l ~itch ,...;th 11\.
String lA. pass through the »esresr
tdgt A, and "'e.iw through bt.1d$ to pass
bsck th1YJUghtheAju~tMldcd, forming
an odd-count tu:marou1ld (Fig. l).
fig, l: Addl1'9 itoM 6 9. kgMml 1
Row 6, Segment 1:Wo& 1 s1ltch \\ith lA, MATERIALS
1 stitch with 3A,. then 1 stitch with 1A 209 ""n• bright gold mtUIKc )IU 11•
(Pig. 3, purple tbru.d). cyllndff beads W
49 <ryn.t gokl•ri ih•dow 4mm ctys:ul
Row 1, Segment 1:Workl &titch with lA.
bk.ontt(B)
1 stitch \\-ith lA (trucing the 3A from
(l)'S\ill 6 lb br•kltod bead!~ llviMd
the previous f'O',.,. as 1 bto.ld), and 1 stitd'i
with 1 A. String lA, ~through the TOOLS
neares1 edge A. and weave through Sctssors
~11 to~ *k thn>Ugh rhe A just Siu 12 bffdft19 rittdle
added (Pig, 3, gtecn thread). flNISHEO Silt: 7y,•
Row 8, ~ment 1: Repe:tt Row6(Fig. 3,
blue thre•d.).
Row 9, Segment 1: Rq)Nt R0\.<.·7. We;n't' Artist's Tips
through beo:Mls 10 ex'it the next up~
·SI net no cl.)Spi$ r«11.1irtd, thc cul(
otRow5 {Fig. 3, rff thYe>.ad).
needs to be large enough tosllpover
Segmenu 2 and 3: Beginning wlth your h.anct. To in(rC;)$C the Size, repe-at
Row 6. repeat Segment 1. Repeat Rows 6--ll ii thirteenth time before
again, this time finlshi1\g by we:ivlng working R<>'NS 6-16 at the end ot Step 1.
through be-ad, to <-:xlt from the first A
-Fcr a bracelet with more sparkle.
added in Row9o( the third segrrem.
etnbellis.h f'lltfY W'indQw with a c1ys,&1.
eeward the werk.
Row 10: vrorl< 1.scitc'h\\<ithlA. lscitch
with 3A. and l sdcd' with lA, then
string 3A. O'lnd pass through the nC"arnt
edge A in thenextugment toiorm a
"wl~··~ ttpe.'\t eeee. \\'orlc 1 Sl'it(h
with IA, l istitchwith 3A, and l stitch
"ith lA (Fig. 4).
8P.AO\<JOR.K !t'bru.uy/nUir<h 2012 49
Row 11: Re~t Row S.
Row 12: Repe-<tt Ro\v 4,
Row 11: Re~t Rows.
Row 14, ttgment 1: W<irklstitch~hlA.
Row 15,SegMent 1:Work2stitchei;with
JA,fonning:.n odd·«ilU\t turn:.roond
on the second stitch as before,
Rows 16 al\d 17, SegMent I: Repe3.l
ROI"" 14 :ind 15. Wc:ive ch rough buds
toexk rrem the next upbeed o(
Ro'N 13(Fig. S).
Segments 2 and 3: Rtpeatb·s6-9
ot~ment 1 rwke. 0 0
Segment 4: R.t~t ROW$14-1? o( 0
Sfgment 1. Wea\'ethrough beads to
exit ftom the flrst Aadd«l fn Row 17
o(Segmtnt 4, tow-a.rd tht-\\"Ofk.
Row 18: Woric.1 $tltchwlth lA. Scrlng3A, 0
J»$S through tht ne.l~t edge A in the
next segrnent, \\o'Ork l stitch"'ith ]A,
\\o'Orit1 stitth whhlA, and l sl1u:h wlth 00
lA; repeat once. String 3A. pass through 00
the nearest ~AIn the next seginent,
then ""'Ork lA. fig.6:Com"*°'9~18 ll
Row 19'; \Vork 12 stitches \\tith IA. t:re.iting
thelA rroin the! pl't'Vl<>tis R)\\' as 1 bead.
Row 20: \'lork 1 stitch ....,'ith lA and 1 stitch D 0
v.'ith 3A: repen (our rimes. \.\fork 1 stitch ~ 0
\'.'ilh lA.
Row 21: Repeat Row19(Flg. 6). Repear IJ 8
RO....'S 6-21 twelve times. Repc.<tt 0
Row$ G-16once. Secure the thread
and rrlm. 0 uo
G 0 "" Oo 0 0
2) CRVSTALS. stidea needle to the center 0 0
of 11n 8' thread so It's doubled. 1\nchorthe
thread to the bc~vdtso it exits from~
bot tom rig.ht Ao( one o( the windOW$.
(J

=! 0
0
Cl

String I 8 ;:ind p.us thrQughthe upper left Cl

A of thesame .,.,indow. ~ a t the thread
IOl
P')th to l'ein(ortt.weave through beads to r CJ
exit from the bottom right Ao( the nearest
window(f:ig. 7). Re~t to add 18to\\o1n·
dow' in O'I di;unondpattem ~$~,,in
u.J 08
Fig, 7. cetn anypat1cm desired,

3) ZIP. Fold thebf..ld...,vric so the first and ELEONOREPl E PER J\M work('(!wiltlglaM Mid RESOURCESCMdt }'OU' to<.tl ~.td ~"°P or
~ iof owt twtl'cy )'f'Ml. ~ df:\lgMjr"""Y co"'M1:Sw¥1MllbicCf'lts .lM flf'ft.lN."brMltd
Ltist l'O\'.'S touch, ....1th the segments lining
¥ • l'oOl)by, l"l'mlly ~ i*(~ for fntt"ds wlllle bt.tcilrlg thttMI: fltt "".b.lntail!I ~ ..-..d .-.ac1'-
upr(I fonn 3 \\tindCI""'$. Zip the beads CilPllli'i119 dMir uNio.ut ~l)ir!. #Id pttfitrMCe-., CSOOJ }!.S·2I )1, W«Ntrtmouo· 111DOetr6 oom
togetherto forma seamless tube. or<rt ..ung°*ru for~~$Uth• Orliei <~~indt( br:.ld~ ~ U«. (&60) 6'9·2l?t
Serutt the d1rud and trim. • ~ Htt" ~"iOn <OlfttS from oti;t<~ wwwbrMtsqU<Q!ll
iell..vtit19(~WOl1d.
~~l'll$Sttt'l .....

SO bt.ldworkm.a.-1noc<om
 silver tie affair
GLORIANNE LJU81CH

A beautiful herringbone-stitched bO\.\I

floats along an unduJating necklace strap, Theh ..dtof
forming a11 elegant and feminine answer the pcndln,,

to the classic bow tie.

TECHNIQUES
ripht••nple-..vc
tubul.w~re t'dtch
IM;idtt' stitch
herrlnpbone sdtdl
plc.ot
SHa1L.for~vl
t«/W4vt tnfonnorietl.
PROJECT LEVEL GIG
Stt p . .f fot (JIO/«f•,.,,., infotmtttlOtl.

Row 7: WoD: 1 berringbont stitch \'."ith 2E.
and 2 $tltcN-$ .,.,ith 2Ctn c-.ach. Before
~ngup through the n("X(( ~the
previouiirow. siring 1A to lonn an
inctt~e between1 he! eemer columns..
Wodtbtrrin~stitcbACr0$$ the~·
as before.
Row 8: Work 6lwningbonestitchcf "'·ith
lA Irceeases betweenthf: $«0lld/third.
thlrd/fourth, and fou11h/fl( th <01umns.
RoWJ 9~11: \l/ori< 6 ht:ningbonestitcht$
v.'ith 1A increases berweeneach eekenn
fOT :\lot al of 3 rQW$..
Rows 12 and 13;\\'orl<.6h.trringbont
sdrches ...Ath lA inttt.'ISdbef\\.~ the
flrst/Reond and S«Ondlthird colu1nns.
a 2A Increase bet-....'ffn the thJrd/(oul'th
cofumn.$. :itwl 1A increue$ bet\\'<'enLl'C
fourthfl'ifth and fifth/sixth columns (or
a toc.alof2 roo...•s.
RoWJ 14 and 1$:\\'ork6herringbont
stitt:heJ ...Atha 1 A lnceease between the
flnt/sec:on(I colu1nns; 2.A incrc.'l;cs
between theS«ondlthir<l. third/(ourth,
and fourthlflfth columns; and a lA
in<u..lSt"bm-.'ttn thefif thlsixth col.
umnsfora total of2 rO\\"S.
Rows 16and l7:Wor$c6b'1Tingbone
stitches ";th2A i1xr~ci.$t$btt\-..~ eich
«itumn fot :\ tot;1:I ol2 t'Q\\-s.
Rows 18and 19':\Vork6hcrringbone
stitches with 2A incre.::ases berween the
fltjl/$«0nd and $«(.Ind/third colu1nft$.
a 3A Increase between tht third/tourth
column$, and a 2A lncrc-J.se betweenthe
fourth/6fth and 6.(th4ixth columns
for a tO(o'IJ of2 l"OW$.
Rows 20 and 21: Wotil 6 herringbone:
stitches ~·ith a 1:A trcrease between
the first/second colu:ml'ls; 3A l~ses
between tM SttOnd/third. third/(ourth,
foun_h/flfthcotumns: and a 2A lnaease
betweenthe {ii th/sixth c00.1mns fora
to<alof2~-s;.
ROwl 22-24: \\'o1i< 6 he-n'in~ stit<hes
.,.,ith 3A inc:rtases betweeneach column
for a cot.11of3 rows.
Rows lS-44: Repeat Roo.\1$ 2 21 in ft:\'~
order. Work a 1.tddtt•stitched thread
p.1.rhon the final row to connec.t d1ie
~~" €x:it out through an end ht-Cid
in Ro\<J44.
Connect: Fold the be;idi...'(r.rk $0 b•44
touchts Row 1. Pass up through tbtcor·
responding E in RO\'.• 1: weave through
be-ads to exit down through tht same E
in Row1 last exited and t11ret1gh t))e
n(>Xt 2C of RO\" 44. Continueiipping
tbeends ol the bow togethtr to{orm a
seamless join (Fig. S). Secure the thread
and trim.
Rtpeat this "'tire sttp on the othtr long
fideol the betel, fonning theodit'I' ~Jf
o(thtbow.
3) STA AP SECTION t. r-orm thefim_
section ol the neckbce sn·.tJX
Row I: Use 7' (:;/ lhl'~.ad I() lo'tdder $titch
a atrip 4 E long. kaving An 8~ t.tit Exit
ft'Om the top ol an end E.
fig.6:Addtr>gll(m )of
'""'ll'ap
Aows 2 .. 19: \11/orlc 2 heningbone stitches
wkh 2E in each stitch. Before ~·orking
the tum~l'Ql)nd to .Cq> up for tbe ntxt
row.string 18andpa,ss op through the
fin~;l B added in the row(Fig. 6). Repeoat
seventeen umes to add a total ot
18 t'OWS.
NQt.4':For the rntol thi:s $('('.tion (Fig. 7),
btgin<indendecich row~tith 2Ecinda 1 B
tum.il'Ot1nd :.sin l«w.'lS 2-19 u1\le$:JO(her·
wise indk<1.tt'CI. For each rO\'o', adcl tht in
cease be.lds indkared bdow between the
2Ecolumnt1 e-weave through the ne~rest
beads ol the previo\16 row and the> il'IOl'ast:
th~d parh M lndkattd to fOl'm an un.Jo-
1Ating$hapt:
Rows 20 and 21: AddlB (Fig. 8, grc-en
t.hrfAd).
Row 22:Add28(Fig, 8, blue thread).
Row 21: \11/t:a\•t:through tl\e previous
increcise(F'ig. 8, rtd th re.ad).
Row 24: Add t F.
Aow 2S: \11/<ta\'cthrough the prcv'°'-1.$:
tooease,
Row 26: Add38.
Aow 27: Wt ave through the prtvious
Increase.
Row 28: Add 18-. lF, :.nd 18. Oon't~dcl the
second 2-£: Instead. J).)SS op t.hroogh the-
Orst E on the S!!(Ond colum '' from the
pr(:YiouS row, J"SS down through 3E.
.1ndp.us up through lBand 2E('Fig, 9).
~ All d«((!.'ISd are m;'t(~on 1 he right
side ol the '1.:rcip and stt'l)·ups art done
In t1)f'S.'lmt ~·Jty.Allde<rease rt>W$ In
 Fig. 7 :u~r'l\.'lrk«l with pink be:.ds
in tht di;1;gr.11T1.
Row$ 29 and 30: \'/e;1;\-ethrough thit fig. 7: l>.)l?f'll'I {Of
Str;,pSf<"bonl
previou$ trerease. (pink~I~
Row 31: Add 2F. df<l'f~ tCHIJ)

Row 32: W~v~ 1hroogh the previous

inae~t: don't add the 6«00026..
Row 33:Add 28, rs. and 28.
Row 34: \'le,1\·cChl'()IUgh the prcvicltl$
i~;);~.
Row 3S: WCJive dirot.igh ehe prcviOl.lf
inae;J;Sc; don'tadd tl'IC first 2 e.
Row 36:Add 3f'. Don't :idcltheS«01'1d 28.
P:au down th1-ough 2E ;uld p;:a$$ up
throug)i 18 and 1 E.
Rows 37 and 38: Wt-awthrough the
prtVious trcrease (or2 rO\'o'S.
Row39:Add38, 1F',and38.
Row 40: Vl~<a\'tthrough the pn!"iov.$
inoCTe~.
Row41:Add4F.
Row 42: weeve through the previous
fncrease.
Row 43:Add 48. lF. 48.
R:ow 44: Vka.\>e through the previous
il't<n'Jltt.
Row 4$: Add SF.
Row 46: Wea\•ethrough rhe prtviou.$
intrtJll>C.
Row 47: AddSB.lf.;1;ndS8.
Row 48: \J/t.'1.\'C 1ht0ugh the previous
Fig. 8: Stcd'lrlQ
il'l(tt;J;St.
flO~lO 2lol
Row 49: Add 6F. Str;,pSttbOn 1
Row SO: \l/e:l\'e through d~ prt\•iiQu.$
in.ctt;J;St>.
Row 51:Add68, 1F,and68.
Row $2: weave throughtht previous
in.crease.
Row S3: Add ?F.
Row 54: \"k.a\'I" through the previous
inae.lie.
Row $$:Add ?B, lF, and 78.
Row 56: weave throujth the previous
i~~se.
Row57:Add8F.
Row 58: V/&\•e thtough tbe pttvlous FIS· 9: f01mi119
in<Tt>JISt'. Row 1& 11'1 S«l;Jon 1
Row 59: Add 88. l F, and 88. ollht1.tr•

Row 60: \"le~\'cthrough Ihe pn::Y~l$

inae;l;ff'.
Row 61: Add 9F.

BP.AD\'IORK !l'bn.wy/rn.arch 2012 SS

Row 62: \Ve:iv~through 1he pttvious
increase,
Row 63;Add 9B, 1F. and 9B.
Row 64: Don'tadd tbe 6r$t 2£. Weai.'e
through the pTt'Vious increiSit.
Row 65: We.,\'ethtCQ,ig.h the previous
inGtt~('.
Row 66: Add 9F.
Row 67: We::1ive through thepreviotl$
inae.aSt". Don't add tbeseccnd 2E. Pass
<l<:Mn through 2E, $Iring 18, and p.'1$$
up through the nearest l £ (rom the
pmtiou!:l l'OW.
Row 68: \'J~\'Cthrough the prev;o.lS
incre~e.
Row 69: Add 88. 1 F. and SB.
Row 70: weave through the previoU$
ll'\O't'.ase.
Row71:Add8F.
Rows 72 111\d 73: Weave through the
pttvic)us i 1'1(tt::'lse fOI' each of 2 ~-s.
Row 74:Add8B.1F.and88.
Row 75: Weave through tbtJ)l'~US
tnceese.
Row 76:Add IF.
Row 77: Wnvethrough thep1't'Vious
Row 78-:Add 78, lF,and 78.
Row 79: \Ve:&\°<'thr<:iugh the prtWiot1$
incre.aSt".
Row 80: Add 6F.
Row 81: weave through the prcvlous
ieeeese.
Row 82: Add 6B, l F, and 68. Don't :iddth.e
la.st 2E. P:tssdown throog,h3Eand pass
up through 1Ba1'd2E.
Rows 83 and 8"1: weave through tbt
previous lucrease foreMh ot2 ~"S.
Row8S:Add5F.
Row 86: weave through the prtv)ous
il'IO'e.ase.
Row 87:AddS8.1F,.mdSB.
Row 88: weavethrough the previous
in<tt~e.
Row 89: Don't add thefim 2E.Add4F.
Row 90: VJea\'l!' thfOtJgh the previous
in<Te~. Pass do""'" thrcxigh 2£ and
l""•PthrouW>1Band2£.
Row91:Add4~ 1F,and4S.
Row 92: weave through the previota
lnae.aSt". Pess downth<oogh2E, strlng
1 B.<ind ~ss upthr-ough 2E.
Row 91: Add3B.
Row 94: weave through the previous
tneeeese. P..wdo'.'lll through 2£.
string 18, and p.JSS\IP through 2E.
Row 9S:Add38. IF • .ind38.
Row 96: We.1:\~rhro..igh thoe prevloU$
increase. P.ass00....,1 through 2£,
srrlng l 8, and p.l.stup through 28.
Row 97: l)on't add thefinst 2E. Add 2f..
Row 9& \Ve.ivc through the previous
incre:\$4!.
Row 99:Add 28. ll'l', and 2B.
Row 100: WNW, thl"Otigh the p<nious
inert*· Don't :add the $1C(()nd 2E.
Pass down through JE and pass up
through 18 ~nd 2E.
Row 101:Add 18, lF.and 18.
Row 102: Wea'W!'thl'Ough thepreV\ous
incrc~. Don't ;idd the seeend 2£. ~
down through 3E and pass up through
l8and2E.
Row 103: We¥1.'ethrough the prevklus
Inereese.
Row 10•: Add 3ll. Pa.ss do-;\'ll throvgh
string 18, and JMSSUp through 2E.
Row tOS: WC11wth1'0ugh theprevlou$
Increese.
Row 106:Add lF. P.usdown through 2£.
$tring 18, and p.1$$up 1hrwgh 2E.
Row 107: weaee through the pr~
incre:ue.
Row 108,Md 28. P""dow>> throu¢> 2£.
string 1 U, and J"SS up 1hrough 2E.
Rows 109 ~nd 110: ruldtBin each of
2 .......
4) STRAP SECTION 2. \Vorlttht$t'Cond
section of the strapthesan'M!' as the lil'$t,
\'I.1th $01llC ~.ad·count ch.t'ingn;
ROW$ llt-123: Work2stitche$\'lith 2Ein
exh stitch for 13 ~·s. Add 18 when
.-.'Olidnga. turnaround (or each even
numbered raw.
Rows 124-19•: Folk:M· Fig. JO £ori~.a$C
count.; and decease pl.lcttnt:nt$.
S) STRAP SECTION 3. Stitch the third
strap se<tion:
Rows 19$ ...209: Worit 2stit<-he$with2E in
each stitch(or 15 rows.Add 18 when
....'Ol"-tcinga tum:a.round fore"ICh even
numbered fO""',
Ao~ 210-300: R.epe.:it ~ion 1,
~'S20-110. to Conn the third
srr;:ipsecdoo (referto Fig. 7).
Rows 301..,31$: Don'tAdd.lCt"ntr.lJ
incre.ase for 15 ~-s.
4) CLASP LOOP. lit'rringbone stitch
the loop st(tlcn of the clasp:
Row 316: Wo&. 2 stit<.hn \vilh 2E in caeh
stitch; string 18 beforestepping up as
before.
Row 317: Rtpcat Ro\o.·316. OOt pa..ssdown
th<OOgh2Ea1ld up through 2E ~~"ttrt
«>luml\$ to form :1 gi:ap(Fig. 11, purple
thrt.ad).
Ao~ 318-325: Repeat Row317 elgl\t
rimes..~"ing<b-.TI the first column
1100 up through tbe seccnd cohunn with
each :otitch toc:xttnd theg<ap (Fig. 11,
green t.hl"ead),
Rows 316 and 327: Repe.11 Ro....·316 rv.ite.
rejoining the collunns (Pig. l 1, blue
thtead).
2e. Row 328: Wotk2 stitches "'ith 2.8 in eecb
$1ilch. but don't add .ll 8 on the tum;
inste.ad, weeve thl"Ottghbe.'ds to exit up
throughtheS«ond 8 added,
Picot: String JF and 38, thenp.u.s b.lck
1hr¢tigh the F:.1\d 1hethirdB in Jto..,.•
328 (Fig. 11, r~ thread): repeat the
1hre.1d ~th 10 relnfcrce.\Vd\'e d1tCQ,igh
Ro....· 328 in a l.lddcr-11titched th.re.ad
P.'th to dok the tolumna. Secure tht!
rhre;id :ind trltn.
 7) CLASP aunoN. We1\'tll'M?t.i.ll1hre.i.d
Jat the other md o( tht strap through beads
toe.St up through the second E of~· 1.
Flg.10:P.itttmb SC.ring 2E. then:m~Jk.and38; piss 1*.k
Strap Sf«IOtl >
fiwlt ~lnele..:t through the rondt:lle. String 2E: )>JS$
dlt<11'¥t •OW'il through the third Eo( RCM· 1 (Fig. I '2).
A.tptat the thre.ad J)Jth several till'W$ to
refnfor(t. Secure the thread and triln.

8) FINISHING. Start 1· of MW thr~ th.lt

exit$ fl'Otn the fifth C in Row Sol rhebov.•.
Center thebcr...· on the thin&«t:ion ol tht
st tap between Stttlions 1 :tnd 2. Sttu!'ely
$liteh the bow 101he $Ir.ti)$ ~-ork,
between Rows113and114. weave
thl'Ough the sttap beads to exit fl'Om the
seccnd 0 in R0\\• 125. Securely •titch
th@Oth.er side oft he bow to the snap.
S«vre the thrt"..d.,nd U'im. •

GlOfUANNE UUBICH~m.11ny~of
~"'9Mld lk(s t0ml1C It UP. bvl s.ht IS MOSl liblt to
~w" Z~ 1-Uo:t wt1i1t bt~wig.SMliwsitl
Sutdt.W"1.H1191on.whffl! ~' ~-' tNdle.
Shtc.ainbt1tiKhfd.M~,...r.

RESOURCES Cbrtdt)'OU' toul btad ,i,op or

COllCKI! $w~ (l)'s:l<l~fittllnt br.Mdtd bt.cllf!9
.and""
1hff'.td. Delk" cyfin~t tN-.teb.. othl!i m.iw.l.th:
fuSiorfltw:!\«m {838) 711·)SS9.

BP.At>WORK !ebnwy/rn.,r<h 2012 57

 season's• delights
earrings
ALICE KHARON

Learn how to make these easy earrings.

then dive into making your own color and
' bead choices. The sky's the limit when it
comes to bead choices: use a combination of
birthstones, pearls, crystals ... anything!

Artist's Tips
• Pass through eech 1lght-angl~'eaw
unit 1wice before adding the ne)(t; 1hls
wilt http reinforcetilt b.lnd olnd hold
the beads fl1mty In pl<Kesoth(>testof
tht p<oje« ~ mo1t> smoothly.
• M~kc;. m\lt(hi~ pend,.nt !Ike the one-
at Jcft using a dccofadv-c ri'.ng instc.xl of
TECHNIQUES a jump ring. Also cons.Iderusing 4mm
rigiht~nplt wwve <:rY't3' pc.-.,lrt$ lnstt,,(I ol 3mm o~,
p.yote nhdl
SHeJ!!/or~M
tt<hrlqw llifMnoliein

PROJECT LEVEL G vi)

Sttli~~r·~!(lffJip1<:(~
1) BAND. weave :ind embellish .:i
right·<ing}e·weave band to enorde
a l2m1n pearl:
Ro1,1nd 1, Unit 1: tht3' of thread to string
40. k-a.ving a 3'" tail. Tie the \oo-wki ng and
t3il threads together to forma tight
dr<le. pass through the beeds .ag;iin to
h~ tht t:ill. p:iss through the Rrst 30,
and trim lhc tail.
Roul'ld 1, Units 2-9:String3D. pass
through 1hc IA.St Deeued, and dM: fl~t
2Djust strung: repear W.'Cn times.
Round 1,Ul'lit 10:Slring10;p.1SSthrough
the end Din Unit l. String lD: P-""
through tht end Din Unit 9. pulling tight
co form a ring. ~vethl'Ollgh beads to
exit lrom a skit Do( oneol the right-.lngk-
weeveunks (Pig. 1).
~nter pe•rt: String 1 F, J»S$ through the
L) on the opposite side of the ring. pass
bl<k through the F. t~ DcrlgiNlly
edeed, and the top 0 o( the nearese unit
(Fig. 2).
Round 2: S..ring lA, ts, and lA. pass
through the bottom D o( the same unit,
and weave 1hn:iugh be."lds to txit from
the top Do( the next unit (Fig, 3): repe<it
elp)'it times toembellish each right·
angle ""'ea~"nit ..,,.;1ha di.igon:al s11-and.
Wea\'f: through beads to exit an edge D
from Round 1.
Rovnd 3: •String lB•ndp;is.s through the
top Dof the nee unit; ~.:it atoundto
tot111o£9B. w~\'11!tl\roughbe.'ds
ll(!d;i MATERIALS
to exit (rom a bottom Dat the other 1 g gold mttatlk J111 1 s• wtcl bt:ads {A)
a!ge of tht ring and repeat from •• thJs 19 tlll'~*"llf'l.0 dear Sile IS"
SMdbofk(8}
time adding 18 between eecb bottom 0.
1 g d-'t gold ~N:r site 11 • sffd bNds (C)
Exit from aMeDo(Round 1 (Fig,. 4),
S4 Nrk bronu ~ fi1e-polkhed round:$ (D)
18 (Qrlol ll'M'I c~I pe•l'IS ftl
2) LOOP. String?Aand l jumpring;:~s.s 2"""i'te 12tl'll'n (f'YS'tlpeMs(F)
through the l.ist D exited to form ;i loop 2 gold Smm clostcl (sofdtttd) JllfllP lings
(llig. 5). Repea.1 the thrt:ad path SC\·cn1 1 paltof9()1d~"Nt'fi4fH
times to ninlorcie; secure the thread and Smote 6 lb l>r•~ bNding tllrNd
trim. Connet( 1 ear wire 10 the jump t'ing.
TOOLS
Site12budffig~
l) RepNtScepc1l and210 (onn the Sd~.IO)..,. or th~ad burn.er
$teond e.1rring. • 2 P*s ol <hillfl•Of tli!•f'IOSlllplltn
ALICE KHARON ~-.ll1cil bc.adlrlgsi:x~l9(1fof
¥'1U~tr-MC«tlwt~llOC~ftl"ttf6.0(I
Pf'\, M"ld eokHl)tltfstt: MJ,~ ;OOll: ui>•ntw .,_.
bt.lldng-Alldi: WOlbd!:M:tt t..it!r,g d.li!M\ •t • tocM
~1tucl0.Sfl(S1¥1C'd«)d(Sign~A't'lty~~
Olhtt1.M<t rdcleil"IGhrWw,..,. wi'J\~
N.lsb.\116, ~.bndtbM1 rM. Nk'.~M~t
C.Ont«I MC\! K .W...~O!'!fWheo59'"·
RESOURCES CMc:kyou1 ~bud Jllop or
<Ofll.ct: Sw.wMU p!"Mh, Rrtl.N b(:.ldtd bt.ldlng
1N~~,ilrd~Oth~
~tNW.~k•d\ ($47)
601·8102.WWWJ11MUOJ.ud!, Cm'!; &od'a<SoUS INds.
(8"1)'M-19S9,www.1¥ldadO!Jd>r*h.ctiQgQUlm:
OI Oidk•) 8e.xlt.(&4n 43)•J4Sl,W»WChd'tH
bfMS.<QQa.
fig. 3:Add~ ee '•st
Stitch(ltSb.lnd 2
8P.At>WORK (ebn.wy/rn..arch2012 61
 chain with
charm ROXANNE ROGERS

Square-stitch metallic Iinks for the base of

this gorgeous charm bracelet, then attach
pearl-accented charms using peyote stitch
and picots.

TECHNIQUES
S(!Ullft S-lhCh Artist's Tips
nllt ~ndtubular peyoce S-tilch
plc.ot • Make sure wht-n Joining the cbaln !Inks
that y<>o reinforcethe> thread p.lth
SH p. 94 fot f?.llp/vl
t«lttlklw 1nfon11ortot1. ~r.>t tim.e-s. Reinf(>1Cing this w~y will
ensure that the links don't come apart.
PROJECT LEVEL 11(5) · For more sp.,rkl.e, use roun<I crys1als
~ p. "fotprojttr·lwdinfotmmion. !nste;td of pc-arts.
$)CLASP RING. Use-tubular peyote
sdtch and ploou to fonn the ring half
of the c1.sp,
Rounds 1 ~nd 2: °"3' of thread to string
32A; pas:; lhl'()tigh the32A :tgOlln t<>
form a right circk, !.t.l.vinga 12" taiJ.
Round 3: String 1A, slcip the next A ln the
previoos round • .tnd pa1S$ through the
(ollo\o.i:ng A; 1"1)e.M.(or a tou.l of 16A.
Step upthrQl.1gh the first A 11dded in thi$
and~entrounds..
Rounds 4 and S: \V0c-k16tubul.ttpe)'Ott
stiU.hef with 1 Bin ~h stitch in eM:h
ol 2 rounds.
Rounds 6-8: Pt.uea needle on theuU
thread, \York 16 tubular peyote 5titches
with 18 In each $tltch in each of \{I )
3n)Unds. Fi.;. lO:(Ofl~t' ';..'
Zip: told t~ bead\-."'Ol'ksoRounds Sand 8 itl9 • IM'9t' tNtTn
IOltlr<Nin
Interlock. We-avt> thtse beMs t~ther
to(onn~seamkssring(fig. 7). tying
knersbetween beads as you go. Exit
f...,, Ro<>nd $.
Plcots:S<ringlh .11nd pass through the
next 8 of Round 8; re~t (1)1'<1 total o(
16 pkot.s. Stture the lhre.l.Cl.sandtrim,
Set aside. Conn~ctor: Squa.Ye-.stitch :l strip o(f the
Connctctor: Rcpc:tt lhe link in$1q> L cen(eTof thecubc 1981ong3nd 28wid(l,
this timt- milking the strip 198 long Slide the strip through the open linko(
and passing it 1hrough the ~ltc!l'of the 1hcbeaded<:h11iin. r-oldt~ $1rlpsothc
clasp ring bt:(ore connectingit to one end be.ads touch the Gth row; S«Urtly
f.'ndof thecha!n (Fig. 8). Sa'ut't'the stitch these beads together to (omi :l
thrt~ :1.1"5 trim. rlng (Fig. 9).Repe3.C the 1hre:id ~thst,··
eral times to rein(orct-:S«u1't'tbe thread
6) CLASP BAR. Peyote- and squar~lt(h :l1'1d tr1m.
the bu h.il{ o( the d~:
fig. 11: (00~111'9~Sl'l"•ll
Strip;. Use-3' of thread to J)e)'Ote stitch 7) FINISHING. Stitche.1ith c:ham'I to (No!l"I to !tit (f'llln
a strip 12Bv.;dc~nd 8nwo.-s 1ong, the bt~t'd(h<iin:
?Ip; Fold the st rip so ~O\'/$ 1 and 4 intt:r L;lrge ch111'MS! Use I' o( threadto$tring $m.(lll <h~nns: PIMe a needle on the v.10rl<
lock. \11.'f:a\•erhebeadstogether to fonn lSA; p3ss through the bottom of the lng th.f\"M5 of"* small <h:.lrm. Stitch the
asearnless tube. Wt-a\Y throoghbtads 2nd link. the toploop of 1 lugcch.um. charm to the bottom o( the 4th li:nk.$0
to f:xit fro1nan end B. end through the 15A just srrung it f.icn forward (fig. 11). Secure the
Ends.: String one amm pearl and 3A. "Pan (Fig. JO). Rep(-.1ttheth\'Udp.11h ~ th re.id and trim. Rc:pt'<'lt lO<'ltt<K.h small
bock th<OUgh the pearl. pass th'°"gh times to rt:inforcie. Secure thethre~ Ghanns to the 8th, 12th.16th.and
the next Bat the ~do{ d'lt"tube. up 11nd trim. Repe.1t tcedd ll llU'gf! charm 2<lth links. •
through the loilowing 6, and through to the 10th linlc 31ncl.11noth~· to the
theptartandJA. Repeat from' eocoe- 18th link. ROXANNE ROGERS il•klfu..gh;bf~Cl'...tio
~mtt.abt6dstl('didn'l lit'
nec.c t(I cac:h 8<'1 lhe tube'$ end. \V~~ Medium charm;: Repc.ii rhc: large ch.inn
AESOVRCE $ Cllttt }'OUI iO<.&I beff sht,p Ot
through beads co the other end of the conne«ion, this time att.lch.ing the
<0nt.c.t r-.....un.
bt bickd bf«!ln9 thrt.ed, S~CMU
t1.1beand .-epeat thbS«tioi,. Eldt from medium cha ms to the boc tom of ~ .,,,.,fll otf'I~ m•~ls: (uslooJtr.ad\mm.
the 6th be<li<I dol~,, th¢ side of the cube. the 6th. 14th.and 22nd link.$. Ci$8) 181·JSS9.
 klimt's collar
JILi. DEVON

Inspired by the sumptuous gilded and

multicolored paintings of artist Gustav
Klimt, this necklace drips of early
twentieth-century glamour.

TECHNIQUES
lubular ptYot• Stitch
rlght-."'Vl•WffYI!
brldt\lJkh
squ•r• 1-1ilc.l\
SH~ fot lwlp/ul
~11fin{(lm1~

PROJECT LEVEL GtG

Sttp.4{()#Jl!Olttr·~MI~
11 PENTAGON BEZEL. Wo& ,,...th Rnn
tension to peyote-stitch a OOd in Round!!
1-8, thtpentagon...'ll edge tn Rounds 9-15,
andcmbdli:ibmmCs in Rouncb.16and17:
Rour1ds 1-4: Use 3' of thread to peycre
stitch II Stl'lp30Dwideand 4 1°0\\'$ long.
M<tinipulMe the strip so tbe edge beads
touch;stitch thtsie40 rogether to (orm
a ring. Exit fr(lm Rt;)o.ir1d 4 (Fig, 1).
Rour1ds S <tl\d 6: \Vork lA in e<1ch stitch
to add 15Ain •hoi2t0unds. Nou:
Unless ot1)C'(Wise indiut<"d, ~cp up
thr'OUghthe A'Nt be.'ld added in eolth
()i tM$e :ind orher rotn~'1· \llt:i\'e
through beads to exit from Round l.
Rounds 1and 8: Pba-a l'l\'Oll In rhe bead·
\\.'Of'kSO Rounds 1 6 touch the f'ront.
Work t 5 stitcheswith 1A h' ~h stitch
in ~chof 2 round1;, KCUring the <Clbo--
chon. weave through beads tof:Xit from
Round ) (Pig. 2).
Round 9: 'String lD and pass through the
ne:ict D ol Round l; repear coee. String
2D ~ ~$:1 through the next Din
l\ound 1. Repe.it from• lour time& (or
a toc:.lof 1SD. Stepupth1'0l1gh the ANt
D...ddOO in this rottnd (Fig. 3, purr le
thread).
Fig,. 1: I\llt'lillg W
11npno~ "'"'9
Fig..1:Sti1¢h'IQ~t- 3
oftht" beld
Artist's Tips
•The <enter ring w0tks up ntecl'y if YoV be~d
the flrst side with f<iltly toose tension to allow
the seeeee side to fit into pl.lee.
·The rcc-t"ngul.lf ptnd.tnt h.'1$ ~" be:tcl.ed
with thet SCtting In pl.1(C as O' St<urity
pttt<tutkw\. but you could bez~ the crystal
without the SC1ting; juft "djust the bt~
<ounts <1<<0rdingly.
Round 10: \\'orlc 2 stit(hes\\."ith 10 l'n eseh
stit<:h. then \\"Olk lA between the 20
ackted b) tbe previous round, and
I stitch "'ith 11>. rcpfAt (our times (or
a total ol lSD and SA. Step up throuJth
the first D :i<lded in this to1.1nd (Fig. 3,
grie:tn thrt.1d).
Round 11: \l/ork 2<1stit(hes \\<Ith tD In
t~h sCitch. Step up thr(ll.igh the firt1t D
added in this round (Fig. 3, blut
thrt11d).
Roul\d 12: Work 1 sU<h hith ic. l stitch
....·kh 2G,and 2 stlt(hes with 1C lne.,(h
stir(h:rtpeat l<Ku'ti1~ for:ttot~I of
2SC (Fig, 3., rtd thre:i.d). We.we through
~$ to ait frocn Row\d 3 bl the saint
column )'OU exsed to start Round 9 $0
the corners wil1 match.
Rounds 13.. 1s: R.c:pcat l\ovnd.$ 9-t 1, mak-
ingsutt the 20 added in Round 14 align
....1th thost> in Round 10.
Zip: weeve Rounds lS,and 11 togtthtt to
fonn a seemless edge, Wexveth1'0Uf)l
~to exit from theS«Ond.D in
Round 13.
8£At>\YOR.K
MATERIALS
a g t~M~rfl\t dlrli:9()fdsli• 1 S"sffd
btadi(A)
29 l'IWl1t• b&actcslllt IS" 'ffdbHds(6)
8 9 gold-tintd deair "1t rs- ~d ~{CJ
S 9 metallk 90ld 'lie 11• cylhider btold1 (Cl&
l 9 l'!Wlltt tM~llk 9old sl.N l I" qtl!Wl~r
bt'dsttl
10 9 tf'ilf\s~1•n1 dirk 9()fd si:t• 11• cylincH,r
bt'di(F)
20 9 l'M1illie oold iilt 11 • Sffd bulb jG)
10 g met41k 9()1d Mie 8'" ~ bt.><11 IHI
S met.tit1!c gold llu 6° s.Hd tM'.ICk (I)
S ~rn 21T111'1 <rysttl rov....n UI
2 9olden s~ow 1'2rnrn foll~ ay.stal rfvolls
1 ti'lnhe txNmm cryst.tl prince1s ~etU
I bt»S 8.'C24Mr'I\MUltlg f~ IMig\lttl•
<i~dilllt O nylOnbNdirlgdire;)(!
TOOLS
Sds~n
Sl:e 11 btadln9needk-s
O..ln~plft-n;
!ebnwy/rn.1r(h 2012 67
 Artist's Tip
The necklace segments are stitched from the center. working
ovtwllfd 10 s.mal~f 01 Jarge1 be.>ds..This ~l!ow$ for more even
tension, Softef ten)lon wiO Cfe..ite .t very flvld cteee with the
Mlbelllshmentfading Into the- background, and tight tension
wilt make\' very teliCtur.11 but h.lrd pie<:e.A Ste.)(ty, firm ten$ion
ls best. txlt 11yto keep it consistent for each segment:it's
·t noticeable If 11\e segments have dlffef'Jn.gtensions.

Round 16: 'String 1E2nd~ through

tht next 20 of Round 13. String lE and
J)lSS through the next Din Round 13:
rtptU once. Rt'ptatfeorn •four times
fOl'llit()l:i.l oil SE. Vita'~ through be.Mis
to<xk frvm•nAo(Roond14 (fig. 4,
blue thre11d.).
Round 17:String18 and p.us through the
next be~of Round 14: ~pw. nineteen
times fora totalof208(fig.4, red
thr~.-d). Secw-e the thread and trim.
~ta.side.
Rq>eat this enetre step to (onn 11 S«O'l'ld
cryst;a.lptntagon.

l) PENTAGON RING. Workv.'ith firm ten

skin to peycee-sriech • pcnt.lgOnal ring:
Rounds 1-4: Repdt Stey I, Rounds 1- 4,
f01minga strip 30A ~·ideand 4 l'O'A'S
long.
Round S: String 10 and ~throughthe
next A from the-pmiious round;Ttpt.tt
fourteenti1nes fora toe.alol 150.Step
up through the f\1'$1: D .iddtd in this
l'OUnd.
Rounds 6 and 7:Wql'k 1 Oint:.'lChst'it<h
toadd 150 in each ol2 rounds. \Yf>a\'.e
throtlgh beads to ult from Round 1.
Round 8: ~.at Rounds (Fig. S).
Zip: \I/eave Rounds 7 and 8 together
(o form• 4'Camk~ ring.
Edge: A.cpt-~t Stt-p 1. IWunds9·17.to fonn
.a pent.n11l edge 11-nd embellish it, this
time \'.')ticing the first side of(of Round S
;ind the second side of( of Round 7.
S«ure rhethreacl ancl trim. Set aside.
Rq>t.u thts~ti~ step to(onna seocrd
pentagon l'!ng.
Fig. S:SriklwoqRol.indlt-80fdw
J>e""'90" r.ig
l) CCNTER RING. Peyatt sdtch the
foul ring by ""rlting the inner ring in
P.ol.tnds 1- 10. the pentagonal ed8(" il'I
Rounds 11-23. rhcn ;w;ld embe.lltshmcnts:
Rounds t-4:RtpeatStcp1.Roundsl 4,
formlng:l stripSOA....ide and 4 n».-s
long.
Round S: \l/otk 1A in each stitch to
O<ld '.!SA.
Rounds 6 and 7: Work l Fin each stitch
to add 25Fln ea(hoi2 rounds.
Round 8: \Vork re in e~h stitc:hto add
25G. \l/t.t\"1?through l)e..tds to nit (ronl
Rol.1nd t.
Rounds 9 and 10: Rtpe~tRounds6 and 7
O:ig. 6).
Zip: Wea~ Rounds 8 and 10 togetherto
fonn~ ~amk6s ring. weavethrough
be.Mis to exit (ro1Y1Round6.
Rounds 11 aond 12: Wo& 1Fin e~hstitch
to3dd2SF ineacho(2 rounds.
Roul'ld 13: Woiit 4 stitches ....11h 1 Fin tath
stitch and l stkch with 2F; repeat (our
rimes for a total of 30F. Stey up through
the fil'$l F adc.kdin I his t01.1nd (Fig.7,
pu.rple thl'ead),
Rour1d 14: Work30$rltt:hes \~ith 1G in
each stit(h,plM:ing lGbet\\'ttftthe 2F
added in the previous round. Stt'J) up
1hrooghchc f~c G lldded in this round
(Fig. 7, yd low th.read),
Round 1s: \Vot:k lG in each stitch to add
30C. (Fig.?, gtttn th.re:td).
Round 16: Work3 rtitcht$, ...ith ic ine.ach
sdtc.h. weave through tbenext 2G of
Rounds 14 :.nd l S to rcnn ~ de<rc..1.k,
ic
then ""'Ork2 $lite.hes ""'ith in e.;ich
sdtch: r~t (our tbnes(or a tou)of
30G (Fig. 7, blue thrt.ad).
Round 17: Work2sdtcht$ \.;ith 1H Ineech
elrch, weave 1hr<lt1gh rhe next 4G of
Hounds 14-16 to fonn a decrease, thtn
\\."Ork 2 $tit<-~ with 1 H h' eech sdteh;
rq>e;tt (our time$ for a roc.:a1(1(20H
(Fi!- 7, ritd thtt.td}. WN.vethrough
beads to exit frO!nRound 9.
Rounds 19 ..10: Rq>eit Rounds 11-13,
t.'lklngcare to align the 2F pl~ in
Roon<! l(h,<th,._ plecedin Round 13-
Round 21: Repe.at Round 14, butinsteado(
addb'g lG OVtt the 2Fof Round 20,
stitch through the ic piecedtbeeeIn
Round 14. l\'otG"This joins the twos.id.ts.
Round 22: Repeat Ronnd)S.
Round ?J: ~pt.ll Round 16. (ormingthe
decreases by p;asslng th1'0t1gh G of
Ro\1nds 14 .:and 15. Not.r. U5C c~in·rl0$e
pl;m to pull the n..dle through b<.ids if
~'I')'.
Zip; weave the~o(Rounds 23and 17
togethttco(onn a seamlessring, pus·
ing thr<lt1gh be3cl.sol Rotu\ds 14-16 to
(orm the deceases,
Con.nec-t: Wave through beads toexit an
end H o( Round 17in om o( the Nges.
\!/(wk 3 peyote$l!itehe$ with lH ln ~h
stitch. \l/e;l\'Cth~h be-~,skipping
BEAO\YOA.K
one al~ md exiting from tbe end H in
the next edge. Work3 peyotesdtches
wah lH in e.tth $titch (Fig. 8).Nott~
These are the u~r right and upper-
lelt ~ Wt~\-c:thn:>ughbcWtoexit
an Po(Round 12bc(orethe'2Pp;iirol
Round 13.
Embtlllth: •$f:ring )J,~ip~rthent'xt
2F stitch.;idded in Round 13. and p.i.5$
1hl'()ligh the next 1F (Fig. 9).We:.ve
throughbeads and rtptat tht embt:Uts.h·
1nent to add lJ cver esch ol the ll\'t 2F
1>:iir$ofllol.1nd 13.Stcu~thethre~
Md trim. Sf(_ aside.
!tbnwy/rn..ar<h 2012 69
4) BAGUETTE. Set and btztl tbe beguette
Set: rbce the nyst;il l»guettt In icsset·
ting. Use chain•l\06it plioers to gently
push the pron~ <M!T' t))t crystal to
S«W'«'· Srt .1$ide.
Rounds 1-4: Re~tStepl. Rounds
1-4, forming:i lltrip 44C \..idt and
4rowslong.
Round S: VW)rlt lC in each stiu.h to add
22G.
Round 6: ·~ 8stitchts with 1 Fin e.lCh
$t-itt:h.1hc!n passtln·oughthe nex1 2C
of Rounds 4 and S to form a decrease,
Woric l stitch with l F,then form Fig, lO:Add1n9Rollndl6W1
oltN>blg!wtt,.
anl)ther decrease, Repe;it (1-om • eoee
(Fii, 10, blue thread),
Round 7: '\!Jorie 7 Bchn\\-"lth IAln e.uh
stitch. tben ""'«'~through~ tof:lcit
frotn the F added after d"te S«ond
dccrc;ise in the p~iOU$ rQU:nd. R~t
from 'once (Fig. 10, red thr'e~d). weave
through beads to exit rrom Round 1.
Ro1,1nds 8 •nd 9: Pbcethitbaguettein tht
bead\\-"Ot'k so Rounds: 1-7 touch chit
fr<mt. Work 22 stitche$ \\·kh lF in ca.ch
stitch (or 2 rounds. Step up through the
Or'$t F added ln the llnal l'Ou,.i :iltn-
a oorner.
Ro1,1nd 10: 'Work 8 stitches \\-Ith lA in
t'"1Chttitt;h,. \hen \\'e3VC through the
next F in Rounds 8 and 9 to (onn a
<Lil<l'eo'l~ Work 1 stitch wkh lA.then Fi.g. 12: Addltlg ee
~IOlht<~
form another decrease, R.c:peat (-rom •
once. P.lSSthr'oughtheholes in the
mgltlgllff' '"°""
thef•OtCOlttlt •i1"9!
baguette$etting$it'\"etaltin'leS tomn·
force. weeve through beadstof:lcit (rom
lC In Round 2 at theupper·rlght <On"lier
olth<btul. S) Cl.ASP RINGS. f'Onn l\\'Optnt.lgOn.U Round 9': \York lG in each stitch to add
Connett: Siring tC: pass 1hrougl\ the first ringsl0tt the tl.aspc 2SC. Wu.ve t111'0'~bc.1ds to exit fro1n
1 H in the bottom edgeo(the center Ro1,1nds 1•4: Repeat Step 1. Rounds Round 1.
ring. String JG; pass tliroug.h the l~st G l 4, (onningastrip 40A \.<>icle <11\d Rovnd$ 10-12: Repeat R.ounds6 8.
extred cnehe beeel (Fig. 11, blue 4 rO\\."S king. t<lkingQJ\" to align the 2F m Round
thre.ad),Rtptait I.ht thread path several Round S: \.York lA in each sdech to 11 with those in Round ?.
dines, then weace through be-olds: to exit odd 1-0A. Zip: weave Rounds9and 12 t~ther
from lG in Roo.ind 2 a t the upper lrf t Ro1,1nd 6: VJ(.Jrl< 20.stit~wit.hI Fin to form ;a se<'mlt$s ring. Sxit froin
~cl the bezel. String IC; pess eech stitch. Round 9.
through the fool'th lH in the ecere- Ro1,1nd 7: Work3 stitthes:\.<>ith tF hi each Edge: String lG and passthTough the ~t
$.Jl'Ollding edge o( the center ring. String stitc:h;and l stit<hwith 21'=; re~;it l0tlr Col Rot.Ind 9; rtpf'Al l"\•:cnt)' four timt\S
lC; p.us through the Uist G exited on the times fer a tot.llol25F. (Fig. 12). Secure the rhreadand trim.
be:tcl CJ!ig. 11, red th re.ad). Rcpe.111his Round 8: \'/(llfk2Sttilche$wilh ic in c:i<h Ser essde.
threed p.ithseveral rimes to rdnforct. stitch. s~tting the pain edded in R«'tX"at this d'ttire step to lonn a; second
Secure the thread and trirn. Set asMie. Round?. clasp ring.
 ,,' , ,, ,,
,, ,,,' ,) ,,, <, ,, ,,
,,, ,, ,,
,, ,, ,,' ,, t;.;
;
,, ,,
"' '/
,,, ,, ,, <>
,,Q
,, v '/ / (

'r 0,, v,, ,,

,, ,, <> ,,
o 0,, ,, ,, <> 0.,, ,, ,, <>
<> 0 .,, A
.,, ,, ,,
,, v
,,
/
,, / / '-./

' , ,, v '/ ,,. ,, 0. o ,, '/ () ,, ,, ,, ,, v

'V /

'
,

v
,

Fi1-l.3~tm~:ht~wlth~8-1:t

6) SEGMENTS. Rlght-11.1,gle weeve ruffled

J<'gmc'lltsto connect the rinp:
1"1«e: To make the necklace consid~~bly
longer or shorttr, 11dju.st the k-ngth of
tht"U~tsaccordingly.Altwnath>tty.
keep the front s.egment.<i tlle s.1rne and
m~e the t,,.,v at the *k long('Tor llhorttr.
Rows 1-3: UseG' of thread and C to right·
angte·....~W-a ~"trip 20 unl11wideand
3ro,,.,'S long. leaving a 3' taiL
Row 4: Use H to \\'Ork20 units. Set the,
Fig. J4;(onl\ffilng•
workingth~.ad11$ide. ~g~:olJ\c:c~11ng
Rows S •"d6: Ou: thttailthre.idand f
tov.'Ofk 20 unlt1tne.uhor2 rows off
ol~vl.
Row 7: Conth,oe to use the tail thre11d 1tnd
JI. co ~"<Wk 20 onit$ of (of Ro....• 6. Row 11: String 3A;u\d P"S$ through the rop-right edge cl the tent<:r ring. Srrlng
Row 8: String lA and pass throogh the next top Hin Row4; repect tk""mty lG; pass through the last F e:xitt"don tht
bof:tom A of the nea~ unit in Row?: dmes fMa total of 63A (Fig. 13, red stgn'IMt :11\d follO'ft• the rlght·angle·
ttpe.it down the row. weave through thrien4).N«t: 11iebt.1d\,'Of'k \~;uruffle. weece tbread path to exit (rom the end
beads to exit from the: fl11t side F In \Yeave through be.lids to exit from an C In Row2o(thesegmeiu {Fig.14, blue
R,o-,.,· 6 (Fig. 13, purpl~ thrie;i(I). md Fin Rew S. Don't trim t~thn!~. 1 hre.ad). Continue u.s:ing C to rig.ht·
Row 9:String lC and pass through the $eta$ide. angle weave themdo(thetop right
bottom F oi tht>Tle.lttSt unit in R0\\•6; Repe:it this entire sttp five tirnes (or ~~of the cent et ring (Fig. 14, red
repeat~..,,the row («a total o( 21C. a total o( 6 segments, t hr it.ad). Rt-peat toconnert a Sl'gmf'llt
Weavethrougttbeads to ult from t~ to the top lett edge of the center ling.
flt'$l boc;tom Fin R,or.v S. 7) ASSEMBlY. lJ:setheMgJntnts to ~al the centerconnt'(tkm, uWig right·
Row 10: R.t~t iw.... 9. \Yt'a\~through connect the other c-0mpont"nts: <lngl.eweave and the .a.ppropri.itdy
Wdstoexl.t from the ll.1'$t sideGln Centet: Al"l'".lnge thecmtetple<e se the 1n:itc1)tt! be.1dstoatf-"h tM bezels, then
R,oo;v 1 (Fig. 13, grce!:n thre.id), b.1guette points down,Jind set a ~ the open ring.$. and final)y the clasp rings
Row 1 t: Repe.lt Row 9, this time p.using mmt so it f.uesup and the, edge touches "'-ith segments .ucording to the photo·
throughchebocrom C in Row 1. Weavt: the t(lp right edge of the Cetller ring. Use grnph, taking"""' to CUI'\'<: 1 he nctklace
throogh be-.dsto uit from the first $.ide the ,,.,'Orldng ehresd o( tht stgment to as shown.
HlnRow4(1:ig.13,bhaethfc•d). string 1 ~ ~ througl' the top Ho( tbe

BP.At>\\IOR.K

2) TOP. Pinch togethtr t"\'t'ry«her
herringbone: stitch from Round 6 so
s points point l,JJ)<lnd the och""flve point
down. String ) btad, pass down through
the next be;ldol Round 6,llnd up thrwgh
FiJ.5:Z~ltoit~ol~
peyc)'IH-'l•lthril bN6!; 1oform
~ boll4f'! polnti
OCJ
'-1'-'>.J)[) [l
3) SIOES.Join the points: -:1'1'-'~~C)C''t:>()
Stitch: Work S peyotestitche$with 1 bead
ln ~h stitch:.lo•'& one ol the point'$ 0)
$kl-tS. E.xit up through the base bead
ol the next bottom point (Fig. s. blue
u
thre:ul;bn-ringbonesntched bt<'lls
shown in orange: f<W clarity).
Zip: Pirxh the side ju:it 11tit(.Jx.d to the
MWSSAVANOIJIK is•-l~bHdtrftamtht
adjf!Gmt side so the peyote stitcbN ~l#lds.She htcd 11'\Mlng jrwdry in 200S,
bto.\d11 lntt-rb&. Zip thebe.1dstog.et~r US1J19\\W ¥1(1 ~tent\. A )'l'M lam $bt 't.l~

the next h\.'l'ringbone ftiichcd be;id oi tolorm;tJ.e,1mlmjoin. We.1ve through ~~1ftdbt-'S•lld!oOOl\starlt'ddd6Qnlt')9

Round 6: rt~ fourtimtS (or .1 total
o(S bead$ (Fig. 4, blue thrc;td; ooly
herringbone stitches s.ho~-n(« <liri.ty),
Pass through theS besds ju:Jt addedto
tighttn:1~ ro reinloc«:. £xic dzy...m
through a heningbone.wt<.hed bead
In Round 6 (Fig. 4, red th.rc.:ld).
be.Mis to exit down through tht nearest
h<n'ingbone·$1:itched bead in RoluMJ 6
at the topol theb.::ad.,..'Ork (Fig. S,
red thf't-..ld}.
~t th~ en1ire"1ep four ti met; ro%ip
together eech adj.1cntt side.Secure the
threM and tl"lrn.. •
Not (1Nf'I bN«od p.Mlffm, ~ ~, bt.tdi119 h~
shr "" mo:llc1.iond wife .Jl!d wollls M .. ~iw.w
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~1.VlSil
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