to Prof.

Elizabeth Koch OAM

Study No 1
"Dancing with Butterflies"
from SIX CONCERT STUDIES Michal Rosiak

        

Joyful (2009)
  
             
        
    
Flute
    
f molto scherzando 3 3

    
      

       
     
  
6

Fl.           
3 3 3 3 ff 3 3
mf cresc.

 
        
 
                        
  
11

Fl.        

3 3 p mf

    
          
             

  
17

        
  
Fl.
f 3 3
agitato


       
           

     
     
22
 
 
Fl.    
  
pp 3 3 3 3 3 3
ff

   
            
  
     
26

          


                  
 

Fl.
         
p cresc.

            

  
31
         
 
 

 
3

Fl.      
3 3 3 f ff
subito pp
Copyright © MIDOROS 2009
All rights reserved
2

 

             
 
35
          
        
Fl.     
3 3 3 3
3

            3




38 poco a poco diminuendo

 
                        

3 3

3 3 3
  

Fl. 
3 3 pp

               

   
     
41


3
              
Fl. 
f 3 3

               gliss. 

 staccato  
      
44 glis

s.

 
      
Fl. 
p 3 3 3 3 ff

                  

 
             
   

48
       
Fl. 

        

         
       
staccato
 
52
  
3

       
 3  
Fl.
3 3 3 3 3
3

            

         

56
   
Fl. 
3 3 3 3 ff


59
   
       
        

Fl.

3 3 3 3 ff
subito pp
 to Prof. Elizabeth Koch OAM

Study No 2
"Morceau Caractéristique"
Michal Rosiak
from SIX CONCERT STUDIES (2009)

         
              
Fast
                  
Flute    
p

       
 
         
                      
4

Fl. 
p p

                                    
 
7

Fl.      
mf f

     
                        
10

Fl.          
p

    
  


 
              
       
13

Fl.   
f feroce ff

 
                            
 
16

      
Fl.
 
mf p

  
    
19

Fl.                       

               
 
       
       
22

Fl. 
ff
      
 
25

Fl.        
                               

p pp

        
 
28 rit.

                               
Fl.
pp
 
Copyright © Midoros 2009
All rights reserved
2
31
                          
Slow
     
Fl.

  
     


p tranquillo p

                         
36
                  
Fl.   
pp 3 3 3 3
p 3 f

    
            
   
40

Fl.     
3
molto vibrato mf sfz

         
                      
43

Fl.   
7 7 p 6

              
              
 
46

  


 
Fl. 
molto espressivo pp 3
pp f

      
50 accel. - - - - - - rit. - - - - - -
          
Slower poco a poco molto accelerando
   
3

Fl.                      
3 3 3
pp pp

p

   
   
           
       
54

Fl.                         
p mf

 
 

   
   
         
Tempo Presto
           
57

         
 
Fl. 
2
mf

                 
 
 

        
60
      
Fl.  
f

       
                              
      
63

Fl. 
feroce
     
3
 
              
flutter

       
             
66

Fl.   
ff p ff 2

   
      
   
69

     
Fl.                
ff subito pp


 
                            
73

Fl.           
mf


  
  
    
      
                 
76

   
Fl.
  
ff p p

      
79
               
Fl.             
mf f p


82
         
Fl.                          
p

 
                            
  
         
85

Fl.  
   
ff


   
             
 
  
88

      
Fl.  
ff sfz
 to Prof. Elizabeth Koch OAM

STUDY o 3
"The Melbourne Cup"
from SIX COCERT STUDIES
Michal Rosiak

 
Presto energico (2009)

Flute

                  
  
f sfz 5 sfz 5

                
          
5
   
Fl.    5 sfz
5 sfz sfz 5

        
   
9

                  
Fl.
   
5
sfz 5 5

                                            
12
 
Fl.  
 
5 5

        
                      
15
   

 
Fl.
f

                 
19
                  
Fl. 
3 ff

    
23
    
                   
5



Fl.
5
mf
Copyright © 2009 by Midoros
All rights reserved
2

    
27
    
                 
         
Fl.
 5 5 5
sfz sfz sfz
sfz 5

        
                       
    
30

Fl.  
ff
          
   
                
33 6

     

Fl.
ff sfz

               
       
37
     
Fl.               
mf f

   
41
                                    
Fl. 
ff p 5 f
sfz

        
44
                   
Fl.  
p sfz 5 f

               
46                
Fl.       
ff

  
   
49

           
Fl.             
pp pp
 3
52
       
Fl.                
      
sfz sfz sfz sfz f

                 
          
55

        
Fl.      
subp

             
                 
59

Fl.  
3 ff

 
            
                 
63

    
5
Fl.  
5sfz p

  
67

Fl. 
     
5

5
 
               
pp pp p

                              
72
      


   
Fl.
mf f

        
      
                        
76

Fl. 
ff sfz 5 sfz 5
mf

                            
79                 
    
Fl. 
f sfffz 5
 to Prof. Elizabeth Koch OAM

Study no 4
"Confused ???..."

from SIX CONCERT STUDIES Michal Rosiak

                           
Fast
 
(2009)

   
        
Flute    
f

                    
    
          
3

Fl. 
     
   
            
5

Fl.             
ff
mf

   
         
            
7
           
Fl.  
f

     
9
  
       
Fl.                      
p

         
   
11
               
Fl.    
f

                      
        
  
 
13

Fl.        
ff

   
        
15

             
Fl.      
p
Copyright © 2009 by MIDOROS
All rights reserved
    
2
      
         
17
   
Fl.     
f

     
             
        
19

Fl.    

   
21
  
Fl. 
 
                     
f

                

                 
23

Fl.  
f

       
       
25
    
Fl.                     

                           
   
27

Fl.   

       
29

Fl.                             
p

          
   
31
 
Fl.          

                 
           
33
 
       
Fl. 
f
  
3

    
                    
   
35

Fl.      
ff
subp

              
37
              
       
Fl. 
f

39
             
Fl.                    

  
                          
41

Fl.  

       
                     
43

Fl. 
sfz sfz sfz sfz f

     
                     
    
45

Fl. 


47
                               
 
Fl. 

            
     
49
             
Fl.     
p fff
 to Prof. Elizabeth Koch OAM

Study No 5
"Frühlingsglaube"
from SIX CONCERT STUDIES Michal Rosiak
Slow (2009)

Flute                  

p

5
                    
Fl.              
p

 
  
               
8
         
Fl. 
p 3
mf

                 
      
   
12

 
3

   

Fl.
5 f 3
sfz

       
 
16 
Fl.            
pp mf 3

           

 
20

            
Fl.  
passionato f 6

24                        
Fl. 
pp
Copyright © 2009 by MIDOROS
All rights reserved
2

             
              
27

Fl.   
sfz
f 10

        
        
    
29

Fl.  
10
sfz sfz 5
sfz

                       
32

Fl. 
pp sempre



                  
  

35

Fl.     
f 3 pp 3
3 3 3
 to Prof. Elizabeth Koch OAM

Study N0 6
"Gone..."
from SIX CONCERT STUDIES Michal Rosiak

      
Freely (2009)


         
3
Flute        
p 3 3

           
      
5
                 
3

Fl.   
3 3 3
pp cresc. 3 f 3 pp

      

 
    
  
     
  
     
9

3

  
3

Fl. 
         
3 3 3
3 p 3
molto cresc.

         
         3      
12

           

Fl.
3 f p 3

 
15
                      
      
3
Fl.   
3 3 3 p 3
3


         

   
                  
18
 
     
Fl.
3 f 3 3 3 3 sfz
sfz

      
                      
21

    

Fl.
3 3 3
sfz sfz sfz p 3 3
Copyright © 2009 by MIDOROS
All rights reserved
2

     
  
        
24

Fl.     
3 3 3 ff

    
         
      
     
26

Fl.            

3

28
                
           

Fl.
pp 3 p 3 p 3

        
     
     
34
  
 

    
3

Fl.
ff
3 3  sfz
3
mf

             
  
37

Fl.              
3
f

 
                            
    
39

             

Fl.
3 3 3 3
3 sfz sfz
ff feroce
 
                    
             
42

            
Fl.
   3
p p
sfz molto dim.


            

46

     
3

Fl.        
3 pp