REPORT

ABSTRACT
When it comes to life on the stage, music is very important in everyday life. As a result, the music
industry is expanding and expanding. The music industry is thriving because of the quality of songs
that Malaysians especially love for the young people. In this era, music is easy to hear and listen to
because most of the time people have smartphones. On smartphones, listeners and music lovers can
listen to music anytime and anywhere. This is because smartphones have downloadable applications
to listen to music more easily at any time and anywhere. Before living on this deck, we could hardly
hear music except in radio tunnels, and black plates. However, music is often underestimated by
some people. To them, this music is just entertainment and has no bright future compared to other
fields. However, those of us involved in the music industry should change the perception and
mentality of people who think negatively about music. We also have to be creative in working to get
better quality not only to attract fans but also to change the minds and minds of some of today's
people. This music field has a huge job opportunity in the Malaysian music industry. Work in the
music industry such as musicians, composers, songwriters, songwriters, and others in music is
essential to further the music industry of this era. As people involved in the music industry, we need
to try new things or create something new that distinguishes music from the past and present. In
addition, we need to stand out with something new and exciting for our work to be liked and
accepted by all Malaysians. In addition to the creativity in this musical art, popularity also plays a
very important role for us to become more popular and widely known. At the core, we must work
harder to have the success we want in the music industry.
INTRODUCTION

Malaysia, like any developing country, is always responsive to the latest developments in the media.
The Malaysian government has implemented various development plans and promoted human
development, especially in today's environment of socio-economic change. Malaysia is also
concerned about the rapidly changing world of information and communication technology; but at
the same time realizing the impact of the information gap or digital divide on the Malaysian public.
Local media is mandatory and is expected to act as an important supporter of the ruling system since
the time of the fourth Prime Minister of Malaysia, Tun Dr Mahathir Mohamad, announced Vision
2020 to transforming Malaysia into a developed nation by 2020. Media has been showcased in
Malaysia for the first time in spreading and promoting the government's Vision 2020 mandate to the
public. This has encouraged and tied the media to increasing their integrity to practice openness,
transparency and accountability to the public in delivering media content related to the Vision 2020
agenda to form a caring, mature and democratic society that meets the highest ethical standards;
enlightens the community to be collectivists and not individuals which encourages them to think and
assert that "society comes before themselves" (Zaharom, 1994) and Kaur, 2004). The potential of
information and communication innovations such as satellite and telecommunications systems,
computer-based communication networks and also the internet is a blessing. However, all of these
can have varying effects on social change and national development. Advances in information and
communication technologies, especially with the emergence of the Internet, have also brought new
challenges to the regulatory regime. Not only has this technology change changed the way
businesses and media organizations operate.
HIGHLIGHT WORKS

Hael Husaini bin Razmi or better known as Sani, Hael Azhael or Hael Husaini born on December 10,
1987 is a Malaysian singer, songwriter and composer. Husaini's career in music began with an
audition session for the reality show One In A Million (OIAM) in 2006. In 2009, he joined the Evo
group with his partner, Erul Samah in TV3 Mentor. They are the proteges of Jaclyn Victor. Husaini
released his first solo song, "If Only" before being followed by a mini album. In 2013, he and his
partner, Azhar Osman, formed the duo, Azhael, and was crowned the winner of the Season 10
Academy of Fantasia. Their debut track, "Last Stop", created entirely by renowned singer and
composer Damien VE, has earned him a reputation as one of the most sought after young singers.
Early 2017, Hael Husaini released a statement of resignation from Azhael duo group on his instagram
page on February 2. He will continue his artistic pursuits but solo.In 2018, Hael's name came to
fruition when he was disqualified as the 32nd Song Champion Award winner through his hit song,
Spells.

CHALLENGES HAVE BEEN FOUND BY HUSAIN HAEL

Singer Wani Kayrie acknowledged the technical difficulties slightly hampered

the focus of her performance on the Big Stage reality program Sunday night.
not listening to the music through the hearing aids. ”It was a bit of a distraction
for me. Husaini sang Misha Omar's original song at the Big Stage program held
at the Shah Alam City Hall (MBSA) on Sunday.
STRATEGIES ACHIEVING THE CHALLENGES THAT ARE
HANDLING
Hael Husaini via Instagram on Monday apologized to Wani for some of the mistakes made during the
performance. ”First of all I want to apologize to Wani Kayrie, I messed up tonight for some of the
inevitable technical mistakes at the beginning of the show. It's not my day. I'm sorry again. I'll fix my
weaknesses. Thank you, "he said. However, Wani said the singer didn't have to apologize for the
mistake because it wasn't her fault." Hael has given her the best and she has We know Hael is a good
person and can sing well, "he said. Meanwhile, commenting on his performance that was a bit
underwhelming, Wani admitted he had a health problem. In fact, the cough that lasted for almost
two weeks affected the quality of the sound and presentation.

conclusion

In conclusion, it is absolutely necessary for the Government to help develop the country's music
industry. However, as the one-sided proverb goes nowhere, so industry players need to provide both
mental and physical assistance in this regard. Participants, especially NGOs in this industry need to
have a paradigm shift and change of mind and be brave and always try something new for the
development and success of the industry. But this change of attitude is a concern that Malaysian
music will always be behind the global music scene and more importantly, the country's artistic
talents will sink. swallowed up with nothing to be proud of as a national heritage.