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Main argument[Form is entailed in structure, inherited in positional values of
substance (self-)organization.]
Morphogenesis[imsonar, 12/07/2019 10:04:03] of meaning (translator’s introduction)
The central issue dealt with in this research is that of structure. More,
particularly with the investigation of assigning a physical and dynamical basis to
structure that could potentially be applied to new media based abstract artwork.
The classical problem with structure has always been a concern for researchers
throughout all the structuralism tradition to reconcile its formal essence with its
phenomenological manifestation or in other words its discrete ‘form’ with its
continuous ‘matter’. The classical formalist perspectives of structuralism, are
missing the point that there are no abstract categories in nature; categories are
primarily mental products resulting from a process of discretely dividing up the
natural entities. There natural entities do not exist as such as discrete entities
but form part of a continuous substratum. And classical structuralism seems to
neglect this critical aspect.
The use of dynamical models which are able to explain qualitative discontinuities
can emerge from the organization of the continuum, in such a way that it can be
categorized and discretized. They have been used in linguistics and phonology (two
critical areas of structuralism) from researchers such as Petitot, and this
research picks up from these dynamical approaches in order to extent their
catastrophist models for applications concerning new media artworks. One of
Petitot’s initial approaches towards a dynamical structuralism, involved the
catastrophization of qualitative and privative oppositions (which form the basis of
Jacobson’s phonological feature analysis), and explain them in terms of
catastrophes of conflict and bifurcations respectively.
The syntactic character of structure presents and even more interesting picture.
Chomsky’s axioms did go beyond previous approaches concerning the content vs.
syntax relationship, or item versus arrangement, but the apparent autonomy of its
approach masks the rootedness of syntax to natural languages and in the structures
of action and perception. His formalism seems to ignore the partial analogy between
the structure of language and the structure of the experienced external world. The
infinite generativity of sentences, is instead an auto-limitation imposed by the
patterns of action in the external world and perceptual activities by the language-
user. It was Rene Thom, the predecessor of dynamical catastrophe theoretical models
in linguistic studies, which insisted on the need for explaining these auto-
limitation of the generative capacity itself.
To accomplish this a grammatical analysis should turn to some of the non-formalist
(and rather realist and semanticist) perspectives on case-structures. Ideas that
are relevant concernt the actantial perspective of Lucien Tesniere and the localist
theory adopted by Hjelmslev, Anderson and Fillmore. In their approaches they
understood sentence meaning, not as the resultant of a combinatronics of word
meanings, but as something configurationally available in a gestalt-like manner.
Tesniere talked about the theatrical imagery of sentence structure and its meaning
He composed the meaning holistically with the verb conveying the action part of the
sentence, and the actants playing the role of participants in the action. Similar
direction was taken from Hjlemslev. He concludes that case is not a logical
category, but only a structural one. He identified the case as a category that
signifies spatial relations between two objects, and he defines these relation
along three ‘dimensions’, namely, Directions (Distancing and Nearing),
Subjectivity-Objectivity and Coherence.
Following their approaches Thom introduced the application of Catastrophe Theory in
order to define the genesis of the grammatical (case) structures from the actantial
dynamics (as derived from Tesniere), on a spatial substratum. He used as a founding
principle for the deduction of grammatical cases, the set of seven elementary
catastrophes functions, and derived eighteen archetypal morphologies in the form of
actantial graphs, showing the correspondence between the topological graphs and the
case structures. His topogico-dynamical analysis of syntax-semantics relationship
involves a synthesis of the actantial syntax, the case grammars and the idea of
morphogenesis. Thom’s theoretical contribution to the structuralist movement was
the retainment of an essential continuity between the physical and the
phenomenological mode of existence, alloowing the deduction of qualitatively
differentiated case-structures from a physical substratum.Therefore provides a
principle of identifying and categorizing the finite set of core grammatical (case)
structures which in the natural world appear as infinitely varied occurrences of
physical or physically-based actions.
Jean Petitot has been a strong advocate (along with others) of the dynamical
approaches in linguistics (as found in the works of Per Aage Brandt, Leonard Talmy,
Ronald Langacker and George Lackoff), but his work main merit has been the
establishment of Catastrophe Theory as a viable dynamical approach (the
“morphodynamical approach”), in contrast to the various formalist approaches.
Embracing the morphodynamical approach, which is based on sophisticated
mathematical topology, one can better handle the inherently dynamical and
structural character of the core grammar of natural languages, as opposed to the
logico-algebraic formalization fashionable during the fifties and the sixties.
I will focus intensely on Petitot’s work in regards to the analysis of the semio-
narrative structures and his attempts to theoretically develop the inherent
topological potential of the semiotic square by applying CT to it. Throughout this
research I am using the provided schematization of Greimas’ structures of
elementary signification and a catastrophist interpretation of the latter’s
actantial model of narrative structure. I am supporting Petitot’s suggestions that
the relations associated with the qualitative and privative opposition of the
semiotic square can be schematized by means of the catastrophe of Conflict of
minimal complexity and that of Bifurcation of minimal complexity respectively.
Shifting the paradigm towards this direction I investigate the topological
potential of the square, and avoid logico-combinatory approaches which are not
suitable explaining the emergence of the structure from a physical substratum. The
main merit of this approach to narrative semiotics, is the schematization of the
‘undefinables’ of the square, and its modeling as a ‘procession’ of elementary
catastrophes. Ultimately at a more complex level, the entire canonical narrative
schema as proposed by Levi-Strauss can be understood in terms of two coupled
qualitative oppositions, represented by a ‘double cusp’, and this is the main
methodology followed in this research.
The ‘conversion’ that gives rise to the Gremasian actantial model from syntactic
operations on the content values is seen in terms of the actantial graphs
associated with Thom’s elementary catastrophes and archetypal morphologies, which
are indeed actantial schemas deeply rooted in the behavioral structures of living
beings (Petitot,2004). In a more detailed manner in this research I am describing
how morphology can be reduced to a system of qualitative discontinuities emerging
from an underlying substrate (be it physical, geometrical, or even ‘semantic’), and
indicate dynamical mechanisms which are able to generate, in a structurally stable
way, these discontinuities at local and global levels.
This paradigm is not a new apporach, but rather follows developments during the
seventies and the early eighties in physics. It follows the mathematical analysis
of the singularities and discontinuities which emerge at the macro level from
underlying micro-physical mechanisms, and can be found as caustics in optics, phase
transitions, symmetry breaking and critical phenomena, dissipative structures and
many others. The main concern of these models is to explain how the observable
morphologies which dominate the phenomenological experienced world, can emerge from
the underlying physics, and attempt to bridge the gap between physical objectivity
and phenomenology. The morphodynamical approach can be viewed as a pure
mathematical approach leading to qualitative physics. It shows that the
informational relevant and salient features of macro-physical processes are
constituted by their singularities, qualitative discontinuities and their critical
behavior.
The application of these models to cognitive processes such as perception, action
and language, constitutes differential geometry as a replacement for formal logic.
This research introduces morphodynamical concepts concerning structure and its
signification into new media artwork creation.
In all of these areas, each approach relies heavily upon the formalizations
ascribed to the connections of the equivalence classes, thus on the mathematization
of the concept of positional value. This type of schematization can legitimately
establish the notion of structure and its inner workings. This is equivalent with
finding an appropriate geometry of position that can explicate the organization,
stability, elementary structures, and the constraints imposed on their
combinatronics.
Petitot has argued intensively that classical structuralism was forced to discard
the dynamical organicity and nature of structures (Petitot, 2004),[This ideas where
first printed on 1985 in the french edition of this publication, which was
traslated to English on 2004.] in order to establish abstract relations between
terms. This is exactly the difference between the process of mathematization and
formalization.
It is the fundamental conflict between the formal treatment of structure and their
‘mathematical physics’. The former is associated with formal logic of terms and
relations, while the latter refers to a dynamic topology of positions and
connections.
The first attempt on mathematical theories that take account of the dynamical
nature of structure and form and a topological language to describe them is
Catastrophe Theory.
Following the path along structuralism’s evolution through different domains
(structural biology, Gestalt theory, phenomenology and philosophy), I touch upon
some of the critical issues regarding the investigation of form and structure, in
order to trace the roots of the ideas that inspired this research project.
I challenge the general notion of structure as a symbolic construct and treat it as
a natural phenomenon. Not ignoring its symbolic nature, treated by formal logic, I
enrich these formalizations, and their algorithm in order to investigate their
diversity. In that sense a physics of meaning, as Petitot describes it (Petitot,
2004), is founded upon a mathematical schematization of categories of
structuralism. The naturalization of meaning and its structural descriptions
transcends the gap between its symbolic substance and its existential experience.
Chapter I
Understanding structure:
To compliment the picture of this quest of explicating form and structure, the
following syllogisms need to be accounted for,
Experimental methods that give us access to structures and their analysis. Since
they are non material and idealistic constructs observations cannot be made
directly. For Levi-Strauss the first method of analysis deals with transformation
of structures by variational procedures. In this way a structure could be identify
itself with a set of global rules that systemically could describe it, and this
fact can create relations between localities and a global system of description.
Relation between structure and function, stemming out of biological, physiological
research.
Relation between function and teleology, since in order to analyze structure we
need to somehow project it to infinity (as in Fourier transformations for
instance), and transcend its finality.
Formalization of structures, and consider ways that account for the dynamically,
self-organized, self-regulated emergent properties of form, and the critical form-
substance relationship.
Levels of organization, on of the most important inquiries on structure is how the
different levels of organization correlate.
Structuralism in Biology
The neo-Darwinian points of view on the contrary, do not recognize the existence of
laws of form regulating evolution, reducing it to a mere matter of genetics and
ignoring their epigenetics[From the generic meaning, and the associated adjective
epigenetic, British embryologist C. H. Waddington coined the term epigenetics in
1942 as pertaining to epigenesis, in parallel to Valentin Haecker's 'phenogenetics'
(Phänogenetik).[11] Epigenesis in the context of the biology of that period
referred to the differentiation of cells from their initial totipotent state during
embryonic development.[12]
When Waddington coined the term, the physical nature of genes and their role in
heredity was not known. He used it instead as a conceptual model of how genetic
components might interact with their surroundings to produce a phenotype; he used
the phrase "epigenetic landscape" as a metaphor for biological development.
Waddington held that cell fates were established during development in a process he
called canalisation much as a marble rolls down to the point of lowest local
elevation.[13]Waddington suggested visualising increasing irreversibility of cell
type differentiation as ridges rising between the valleys where the marbles
(analogous to cells) are travelling.[14]
In recent times, Waddington's notion of the epigenetic landscape has been
rigorously formalized in the context of the systems dynamics state approach to the
study of cell-fate.[15][16] Cell-fate determination is predicted to exhibit certain
dynamics, such as attractor-convergence (the attractor can be an equilibrium point,
limit cycle or strange attractor) or oscillatory.].Structuralism in biology
considered the above concepts as categories governing morphological phenomenology.
The main problem now is to find a way to assign them an objective value.
Concerning the descriptive relation between language and the external world,
Petitot claims (ibid) that in order to understand it is necessary to introduce a
third term, one that is neither of a physical or linguistic type, the states of
affairs.
One way to view states of affairs is assigning them the role of truth-maker, the
quality that makes a true statement true. Nevertheless it might be more productive
to try to explain how states of affairs can emerge as an objective structure, — a
phenomenological invariant as Petitot puts it—, whose reality is neither physical
nor symbolic. In that way is possible for one to explain how the structural aspects
of reality constrain and determine linguistic structures (Petitot, 2004:37).
Petitot continues claiming that Thom’s Catastrophe theory is the first synthesis
between phenomenology and physical objectivity, and a significant step in
understanding the manner in which the structure of a state of affairs can emerge
from objective reality, summing it up by stating that “…the thought of a meaning of
a proposition must be rooted in the phenomenological structuration of reality…”
(ibid).
Structuralism in phonology
Semio-narrative structures
Actantial relations are not only found at the sentence level but also at the
narrative level. This was demonstrated in Propp’s structural analysis of the
folktales. At the surface level of manifestations folktales exhibit relations
between plots involving actors that are situated spatio-temporally, defined by
thematic roles, interacting through conflicts, gifts, separations, unions, passions
etc. Certain deep structures can be identified which A.J. Greimas called semio-
narrative structures. The nature of semio-narrative structures makes them
anthropological structures of the mind.
Semio-narrative grammar is mainly concerned with the relationship between syntax
and semantics, to put it in structuralist terms, with the projection of the
paradigmatic axis onto the syntagmatic one. Propp identified invariant, stable,
universal actantial structures governed by a syntax which syntagmatizes a paradigm
consisting of typical members (Sender/Receiver, Subject/Object of value,
Subject/Anti-subject, Helper/Opponent). These members primarily represent the
actions of the characters in a folktale. They are a set of actions, canonically
ordered and appearing in a rule based environment, like in the process of
morphogenesis.
Taking up from Propp’s observations, Levi-Strauss introduced in the theory of deep
semio-narrative structures the concept of categorization, namely the idea that
tales share a level of deep semantic categorization expressing values which belong
to unconscious codes, then projected on the syntagmatic dimension. These deep
semantics represent ideals that give meaning to experience and life (Life/Death,
Man/Woman, Infinite/Finite etc.). Their surface lexical figures are called
‘sememes’ while their deep semantic counterparts ‘semes’. They are physical drives
that their meaning can only be grasped via its conversion into actantial
structures. More particularly,
They are anthropological universals of the imaginary order.
They appear as action, only when invested in objects of value, motivating the
actions of the subjects.
They become part of the subjects only through experiences and actions.
Actantial syntax converts them into narrative doing which determines
anthropological function.
One of the first questions Rene Thom posed was whether it is possible to find a
synthesis between the dynamical structuralism describing phenomena of morphogenesis
and the phonological (semiolinguistic) structuralism describing the form of
semiotic systems. In order for one to achieve that,according to Petitot
(Petitot:2004), one has to,
Reduce every structure (paradigmatic categorization, actantial interaction,
morphogenetic differentiation etc.) to a morphology defined on a relevant
substratum space.
To reduce every morphology to a system of qualitative discontinuities on this
substratum space.