Beruflich Dokumente
Kultur Dokumente
2
WATER characterizes eternal flow and is 5
SKY is the space in which everything
always unstable by nature, It is a liquid happens. The spaces in architecture rooms,
state and is a majority composer of various courtyards, open spaces etc.
fluid substance such as rain and humidity
2
Touch – an intimate sense 5
Taste – more a combination of two
3
Hear – the silent sense
Underst anding t he five senses
Sight
01
Already in early times the vision was the leading sense. Until
today, sight prevailed on top of the hierarchy of the senses
and our technological culture has separated the senses even
further.
With the technological development our world has become a
lot faster than it used to be. Screens, advertisements, radios.
Constantly our senses are triggered and it seems like time
and space are fused by speed. The only sense that can keep
the pace of this development is sight.
As a result architectural design is meant to please this sense.
Touch
02
The eye is the organ of distance, whereas touch is the sense o
nearness, intimacy and affection. The eye observes and
investigates, whereas the touch approaches and feels.
So when the light makes space for shadow our other senses
are sharpened including the sensitivity to touch.
Feeling shape- We can feel if a room is brightly lid or if it is
dim. In the same way as we can feel the sunlight on our skin.
So light is a good method to address touch in architecture.
Structures have a visual effect but by touching them we feel
more components of their construct. Hardness, Depth,
Temperature these components can vary in materials that
give the same visual impression.
Hear
03
Hearing is a very incorporating sense. It is omni-directional,
not focused like vision.
“We are not aware of the significance of hearing in spatial
experience, although sound often provides the temporal
continuum in which visual impressions are embedded.”
“However the temporary city has lost its echo.”
On one hand we have new technologies that enable
architects to build great soundscapes on the other hand we
cheat on the spatial experience by installing sound absorbing
materials and other sound optimizing elementsThe question
is, if this is a smart alternative or just a lack of critical
examination.
Hearing not hing
03
One of the most exciting auditory experiences in
architecture is tranquility. In the past the tool of silence has
been used to create great atmospheres. The silence in the
Pantheon combined with the great view to the roof is
indescribable. The absence of sound is actually creating the
atmosphere.
MODUSARCHITECTS
PRESCHOOL, KINDERGARTEN AND
FAMILY CENTER, ITALY
Assignment 2