General Moran - Marcha-Funebre

EXPRESION MUSICAL LA NOBEL
TARMA LIMA PERU

GENERAL MORAN
1°Clarinet in Bb
 
  
POR: NILTON CALDERON TORRES
              

         
      

q=80
       
     
7
           Cl y Sx /Trp.
     
1. 2.
      
  
mf
                               
13
       
  
    Cl ySx /Trp.       
  
1. 2.
         
21
 
TUTTY
 
  
23–24 mf
    
1. 2.

   
Cl y Sx /Trp.

       
31 TUTTY
   
 
  
pf
40                     
   

      
   
       
50 1. TUTTY 2.
  

 
56
          

    DC
Fine
CONTACTOS - 988084442
TARMA LIMA PERU GENERAL MORAN
2°Clarinet in Bb

           
             
      
    
q=80

f
       
   
                   Cl y Sx /Trp.
7
   
1. 2.

 
   
mf
      
                              
13

  
                  
1. 2. Cl y Sx /Trp.
21
      
TUTTY

    
23–24 mf
  
1. 2.
        
Cl y Sx /Trp.
       

31 TUTTY
 
    

pf
40                     
   

  
     
50
      
1.
 
TUTTY 2.   

   
  
     
56
    
  DC
Fine
                                
1°Alto Saxophone POR: NILTON CALDERON TORRES
 
q=80 

   
           1. 
             
f
6
  
   
2.
 
Cl y Sx /Trp.
 
                         
mf
12  
  
           
1. 2. Cl y Sx /Trp.
     
20

TUTTY
   
23–24 1. mf 2.
            
Cl y Sx /Trp.
       
29 TUTTY
 
 
     
                  
pf
38
   
         
47
  
1.
  

       2.
            
54
 
TUTTY
    
Fine
59
 DC

         
2°Alto Saxophone
        
          
 
    
 

q=80
        1.                       
7
   
2.
 
Cl y Sx /Trp.
 
mf
                               
13
      
     

                   
1. 2.
21
  
TUTTY Cl y Sx /Trp.
      
23–24 mf
1. 2.
  
      

31 TUTTY Cl y Sx /Trp.
         
 
   
 
pf
                  
40
  
          

50
    
1. 2.
  
TUTTY

 
 
56
          
     DC
Fine
Tenor Saxophone
    

      
           

 
  
          

q=80
 
f
   
                     ClySx /Trp.        
7
    
1. 2.
    
mf
                         

13
 

                      
20 1. 2. Cl y Sx /Trp.
TUTTY
   
23–24 mf
             
29 1. 2.
  
TUTTY

        
                 
37
 
Cl y Sx /Trp.
   
pf
                 
46
 

                     

53

1. 2.
 
TUTTY
Fine
59 DC

 
Bari. Sax.

     
  
               
      
   
q=80
  
f
     
        
7
    1. 2.

Cl y Sx /Trp.
  
        
 
mf
                               1.   
14
  
TUTTY
 
         

22
 
             
2. Cl y Sx /Trp.
     
mf
TUTTY  2.      
         
 
31 Cl y Sx /Trp.
 
1.
   
pf
40                    
  
     2.   
        
50
 
1. TUTTY
  
 

       
56
 
  DC
Fine

1°Trumpet in Bb

              
       
          
q=80  

      
f
                    
   
              
7 1. 2. Cl y Sx /Trp.
 
   
mf
                         

13
 

                      
20 1. 2. Cl y Sx /Trp.
 
TUTTY
 
23–24 mf
             
29 1. 2.
  
TUTTY

        
                 
37
 
Cl y Sx /Trp.
   
pf
                 
46
 
  
       
53
      
1. 2.
    
      
TUTTY
Fine
59

 DC


2°Trumpet in Bb POR: NILTON CALDERON TORRES

                                  
q=80

f
    1.        Cl y Sx /Trp.      
7
      
 
2.
                 
mf
  
13
                          
     
 

          
Cl y Sx /Trp.

20
     TUTTY   
1. 2.

     
23–24 mf
    
29
               

1. 2.
    
TUTTY

  

                 
37
 
Cl y Sx /Trp.

  
pf
     
46
                
1.
            
54
 
2.
  
 
  
  
TUTTY
      
Fine
59

 DC

3°Trumpet in Bb POR: NILTON CALDERON TORRES
                              
q=80 
     
f
    1.       Cl y Sx /Trp.  
6
                              

2.

 mf
12
     
                          
 

    
     
19
  
1. 2.


  
 
TUTTY
       
23–24 mf
Cl y Sx /Trp.
27

     

        
    

          
35
          
1. 2. Cl y Sx /Trp.
  
    

TUTTY

pf
43
    

               

                      
52

1. 2.
    
TUTTY
    
Fine
59

 DC
TARMA LIMA PERU
GENERAL MORAN
1°Trombone POR: NILTON CALDERON TORRES
                  
 
          
    

   
q=80  
f
      
        1.     
            
7 2.  Cl y Sx /Trp.
       
   
                    
mf
13
                 

  1. TUTTY 2.                Cl y Sx /Trp.

  
  
20
      

mf
                              
27

                
 
     
34 1. TUTTY 2.
Cl y Sx /Trp.
   
     
pf
     
      
42
         
 
               TUTTY  2.
   
51 1.
   
 
56
       
          
 DC
Fine
TARMA LIMA PERU
GENERAL MORAN POR: NILTON CALDERON TORRES
  
                        
 
2°Trombone
   

q=80     
f
        1.       2.        

        
7 Cl y Sx /Trp.
 
         
          mf   
       
13
                 

  1. TUTTY 2.                Cl y Sx /Trp.

             

20
 
mf
                              
27

       
          
    
34 1. 2.
     
TUTTY Cl y Sx /Trp.
  
 
 
pf
      
    
42
          

          TUTTY   
51 1.
 
       
                 
55 2.
    
Fine
59
  
 DC
TARMA LIMA PERU
GENERAL MORAN

                          
1°Euphonium POR: NILTON CALDERON TORRES
   

  
      
q=80

f
       
   
                    
7 1. 2.
   
Cl y Sx /Trp.
    
mf
         
   TUTTY  
14
 
1.
     
                               
22 2. Cl y Sx /Trp.

 
mf
28
                               
   
      
35
   
     
1. 2.
       
Cl y Sx /Trp.
     
TUTTY
pf
    
43
               
  
        
51

1. 2.
        
     
TUTTY
 
     
56
     
      DC
Fine
TARMA LIMA PERU
GENERAL MORAN

2°Euphonium POR: NILTON CALDERON TORRES
              
           
     
    
q=80

f
   
                  Cl y Sx /Trp.
7
            
1. 2.
      

mf
   
14

1. 2.
          
    
    
TUTTY
 
       
23
      
Cl y Sx /Trp.
             
    
  
mf
 
29

         
1. TUTTY
                     
   
36
        
              
2. Cl y Sx /Trp.


pf
45
      
              
    
   
1. 2.
 
53
             

         
TUTTY
  
Fine
59

 DC


Tuba Bb
 
                   
q=80
             
f
             
 
7 1. 2.
   
Cl y Sx /Trp.

    
             
  
mf
                            
14
        
  
        
                          
21 1. 2. Cl y Sx /Trp.
 
TUTTY
mf
 
29 1.
  
TUTTY
 
          

                                 
36
 
2. Cl y Sx /Trp.

pf
44
     
                           
          
52 1. 2.
   
         
 
TUTTY
     
Fine
59
 
 DC
TARMA LIMA PERU
GENERAL MORAN

    
Bass Drum POR: NILTON CALDERON TORRES
             
q=80

f
     
  
8 1. 2.
         
mf

       
16 1. 2.
      

23–25

  
26
            
mf
               
Cl y Sx /Trp.
 
35 1. 2.
  
pf
43
                
          
51 1. 2.
        
TUTTY
Fine
59
 DC
Drum Set


                                   
q=80 
  
f
          

 
7 1. 2. Cl y Sx /Trp.
          
   
  
mf
            

14 1.
                              

                                
22 2.
mf
 

30 1. 2.
                        

 
TUTTY
  
            

 
37 Cl y Sx /Trp.
pf
                                        
44
                 

52 1. TUTTY 2.
 
            
 
Fine
59
 DC
Cymbals POR: NILTON CALDERON TORRES

                     
1.

q=80
 f
       
2. 
       
9
   
mf

           
  
19 1. 2.
  23–25
 
mf
              
30 1. 2. Cl y Sx /Trp.
     
pf
          
39
     
  
    
49 1.
      
TUTTY
  
55 2.
      DC
Fine

General Moran - Marcha-Funebre

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General Moran - Marcha-Funebre

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EXPRESION MUSICAL LA NOBEL

TARMA LIMA PERU

                         

                         

  1. TUTTY 2.                Cl y Sx /Trp.

  1. TUTTY 2.                Cl y Sx /Trp.

          

            

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