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Loglines are tricky things – distilling 120 pages of script into one sentence and imbuing it
with the power to summarise, titillate and intrigue is a surprisingly di cult task. As a writer it
can be hard to develop a good logline because you are invested equally in each part of your
work – identifying the crucial story elements and leaving everything else out feels like you
aren’t doing your script justice. But remember, a good logline is crucial to selling your script;
in a covering letter, in a pitch, in the 30 second window you have with an executive when you
accidentally meet on the Great Wall of China. That being the case it is vital that you develop a
good logline for your magnum opus, something with sizzle and pop, but also, crucially,
something that tells the audience what the script is about.
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Crucially, a logline contains all the elements necessary for the telling of a good story. It is
written for industry professionals to show them that you can create a viable story for the
script – a marketing hook alone won’t cut it.
One further note that you won’t like: A logline is the DNA of your script. If you can’t make the
logline work, it’s probably becasue the story in your script doesn’t work. This is why some
people suggest writing a logline for your idea before embarking on the script.
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– A sous-chef
– An ex-superhero
– A mute sous-chef
– An alcoholic ex-superhero
– A mute sous-chef wants to win the position of Head Chef at her boss’ new restaurant
– A mute sous-chef wants must ght o an ambitious rival to win the position of Head Chef at her
boss’s new restaurant.
– An alcoholic ex-superhero searches for his daughter after she is kidnapped by his dementing,
jealous former sidekick.
– To save his reputation a secretly gay frat-boy must sleep with 15 women by the end-of-semester
party.
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Some scripts operate in a world with di erent rules to our own and require a brief setup to
explain them, e.g. most science- ction stories. Others have a protagonist whose personal or
psychological history is crucial to the story and needs to be explained. Again, be brief.
Bonus
If you can’t write a decent logline of your idea before embarking on the script, then maybe
reconsider writing that thing. If it’s unfocused and muddled at the loglines stage, it’s not
going to get any better as you write.
Good luck, and feel free to submit samples in the comments box.
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126 Comments
Randy Brown on April 4, 2013 at 1:13 pm
Great article.
A subdued cleaning lady has to work her way through three dangerous
situations as she enters what at rst appears to be an empty o ce building
to do her cleaning chores, and encounters a number of egocentric men.
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Daniel Cooney on August 29, 2013 at 1:35 pm
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Thanks for posting this, James — I've been working on adapting my comic
book series for tv and this is a great springboard for getting it started.
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assume that you are happy with it.
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I hope you will consider doing a marketing blurb how-to as well! I know that's
more for books, but I think this kind of advice transcends all mediums.
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Jesse James on May 27, 2014 at 7:46 am
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Amber Reigh Walton on February 15, 2015 at 10:42 pm
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Title: Target
After the death of her best friend a seventeen year old suicidal heiress
pretends mental and emotional stability to free the people she loves from
her misery.
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Two long time friends since the age of 7, grew up, graduated high school,
then went o to college only to fall in love with the same girl that caused their
friendship to go sour and that caused a very bad uproar between the two x-
best friends and the girl husband.
On Halloween night in the small town of Saw Wind Hollow, a esty teenage
girl's plan to cut loose and have fun is interrupted when the veil between our
world and the spirit world vanishes. Now she must uncover the town's dark
past in order to stop an ancient evil from destroying those she loves and
even the world.
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It hits most of the checklist provided, and the last idea about the protagonist
being undead is the one thing that separates my story from the rest so I felt it
worthy of mentioning. Any notes would be very greatly appreciated. Thanks!
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Trackbacks/Pingbacks
1. Loglines – Setting The Story Hook | The Massage Manuscripts - [...] I found a couple of
sites worth looking at for more about loglines. They focus on the lm/script genre,…
2. How to write your lm logline - [...] Not sure where to begin? These tips are going to help:
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3. LOGLINES AND TAGLINES ARE DIFFERENT And You Need Both For Your Novel by R. Ann
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novels-log-line/http://www.movieoutline.com/articles/writing-good-log-lines.html
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http://www.bang2write.com/2010/05/loglines-are-not-taglines.html
http://www.staceynash.com/2012/08/24/taglines-hooklines-loglines/
http://theloglineblog.blogspot.com/p/how-to-do-log-line.html
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kit.pdfhttp://www. yingwrestler.com/2013/02/loglines-dont-
tease/http://staging.raindance.org/10-tips-for-writing-loglines/
http://en.wikipedia.org/wiki/Log_line http://en.wikipedia.org/wiki/Tag_line
http://www.lifeformz.com/logline.html http://carissa-taylor.blogspot.com/2013/02/pitch-
factory-twitter-pitch-logline.html [...]
4. 37 Screenwriting Resources To Help You Write The Perfect Logline | The Screenwriting
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5. Discovering Your Log Line | feekwrites - [...] was a great article and I recommend you take
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6. Why Your Novel Needs a Logline | Keyboard in Hand - [...] 10 Tips for Writing Loglines [...]
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Pens - [...] symptom of a deeper problem with your story. In his article on writing successful
log lines, “10 Tips for…
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say it all concisely and quickly.” Use action words: “Make it real.” Duties/ [...]
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17. 5 Tips for Getting Your Indie thatFestivals
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18. Logline #3 – Bunker | Motion Brothers - [...] A summary of a story in one sentence (ok,
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21. Logline #4 – Ahead of the Game | Motion Brothers - [...] A summary of a story in one
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22. Logline #5 – Slight of Mind | Motion Brothers - [...] A summary of a story in one sentence
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23. Logline #6 – The Sandman | Motion Brothers - [...] A summary of a story in one sentence
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25. New Class | Motion Brothers UK | Experience Strategy - […] A summary of a story in one
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26. A Guide to Launching Indie Games, Part Three: Getting Press – Binpress - […] Check out
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27. Zoombies | Motion Brothers UK | Experience Strategy - […] A summary of a story in one
sentence (ok, sometimes two) often used during the “pitching” process for lm…
28. The Call of the Demon | Active Comics - […] did not know what a logline was before this
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29. The Silver Age | Motion Brothers UK | Experience Strategy - […] A summary of a story in
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32. 7 things screenwriters forget about lmmaking - The Spread - […] Avoid this kind of
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Longline Writing Tips Synopsis Writing Tips Save the Cat – Blake Snyder The Complete
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