Beruflich Dokumente
Kultur Dokumente
REQUIRED TEXTS:
1. KEYBOARD STRATEGIES MASTER TEXT I: Stecher, et al, (G. Schirmer, 1980).
(All pages are KS unless otherwise marked.)
2. ESSENTIAL ELEMENTS 2000 COMPREHENSIVE BAND METHOD,
Piano Accompaniment Book 1 (EEB), Lautzenheiser, et al, (Hal Leonard 2000).
3. SCALES, PATTERNS and IMPROVS, Book 1, Kreader, et al, (Hal Leonard 2009). (SPI)
4. SYLLABUS: www.music.unt.edu/piano (click on “Proficiency”).
5. KEYBOARD SKILLS teachers will only use student’s name @unt.edu email.
WEEK 1 Chapter 1 & begin 2 - MAJOR FIVE FINGER PATTERNS & CHORDS
Syllabus: www.music.unt.edu/piano (click on “Proficiency”)
FURTHER APPLICATION
5. Transpose: 31-32, #2 & #4 by intervals to F, C, & G positions.
FURTHER APPLICATION
6. Repertoire:
a. 50-51, Texture 5. Number measures. For a grade of A, play deleting mm. 15-22.
b. 48, Walking. For a grade of B.
7. Comping two-hand accompaniment, 59 #3: play 8va basso (LH, root only; RH, root-
position chords; melody on disk).
FURTHER APPLICATION
7. Repertoire: Make final choice & polish.
a. 50-51, Texture 5. For a grade of A, play deleting mm. 15-22.
b. 48, Walking. For a grade of B.
QUIZ: SKILL 3 – Repertoire: Choose between p. 50-51 for an “A” or p. 48 for a “B”
WEEK 4 Complete Chapter 3 - MINOR FIVE FINGER PATTERNS & CHORDS
FURTHER APPLICATION
5. Comping: review 88, # 4, 8va basso (LH bass & RH chord accompaniment
in arpeggiated style), following the harmonic rhythm. MM 70-80 in eighth notes.
QUIZ: SKILL 4 – Play SPI 11 transposed to Cm & play SPI 15 w/track 21.
WEEK 5 EXAM I - 30% of course grade. Grades 1-7
READING
5 & 6. Sight Reading will be provided. (Counts twice in averaging grades.)
FURTHER APPLICATION
6. Repertoire: 121, play & transpose to F & G, MM = 80.
7. Comping: 128, #1 (LH, roots, RH chords), melody on disk.
FURTHER APPLICATION
7. Repertoire: 126; discuss memorization techniques. Examine for positions (see 131, #1),
motion, note & rhythm patterns, direction & articulation.
See 131-132 for technical alterations.
8. Creative Ensemble: Melody, 130; learn parts 1 & 3 at least & play with disk.
When playing parts 1, 3 or 4, identify the sample pattern & play while looking at
the chord chart, not the staff notation.
9. Harmonization: SPI 29, (melody RH, chords LH)
QUIZ: SKILL 6 – Technique & Finger Coordination: 114, #’s 1 & 5 in A, E, Ab, Eb
WEEK 8 Begin Chapter V - CHORD INVERSIONS
FURTHER APPLICATION
8. Repertoire: 147, A = as written, quarter min. 120; B = LH blocked, quarter min. 110
FURTHER APPLICATION
8. Repertoire: 147, A = as written, quarter min. 120; B = LH blocked, quarter min. 110.
QUIZ: SKILL 8 - EEB, #62, S & B together. Play RH solo-top voice with LH bass of
accomp. at M.M. = 80.
WEEK 10 EXAM 2 - 30% of course grade. Grades 1-7
REPERTOIRE
2 & 3. Texture 21, 147. For a grade of A = as written, quarter min. 120;
for a grade of B = LH blocked, quarter min. 110.
HARMONIZATION
4. Chordal Accompaniment: SPI 35 #3, add chords in close position where indicated.
READING
5 & 6. Sight Reading; will be provided.
FURTHER APPLICATION
8. Harmonization:
a. 158, Waltz-style accompaniment (or adapted for 4/4 & 2/4).
b. 169, #1-3; Sing numbers or syllables for the melody while playing
the LH accompaniment on the piano. Do not play the melody.
QUIZ: SKILL 9 – Technique & Chord Patterns - Vocal Warm-up, middle of 159
Major Five Finger Patterns Accompanied by I-V6/5-I moving up chromatically without
pause, all keys from any starting point. Play from memory.
WEEK 12 Complete VI & Begin Chapter VII THE SUBDOMINANT CHORD
FURTHER APPLICATION
8. Harmonization: 170, # 4, 5, & 6 (melody RH, bass notes only in LH)
9. Play all of 181, Texture 25, as written.
FURTHER APPLICATION
4. Comping: 188-189, #1 & 3;
a. Use appropriate two-hand accompaniment styles played with melodies provided
on disk (bass note, LH/ RH starting 6/3 - 176 middle).
b. Use correct fingering & keyboard range, 8va basso.
5. Harmonization (melody RH; bass notes LH): 189 #6 & 190 #8.
QUIZ: SKILL 11 - Reading & Repertoire – Play & transpose 177 #35 to all keys. Play RH
as written, LH blocked, quarter MM = 100-120.
WEEK 14 Chapter VII THE SUBDOMINANT CHORD
FURTHER APPLICATION
5. Comping: 188-189, #2 & 4; Use appropriate two-hand accompaniment style.
a. Play the blocked progression (176 middle, RH 6/3) before comping.
b. Play with melodies provided on disk using correct fingering &
keyboard range, 8va basso.
6. Harmonization (melody RH; bass notes only, LH): 191-192, #1 & 2.
QUIZ: SKILL 12 – Theory 155, #1 in Bb & D (LH only, 5-2, 5-2, etc.);
#2 in C, F & G (4 voices: 3 RH, 1 LH), correct fingering, from memory.
WEEK 15 EXAM 3 - 30 % of final grade. Grades 1-8
REPERTOIRE
2. Accompaniment: EEB # 90, measures1-4 repeated (melody will be provided on disk,
quarter note = 60). Block each hand of the accompaniment in half notes, playing in the range
& position where written on the grand staff.
HARMONIZATION
3, 4, 5. 188 #2 in three styles (a, b & c below) all at MM = 80.
a. Melody in RH played 8va; accompaniment in LH, close positions (see top of 176).
b. Comping
(1) Use appropriate two-hand accompaniment style.
(2) Play with melodies provided on disk using correct fingering &
keyboard range, 8va basso.
c. Chorale Style, melody & chords in RH; bass in LH.
READING
6 & 7. Sight Reading: comparable in difficulty to 177-179 will be provided.
ATTENDANCE is required. Grades are lowered 10% upon the 5th absence and an additional
2% for each additional absence, unlimited. Upon the accumulation of 8 hours of absence, a
student may be dropped (WF) by the instructor, for non-attendance. Basically, all absences
beyond the first four are unexcused. Communication via voice mail and/or email is a
necessity. Do not wait until your return if there are circumstances.
MAKE-UPS: 1. No SKILL QUIZZES may be made up for any reason other than an
officially documented University excuse.
2. EXAMS may be made up only at the teacher’s discretion and if allowed,
will carry a 10-point deduction.