admit that I am feeling rather confused about what I do as a 'professional'. I did start reading Paul Harris 'Improve Your Teaching' and already questioned myself about what I do right or not. I did like his 4 P's in teaching (Posture, Pulse, Phonology and Personality) and came to think that we all do it without really noticing. (Footnote?)
Being organized is key to what we do as teachers, and I just
have to be honest and confess that I am not always organized. I do adapt very quickly to situations and can assess what needs to be done in a very short time (talking about my teaching) but this will never replace written evidence. 'Written evidence' came back on a regular basis during lectures, which could range from safeguarding (with Julie Johnson) to Ofsted Teachers' Standards. After our meeting, Mona (Kodama, my mentor) sent me some targets and aims to be achieved this year as a teacher, and obviously strongly suggested to write the minimum down.
After attending the first day in Birmingham, I obviously had
questions about the course itself and how it will fit into my profession because of the academic side of it (essays, modules, assessments, presentations, etc...). I never considered myself as a scholar but see myself as a more practical person: act rather than think. I then realized than acting very often comes from thinking. My teaching does not come out of the blue and I did study (still learning every 'second' I have my instrument in my hands) for a long time. We also had lectures from some of the LMM teaching team covering special aspects of groups teaching/learning and leadership in general to teaching groups. There were all very interactive as everyone had something to share about their own experience.
Anthony did leave me with some frustrations as he left me
(hopefully not only me) with many questions about the learning process (Illeris' learning spiral?). At some point he started telling us about the Threshold Concepts in Music. It was the first time (excluding the first day in Birmingham) I heard of such terms. It would eventually be covered more deeply with Katrina a couple of days later. I still do not quite grasp the meaning of threshold concepts...
My first reaction is to google it as modern technology can have
its pros too. The first result to come up is Werrry's blog, which is one of our reading list suggestion. I guess after reading it, I am hoping to find my own starting points towards writing my threshold concepts in Music, and in particular in Music Teaching.