Scribd Logo
Hochladen

Willkommen bei Scribd!

  • Goodnight Moon Shivaree Basse

    Hochgeladen von

    melfromsatin
    211 Ansichten3 Seiten
    1. The document details the bass lines played by Motown artist James Jamerson across 29 songs from 1961 to 1969, noting the song, album, and year each bass line was recorded. 2. Jamerson's bass lines evolved over this period, starting simply in 1961 but becoming more complex, utilizing syncopation, octave jumps, and melodic phrasing by 1969. 3. The document provides a timeline of Jamerson's bass lines on Motown recordings over an 8 year period, demonstrating his technical skill and influence on pop and funk bass playing in the 1960s and beyond.

    Originalbeschreibung:

    Goodnight Moon Shivaree Basse

    Copyright

    © © All Rights Reserved

    Verfügbare Formate

    PDF, TXT oder online auf Scribd lesen

    Stufen Sie dieses Dokument als nützlich ein?

    Sind diese Inhalte unangemessen?

    Dieses Dokument melden
    1. The document details the bass lines played by Motown artist James Jamerson across 29 songs from 1961 to 1969, noting the song, album, and year each bass line was recorded. 2. Jamerson's bass lines evolved over this period, starting simply in 1961 but becoming more complex, utilizing syncopation, octave jumps, and melodic phrasing by 1969. 3. The document provides a timeline of Jamerson's bass lines on Motown recordings over an 8 year period, demonstrating his technical skill and influence on pop and funk bass playing in the 1960s and beyond.

    Copyright:

    © All Rights Reserved
    Als PDF, TXT herunterladen oder online auf Scribd lesen
    Markieren Sie unangemessene Inhalte
    211 Ansichten3 Seiten

    Goodnight Moon Shivaree Basse

    Hochgeladen von

    melfromsatin
    1. The document details the bass lines played by Motown artist James Jamerson across 29 songs from 1961 to 1969, noting the song, album, and year each bass line was recorded. 2. Jamerson's bass lines evolved over this period, starting simply in 1961 but becoming more complex, utilizing syncopation, octave jumps, and melodic phrasing by 1969. 3. The document provides a timeline of Jamerson's bass lines on Motown recordings over an 8 year period, demonstrating his technical skill and influence on pop and funk bass playing in the 1960s and beyond.

    Copyright:

    © All Rights Reserved
    Als PDF, TXT herunterladen oder online auf Scribd lesen
    Markieren Sie unangemessene Inhalte
    von 3

    1

    \ E . . . . . . . . D E . . . . . . . 5. D
    %\
    Motown Bass
    ) " "

    E . . . . . . . . . . . . . . . . D 9 . E . . . .# . . .
    %
    ) " " "
    . E . . . . # . . . 13 . # . . . E . . . .
    % " " . . . # .
    ) " " "
    . . . . . .
    . . . # . . # . . . . E . . # .
    % .# . .
    17

    " " " "


    ) "
    . .
    . # . . . . . . . .# . . . 25 .
    E " .
    % . # . . # .
    21

    "
    ) " " "
    . E . . . . E . . . . E . . . 29 . # . . . . E . . .
    % " " "
    ) " "
    . # . . . . E . . . 33 . E . . . . # . . . . # . . .
    % " " " "
    ) "
    . . . .
    37 . .
    . E . . . E . E . . . . . . . . . .D
    % " "
    ) "
    . . . . . . 45 . . # . .
    %
    41
    .E. .# . . . E" .# . . .
    " " " "
    )
    . . . . . .
    . . .. . . #
    %.E. .# . . # . . . ." .# . . . E
    49

    " "
    ) " " "
    2
    . . # . . . . . .
    . . . .
    % .# . .# . .# .
    . .
    .# .
    .. E
    53 57

    " " "


    ) " " "
    . E. . . .E .. . .E.
    . . .# . . . . . . .
    E"
    %
    61

    " " " "


    )
    . . . . . . . .
    .# . 65 .
    E . . E . .# . .# . . .
    % " " " "
    ) "
    . .
    . . . . . . . . . . . . . 73
    % . E . E" E" ... .D
    69

    ) "
    . . . . . . . .
    % .E. . # . . . . E ." .# . . # . . E.
    77

    " " " "


    ) "
    . . . .
    %
    . .
    .# . . . . . . . . D . E . . . .# .
    81

    ) " " "


    . . . .
    %. .
    . E " . .# . . . .# . . . . . .# .
    E
    85 89

    " "
    ) " "
    . . . . . . . . . . . D D . E . . 93 . . E. .
    % . ... . "
    ) "
    . . .
    % . . . . . . . .
    .E.
    . . . . ... . . .
    . ..
    97

    ) "
    . .
    . . . 101 . E . . . . # . . . . E . . # .
    105. .
    .# .
    % " "
    ) " " "
    . . . . . . 109. . . . . D
    % E
    . . . . . .
    .# .
    ) " "
    3

    %
    113 117 121 125

    )
    . . . . .
    % ... .D
    129 133 137

    . . . . . . . . . D . . . .
    . . . .
    . D
    %
    141

    )
    . . . . . .
    %. . .
    )

    Das könnte Ihnen auch gefallen