Ave Maria

Based on Prelude in C of The Well-Tempered Clavier by J.S. Bach

Registration:

R.H.: Cornet + Hohl Flute 8' or Rohr Flute 8'

or soft solo reed
L.H.: Flutes 8' & 4'
Pedal: Bourdon 16' + coupled to L.H.

J.S. Bach & Ch. Gounod

Andante Arr.: Yoïn van Spijk

   
R.H. Manual 1

           
Organ                    
     
L.H. Manual 2

   

  

  

  


Pedal
     

   
4

 

           
                  
                
      
     

7
    
   

              

        
                    
  
     

10
       
     

            
                    
          
       

  

     
Yoïn van Spijk 2006
2 Ave Maria

 
      
13

  
 

                                         

           
   

 

  


     

16
          
 

                
           
                    
     

         
19

  

             


  
  
   
                      
   

22       
  


         


 
              

   
      
         
             
   

25
     
      


      
               
     
    
   

  

       

Yoïn van Spijk 2006

 Ave Maria 3

   
28
     
 

          
       
     
         
      
  

       
    
31

 

                  
           
     

                      

  
   
       
34
  


                  

  
         
   

 
   
  

  
  
      

37

  

   
         
   

 
  
       
  
      
    

 
39 rit.

   
       
    

   
  
Yoïn van Spijk 2006