Beruflich Dokumente
Kultur Dokumente
In this track, from the album “Cannonball Adderley’s Fiddler on the Roof”,
Adderley blows on the opening theme from the musical Fiddler on the Roof. He plays
alongside his brother, Nat Adderley, on the cornet, Charles Lloyd on the tenor
saxophone, Joe Zawinul on the piano, Sam Jones on the bass, and Louis Hayes on the
drums. It was recorded in October 1964, and released later that year, through
Capitol Records.
The piece begins with drums and bass, with the tom-tom and bass playing a
rhythm in unison. Cannonball then comes in with the melody while the rhythm
against the melody. The 3 horns and piano then take turns soloing, returning back to
the melody with Cannonball and ending how it started: with the drum and bass beat.
Between each head and solo, the horns play a written interlude.
As I have watched Fiddler on the Roof before, the tune was a very interesting
contrasting layers. I also thought that it was very fascinating that Cannonball would
have a whole album of tunes from the musical, demonstrating that even though they
were jazz musicians, it wasn't all they listened to, and that they could take other
musical styles and make it their own. Additionally, although the chord structure is
very simple, and everyone is basing their solos off of one scale, they all use it
This track comes from the album Dave Digs Disney, which includes jazz
Pinocchio, Snow White and the Seven Dwarfs, and Cinderella. This particular song
comes from Snow White and the Seven Dwarfs. The album features the Dave Brubeck
Quartet, which is consisted of Dave Brubeck on the piano, Paul Desmond on the alto
saxophone, Joe Morello on the drums, and Norman Bates on the bass. It was
The tune begins with Brubeck playing the melody while harmonizing with
block chords. Paul Desmond then takes a solo, while Brubeck and Morello follow
While listening to this track, what really struck me was how connected and