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Theory Literature Bibliography Scales Newsletter Software

Bibliography
Tuning & temperament bibliography A
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Q
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Rasch, Rudolf A. "Ban's intonation", Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis
vol. 33 no. 1-2, 1983, pp. 75-99.
Rasch, Rudolf A. "Perception of melodic and harmonic intonation of two-part musical fragments", Journal of
the Acoustical Society of America vol. 74, 1983, S22. And in Music Perception vol. 2 no. 4, summer 1985,
pp. 441-458.
Rasch, Rudolf A. "Jitter in the singing voice", Proceedings of the Tenth International Congress of Phonetic
Sciences Utrecht 1983, Dordrecht, 1984, pp. 288-292.
Rasch, Rudolf A. "Theory of Helmholtz beat frequencies", Music Perception vol. 1 no. 3, 1984, pp. 308-322.
Rasch, Rudolf A. "Friedrich Suppig and his Labyrinthus Musicus of 1722", The Organ Yearbook vol. 15,
1984, pp. 33-53.
Rasch, Rudolf A. "H.F. Cohen: Quantifying music (1984) (book review)", Tijdschrift van de Vereniging voor
Nederlandse Muziekgeschiedenis vol. 34, 1984, pp. 183-186.
Rasch, Rudolf A. "Jitter in violin tones", Proceedings of the Stockholm Music Acoustics Conference 1983,
vol. 2, Stockholm, 1985, pp. 275-284.
Rasch, Rudolf A. and Vincent Heetvelt. "String inharmonicity and piano tuning", Music Perception vol. 3 no.
2, winter 1985, pp. 171-190. Journal of the Acoustical Society of America vol. 76 no. 1 Suppl., 1984, p. 22.
2, winter 1985, pp. 171-190. Journal of the Acoustical Society of America vol. 76 no. 1 Suppl., 1984, p. 22.
Rasch, Rudolf A. "Relations between multiple divisions of the octave and the traditional tonal system",
Interface vol. 14 no. 1-2, 1985, pp. 75-108.
Rasch, Rudolf A. "Does 'Well-tempered' mean 'Equal-tempered'?", in Williams (ed.), Bach, Händel, Scarlatti
tercentenary Essays, Cambridge University Press, Cambridge, 1985, pp. 293-310.
Rasch, Rudolf A. "Der Zusammenhang zwischen den verschiedenen Unterteilungen der Oktave und dem
herkömmlichen Tonsystem", Mikrotöne I, Edition Helbling, Innsbruck, 1986, pp. 107-116.
Rasch, Rudolf A. "Waarneming van muzikale intervallen met frequentie-verhoudingen van getallen van 6 tot
en met 16", Nederlands Akoestisch Genootschap Publikatie vol. 77, 1985, pp. 32-45.
Rasch, Rudolf A. "Integer Approximation of Musical Scale Frequencies", Interface vol. 15 no. 1, 1986, pp.
25-34.
Rasch, Rudolf A. (ed.) Adriaan Daniël Fokker - Selected musical compositions (1948-1972) with
introduction by Rudolf Rasch. Corpus Microtonale CM 1, Diapason Press, Utrecht, 1987, 217 pages.
Rasch, Rudolf A. "The Composer Simon Stevin, 1548-1620", Liber amicorum Chr. Maas, R.C. Wegman and
E. Vetter (eds.), Amsterdam, 1987, pp. 83-106.
Rasch, Rudolf A. "Eine neue, normierte Notation für mikrotonale Musik: Die Diapason-Notation", Mikrotöne
II, Edition Helbling, Innsbruck, 1988, pp. 41-51.
Rasch, Rudolf A. "The [just intonation] theories of Adriaan Fokker, Part One", 1/1 vol. 4 no. 1, 1988, pp. 4-
7, 14.
Rasch, Rudolf A. "The [just intonation] theories of Adriaan Fokker, Part Two", 1/1 vol. 4 no. 2, 1988, pp. 6,
10-12.
Rasch, Rudolf A. "Farey systems of musical intonation", Contemporary Music Review vol. 2, 1988, pp. 31-
67.
Rasch, Rudolf A. "Adriaan Daniël Fokker (1887-1972): Musicus tricesimoprimalis", Jaarboek van de
Stichting Huygens-Fokker, 1988, Haarlem, pp. 5-17.
Rasch, Rudolf A. "Het kristal van Fokker", Jaarboek van de Stichting Huygens-Fokker, 1988, Haarlem, pp.
19-29.
Rasch, Rudolf A. "Stemmingen en zwevingen (uitgebreid)", Bouwbrief vol. 51, Vereniging Huismuziek,
Utrecht, 1988, pp. 3-9.
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36.
Rasch, Rudolf A. "Analytische Bemerkungen zu einigen mikrotonalen Kompositionen Adriaan Fokkers",
Mikrotöne III, Helbling, Innsbruck, 1990.
Rasch, Rudolf A. "Zuiver en vals", Bouwbrief vol. 56, Vereniging Huismuziek, Utrecht, 1990, pp. 3-7; vol. 57,
1990, pp. 3-4.
Rasch, Rudolf A. Just Notation, raw draft, September 1991.
Rasch, Rudolf A. "Gardner Read: 20th-Century Microtonal Notation (book review)", Perspectives of New
Music vol. 29 no. 1, 1991, pp. 258-262.
Rasch, Rudolf A. "The Greek tones in Pietro della Valle's Oratorio per la Festa della Santissima
Purificatione (1640)", Jaarboek van de Stichting Huygens-Fokker, 1994, Amsterdam, pp. 124-138.
Rasch, Rudolf A. "Harmonischen", Symposium Mathematiek/Muziek Woensdag 3 mei 1995: Naverslag,
Symposiumcommissie A-Eskwadraat, Utrecht, 1995, pp. 29-40.
Rasch, Rudolf A. "Constantijn en Christiaan Huygens' relatie tot de muziek: Overeenkomsten en
verschillen", De Zeventiende Eeuw vol. 12, 1996, pp. 52-63.
Rasch, Rudolf A. "The Musical Circle - from Alfonso to Beethoven", Tijdschrift voor Muziektheorie vol. 2 no.
1 (part I), pp. 1-17, vol. 2 no. 2 (part II), 1997, pp. 110-133.
Rasch, Rudolf A. "The Musical Circle III: Second thoughts and further additions", Tijdschrift voor
Muziektheorie vol. 4 no. 1, February 1999.
Rasch, Rudolf A. "The Musical Circle IV: a general theory", Tijdschrift voor Muziektheorie vol. 4 no. 3,
November 1999.
Rasch, Rudolf A. "The Unification of Tonal Systems, or About the Circle of Fifths", Journal of New Music
Research vol. 29 no. 4, 2000, pp. 319-334.
Rasch, Rudolf A. "A Word or Two on the Tuning of Harry Partch", in Harry Partch: An Anthology of Critical
Perspectives, David Dunn (ed.), Contemporary Music Studies no. 19, Harwood, Amsterdam, 2000.
Rasch, Rudolf A. "Simon Stevin 1548-1620: A scientist dealing with music", Report of the Colloque Musique
et Mathématique aux alentours du XVIe et XVIIe siècles, Louvain-la-Neuve, 2000.
Rasch, Rudolf A. "La méthodologie du tempérament musical à la Renaissance (et après)", Musique et
mathématique à la Renaissance, report colloquium Tours, 2000.
Rasch, Rudolf A. "Tuning and temperament", in The Cambridge history of Western music theory, Thomas
Christensen (ed.), Cambridge University Press, Cambridge, 2001, pp. 193-222.
Rasch, Rudolf A. "On terminology for diatonic, chromatic, and enharmonic keyboards", Schweizer Jahrbuch
für Musikwissenschaft vol. 22, Peter Lang, Bern, 2002, pp. 21-33.
Rasch, Rudolf A. "Why were enharmonic keyboards built? - From Nicola Vicentino (1555) to Michael
Bulyowsky (1699)", Schweizer Jahrbuch für Musikwissenschaft vol. 22, 2002, pp. 35-87.
Rasch, Rudolf A. "De muzikale ruimte", De ruimte, Suzette Haakma and Etienne Lemmens (eds.), Bureau
Studium Generale, Utrecht, 2002, pp. 79-97.
Rasch, Rudolf A. "Schrijven over stemmingen", publication related to the Symposium on Historical Organ
Tunings, Gent, 26 April 2003.
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muziektheorie van de oude Grieken", Bronnen van inspiratie. Recepties van de klassieken in de
vroegmoderne Nederlanden in muziek, literatuur en beeldende kunst, Jan Bloemendal, A. Agnes Sneller,
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zeventiende eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief vol. 23 no. 1, 2007.
Rasch, Rudolf A. "Ross W. Duffin: How Equal Temperament Ruined Harmony (and Why You Should Care)
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(book review)", Performance Practice Review, 2008.
Rasch, Rudolf A. "Simon Stevin and the calculation of equal temperament", Music and mathematics in late
medieval and early modern Europe, Philippe Vendrix (ed.), Brepols, Turnhout, 2008, pp. 253-319.
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