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Targeted Competencies:
Competency 3: To appreciate works of art, traditional artistic objects, media images,
personal productions, and those of classmates
To examine a work of art, traditional artistic object, media images, personal or
media visual arts production for elements of content
To share his/her appreciation experience
To make connections between what he/she has felt and examined
To make a critical or aesthetic judgment
Cross-curricular competencies:
Competency 1 – To use information
Competency 3 – to exercise critical judgement
Competency 5 – to adopt affective work methods
Competency 6 – To use information and communications technologies
Competency 9 – to communicate appropriately
Essential Knowledges:
This lesson focuses solely on competency 3 and the essential knowledges linked to this
competency include developing a visual arts repertoire and a subject-specific visual arts
language. When addressing, critiquing or referring to any artworks, methods, or materials
students should employ the following vocabulary;
Line
Shape
Form
Color
Texture
Space
Value
Pattern
Contrast
Composition
Perspective
Scale
Balance
Targeted Objectives:
Recall an artist involved in the Colourfield painting movement
Identify important dates, facts, or accomplishments of this artists
Choose at least three artworks created by the artists during the movement
Examine chosen artworks using subject-specific vocabulary listed above
Assemble a chronological timeline of knowledge acquired about the artist
including key ideas, their body of work and contribution to Colourfield.
Procedure:
1. Introduction:
I will introduce the lesson by showing students, a video of a Colourfield painting
exhibition held at the Smithsonian of American art, which highlights the key concepts of
the movement, and shows a variety of examples. Additionally, I will show parts from the
Helen Frankenthaler tribute film (the artist, I selected to create a sample timeline with)
that show video of the artists create a painting, in order for them to be able to grasp the
experimental process of Colourfield painting and the experimental techniques that
colourfield artists used.
2. Lesson Activities:
Students will receive the information needed to complete objectives through a
combination of learning styles, visual/audio and oral delivery, this will ensure all students
learning needs are met. As a class we will go over handouts discussing the elements and
principles of design giving visual and verbal examples. Students will also be provided
links to websites with information and examples of the Colourfield movement, where
they may explore as they wish and find different artists and artworks which will help
them discover the artist, they choose for their timeline. Through the viewing of video
clips, explanation of handouts and independent exploration of provided websites students
will obtain the knowledge required to select their own artists, find any more necessary
information and create a timeline.
Additionally, Students will have the opportunity to explore the sample timeline to
familiarize themselves with the sutori tool and the ways in which it can be used to convey
information about their chosen artists.
Students will be given the opportunity to expand on knowledge acquired in class
through independent exploration of their chosen artist to create their timeline. Though the
compilation and arrangement of information students will make critical decisions
regarding what information is the most important and how to convey it in the most clear
and concise way. Additionally, they will select artworks they find to be the most
interesting and give explanations/ critics of them using subject specific vocabulary. This
will hopefully help them develop a strong language they can apply when considering art
movements, methods artists etc. in the future.
Timeline: https://www.sutori.com/story/helen-frankenthaler--
iRwPGkY3rtDcTxQHAM4rnoSg
Reflection:
I think Sutori is easy to navigate, all of the tools for building a timeline are pretty
straight forward, and I think they could easily be utilized by teachers to find creative
ways to present information, or to allow students to explore independently. However, I
don’t think students of all ages could effectively use this tool to build timelines
themselves. It may be difficult for students younger than cycle 3 and even some cycle 3
learners who aren’t as technically adept may find it tricky. Additionally, I think it would
be more interesting if the tool allowed more control over style such as text color and
background, but I do understand that this may complicate it more.
That being said, I don’t think I could see myself using this tool in my own
teaching practice mostly because it’s rare that an art class would take place in a computer
lab or have access to enough computers for all of the students. However, I could see
myself using it as a presentation tool or as I mentioned a tool for students to
independently explore information if the opportunity to use computers in an art classroom
arises.
References
https://www.tate.org.uk/art/art-terms/c/colour-field-painting
Conneticut Women’s Hall of Fame (2014, January 7) Helen Frankenthaler Tribute Film.
http://www.frankenthalerfoundation.org/helen/biography
Ingram C. (2018, October 26) Art Class Curator’s Elements & Principles Printable Pack
Voa News (2008, April 1) Color Field Exhibit. [video file]. Retrieved from
https://www.youtube.com/watch?v=ngYmkcLeOsw
Wolf J. (July 2009) Colourfield Painting Movement Overview and Analysis. Retrieved
from https://www.theartstory.org/movement/color-field-painting/#synopsys_header