Basic 101 - Class1 - Drawing Basics - WetCanvas

Basic 101: Class1 - Drawing Basics - WetCanvas http://www.wetcanvas.com/forums/showthread.php?
t=597681
ArtistsNetwork Artist Daily North Light Shop ArtistsNetwork.TV Artists Network University Art eBooks Artist's Marke
Home Member Services Content Areas Tools Fine Arts Links Info Center WC Partners Shop Help
Channels: Choose ... Search for: in: Choose ...
Welcome to the WetCanvas forums. You are currently viewing our boards as a guest which gives you
limited access to view most discussions, articles and access our other FREE features. By joining our
free community you will have access to post topics, communicate privately with other members (PM),
respond to polls, upload your own photos and access many other special features. Registration is fast,
simple and absolutely free so please, join our community today!
If you have any problems with the registration process or your account login, please visit our help
center.
WetCanvas > Explore Media > Drawing and Sketching > The Classroom User Name Remember Me?
Basic 101: Class1 - Drawing Basics Password
Register
Salute to our Partners
« Previous Thread | Next Thread » Page 1 of 28 1 2
Thread Tools
10-17-2004, 11:25 PM
JayD
A WC! Legend
High Point, NC
Basic 101: Class1 - Drawing Basics
Introduction
Welcome to Basics 101. I have to warn you that these first few sessions will be boring but they will pay off for y
the projects and take advantage of the companion guest lecture series.
Each class will be divided into three sections.:
1. I will present the subject and do a demonstration. You may either follow the demonstration or improvise one
as long as you stay on track for the class.
2.. You will present the result of your class assignment and talk about the process and any problems that you ha
assignment. All members of the class may participate with comments during this phase. Also, at this phase, you
present questions to me, which the class may answer, either I will answer or non-class participants may answer.
3. The Guest Lecture Series—this series can be found at http://www.artgraphica.net/free-art-...ing-basics.htm
1 of 27 5/13/2019, 2:56 AM
Basic 101: Class1 - Drawing Basics - WetCanvas http://www.wetcanvas.com/forums/showthread.php?t=597681
Members of Wet Canvas have volunteered to provide demonstrations pertinent to the class material. I encourag
check out this useful archive. Right now the lectures are only a few but more will be coming so make sure that y
constantly check back for the lecture. If you have something that you might feel will contribute to the lecture se
contact either Gavin (Zarathrustra) or myself by pm and we will tell you how to get set up for the series. One ot
DO the demonstrations that have been posted—you can only benefit from doing them.
NOTE: this is a mechanics class so we are sticking to the bare basics here and we should make an effort to limit
philosophical opinions. Now, on to the class:
Why drawing is important
Drawing is planning. Much of the success of any piece of art depends largely on how well it has been planned. P
is dependent upon drawing and the final look of a finished piece will dictate how piece will look. I remember rea
upon passage in watercolor instructions (Ray Smith for example) and publications like “Watercolor Magic” where
emphasis is placed upon drawing—the idea being that no matter how strong your technical skills are in your cho
you have not rendered a fine initial drawing your piece will look amateurish, unfinished or empty.
This is an arguable point when you look at, say, the works of humorists like James Thurber or Jules Pffeifer who
are less then awe inspiring. However, they have taken their seeming INABILITY to draw and have meshed with t
so that not only is their humor in the words but there is humor in the drawing—the two blend and that is what d
do for you it must blend so that only your intended idea is not distracted by a weak hand, much like a choir with
Sopranos, Altos, Bass and Tenors, your drawing are songs and the drawing and the media technique are the har
produced.
The Masters knew this fact and as Jose Parramon writes “drawing is the mother and the father of all arts”. Draw
been entwined in the traditions of techniques such as painting, architecture, sculpture and even in such visual e
film making. As a woodcarver, I create a three dimensional drawing, turn it into a two dimensional pattern, tran
patter to my block of wood, bandsaw out the the shape and begin, using my gouges to shape the piece. The ent
am carving, I will be REDRAWING or restating the drawing so that my cutting does not throw me off track.
Drawing is the dawn of the artistic process..
2 of 27 5/13/2019, 2:56 AM
Attached Images
3 of 27 5/13/2019, 2:56 AM
__________________
catmandolin.deviantart.com
Last edited by arnoud3272 : 12-16-2009 at 01:09 PM.
10-17-2004, 11:26 PM
JayD
A WC! Legend
High Point, NC
Re: Basic 101:Class1
We now come to Basic 101 which will emphasize breaking the drawing down into its geometric components, cre
harmony and finally a piece that will sing the artist’s song.
A word of caution: there are many different ways to approach this subject and just as many popular books. The
personal philosophical issues regarding drawing that do not mesh with what I am writing. I ask that you put asid
philosophies and just take this class for what it is—a mechanics class to help you to better envision your own pe
approach.
Source material
The textbook that we will be using is How to Draw What You See by Rudy de Reyna.
In preparing this course I have drawing from other sources such as Bert Dobson’s Keys to Drawing, Gene Frank’
Drawing (Walter Foster), Pencil Drawing Techniques edited by David Lewis, Barnes and Nobles’ Drawing: A Step
Guide, Drawing in Pencil by Jose Parramon.
Hence, if I seem to be veering off with courses that you cannot find in the book, rest assured that I am drawing
related sources.
Materials:
1. How to Draw What You See by Rudy de Reyna (This is an optional requirement)
2. A number two office pencil(equivalent to a 2b) or an HB or 2B pencil (the brand does not matter).
3. A sketchpad (the quality of the paper is of not matter at this point, the size should be 8.5 inches by 10 inches
4. A regular eraser. If you have a number two, the eraser on the end of the pencil is fine. I use a Sakura Electric
that is purely a luxury.
5. A kneaded Eraser
6. a blender (q tips, toilet paper, your finger, tortillions or blending stumps)
7. A pencil Sharpener—I use an electric sharpener but that is a matter of preference.
8. A drafting brush—optional but highly recommended.
Your Studio Space:
For the purposes of this course, your studio space is simply where you do your drawing. It can be an elaborate b
4 of 27 5/13/2019, 2:56 AM
comfy specially build room, the corner of a room (like I have) a kitchen table or an outhouse in Whiz Bang, Kent
where you feel comfortable. My personal space is a flat surfaced drawing table with an electrical outlet attached
that I have a portable drafting table that I can remove and put away when I am doing mats or whatever. I have
file cabinet of to one side and on top of that sits my light table. I have a magnifier lamp as as a light source alon
Ott light and, of course three windows which allow natural sunlight to shine through. I have included a photo of
work. Regardless, do not draw on a flat surface as it can distort your perception of your pr object. Try to work w
45-degree angle.
Drawing on a flat as opposed to angled surface is a poor drawing habit. When working on larger papers (over 10
your line of sight will no longer view the entire surface which can in turn lead to a distorted perspective. Even th
problem is minimal with the size of paper that I am suggesting for this class, it will become a problem if you dec
on larger surfaces. It is better to break this habit now then have it crop up as a major problem later. If you are n
drafting table like I like to do and instead are using a drawing board, consider the following tip: place one end o
so that it rests in your lap and rest the other end against a surface like a table. This allows you the benefit of wo
angled surface and offers the back support that you will need to free up your hands.
Lighting:
As I mentioned before, I use several combinations of light sources: an ott light, natural sunlight, and a magnifie
do NOT need everyone of these light sources but you should try to find one that best approximates natural sunli
the combination of lights in positions when combined eliminate the shadows projected from my hand. The ott lig
well and there are also light bulbs that you can pick up at Wal-Mart that also approximate natural sunlight.
If you are left handed, position the light behind your right shoulder. If you are right handed position the source l
your left shoulder.
Attached Images
__________________
10-17-2004, 11:28 PM
5 of 27 5/13/2019, 2:56 AM
JayD
A WC! Legend
High Point, NC
A Word About Pencils:
It is very easy to be wondering aimlessly through a crafts or art store and suddenly stumble across—the tins! Be
pretty boxes and lovely packaging. Most of you are going to discover that, sooner or later, you’re only working w
few while the other members of those pretty tins sleep away like vampires in a coffin. Whenever you can try to
stock”. These are pencils that you can buy individually and you can build your personal stockpile to suit your ow
tastes.
Not all pencils are the same.
There are probably as many types of pencils as there are artists. Every one of us has personal preferences that
offers the best results. I lean toward mechanical pencils, 0.5mm and 0.3mm but I also like Prismacolor sketchin
that are graphite. To me, these offer me the best control. Take your pick and look around. When you go to a sto
storekeepers to let you test pencils to see if you like them. If the stores don’t offer this service look around som
get your friends at Wet Canvas to post some examples before you make a purchase. I have posted some sample
different pencils for you to see.
[Insert Image Here]
The graphite or “lead” pencil is the pencil that is generally used for drawing. Pencils are categorized by their deg
hardness. B through 9B denote softer pencils while H through 9H denote harder leads. F and HB denote more ne
gradations. The softest lead produces the most intense darker values. You can use a 2b, an F or an HB to lay ou
drawing before proceeding but really the choice is entirely yours.
Holding a pencil:
In the following photos, Jennifer demonstrates how a pencil is held for drawing. Not that she also has a drawing
resting against a table as she works on a sketch. Being an ambidextrous family, Jennifer is demonstrating these
the benefit of people who are left as well as right handed.
The first position is called the writing position and is held like you are going to write a letter. This position afford
deal of control and is excellent for detail work.
The second position is called the underhand position or the “cupped” position and is good for doing straight lines
and gesture drawing. This is the position that I favor.
NEVER DRAW FROM YOUR WRIST—ALWAYS TRY TO WORK FROM YOUR ELBOW. Not only does working from you
promote carpel tunnel syndrome but you create “tight” confined drawings.
Keeping your drawing clean:
When drawing with graphite, use a slipcover to protect your clean surface. Take a clean piece of paper and slip i
drawing hand on top of the drawing. This will protect the drawing from being unnecessarily smudged. There are
variations on the theme when it comes to protecting your drawings. Here Jennifer is using typing paper as a slip
she works on her drawing. In the next photo she is using a drafting brush with the bristled pointed toward her. T
serves as a bridge upon which the hand rests. This is the method that I prefer because I have my brush handy t
away erasure marks or any other unwanted particles.
6 of 27 5/13/2019, 2:56 AM
Attached Images
7 of 27 5/13/2019, 2:56 AM
__________________
10-17-2004, 11:29 PM
JayD
A WC! Legend
High Point, NC
More images for this section
8 of 27 5/13/2019, 2:56 AM
Attached Images
9 of 27 5/13/2019, 2:56 AM
__________________
10-17-2004, 11:31 PM
JayD
A WC! Legend
High Point, NC
CLASS ONE: BASIC STRUCTURE OF OBJECTS—STRAIGHT LINES
Paul Cézanne, in writing to a colleague, wrote that all forms in nature are based upon geometric shapes. “Draw
shapes”, he said, “and we will be able to draw or paint what we wish since simple geometric shapes underlie all
Every object, be it you, a Michelin Tire or a tall standing Sequoia has its foundations in geometric shapes: The c
cylinder, the cone, and the sphere. They may not be geometrically perfect and sometimes you have to really loo
them but they are there and if you know what to look for you can build you drawing relying on these basic shap
this fact can allow you to build a drawing with depth and dimension.
The first lessons in this class are the really obvious but let us not pass them by.
1. Drawing Straight Lines
Materials: for this class, the only materials that you will need are a number two pencil (you may sub in an HB or
the standard office pencil will do fine) and a sketchpad of your choosing. DO NOT concern yourself with the qual
paper. Newsprint is just fine. If you want, you could use a legal pad—whatever work for you. Work within your c
and certainly within your budget.
Put away all of your rulers, protractors, rolling rulers and any other tool that might help you to draw a straight li
are sitting on a train or a bus or plane you are not going to be whipping out the old T-Square. Always be prepare
use your standard tools.
It isn’t really THAT hard to draw a straight line. I hear people say all the time “I couldn’t even draw a straight lin
usually a nervous laugh and then there is that look of longing because you know that they long to take a pencil
do what you can do—draw a picture. The funny thing is that anyone can draw. It may not be of a sellable quality
not be exact but anyone can pick up a pencil and draw. Most people who cannot draw have, generally speaking,
themselves that they cannot draw either through their own failed experience or through comments of family and
all know the feeling and we have all been there. When you draw a celebrity and you show it to your mother or a
they say “who’s that?”—Well, you know what I mean.
First, decide how you are going to hold your pencil. There are several ways to hold a pencil. The first is the writi
the second is the under the palm position. Now, practice drawing using these hand positions. Try drawing a serie
squiggles, lines, and circles in order to bring these positions into your comfort zone. When you do these exercise
DRAW FROM YOUR WRIST. WORK EXCLUSIVELY FROM YOUR ELBOW.
(Insert drawings here)
Everyone operates from an angle. It’s a favorite direction for you to draw. Finding the angle that is comfortable
easily draws a straight line. Using the wrist will tighten up your control and will produce a shaky line. Using the
permits more control of the pencil thus producing a smooth flowing line
(Insert drawings here)
1. Start by drawing a straight line across the paper. Now draw these straight lines over and over except each tim
10 of 27 5/13/2019, 2:56 AM
you draw the line, turn the paper and try to draw a horizontal, vertical and a diagonal line. Do this over and ove
you discover an angle which gives you a comfortable feeling straight line.
Do this using the writing position and then do it again using the underhand or cupped position. See if you can no
difference.
2. Take another sheet of paper and this time, again, start dashing off those straight lines as quickly as you can.
NOT turn the paper
Do this using the writing position and then do it again using the underhand or cupped position. See if you can no
difference.
Again, when you make these lines—don’t worry about being careful—this is an exercise—fire them out as rapidly
can—try to get them straight but don’t worry if you do not—worry about taxes and death—don’t worry about ge
straight line down the first time. That is what practice is for. Which brings me to another point: PRACTICE PRACT
PRACTICE!!! Make time to do these exercises and you will create improvement in yourself.
Well, this is the end of class 1. I told you this was a basic course but don’t laugh just yet because it will get prog
difficult as we move through the 30 weeks.
Thank you for joining us.
Class Assignment: Read the chapter Eye Level: Foundation of Perspective. If you have already read it great! Tak
the picture you did for the pre class exercise and see if you can not anything about the perspective of the piece
locate where you think the vanishing point occurs. If you have questions, contact me.
11 of 27 5/13/2019, 2:56 AM
Attached Images
__________________
10-18-2004, 11:27 AM
12 of 27 5/13/2019, 2:56 AM
JayD
A WC! Legend
High Point, NC
I have been weirdly down all morning and I have been very limited with my posting so please excuse my tardine
There is a thread called the "weekly drawing thread" which features a chair--it is a classic example of straight lin
If you have the time, download the image and try doing the chair. This will be good practice for straight lines. Al
sure you do that boring repetitive staight line exercises. for fun, try both your left and right hand--you will be ve
at how well you can draw either way but also make ABSOLUTELY sure that you are working from your elbow and
wrist. That is where many people have trouble with straight lines. It is not a matter of whether or not you can a
the line--it is a matter of whether or not you can CONTROL the hand that is doing the drawing--that is the key.
__________________
10-19-2004, 10:47 AM
JayD
A WC! Legend
High Point, NC
Rui, take a look at the course curriculum in the Basics FAQ thread and you will see that we will be covering thos
subjects. Just sit tight, my friend. We taking this one step at a time. Keep working on those straight lines.. You a
need them later on.
GUYS, I SENSE RESTLESSNESS IN THE CLASS--PLEASE BE PATIENT FOR THOSE OF YOU WHO ARE EXPERIENCE
REAL BEGINNERS IN THIS CLASS AND WE WANT TO MOVE AT A PACE THAT WE CAN ALL FOLLOW TOGETHER. J
ON THE EXCERCISE THIS WEEK AND RELAX AND ENJOY YOURSELVES BECAUSE IT WILL START GETTING HARD
WEEK AND GET PROGRESSIVELY HARDER AS WE GO ALONG SO PLEASE BE PATIENT.
NOW, I HAVE A CLASS ASSIGMENT: PART !Draw some circles--at least 20 of them of difference sizes and then fi
with staight lines. Create a three dimensional look by varying the distance between the straight lines. Do not us
blending techniques but try to approximate as close as you can a three dimensional sphere.
PART 2--Take your chosen subject and recreate the picture using ONLY straight lines like you did with the sphere
results of BOTH drawings.
I have sketched out a ROUGH idea of where I want you to go with the spheres. Pardon the hurriedness of this--y
definitely do better. Take your time and get them both to me at your pace--AGAIN, THE PURPOSE OF THIS IS TO
YOUR STRAIGHT LINES.
13 of 27 5/13/2019, 2:56 AM
Attached Images
__________________
10-19-2004, 12:16 PM
OzonaLori
Enthusiast
Somewhere in Oz (Florida, that is)
Jay, first let me say that I am really amazed at the work you have done, both to get everything for the class rea
all of your sharing and commenting! What an awesome responsibility, and you have definitely risen to the occas
I worked on Stoy's weekly drawing assignment, using the "rules" that you asked us to follow. The hardest one fo
to stick to using just one pencil. I felt really restricted in trying to get all the values I wanted out of just one pen
like to mix things up a lot normally (graphite, charcoal, Conte, etc).
This is rather painful for me, but probably good medicine for my drawing skills. I generally shy away from anyth
reveals my lack of expertise as it isn't *fun* to work on the things that we don't like or are hard for us, right??!
expose all my flaws- who likes doing that?! I am finding this a humbling experience, going back to the basics. I
of drawing subjects that are extremely linear (especially ones with lots of straight lines), and I run away from pe
issues (run and hide!!!!), so I know that this will help me, but it is hard to post work that I am not a little proud
goes my chair. I absolutely hate it, and here I am posting it as my pre-class assignment, because I know I can d
with it later. The proportions are off and the shadow on the right side of the chair is all wrong, but I was tired wi
make it right. For those who haven't tried the weekly drawing assignments, here is a link to the current one:
14 of 27 5/13/2019, 2:56 AM
http://www.wetcanvas.com/forums/showthread.php?t=223783
I am really enjoying seeing all of the pre-class work postings. Just think- we'll all be even better if we can stick w
class to the end!
15 of 27 5/13/2019, 2:56 AM
Attached Images
16 of 27 5/13/2019, 2:56 AM
__________________
Lori
My "Art Addict" blog: http://pencildrawingandhowtodraw.blogspot.com
10-19-2004, 01:32 PM
JayD
A WC! Legend
High Point, NC
To start with this weeks assignments are:SEE MY COMMENTS IN ALL CAPS
1. Post our pre-class "intimidating subject" attempt. YES
2. Practice drawing straight lines from the elbow, not the wrist. YES, YOUR WRIST WILL THANK YOU LATER AND
TENNIS GAME WILL IMPROVE.
3. Draw 20 different sizes of circles and shade using only straight lines. (can the lines go in different directions o
post results--ANYWAY YOU WANT--HINT: CONSIDER WICKER FOR EXAMPLE--JUST MAKE SURE YOU END UP WIT
SPHERE
4. Read the chapter on perspective lines (if we have the book)--PLEASE BUT THIS IS OPTIONAL
5. Draw the chair from the weekly drawing thread (Is this to be done as a straight line drawing, or just draw it t
for perspective?) post results--CHAIR IS OPTIONAL BUT PRACTICE MAKES PERFECT.
6. Find the vanishing point(s), eye level line, perspective lines etc. on our original drawing. (do you want this po
CAN SAVE THIS UNTIL THE SECOND CLASS IF YOU WISH SINCE IT IS MAINLY PREPARTORY FOR THE CLASS ON
AND PERSPECTIVE.
7. Redraw our pre-class drawing using lines (do you want this to be reducing the subject into basic straight-line
you want curved lines, cross hatching etc... basically redraw with no blending?) post results--REDRAW USING TH
TECHNIQUES THAT YOU USED ON THE SPHERE--THE SPHERS ARE A PRACTICE RUN FOR THIS FINAL WEEKLY A
__________________
10-19-2004, 02:55 PM
JayD
A WC! Legend
High Point, NC
No, this is it for the week--I added the other assignments to avert the boredom factor for the speed demons in o
Note from the Editor: This thread continues with the recent posts. The older posts can be found in this closed th
http://wetcanvas.com/forums/showthread.php?t=594206
17 of 27 5/13/2019, 2:56 AM
__________________
Last edited by arnoud3272 : 12-16-2009 at 01:30 PM.
07-30-2014, 09:52 AM
Sarosna
Senior Member
Re: Basic 101: Class1 - Drawing Basics
Allrighty, finished the assignments for this class. Didn't redo my landscape though. I'm also studying a drawing
from the library so I'm dropping a few images off here and there to save time (WTB 48 hour days) and just try t
the ones I feel teach me the most. So here are my lines, spheres and the almighty evil chair. Not too happy with
spheres, could've concentrated more on the shading.
18 of 27 5/13/2019, 2:56 AM
19 of 27 5/13/2019, 2:56 AM
__________________
My DeviantArt and Facebook
07-30-2014, 12:53 PM
arnoud3272
Moderator
A village near Antwerp
Well done, Minna .
20 of 27 5/13/2019, 2:56 AM
Please move on to class 2 .

__________________
Arnoud
C&C welcome.
Moderator Drawing and Sketching Forum Guide for D&S Classroom
08-09-2014, 12:57 PM
klung
New Member
Hello fellow students
here are my assignments - sorry for the quality of lines - for whatever reason couldn't get them right even with
correction in irfanview.
21 of 27 5/13/2019, 2:56 AM
Attached Images
22 of 27 5/13/2019, 2:56 AM
Last edited by klung : 08-09-2014 at 12:59 PM.
08-09-2014, 02:33 PM
arnoud3272
Moderator
A village near Antwerp
Well done, Mike .

Very good job on the chair.
Please move on to class 2 .
__________________
Arnoud
C&C welcome.
Moderator Drawing and Sketching Forum Guide for D&S Classroom
08-18-2014, 01:25 PM
meadowsweetmom
Member
Here are my Assignment 1 drawings. I found the underhand grip very comfortable and it makes my hand more
I do all the assignments? I'm not sure I understand the task of redoing the chosen subject using only straight lin
that mean to draw my tree in straight lines?
Also, I have not seen comments by class members on one anothers' work. Is that welcome and if so where wou
happen?
23 of 27 5/13/2019, 2:56 AM
24 of 27 5/13/2019, 2:56 AM
25 of 27 5/13/2019, 2:56 AM
Page 1 of 28 1 2
« Previous Thread | Next Thread »
26 of 27 5/13/2019, 2:56 AM
Posting Rules
You may not post new threads

You may not post replies
You may not post attachments
You may not edit your posts
vB code is On
Smilies are On
[IMG] code is On Forum Jump
HTML code is Off
All times are GMT -4. The time now is 02:13 PM.
Contact Us - WetCanvas - Archive - Top
© 2014 F+W All rights reserved.
27 of 27 5/13/2019, 2:56 AM

Basic 101 - Class1 - Drawing Basics - WetCanvas

Hochgeladen von

Dokumentinformationen

Originaltitel

Copyright

Verfügbare Formate

Dieses Dokument teilen

Dokument teilen oder einbetten

Freigabeoptionen

Stufen Sie dieses Dokument als nützlich ein?

Sind diese Inhalte unangemessen?

Copyright:

Verfügbare Formate

Basic 101 - Class1 - Drawing Basics - WetCanvas

Hochgeladen von

Copyright:

Verfügbare Formate

Basic 101: Class1 - Drawing Basics - WetCanvas http://www.wetcanvas.com/forums/showthread.php?

Channels: Choose ... Search for: in: Choose ...

Salute to our Partners

« Previous Thread | Next Thread » Page 1 of 28 1 2

Basic 101: Class1 - Drawing Basics

Each class will be divided into three sections.:

3. The Guest Lecture Series—this series can be found at http://www.artgraphica.net/free-art-...ing-basics.htm

Why drawing is important

Drawing is the dawn of the artistic process..

Last edited by arnoud3272 : 12-16-2009 at 01:09 PM.

Re: Basic 101:Class1

6. a blender (q tips, toilet paper, your finger, tortillions or blending stumps)

7. A pencil Sharpener—I use an electric sharpener but that is a matter of preference.

8. A drafting brush—optional but highly recommended.

Your Studio Space:

Re: Basic 101:Class1

A Word About Pencils:

Not all pencils are the same.

[Insert Image Here]

Keeping your drawing clean:

Re: Basic 101:Class1

More images for this section

Re: Basic 101:Class1

CLASS ONE: BASIC STRUCTURE OF OBJECTS—STRAIGHT LINES

1. Drawing Straight Lines

(Insert drawings here)

(Insert drawings here)

Thank you for joining us.

Re: Basic 101:Class1

Re: Basic 101:Class1

Re: Basic 101:Class1

Re: Basic 101:Class1

To start with this weeks assignments are:SEE MY COMMENTS IN ALL CAPS

1. Post our pre-class "intimidating subject" attempt. YES

Re: Basic 101:Class1

Last edited by arnoud3272 : 12-16-2009 at 01:30 PM.

Re: Basic 101: Class1 - Drawing Basics

My DeviantArt and Facebook

Re: Basic 101: Class1 - Drawing Basics

Well done, Minna .

Please move on to class 2 .

Moderator Drawing and Sketching Forum Guide for D&S Classroom

Re: Basic 101: Class1 - Drawing Basics

Hello fellow students

Last edited by klung : 08-09-2014 at 12:59 PM.

Re: Basic 101: Class1 - Drawing Basics

Well done, Mike .

Moderator Drawing and Sketching Forum Guide for D&S Classroom

Re: Basic 101: Class1 - Drawing Basics

« Previous Thread | Next Thread »

You may not post new threads

Contact Us - WetCanvas - Archive - Top

© 2014 F+W All rights reserved.

Das könnte Ihnen auch gefallen