Proposal

“Forget It”

Concept Ideas
I had the idea of someone neglecting their group of friends, I wanted to this
idea because of how the millennial generation berates the Gen Z for
spending way too much time on their computer and really gets them to think
about it. I would then have the character HAVE HIS COMPUTER BREAK, AND
HE REALISES HOW BAD HE HAS NEGLECTED HIS FRIENDS AND

Full Concept
He sits at his computer, like he does most days. He receives a text from his
friends, asking for him to come around. He stares at his computer longingly,
thinking about the work he is doing, he places his phone face down on the
desk, the song would begin to get back to work as a short hour passed in a
time lapse.

As this the first chorus of the song rolls in, the group of friends would look visibly
angry, and starts texting him to "never speak to us again". His exemptions
spiral out of control the next day, as his peers and other friends in school start
distancing themselves from him. this would all happen usually in the second
verse.

Next chorus would have him in the woods taking his anger out on trees, the
ground and himself, as he slowly loses his mind. he would begin to stalk his ex-
friends, as they already have a replacement for him, he would lose it
completely. as the song closes to the end he would come home, turn off his
computer and sleep.

Why are you producing this production?

I am producing a music video because I want to create an emotional
connection between the character and the audience.

The emotional discourse that I plan to create with is music video must come
over as believable and also effective enough to provoke a reaction from the
audience, the emotional aspect is the main reason why I’m making this music
video. In previous Projects, I have been prioritising how the film looks, the
effects, the story, the editing, but I haven’t been considering what the
audience think and how they would react to certain situation. The
Phycological genre is probably the best way to mess with your audience,
and by doing this, I can correctly establish an emotional connect with my
audience while still interpreting all of y other visual aspects
 Proposal

Deadline
22nd Final Deadline

Target audience is
25-30 Year Olds

What they want to see

From the research gathered, my target audience likes to see things from their
prime, such as music or objects that would make them reminisce, while also
relating to my genre. What they also want to see is something they can relate
to.

What I have planned, is that my character will relate to my target audience

in the most convenient way possible, having a similar lifestyle to theirs, I have
planned that both of my production will feature two people with completely
opposite lives, but someone how still relate to my target audience.

What you are creating based from that research

I’ve always wanted to focus on atmosphere and emotion, the research. Had
done was fr the object and hobbies that my target audience used to /
currently does. In order to get their psychological trust, I want to litter my set
with things from their childhood to make then click with the mood of the
scene.

The research I have gathered tells me specifically what they had back in my
target audience teenage / childhood years, I could add these objects to my
mise-en-scene to

Where the production will be aired (why – based on target audience)

This production will be Aired on YouTube because it is the most easily

accessible by my target audience, and is also. Vastly used by my chosen
demographic.
 Proposal

Shooting Script

Description of visuals Lyrics

[EXT - CAMPUS]

GROUP are standing in college;

they are messing around and
[Starting iNTRO]
generally just hanging out. One
of them notices ALEX is not
there and goes to text him

[int – ROOM] – PANNING SHOT

ALEX is sitting in his room on
his computer, working. And
drinking coffee. He receives a
text from THE GROUP asking him
to come over.
When you were here before
Couldn't look you in the eye
You're just like an angel
Your skin makes me cry

ALEX would pick up his phone to

read the text and would put it You float like a feather
screen down on his table. [CLOSE In a beautiful world
UP ON PHONE] And I wish I was special
You're so fuckin' special

Small TIME-LAPSE of him on his

computer as the chorus plays.
Nearing the end, a text would
But I'm a creep, I'm a weirdo.
come through from The Group
What the hell am I doing here?
saying “Don't Bother [CLOSE UP
I don't belong here.
ON PHONE]

[EXT – CAMPUS]
 Proposal

ALEX is outside sitting on a I don't care if it hurts

brick wall. I want to have control

ALEX grabs his phone again to

look at the text from last
night. ALEX grasps his cell-
phone and stares at it
momentarily, [CLOSE UP ON PHONE]
until ALEX puts it back in his
pocket
I want a perfect body
I want a perfect soul
I want you to notice
When I'm not around

He would turn to his left to

find THE GROUP hanging out with
a new friend.
ALEX would get up, to follow
them, he would make it fairly
obvious by the speed he is
walking. THE GRROUP would turn
around stare him down, and laugh
before quickly walking off.
You're so fuckin' special
I wish I was special
But I'm a creep, I'm a weirdo.
What the hell am I doing here?
I don't belong here.
She's running out again,
She's running out
She's run run run run

[TRANSITION]
[EXT – THE WOODS]
ALEX runs into the woods,
throwing his bag, hoodie and
lanyard off him in a fit of rage
and jealousy. Whatever makes you happy
Whatever you want
ALEX gets a broken chair he You're so fuckin' special
finds and aggressively throws it I wish I was special
at a tree, then punches said
tree very hard, hurting his
hand. As the song comes to an
end, ALEX would turn his back on
But I'm a creep, I'm a weirdo,
the tree, lean on it and slowly
What the hell am I doing here?
sink the floor with his head in
I don't belong here.
his arms. I don't belong here.

Production Schedule
 Proposal

Date Plan of action Evaluation / behind the

Week beginning scenes
7th Oct Planning Week 1: Catch-Up
 Baseline
Preproduction
 Extra planning:
Schedule,
Proposal
8th Oct  Shooting Script Catch-Up
 Organising
Auditions2
9th Oct  Storyboard Catch-Up

10th Oct  Location Recces Catch-Up

and Catch up
 Auditions
 Location
Research
11th Oct  Crew list Catch-Up – WEEKLY
 Props List BLOG
12th oct Catch-Up Weekend Catch-Up

13th Oct Catch-Up Weekend GET EVERYTHING

DONE BY THE 13th