SET-4

Series SGN H$moS> Z§.

Code No. 79
amob Z§. narjmWu H$moS >H$mo CÎma-nwpñVH$m Ho$ _wI-n¥ð >na
Roll No. Adí` {bIo§ &
Candidates must write the Code on the
title page of the answer-book.

 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _o§ _w{ÐV n¥ð> 3 h¢ &

 àíZ-nÌ _| Xm{hZo hmW H$s Amoa {XE JE H$moS >Zå~a H$mo N>mÌ CÎma-nwpñVH$m Ho$ _wI-n¥ð> na {bI| &
 H¥$n`m Om±M H$a b| {H$ Bg àíZ-nÌ _| 8 àíZ h¢ &
 H¥$n`m àíZ H$m CÎma {bIZm ewê$ H$aZo go nhbo, àíZ H$m H«$_m§H$ Adí` {bI| &
 Bg àíZ-nÌ H$mo n‹T>Zo Ho$ {bE 15 {_ZQ >H$m g_` {X`m J`m h¡ & àíZ-nÌ H$m {dVaU nydm©• _|
10.15 ~Oo {H$`m OmEJm & 10.15 ~Oo go 10.30 ~Oo VH$ N>mÌ Ho$db àíZ-nÌ H$mo n‹T>|Jo Am¡a
Bg Ad{Y Ho$ Xm¡amZ do CÎma-nwpñVH$m na H$moB© CÎma Zht {bI|Jo &
 Please check that this question paper contains 3 printed pages.
 Code number given on the right hand side of the question paper should be
written on the title page of the answer-book by the candidate.
 Please check that this question paper contains 8 questions.
 Please write down the Serial Number of the question before
attempting it.
 15 minute time has been allotted to read this question paper. The question
paper will be distributed at 10.15 a.m. From 10.15 a.m. to 10.30 a.m., the
students will read the question paper only and will not write any answer on
the answer-book during this period.

{hÝXþñVmZr g§JrV (Jm`Z)

(g¡ÕmpÝVH$)
HINDUSTANI MUSIC (Vocal)
(Theory)

{ZYm©[aV g_` : 3 KÊQ>o A{YH$V_ A§H$ : 30

Time allowed : 3 hours Maximum Marks : 30

79 1 P.T.O.
{ZX}e :
(i) {H$Ýht nm±M àíZm| Ho$ CÎma Xr{OE &
(ii) g^r àíZm| Ho$ A§H$ g_mZ h¢ &
Instructions :
(i) Attempt any five questions.
(ii) All questions carry equal marks.

1. AmYw{ZH$ H$mb _| àM{bV {H$gr EH$ amJ dJuH$aU nÕ{V H$m dU©Z H$s{OE & 6
Describe any one system of classification of Ragas as prevalent in the
modern period.

2. amJ ~mJoídar H$m dU©Z H$s{OE VWm bJ^J 25 – 30 ñdam| _| CgHo$ amJ {dñVma ^r
{b{IE & 6
Describe the Raga Bageshwari alongwith its elaboration in about
25 – 30 swaras.

3. AnZo nmR>çH«$_ _| gpå_{bV {H$gr àmV:H$mbrZ amJ _| EH$ ÐþV »`mb H$mo ñda{b{n g{hV
{b{IE & 6
Write one drut khyal with notation in any morning raga included in your
course of study.

4. n§. H¥$îUamd e§H$a n§{S>V AWdm CñVmX AãXþb H$ar_ Im± Ûmam ^maVr` emñÌr` g§JrV Ho$
à{V {H$E JE `moJXmZ Ho$ ~mao _| {b{IE & 6
Write the contribution of Pt. Krishnarao Shankar Pandit or Ustad Abdul
Karim Khan towards Indian Classical Music.

5. {ZåZ{b{IV _| go {H$Ýht VrZ H$s n[a^mfmE± {b{IE : 6

J«m_, _yÀN>©Zm, VmZ, Ab§H$ma, dU©

Write the definitions of any three of the following :
Gram, Murchhana, Tana, Alankar, Varna
79 2
6. ‘g§JrV nm[aOmV’ J«ÝW H$m g§{jßV n[aM` Xr{OE & 6
Give a short introduction to the book, ‘Sangeet Parijat’.

7. {ZåZ{b{IV amJm| H$mo nhMm{ZE Am¡a CZHo$ dmXr-gådmXr VWm WmQ> Xmo VmZm| g{hV {b{IE : 6
(i) J _ Y Y n
(ii) Zr Y n, _ n J
Recognise the following ragas and write their Vadi-Samvadi and Thata
alongwith two taans :

(i) Ga Ma Dha Dha Pa

(ii) Ni Dha Pa, Ma Pa Ga

8. PnVmb AWdm ê$nH$ Vmb H$m {ddaU VWm CgH$s XþJwZ {b{IE & 6

Write a description and dugun of Jhaptal or Rupak Tala.

79 3 P.T.O.
62,500