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~ FULL SCORE CONCERT BAND O THEMES FROM 0077— Arranged by ROBERT W. LOWDEN pen. GOLDFINGER ¢ FROM RUSSIA WITH LOVE DIAMONDS ARE FOREVER * NOBODY DOES IT BETTER FOR YOUR EYES ONLY ¢ LIVE AND LET DIE JAMES BOND THEME Instrumentation 3~drd Bb Comet 41st Bb Clerinet 2—3rd Trombone 42nd Bb Clorinet ‘2—Baritone (Bass Clef) 4—Sed Bb Cerinet 2--Baritone (Treble Clef) 2—Eb Alto Clarinet 5—Bosses (Tubes) 2—Bb Boss Clarinet 1—String Boss 1=Ist Bassoon 1 —Bectrc Boss (optional) 12nd Bossoon 1 —Electrie Guitar (optional) 2—1st Bb Alto Soxophone 2—Porcusson | 2—2nd Eb Alto Saxophone (impori, Triangle) 1—Bb Tenor Soxophone ‘3—Pereussion i 1—Eb Baritone Saxophone (Chimes, Bells, Marimba 3—1st Bb Comet Vibes, Xylophone, Combe) 32nd Bb Cornet 1—Drum Set F.G.Be GaARrren eacHzeTRarion mmc. COMPLETE BAND (including Full Score) son pscusso ee) Echene United Artists Music os Angeles / Nail / New Yor tet hrats NOTES FOR PERFORMANCE ‘An Adagio non molto free section opens this arrangement of seven of the most popular themes from the James Bond films, ‘The tempo starts at bar 13 leading into GOLDFINGER. The melody is played very legato and warm by the horns, lower brass, and woodwinds. The upper woodwinds have a counter figure which is followed by the full band at bar 23. FROM RUSSIA WITH LOVE at bar 41 is played in a mysterious manner by the clarinets, saxophones, and marimba. Watch the poco rit. at bar 57 which goes into the glittering introduction (61) of DIAMONDS ARE FOREVER. The first alto saxophone solo at bar 67 is to be played with much feeling. At bar 85, the lower brass and woodwinds are very powerful, while the higher woodwind counter melody and cornet rhythmic figures lead to a poco ri followed by a Freely section, NOBODY DOES IT BETTER starts at bar 98 and is a showcase for the saxophone sec- tion. This should be played in a “bluesy”” 12/8 feel, that moves to the entrance of the full band at bar 106. At this point the first chair cornet changes to flugelhor (if possible) to be ready for the solo at bar 115. FOR YOUR EYES ONLY opens with a flugelhorn solo followed by the full band at bar 127 and rounded out by the return of the solo at bar 136. The baritone horn solo (cued in the tenor saxophone) featured in LIVE AND LET DIE is effectively introduced by a four measure interlude at bar 139 marked Slowly (J = 64), ‘The baritone solo leads into an exciting double time section (J = 4) at bar 155, which ends at the fermata—bar 170. The familiar JAMES BOND THEME begins at bar 175 in the low brass, and concludes with a powerful and exciting tutti climax featuring the entire band, Please watch all dynamics, accents, and tempo indications in this interesting program piece. R.W.L. Ebctainet Bh chainete Bb Alto Charnes 1B Bae Clarinets Basseoas saonhtes fy Bains ‘Sovopnt sp String Bass Pazcaian “Fp ge Pexcnaan I Sete Spare, Cota Dron Set ADAGIO NON MOLTO FREELY ADAGIO NON MOLI FREELY THEMES FROM 007 Arran by ‘ROBERT W. LOWDEN wooerarety (4-96) C7 Bass cl, [B ctnncer atta Sas Bens. te sane fi == men, S* += Basses FFE = £ SS St bes ESE Sr Pere. 15 10 mune [ Pe ih oh wa, Pere ram at Perel Grreevy Pie. 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