Escala locriana

mayor

Major Locrian en C Play ( ayuda · información ) .  

En música, la escala locriana mayor ,

también llamada escala mayor locriana , es
la escala obtenida al agudizar las notas
segunda y tercera del modo diacrónico
locriano . Con un tónico de C, consta de
las notas CDEFG ♭ A ♭ B ♭ . Puede ser
descrito como una escala de tono entero
que se extiende desde G ♭ a E, con F
introdujo dentro de la tercera disminuida
intervalo de E a G ♭ . Por lo tanto, la escala
comparte con el modo locriano la
propiedad de tener un quinto disminuido
por encima del tónico.

También puede ser la escala menor

natural o el modo Eólico con intervalos de
quinto elevado y quinto reducido .
También puede derivarse de la escala
dominante frigia, pero esta vez, la segunda
es mayor, mientras que la quinta está
disminuida.

En Inglés, la escala de Arabia puede

referirse a lo que se conoce como la
escala Locrian importante. [1] Una versión
de la escala locriana principal figura en el
modo 3 en la traducción francesa del
tratado de Safi Al-Din , Kitab Al-Adwar .
Esta era una versión pitagórica de la
escala.
Aside from this Arabic version, interest in
the major Locrian is a phenomenon of the
twentieth century, but the scale is
definable in any meantone system. It is
notable as one of the five proper seven-
note scales in equal temperament, and as
strictly proper in any meantone tuning with
fifths flatter than 700 cents. If we take the
tonic in the scale given above to be G♭
rather than C, we obtain the leading whole-
tone scale, which with a tonic on C is C–
D–E–F♯–G♯–A♯–B; this can equally well
be characterized as one of the five proper
seven-note scales of equal temperament.
The major Locrian scale is the 5th mode of
the Neapolitan major scale, which may be
used in conjunction with the Neapolitan
chord, but is not limited to it. This scale is
also known as melodic minor ♭2.[2] Its
modes and corresponding seventh chords
are:

1. Neapolitan major; CmM7 (add ♭9, 11,

and 13) (Dorian mode with major
seventh and minor second)
2. leading whole-tone; D♭M7♯5 (add 9,
♯11, and ♯13) (Phrygian mode with
major sixth and diminished unison)
 (whole-tone scale plus major
seventh)
3. Lydian dominant augmented; E♭7♯5
(add 9, ♯11, and 13) (Lydian mode
with augmented fifth and minor
seventh) (whole-tone scale plus
major sixth)
4. Lydian minor; F7 (add 9, ♯11, and ♭13)
(Mixolydian mode with augmented
fourth and minor sixth) (whole-tone
scale plus natural fifth)
5. major Locrian; G7♭5 (add 9, 11, and
♭13) (Aeolian mode with major third
 and diminished fifth) (whole-tone
scale plus natural fourth)
6. altered dominant major 2nd; Am7♭5
(add 9, ♭11, and ♭13) (Locrian mode
with major second and diminished
fourth) (whole-tone scale plus minor
third)
7. altered dominant diminished 3rd; B7♭5
(add ♭9, ♮9, and ♭13) (Ionian mode
with minor third and augmented
unison) (whole-tone scale plus ♭9)

La escala locriana mayor tiene solo dos

quintos perfectos , pero en cierto sentido
tiene un ciclo completo de tercios si uno
está dispuesto a contar un tercio
disminuido como un tercio: cuatro tercios
mayores, dos tercios menores y un tercio
disminuido que forman dos octavas. En un
temperamento igual a 12, el tercio
disminuido es enarmónicamente
equivalente a un segundo mayor, pero en
otros sistemas significa que es más
amplio y más parecido a un tercio.

La principal Locrian en 12
temperamento igual
Howard Hanson in his Harmonic Materials
of Modern Music devotes several pages to
the major Locrian,[3] or more precisely to
its transpositional set class, a concept
Hanson pioneered. He names this
transpositional class the seven-tone
impure major second scale, and notes that
the various modes of the major Locrian
can all be defined as the whole tone scale
with one additional note, and where that
note occurs does not affect the
transpositional class. He also notes that
the scale has the property that every three-
note chord possible in the twelve tone
chromatic scale already appears in the
major Locrian.

Examples are given of the use of this scale

by Claude Debussy in his opera Pelléas et
Mélisande and Alban Berg in his song
"Nacht".

Referencias
1. Christiansen, Mike (2003). Mel Bay
Complete Guitar Scale Dictionary,
p.41. ISBN 0-7866-6994-2.
2. "Neapolitan Scale and Its Modes ",
GNU Solfege 3.22 user's manual.
 3. Hanson, Howard (1960). Harmonic
Materials of Modern Music,. Appleton-
Century-Crofts. ISBN 978-0891972075.

Para leer más

Hewitt, Michael (2013). Musical Scales
of the World. The Note Tree. ISBN 978-
0957547001.
d'Erlanger, Rodolfe (1938). La Musique
Arab, vol. 3,. Librarie Orientaliste Paul
Geunther.
Persichetti, Vincent (1961). Twentieth-
Century Harmony, W. W. Norton and co.
 ISBN 978-
0393095395/ISBN 9780571112166.

Enlaces externos
Major Locrian Scale - Analysis

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