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The Afghan Box Camera Project
preserves a record of the ‘kamrae-
faoree’, or instant wooden
box camera, which as a living
form of photography is on
the brink of disappearing in
Afghanistan. Led by Austrian
artist Lukas Birk and Irish
ethnographer Sean Foley the
project captures a unique and
previously unknown culture
of photography. A wide range
of project material is freely
available online. A book will be
published in the autum of 2013.
The Afghan Box Camera Project
preserves a record of the ‘kamrae-
faoree’, or instant wooden
box camera, which as a living
form of photography is on
the brink of disappearing in
Afghanistan. Led by Austrian
artist Lukas Birk and Irish
ethnographer Sean Foley the
project captures a unique and
previously unknown culture
of photography. A wide range
of project material is freely
available online. A book will be
published in the autum of 2013.
The Afghan Box Camera Project
preserves a record of the ‘kamrae-
faoree’, or instant wooden
box camera, which as a living
form of photography is on
the brink of disappearing in
Afghanistan. Led by Austrian
artist Lukas Birk and Irish
ethnographer Sean Foley the
project captures a unique and
previously unknown culture
of photography. A wide range
of project material is freely
available online. A book will be
published in the autum of 2013.
Afghan Box Camera documents a living form of pho- tography on the brink of disappearing in Afghanistan, one of the last places on earth where photographers have continued to use a simple type of instant camera called the kamra-e-faoree (‘instant camera’) for means of making a living. The hand-made wooden camera is both camera and darkroom in one and generations of Afghans have had their portraits taken with it, usually for identity photographs. At one stage it was even out- lawed when former rulers of Afghanistan, the Taliban, banned photography, forcing photographers to hide or destroy their tools. Spanning decades, from peacetime to war, box camera photography in Afghanistan exists regionally within a more sophisticated history of ana- logue photography. The same photographers plying their trade with the humble kamra-e-faoree may well have been making large format black and white portraits Now available and colouring them in with exquisite artistry by hand. With the help of dozens of Afghan photographers, Af- 152 pages, 146 photographs ghan Box Camera illustrates the technique and artistry 280mm x 230mm of a previously untold and visually enthralling photo- Clothbound hardback graphic culture. ISBN: 978-1-907893-36-0 Lukas Birk is an Austrian multi-media artist who exhib- Dewi Lewis Publishing its regularly and organises visual-media workshops. He mail@dewilewispublishing.com works primarily in Asia. In China and Indonesia he has www.dewilewispublishing.com set up artists in residency programs as well as networks of local artists to co-operate with those in his native Afghan Box Camera Project Austria. contact@afghanboxcamera.com www.afghanboxcamera.com Sean Foley is an Irish ethnographer who specialises in visual anthropology and works as a researcher on art projects. He first made it to Afghanistan in 2002. He has made ethnographic films on mortuary workers in India, and tourism in Pakistan and Afghanistan.