Beruflich Dokumente
Kultur Dokumente
AVR 245/230
SERVICE MANUAL
CONTENTS
harman/kardon, Inc.
250 Crossways Park Dr.
Woodbury, New York, 11797
Released 2007 Rev 0, 9/2007
Discontinued XXXX
harman/kardon®
Power for the Digital Revolution®
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30545_AVR245_ENG 19/10/06 12:21 Side 53
Technical Specifications
Frequency Response
@ 1W (+0dB, –3dB) 10Hz–130kHz General
High Instantaneous Power Requirement AC 220–240V/50Hz
Current Capability (HCC) ±35 Amps Power Consumption 65W idle, 540W maximum
(7 channels driven)
Transient Intermodulation
Distortion (TIM) Unmeasurable Dimensions (Max)
Width 440mm
Rise Time 16 µsec Height 165mm
Slew Rate 40V/µsec** Depth 382mm
Weight 13.6 kg
TECHNICAL SPECIFICATIONS 53
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Operation
DOLBY DIGITAL Available only with digital input sources encoded with Dolby Digital data. It provides up to
five separate main audio channels and a special dedicated Low Frequency Effects channel.
DOLBY DIGITAL EX Available when the receiver is configured for 6.1/7.1 channel operation, Dolby Digital EX is the
latest version of Dolby Digital. When used with movies or other programs that have special
encoding, Dolby Digital EX reproduces specially encoded soundtracks so that a full 6.1/7.1
soundfield is available. When the receiver is set for 6.1/7.1 operation and a Dolby Digital signal is
present, the EX mode is automatically selected. Even if specific EX encoding is not available to
provide the additional channel, the special algorithms will derive a 6.1/7.1 output.
DTS 5.1 When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is
available when DVD, audio-only music or laserdiscs encoded with DTS data are played.
DTS 5.1 provides up to five separate main audio channels and a special dedicated
low-frequency channel.
DTS-ES 6.1 Matrix When the speaker configuration is set for 6.1/7.1 operation, playback of a DTS-encoded program
DTS-ES 6.1 Discrete source will automatically trigger the selection of one of the two DTS-ES modes. Newer discs with
special DTS-ES discrete encoding will be decoded to provide six discrete, full-bandwidth channels
plus a separate low-frequency channel. All other DTS discs will be decoded using the DTS-ES Matrix
mode, which creates a 6.1-channel sound field from the original 5.1-channel soundtrack.
DOLBY PRO LOGIC II Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology
MOVIE that decodes full-range, discrete left, center right, right surround and left surround channels
MUSIC from matrix surround encoded programs and conventional stereo sources when
DOLBY PRO LOGIC an analog input or a digital input with PCM or Dolby Digital 2.0 recordings is in use. The
GAME Dolby Pro Logic II Movie mode is optimized for movie soundtracks that are recorded with matrix
surround, by creating separate center, rear left and rear right signals. while the Pro Logic II Music
mode should be used with musical selections that are recorded with matrix surround or even with
normal stereo mode, creating separate rear left and rear right signals in any case. The Pro Logic II
mode creates compelling five-channel surround sound from conventional stereo recordings. Game
mode ensures that special effects are routed to the surround channels, while delivering their full
impact using the subwoofer, thus fully immersing the game player in the universe of the video game.
DOLBY PRO LOGIC IIx Dolby Pro Logic IIx is the latest extension of Dolby Pro Logic II technology that creates a discrete
MUSIC 6.1 and 7.1 sound field from matrix surround or two-channel stereo sources in systems
MOVIE configured for surround back speakers. Both Movie and Music versions of Pro Logic IIx are
GAME available. Movie, Music and Game versions of Pro Logic IIx are available. Game mode ensures that
special effects are routed to the surround channels, while delivering their full impact using the
subwoofer, thus fully immersing the game player in the universe of the video game.
Logic 7 Cinema Exclusive to Harman Kardon for AV receivers, Logic 7 is an advanced mode that extracts the
Logic 7 Music maximum surround information from either surround-encoded programs or conventional stereo
material. Depending on the number of speakers in use and the selection made in the SURROUND
SELECT menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen,
while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround
speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used
with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers
increased center-channel intelligibility, and more accurate placement of sounds with fades and pans
that are much smoother and more realistic than with former decoding techniques. The Logic 7 M or
Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening
experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes
also direct low-frequency information to the subwoofer (if installed and configured) to deliver
maximum bass impact.
32 OPERATION
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Operation
DTS Neo:6 Cinema These two modes are available when any analog source is playing to create a six-channel
DTS Neo:6 Music surround presentation from conventional Matrix-encoded and traditional Stereo sources. Select
the Cinema version of Neo:6 when a program with any type of analog Matrix surround encoding
is present. Select the Music version of Neo:6 for optimal processing when a nonencoded,
two-channel stereo program is being played.
When selecting a DTS Neo:6 Cinema mode, a 3-, 5- or 6-channel configuration may be available,
depending on the number of speakers in your system. Use 3-channel mode when only a front left and
right and a center speaker are present; surround-channel information will be mixed into these speakers.
The 6-channel mode will only be available if you have configured your surround back speakers as active.
DTS 96/24 DTS 96/24 is a high-resolution format that uses a 96kHz sampling rate with 24 bits to produce extended
information that improves the harmonics of the source material. The AVR is capable of automatically detecting
and decoding DTS 96/24 materials and delivering them as the artist intended.
Dolby 3 Stereo Uses the information contained in a surround-encoded or two-channel stereo program to create center-channel
information. In addition, the information that is normally sent to the rear-channel surround speakers is carefully
mixed in with the front-left and front-right channels for increased realism.
Use this mode when you have a center channel speaker but no surround speakers.
Dolby Virtual Speaker Dolby Virtual Speaker technology uses a next-generation advanced algorithm to reproduce the dynamics and surround
Reference sound effects of a precisely placed 5.1-channel speaker system using only front left and right speakers. In the
Wide Reference Mode, the apparent width of the sound across the front image is defined by the distance between the two
speakers. The Wide Mode provides a wider, more spacious front image when the two speakers areclose together.
THEATER The THEATER mode creates a sound field that resembles the acoustic feeling of a
standard live performance theater, with stereo and even pure mono sources.
HALL 1 The two Hall modes create sound fields that resemble a small (HALL1) or
HALL 2 medium sized (HALL 2) concert hall, with stereo and even pure mono sources.
5-Channel Stereo This mode takes advantage of multiple speakers to place a stereo signal at both the front and
7-Channel Stereo back of a room. Depending on whether the AVR has been configured for either 5.1 or 6.1/7.1
operation, one of these modes, but not both, is available at any time. Ideal for playing music in
situations such as a party, this mode places the same signal at the front-left and surround-left,
and at the front-right and surround-right speakers. The center channel is fed a summed mono
mix of the in-phase material of the left and right channels.
Surround Off (Stereo) These modes turn off all surround processing and present the pure left- and right-channel presentation of
Surround Off (Bypass) two-channel stereo programs. The Surround Off (Bypass) mode may only be used with analog source inputs,
DSP Surround Off as it preserves the analog format of the audio signal for its entire path of travel through the receiver to the
speaker and subwoofer outputs, bypassing all digital processing. Digital bass management is not available in
Surround Off mode. The DSP Surround Off mode can be used with either an analog or digital input, as the
signal undergoes digital bass management to optimize the distribution of the low frequencies between the
main speakers and a subwoofer.
Dolby Headphone Dolby Headphone enables ordinary stereo headphones to portray the sound of a five-speaker
DH1 surround-playback system. The DH1 mode creates headphone presentation that resembles a small,
DH2 well-damped room and is appropriate for use with both movies and music-only recordings.
DH3 The DH2 mode creates a more acoustically live room particularly suited to music listening.
The DH3 mode creates a larger room, more like a concert hall or movie theater.
OPERATION 33
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Troubleshooting Guide
Unit does not function when Main • No AC Power • Make certain AC power cord is plugged
Power Switch 1 is pushed into a live outlet
• Check to see if outlet is switch controlled
Display lights, but no sound • Intermittent input connections • Make certain that all input and speaker
or picture connections are secure
• Mute is on • Press Mute button
• Volume control is down • Turn up volume control
No sound from any speaker; • Amplifier is in protection mode • Check speaker-wire connections for shorts at receiver
light around Power switch 2 is red due to possible short and speaker ends
• Amplifier is in protection mode • Contact your local Harman Kardon service depot
due to internal problems
No sound from surround or • Incorrect surround mode • Select a mode other than Stereo
center speakers • Input is mono • There is no surround information from mono sources (except with
Theater and Hall surround modes)
• Incorrect configuration • Check speaker mode configuration
• Stereo or Mono program material • Some surround modes may not create rear-channel information
from nonencoded programs
Unit does not respond to • Weak batteries in remote • Change remote batteries
remote commands • Wrong device selected • Press the AVR Selector 5
• Remote sensor Ú is obscured • Make certain front-panel sensor is visible to remote or
connect remote sensor
Intermittent buzzing in tuner • Local interference • Move unit or antenna away from computers, fluorescent lights,
motors or other electrical appliances
Letters flash in the Channel Indicator • Digital audio feed paused • Resume play for DVD
Display $ and Digital Audio stops • Check that Digital Signal is fed to the Digital Input selected
Processor Reset To clear the AVR’s entire system memory includ- NOTE: Resetting the processor will erase any
ing tuner presets, output level settings, delay configuration settings you have made for
In the rare case where the unit’s operation or the times and speaker configuration data, first put speakers, output levels, surround modes, digital
displays seem abnormal, the cause may involve the unit in Standby by pressing the System input assignments as well as the tuner presets.
the erratic operation of the system’s memory or Power Control button 2. Next press and hold After a reset the unit will be returned to the
microprocessor. the Tone Mode button 8 for three seconds. factory presets, and all settings for these items
must be reentered.
To correct this problem, first unplug the unit from The unit will turn on automatically. Note that
the AC wall outlet and wait at least three once you have cleared the memory in this manner, If the system is still operating incorrectly, there
minutes. After the pause, reconnect the AC it is necessary to re-establish all system configura- may have been an electronic discharge or severe
power cord and check the unit’s operation. If the tion settings and tuner presets. AC line interference that has corrupted the
system still malfunctions, a system reset may memory or microprocessor.
clear the problem.
If these steps do not solve the problem, consult
an authorized Harman Kardon service depot.
52 TROUBLESHOOTING GUIDE
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AVR245/230
1. Instruction manual ass'y - Accessories 2. Package Drawing
7 MICROPHONE ASS'Y
1 2 3 4
1 ACCESSORY-1
5 6 7 8
9 10 11 12
4 SET
13 A
6 ACCESSORY-2
ACCESSORY-1 ACCESSORY-2
NO DESCRIPTION PARTS NO. Q,ty NO DESCRIPTION PARTS NO. Q,ty
4 FM 1 POL ANT CSA1A018Z 1 12 MANUAL ,SETUP GUIDE CQX1A1138X 1 NO DESCRIPTION PARTS NO. Q,ty
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48 39-1
S13
S1 S16
S16 S16
S9
S15
48
47 S5 32
S16 30
40-5 S5
S6 x2
S17 40-2
29
49 18 S10
S4
38-2 S4 S4
38-1 43
40-7
39-5 S5 S4
S5
46 S12
S5 30
28 S14 S4
51
22 S5
40-2
21 27
26
S10
S7 25 NO DESCRIPTION PARTS NO. Q,ty REMARK
1 ORNAMENT,VOLUME CGU1A318Z 1
2 CAP,VOLUME CGX1A338MBC63 1
3 HOLDER,VOLUME CMH1A214 1
4 INDICATOR,VOLUME CGL1A222 1
5 WINDOW ASS'Y CGUAVR245 1
1 WINDOW,FIP CGU1A399Z 1
2 BADGE,MODEL CGB1A169Z 1
45 6 SHEET,VOLUME CMZ2A090 1
15 S2 7 FILTER,FIP CMZ1A088 1
13 8 BDAGE,HARMAN/KARDON KGB1A158Z 1
9 PANEL,FRONT CGW1A427RDWH43 1
14-1 37-8 10 BRACKET,SIDE CMD2A443 1
14 37-3 11 KNOB,FUNCTION CBT1A1028MBYG27 1
44 S2 37-1
S2 12 KNOB,DISPLAY CBT1A1027K128 1
13 KNOB,POWER CBT1A1026MMZG27 1
14 INDICATOR,POWER CGL1A258Z 1
50 S2 24 15 KNOB,MOMS CBC1A158MBZG27 1
16 BRACKET,PCB CMK2A010 1
37-4
23 17 PLATE,SHIELD CMC1A302 1
18 BRACKET , FAN CMD1A600 1
19 HOLDER,LED CMH1A215 1
9 S4 20 BRACKET,FIP CMD1A209 3
21 CABINET,TOP CKC5B145S46Z 1
22 CHASSIS,BOTTOM CUA2A229 1
23 RUBBER,CUSHION CHG1A329 4
37-6 24 FOOT CKL2A069H43 4
8 24 25
26
SUPPORT,CUSHION
HEAT SINK
CHG1A104Z
CMY1A271
1
1
7 S11
23 27
28
BRACKET,PCB
HOLDER,PCB
CMD1A417
CHE1A170
2
2
29 BRACKET,TRANS CMD1A487 1
S2 S4 30 BRACKET,PCB(H/T) CMD1A398 2
31 BRACKET,PCB CMD1A570 1
32 BRACKET,PCB CMD1A387 2
33 PANEL,REAR CKF5A319Z 1
S2 34
35
BUSHING,AC CORD
CORD,POWER
KHR1A028
CJA2B043ZA
1
1
37-5 37-9 36 TRANS,POWER CLT5W026ZE 1
19 37 FRONT PAB ASS'Y COP11910F 1
37-1 FIP PCB 1
37-2 KEY PCB 1
NO DESCRIPTION PARTS NO. Q,ty 37-3 POWER LED PCB 1
16 S1 SCREW CTB3+8JFC 13 37-4 MOMS PCB 1
S2 SCREW CTB3+10GR 31 37-5 PHONE PCB 1
12 S3
37-6 VOLUME PCB 1
37-7 RS232 PCB 1
S4 SCREW CTW3+8JR 9 37-8 GUIDE PCB(CARD CABLE) 1
S5 SCREW CTB3+8JR 10
17 S6 SCREW CTW3+12JR 3 38 MAIN PCB ASS'Y COP11911F 1
11 S7 SCREW CTB4+6FFC 6 38-1
38-2
MAIN PCB
GUIDE PCB(CARD CABLE)
1
1
S2 S8 SCREW CTB3+10GFZR 22
S9 SCREW,TRANS CHD1A023R 4 39 INPUT PCB ASS'Y COP11912F 1
S10 SCREW CTB3+6JR 19 39-1 INPUT PCB 1
39-2 ipod PCB 1
10 S11 SCREW CTB3+16GFZR 2
39-5 RDS PCB 1
S12 SCREW CTB3+10JRR 3 40 POWER PCB ASS'Y COP11916F 1
S1 S13 SCREW CTB3+8FFZR 8 40-1 VIDEO PCB 1
S14 SCREW,SPECIAL CHD1A012R 21 40-2 REGULATOR PAC(A) 7
SCREW,SPECIAL CHD1A012ZR 2 40-3 TRANS PCB 1
S15
S1 S16 SCREW,SPECIAL CHD3A012R 7
40-4 TRANS PCB 1
40-5 REGULATOR PCB(B) 1
S17 SCREW,SPECIAL CHD4A012R 5 41 VIDEO PCB ASS'Y COP11939F 1
42 HDMI PCB ASS'Y COP11914F 1
43 TUNER MODULE CNVM9014MS171L 1
6 44 BRACKET,SIDE(L) CMD1A555 1
5 45 RUBBER CHG1A309 1
46 CUSHION CHG1A160Z 1
47 BADGE ASS'Y CGX1A375ZA 1
4 1 ORNAMENT,BADGE CGX1A375M7G32 1
2 BADGE,H/K(TOP) KGB1A159Z 1
3 48 FAN(80*80*25mm) CFNCF12825MS 2
49 BEACKET,FAN(A) CMD1A615 1
1 2 50 SHEET,REFLECTION
HEAT SINK
CMZ1A120
CMY2A249
1
1
51
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DISASSEMBLY AVR245/230
10
9
11
7 10 9 8 7 6 5 4 3 2 1 17 18 19 20 21 22 23 24
6
4 8
11
12
5 12 13
14
13 15
16
3
25 26 27 28 29 30 31 32 33
1
1
8
5
2
6
3
7
4
7
6
5
1
4
2
3
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Measurement condition
.No input signal or volume position is minimum.
Standard value
.Ideal current = 48mA (± 5%)
.Ideal DC Voltage = 25.92mV (± 5%)
DC EVM
CUP11911Y (MAIN PCB)
+ -
DC VOLTMETER ; Connect to
CN66(SL),CN61(CEN),CN64(SR),CN63(FL),CN65(SBL/SL(AVR132,144,145)),CN62(FR),CN67(SBR)
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AVR145+245 INPUT(20061023)SCH.sch-3 - Mon Oct 23 17:22:48 2006
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AVR145+245 INPUT(20061011)SCH.sch-2 - Fri Oct 13 14:43:06 2006
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AVR145+245 INPUT(20061011)SCH.sch-1 - Fri Oct 13 14:42:17 2006
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AVR245 HDMI MUX(20060512).sch-1 - Fri Oct 13 16:28:00 2006
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AVR245 VIDEO(20061023)SCH.sch-1 - Mon Oct 23 17:34:44 2006
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AVR245 VIDEO(20061023)SCH.sch-2 - Mon Oct 23 17:36:38 2006
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AVRx45 FRONT(20061023)SCH.sch-1 - Mon Oct 23 17:10:00 2006
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AVRx45 POWER(20061023)SCH.sch-1 - Mon Oct 23 17:14:10 2006
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