Beruflich Dokumente
Kultur Dokumente
Kaluhi Kaʻapana
ITE 326
Maya Portner
13 November 2019
I have to admit that I was surprised at the impact of my presentation. My mentor does not
really integrate art in the class, usually when she integrates art into our literature, it doesn’t go
farther than, “draw what is happening in the story.” It usually feels a little rushed and there is not
much more done with it. In my presentation, I only really talked about visual arts in one area
(slide 7). In this part, I mentioned how details like lines and color adds to a deeper understanding
of the story. My mentor told me, afterwards, that she feels like she can do more with her visual
arts integration in reading moʻolelo (stories) with the students. Many times, we struggle with
getting the students to the deeper level of analyzing the hidden meaning in stories, songs, and
chants. She said that she would like to look more into visual arts and how to use artistic aspects
to look at kaona (hidden meaning/dual meaning). My mentor told me that my activity of drawing
the meaning of “Kaulana Nā Pua,” a famous song, really added to her understanding of my
presentation.
Much of my presentation was focused on incorporating performing arts into literature and
embodying the people and deities of our Hawaiian historical stories and folklore. My mentor
often sees me incorporating arts in this way. She commented on how this embodiment of the
characters in the story really cause the students to think about what is going on in the story. My
hope for this presentation was to get the audience to think deeper about the way they integrate
arts into their class. My hope was for these teachers to be more intentional about their arts
Kaʻapana 2
integration in literature. I think that I definitely got these teachers thinking about how they are
integrating arts and the potential that it could have. Overall, I think my arts advocacy
presentation did shed light on the idea of integrating art with intention.
__x_Included the name of the peer you practiced with here: Michiko Detwiler