Beruflich Dokumente
Kultur Dokumente
OBJECTIVE
USING THE POTENTIAL OF HERITAGE VALUE AND NATURAL
RESOURCES TO MAKE BENALLA ART GALLERY CENTER OF THE
DESTINATION.
SECONDARY OBJECTIVE
ENHANCING THE RELATIONSHIPS BETWEEN BENALLA ART
GALLERY AND ATTRACTION POINTS IN A CREATED ROUTE ALONG
MELBOURNE-SYDNEY. MAKING BENALLA GALLERY
PROJECT DEFINITION
NORTHERN
TERRITORY
QUEENSLAND
WESTERN
AUSTRALIA
SOUTH
AUSTRALIA
NEW SOUTH
WALES
SYDNEY
VICTORIA
MELBOURNE
BENALLA IS LOCATED IN AUSTRALIA, VICTORIA.
ITS LOCATION IS CLOSE TO MAIN CITIES OF AUSTRALIA:
MELBOURNE AND SYDNEY. TASMANIA
SYDNEY
CONNECTION
M31
BENALLA
M31
MELBOURNE
MITAGONG
GOULBURN
WAGGA WAGGA GUNDAGAI
CANBERRA
ALBURY
SHEPPARTON WANGARATTA
MOOROOPNA
BENALLA
EURA
SEYMOUR
BENALLA
SYDNEY
210 KM 670 KM
2H15M 6H40M
2H25M 9H30M
11H 48H
48H 144H
SHEPPARTON
EXISTING WANGARATTA
ATTRACTION
POINTS
THE EXISTING
ATTRACTIONS
IN BENALLA AND
ITS VICINITY
ACCORDING TO
SOCIAL MEDIA.
BENALLA
SEYMOUR
PUBLIC TRANSPORT IN BENALLA
BUS STOPS
BENALLA ART GALLERY
BUS LINE 1
BUS LINE 2
TRAIN LINE
TRAIN STATION
HISTORY OF BENALLA
IN THE BENALLA, TWO MAIN FAITHFUL MASSACRE LED TO A BRIDGE HAD BEEN BUILT NED KELLY MADE HIS FIRST
ABORIGINAL TRIBES LIVED THE ESTABLISHMENT OF A ACROSS BROKEN RİVER IN APPEARANCE IN BENALLA IN
FOR THOUSANDS OF YEARS: POLICE POST. 1847. BY 1850 THERE WAS 1869.
PANGERANG, TAUNGURONG AN APPRAISAL FOR POTENTIAL DEVELOPMENT ON BOTH SIDES
TOWN WAS CARRIED OUT IN OF THE RİVER BENALLA'S GROWTH AND
IN 1824, FIRST STEPS FOR 1839. PROSPERITY DURING THE LATE
WHITE SETTLEMENT DONE BY BUILDINGS CONSTRUCTED BENALLA GREW AS A SERVICE 19TH CENTURY IS EVIDENCED BY
WILLIAM HOVELL AND INCLUDING THE BLACK SWAN CENTRE FOR TRAVELLERS AND SIGNIFICANT BUILDINGS
HAMILTON HUME. INN (1840) AND COURTHOUSE ALSO DUE TO AGRICULTURAL COSTRUCTED AT THAT TIME.
(1847). DEVELOPMENTS.
IN 1838, WHILE WILLIAM AND IN 1848 THE SITE NAMED AS DURING THE 20TH CENTURY
GEORGE FAITHFUL WERE 'BENALLA', BELIEVED TO BE IN 1873, WITH THE ARRIVAL OF BENALLA GAINED IMPORTANCE
SEARCHING FOR SUITABLE COME FROM 'BHRENAWLLA', THE RALWAY THE SITE GREW THROUGH PUBLIC SERVICE
LAND, EIGHT OF THEIR MEN THE NAME OF THE LOCAL MORE. DEPARTMENTS AND RAAF
WERE KILLED BY LOCAL ABORIGINAL TRIBE AND THEIR FLIGHT TRAINING SCHOOL.
ABORIGINES IN AN EVENT HUNTING GROUND ALONG THE BENALLA WAS OFFICIALLY
KNOWN AS THE FAITHFUL BROKEN RIVER. MADE A TOWN IN 1861. BENALLA WAS DECLARED A CITY
MASSACRE. IN 1965.
POPULATION ANALYSIS 2016 NUMBER OF PEOPLE: 13.861
MALE: %48.5
AGE DISTRIBUTION FEMALE: %51.5
MEDİAN AGE: 49
0-4
5-9
10-14
15-19
Male
20-24
Female
25-29
30-34
35-39
40-44
45-49
50-54
55-59
60-64
65-69
70-74
75-79
80-84
85+
1000 Unemployed
Away from Work
Part Time
Full Time
800
Drivers
600
Sales Workers
Clerical
400 Community
Labourers
Professionals
200
Technicians
Managers
0
BENALLA ARTGALLERY DIFFERENT WORKSHOPS FOR
VARIOUS AGE GROUPS IS OPEN
FOR PUBLIC.
THE BENALLA ART GALLERY IS OF ARCHITECTURAL
SIGNIFICANCE AS AN OUTSTANDING EXAMPLE OF A
MID-1970S MODERNIST BUILDING.
9TH AND EARLY 20TH CENTURY AUSTRALIAN ART CAFE OF THE GALLERY OFFERS
INDIGENOUS ART GREAT VIEW OF THE BENALLA
MODERN AND CONTEMPORARY ART LAKE.
Near to the tran staton. Weak pedestran access wth narrow Increasng demand for art.
footpaths on the brdge.
Benalla Arport s close to the cty Presence of nearby monuments.
centre. Insuffcent capacty of Gallery’s cafe
for vstors.
Good relatons n the communty.
Poor utlzaton of the relatonshp
Art gallery s next to the Lake Benalla between lake and gallery.
and Benalla Botancal Gardens.
Not enough advertsement about the
Benella Art Gallery has an attractve exhbtons and events through meda
cafe whch got postve evaluaton from to attract toursts.
ts vstors through socal meda.
Not enough volunteers to work for the
Benalla Art Gallery has a extensve gallery.
permanent collecton.
Inadequate feedback on socal meda
Free entrance. posts.
Visitors Painters
Members Artists
Tourists Musicians
Community Photographers
RESIDENTS Gallery Staff Cruator
Volunteers
BUSINESS INSTITUTIONS Architects
OWNERS AND
Students
Benalla Gallery Cafe/ Shop
ORGANIZATIONS
SUPPORTERS
INNOVATION
EDUCATIONAL
RECOGNITION
ECONOMICAL
PROMOTION
HERITAGE
CULTURAL
NEW HERITAGE PATHS
CREATING DIFFERENT HERITAGE PATHS AND PUTTING BENALLA ART GALLERY IN THE CENTER
HO5-HOLY TRINITY
HO11-GRANDSTAND
CHURCH
HO1-RAIL BRIDGE
HO10-BRIDGE
ELEVATED PATH
OUTDOOR
EXHIBITION
AREA
PLAYGROUND
SUSTAINABLE ANALYSIS
MATERIALS
ROPE
-playground
WOOD
- elevated path
GLASS
folding glass walls
-exhibition gallery
STAKEHOLDER CIRCLE
INVOLVEMENT OF STAKEHOLDERS DURING THE PHASES OF THE PROJECT
MEDIA
PHASES
CONSULTANTS SUPPORTERS
INVOLVEMENT OF STAKEHOLDERS
LOW INVOLVEMENT
MEDIUM INVOLVEMENT