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JAil CIIRISTOU

1926-1970

~~The Baritone~~

AITPONKATOI.D.ANYKTE PONOMHrYPIN
THE ORCHESTRA
j THE PRIMARY GROUP /aiel ovt in score under conduclors parf ·

a. BaritoH e So Io
b Pian oforfe ~. GraHc/ pla:noforte wifhouf corer. Pia nisi- shovlc/ 6 e S4lf'-
· f/iee/ wifh ; pidvre 2
i a slul p/ulruWI ~(eves 13,:Z1).
i. i a: flat ru/u-1/ke~ e/ic.i.fin9 a .stm<>rovs sovnel whc't
scraped across lteacls.f..£. stri~ holts (eve .21).
ttl hv~ .Jmal/ m£1al cvp!'g lhat cct., be f/rmly he/d,o~ote /.,
eifher h<i.>tel, jor .rfrikiH!J r/msfled a9crin.sf str/ngs (cues 25; lr).

cViola.
d Co~frabassoflwithcvf bow-'/ possible supplied with deep C dring.lJee,c
. sfn'"'!! is funecl dow11 to B ncdvr¢/.
e Percusston (one player).sv,c,cliefl._ l<fif.h:
i a sled p/ ecfrv""' lfi(.:tJI!S 3, ;z) ,
l j, 01 Se/ecficu of ra7rles «Hd objecfs prt?dvc/Hfj «'dry S~nt7re>UJ
sov11d, also flat meta./ .faHtbe>vri'1e d/.scs, a11d 1[ ,co.r.r/6/e ct
chai.,-sma/1 en_ov.!ih ·:for" slraki;,!l (cuv 13, :U). . .
NOT~: These objecfs fo be dislriln.>ttzc/ 6rlwe(';, llu '1-.v .. po.sd'"'"s ji-c,..,
. , . wh/ch percvssitn1/.rl plays.
l l L act.rfe cy~nJ,a./ et.Hd nreeliuHt cymbal (both Sl!spendecl, a He/
mec/ivm go~9 (eve {:5).
i V Yer!/ deep l>ass dnnH (gra>< cassaj-1-ite 1-rrgesf model qvai-
laole, if pcssi;,/e{we 16).
V <l 11ri/ifar!l .sna.re-drum_fa....,/wro milih:zre{cv~ 2.5).

j Condudor f'f additiOk to /-he i'f_sfrvl#fE..fS p/•y~c/ b!f me {JCrCUSS/oHisr1 tit~


co>tdvcror 11111.rt be svpplied >viii,:
sets t>/.fol1orovs (wheH shake11) beads rf glet.r.r 1j!'o.rsib/e(cvn{~
a large, exfre;to~e/y du,c goHg ('cue 15) . ~

2 THE SECONTARY GROUP laic/ ouf in .score over cc.,dvcfor's parf.


a Wind insfrume11ts _any rt'a.SoHable m.~...,/;er(wcoo/w/.,d and brass,or lvocclw/.,d
alo>te if He l>ras.r is availa6/e). 13uf a f/vfe emd a cl<uiner s~oulc/
be im:ludeel ;, wlrat~v~r co,.,biHqtiou iJ e:r.v<>ila61e.

b Sfri 11fj i 11strume11f.s _ any reasonable nvmber {a minimum ojlwo ,,-,;','... , a .. c/


one cello is Ht!ce.ssaryj but NO dcvble basses,

If ,co.r.r/6/e f/,e pianoforte a:nd dovl>!e l>a:.rs shovlc/


be dt.scrvelly aH~,olifit>d ~/eclrcnical/!1.

POSITIONING- OF PERFORMERS

'!E__posirion
PERCUSSION

a
{:tf<zn<lin!J}
raffles
ohjecfs for scraping

r.t:~:::l{J 2nd position


CjBASSO VIOLA PERCUSSION
[sfanding) (seated} {sea fed.}
ra/ties

0 0 O objecfs for scraping


C'fmba!s
:~JH~ry snar~ drvm
SOLOIST CONDUCTOR
{sfanding}
bass drvm
() b~ads
( ) larg~ gong
pt'r-'c.fvy-e 5
picfvre 13
,..'~-- ltRf.fJ- fYlftRI< DUIV1T/oN- IN./)ICA TOR..
The score is divide&/ iwlo
area. o/ tlvrct.fioh. Tk e 'Q.rea.
pldvre {O
,arl< "/11di"r:rler .fht 6e!ln·
~L f<lP~IITING
ni.,, e'( te1ch r::rr~a e,f el11red/Ph
et~-tc:/ eHcloJ('S itJ eve n"»1oer.
T~e dvraf/~1-1 of et:uh Clf"£'t:(, if gi-
J[, )r
J<(EP
The tiaffen, wifh/11 lhe ~p~af.
br«ckeh /; s/ml'ly rel'et:t.fee:l
t'en /11 .recoHe:IS'. Tht c~nelvdt:?r siy- vttiwlerrvpf.~e:l/y up .fo .f~e
na:.h e't:tch$f.)CC€f.f'il14' t:trl!a wit4 p,;int shown 6y .f~e. e:l"rafio11
a elen..-l?w4re:l 9e.sl11re o/.f~e arm. it~rl/c~att?r(thf h~rij()l1f~ I li1-1e
p/dvre 6 e;(t~~td/.., jrt?l+l /hf );rr:uk~~.v.

* SCil TT€R.
ThiJ applies 1-o group perfPrminj
t::f
lh~ .>etme paflern(P"f.Ut:f'fJI!l). The sig~
dirufs each membtr oj.fJ.,e 9r""l'
to cr:~.rry pvr 1-b~ p«#un'r sp~(/jt'u¥­
tioHso¥1 hi.r 0141., 1 to !r:> hiJ inc:livi-
picfvre.

Jlr.
(2
~~/<UP IMP~DIII!IIVG-
)~ Tlte pa. #ern i.r i ~n;;r()vi.re:cl
vp~11 c:r.+ rcthele>n. vp I-() .fhe
pqi11f. .shown 6y 11-,e dvrr:rf/Pn
tva./ way q/r:mg 'lh /..,J~;e1'1<iewf /11dicat.tor. (The rcu,elomHeu
pr:d·/, o/ OWit SfJf;i1'fqi1~C'IIJ i11Ve11fig'?. rerv/Y"eel /;y fhi.r cr:mfinllifJ s-lj~t
The mr:tin chctrr;u..ftristic ai~tt~PI a f i.J alwc:ry$ co~odrol/~cl by~~~ D~,,.­
wifh :..f.~e'scrdfer"proeeu is -lhe fl'o· ct./1 .sl'ec,f/ccd-ions rt.Jih1!J .fhe pod'-
/ifer«ti~l1 of coM/corlly fh ijl; n y terH .S() f.hoct its t'clt>n·Hty (.s neyer
inclei~rmi HQfe re/c:d/onrh ip, ach/~11ft:/ /o.rl- si_yhf. 11j. The SIJn +her~fr;~
6y compovt-~di;,g rlu vn/9ve eul,"vi-li~J mer:o's: J<~tP /lhPROYI.f/IVG- 11T
o( ~t:tCh /n~l/vit/1/r:d Ce;lii!Jhf "f /v, ot col- IMNDom WITHIN THE t.JmJT.S s,r
/ecJive tu:tfier-~r)ik~ .fh~ chirpin!3 t>/ . S 'I TH€ OIIEIU/LL SPfCIFICA7lONS,
mco1y /.irds, thl' mvrnwri~g 4 ot crow~ p 1cfure 14
" ,,
1-he frun,pe/l'l?j t/ 't f/"cl< r/ g~e.te~
fhe llttcofJrcl/nafed maV'emewl-.s rj
"--======== rft D~- IN
from ''3 e ro " l"D !t..~ m t>
peo,Pif i11 a pvblic sfvare, or 14e
sov11r:l o/ .fhe/r pet nick/ 11J.
p/cfure ({

! SYNCHRONISE
ThE opposite "/".rca ffer ·~ T~e
sign cedis l"r syncJtrowiJed per. Mt-i 11 PR II X JS
J(;)rmt:fnCe. The performer is rer"irerl .fo
cr:t:rry ovf em cr_cf/e>~<t {I'!( A X IS)
STOP-1:>EA:D wh/ch fakes h117-1 "beyo11cl" (tn€--
Ti1e cvt- nw.s.f be Sf.ldde;., &'l??el rA) hi; norrna./ fvnc+ion.
cDrn;le.fe., wif.~ nD fl'&~~.ill;,_g cJ Jfv, ,-11s.frv ~nen Ia. !/.sf. plali 11_1
rmj,'ntJheel n-,er-lerir:r/: a;, ()(brvl'f his /tt.str"menf cl11r/n_g the couru
ancl foh:d 'swifcl, ·o/1". r;f Of Cr?/feft't perforn,Q nee ,.s a
Praxis I bllf ;f he i$ also reruirtu:/
PITCH INDICATOPS ft; walk rxbou.f,.speCik .shct.>t" 1
1. k'eep perform/n.J {J,e p~#et'n scream 1 ge.rfl~vlafe, or perforn-.
throv3hovf .fhe. ~~"'Je .!'f'!cJj/eol, CfhY "Mer acfi"n vJ~tchare:rcferi.rflc
i11clva'/n9 l);e /!mit nc,+es. oj 1-h~ cvrre;r/- lo_jiC "j hi.r caf~,yory1
fhat r:e>vlt:/ 6e ot fl1etr::~pr&~ )l.i s .


2. Ke~,c perjt;r~t~i n3 the ('e:t#ern Th/$ «cf/f) n /s If~cif'ec/ (conclvcfr:>r
fhrov_ghovf 1-~e enfirt reg/sfer: eve J~ /:Je~ss eve 4 1 piano eve 6',.
f01t:fvre 9 @For forlher i~fe>rmaficn on fhe n"ta.ti~n
()j
J.Cnr/.sfou .see -1/J" QHd "ENIINTio.
"PIUIXJ.S FOR
DltDMM "(J. 8< W. Chesfer, l.t~wdon). See also 11Uljt:JI.-
zine ".sou~tc£ ·; N! 9, 1969 ,Sctc-ramen1ojCalifornia..
TEXTS JN SCORE
Texf jor 'Baritone (/11 Gr-eek): /11 £H!JIIsh :
9€0Y£ fl'I€N AIT£. TfZNA'IjTfAiu1A!J1N llONEN My crt; to the gods /s for release frci'J?
t!fOYP/1[ €T~~~~ MHKoi, fiN KOJA1P.MENO:E this yea.r-lo113 wafch. flere 1 on fhe lttr~i­
IT€rAIZ ATPEIAEN ~rKAG€N.~KYNOX AIKHN, dcres rooj-fajJ, 1 keep folloUJiH!J .J.he mo-
AITP!!.N K4TOIAA NYkTE-PEN OMHrYPIN.} fious of t-he sfc;rrs erf ntjh~crovched on
Kill TOYI ¢~PoNT~I XE"Ih!A KAJ !JfEPOI SPOTO/I my elbows like ei dos· Tltose lvmlnarles,
AYNAIT~I,EM!TPf'lONTAI AISEPI
AAM!TPOY.I /JriHgi~tg cr6oe,f oGJr wir~fers and ovr svm·
AXT~PAI, 0 TfAN t1-GIN.f!.:S:IN~ANTO/t.4.I TE T!2.N ... Hters- fhost? stars, wi.fh their Wct'</Hfl
ctHd thr?ir wa Hin3 .••
AiGx(J~ o CJ ''oP€.IT€ lA ;,
(Ayaf11,uv(l.)V) G"r. 1-iZ) ope11/HJJ. o/ 1/eschy/u.s 'oli'€STtl~
(A!Jal11~ml7o~-t~ I. i.-TL)

PhoHefica.lly: P ron u H c; a -f Ion :


,. I" ,. ,.
THEOUS /tJfN ETO TON])TH'APALLA GHIN PONON
= =:::::;
TH =pronot.JI1cecl like ''t!Jot.J_ghf"
I' , , ,. iJt ~H3/ish
FROUR,.qS ETIAS MICOS, IN KIMOM€NOS
,
STEGH€5 ArRilJTHON
, ANG-4-THfN,
,.
KINOS DTHJI<IN,
, , J)TH
~
= f>.rOI?OUI1Ced /ike
Iff tHgli.sh
~'fhe i11Cl.h"

I"
= I"
- , ,.
-
1/STRON KATIDTHA NIKTePON OM!GHIRIN) GH = pronounced crs ct so/f. GJ
, = , , == , ~.s.for£vJ1HiH (!;,g/i.sh,J .I:Jvf
1<€ TOV.S F€f<ONT~S CH IA1-4 KG TH€-ROS VROT IS with 6recdh escap;";-,.3 pefweeJ1
., ,-== -, , fonque &!Hd pala.fe
L/l/118/?0US ])THI N;::}ST/15 €MBR€PONTflS ETHeR/
, , , 1
, , CH = ,oronourtc~d a.s '' ich " /;,
f/ST€Pil5 J OTI1N FTHINOSIN, I(NTOL~S T~ TON ... German

Texf for eHsemh/e : Nofe:

SIC9-NI11. TO lf/31}N])oN SHIP: /J10f?€ THfiN SIX SHOI(T ~ kJith the exce;:Jfio11 of .Jhe Dari.fo~te
IJLI/STS FOJ.J.O'W€1> BY 0/'le J.oNG 8LilST ON THG SI/?€N1 so/o.~ of covrse,ha(f of .f.ho.se co;,st/-
SUPPL.~nt€1VTE]) BY 111€- .SOI.INIJtNG- oF OTHER IU.19RIJ?- flJfit-tg Me ~lffiYF e11sem6/e will fake
IJPPIJIMru.s. ~/~N"i L FOR S~/?ICW.S FIR€: TIYO LoNG fad in SjJectkiH!J(i:ve.s 13;.24)aHd whi.
BLASTS ON Til€- SIH~N~ CoN TJNUOC/.S I?IIPIIJ RIIVG-1N6 oF .speriHg(Cve IO).These wi/1 Pe se/ecfet/
TH~ SHIP,S .Bf!-LJ...S IJN.JJ SOUNDING- OF ()TH€R ALI1Rh/- each til""fe 6y /he co~-te/t.Jclor,wifh &t
API'/IIMTOS F'oH. 11 P€R!o:D oF NOT ·uss THAN TeN Sc- view ..fo 111ctXiH1UHr Yt:lrierjl oj ;;cdu-
CON.DS. WH ~N ONE OF A80Y€ S 16-Niti.S IS SOUN D€ 1J, ret./ Yoca / fiv&t/ify.
TH€ PfiSS€/YG-~1( Sh',IJ 1.1. PtJT ON THG- LIF€-./11CK€ T) --The ofher half oj the ~Hsem/;/e ~~,>///
WHICH IS IN THe Cf/131N t9NJ> (jO To 11 /l)<J.ST€1( 57/1/ION, tak~ part iH "//1.1jtfered s-ighs'(cue 13)
ON iS oAT .J)f.Ck, Cr9f./J1/'I;!-SS1 Ol(.JJ€1? /1/'! D ]JI.JCI PJ.. IN£_~ a>u/ ".r-/tr/eks"(i:ue 26).8orh .fhe.Je
19R€ IY€-CeS.S/1/?Y IN C~SE oF' €117GI?6-E-NC >'. groop.s Jnov/~ poS.IiiJ/e~ cr.Wr«irt fe- t/
H1ct/e and male rolce.s.ln parficGJ/ar,
(explcrncd/o;, of .rounding of alarm- fhe .r,oeakiH!J !rovp shoulder/so htcllJ·
ctp,JJttrcd·us oH et siu",D ed sect_ inter- de a dee~ male yo/ce cmd &t rather lti_rh
11ario11ttl HtetrifiHte .safely regulc:(- pifched -lenor.
fio~rs) -If
&~ve<ilei/:.1~ 1 ~-6 »remhers-11of nece.s-
fctr/ly mvc/sicms-maJI fake pari/;, lite
1/oca I pctrhc/pcd/o""'(rf)~ctk,·11,-,flvlte­
recl .sighs. efcj fo rei11jorce if.
- F!t-ta.l!y,jor a'H ectsler r-ecul/n!1 of
lhe fexf, a. I/ f,4e ;;erjormers(excepf
lk<? tJCtl'/lcHtej Cet.H be provided tv;fh co1
i?tdl""ldual card; as;de .fro»? lhdr p::rrl.s)
Oft Which ,the fz>xr w/// J:,e tvr/1/eJt /H
l4::rge pro·d.
;o.se.
COM POSER'S NOTE ABOUT THf WORK ])

£DI Tl NG NOTES
ANA PARAST/1 SIS I ('/fhe harlfo~te) was Cofflposed /;-; cttrtcHnJ.-t
cf-1968.
If. l>e/o~tg.s -lo ct grea.f c;~/e of works o~-tcler lhe genera./ .f;.j./e
ltN19PI11?F1ST19S/S, The coH~oser coff1p/efec/ rHr:J
.J.he HN_.t1P/tRIT-
ST"'S IS llZ ("fhe pial}isf; eci.J&. W. Chester, Londo;, awe/ .Jhe prese11f
WC?rk.
It was .lir. rJ. ;;eifoo'lteel i~t 1'11vn/ch> 10 Novef·fll>er {968, b_t.; -/-1-;e eHJeffl-
1>/e of "ifvdlc fi/r NetJe fllL~sik" w/.,tl, lhe ot:1rJ-fone Sf1.Sakkas as .st>lolsf
v~der .f!Je d_irecti&>H Pf TA. f/;rfo~tiou. .
Stn;e iheH. If oh&ts 6ee)1 pe.,..formed a!!Jctln /}1 A/hens) Ufcth J'los l?n3eles_,
Ph;, ere/e/ph u:t ':lc . .
The ;;re sertf }"rnt oj.fhe WPrk 111C/£Je/e.s all .J.he cr;>rrec:fit>t~.S e~nd a /lem·
-fions fhe co;npe:>ser Jonr:u/e 1'1 .Jhe score etfter -lhe jir.sf perfon-nuJ-tce.
Pla!/iny flhle : IO mintrfes IC/;OT&JX.
N/J<os Avg~ri.s
,c}theHS - 1 'f) r 2
r---1
'4
I
L_r_j
I

1o%"

I
I
VOCAL
PARTICIPATION
r.l I
I
I
WIND
r.l I

STRING-S
r.l
M6
""""'"' T • speak 1slowly, impassively

resonant
wooden ejjecf

PeeL ______________ --------------


-------------------- -~i~- -&tfi:Jo~~~;:-;a~~-- 1

PfRCUSSION -~;~ I
.1·;;_~""'"""""""1111111111111111\llllllllllllllllllllllllllllll
jade iH
BEND OVER PIANOFORTE ,auf of fhe way .
of p1antsf
VIOLA

A-strn ka-tdth
.f~

CONTRABI/550

Suridm rcice-(oJ/cr~s~ info fa:i,.rf ,~,d~f~rm;n«fe ""rr~ de~p


pifclr, spta)(IHg TD;,t.
Conducfor sp~<r.ks his words SLOWLY_ drctggi".J
011
f (f'''fi
each wort/ slighlly, as i/ t• mala SNt ilr "'"""· Tht -1-/,~~ .r-lrotgf: m,' correspo,r//ng +o .fJ,~ s,J,Jir Hf,'!l~
~~j .s/nJa· l't: +here covfd 6e. a li#/e .riDw nt;Ji~j ~ ltwrlvrctl .rJ,pv/1{ DT .rfrvck ..,;.;~ IJ,t shqrt ~elg~ o/_lht.
of his pil-e/, t•w«rds e;,c/ •/ wore/ ;.,r:/icati;,g JVf- p/td·ru""' moy/Hj i., a ~'ry Jeaf Y~rlit'a/.fr~rnt:l'r, ft>r
peHSe, If is Q'J -lho~h he i.s gi•"'J elirtdi~Hs for "/aeh-i11s "fh~ -lr~m,; sht!'v}c/ J,~.!!/11 btf"r~ ('o~lad·
Jrn11e ver!l critic a I proceJJ, dttrt'Hg whic~ vtf~r c.a/;, wifh t~t .rlri~g•.
eo1cl colfc~~rlralt."k qrl t:~Psclutely ~tlc~s.r~ry, If iJ
a' lo11~ of pole:~ whicJ, hides -ferrif/c 1-~Hrio.., vncler
tfi1 e~fe-r/or cj /~fCfrii.,if.!l.

5-/-ahc/ vprighf, fet<ing Qvdie•1Ce, NO ST/FFNeS!>.


FEET J)O NOT t>IOV(. ,1/r,s hetH!J /i,..pJy. ().,/!/
11M P SWAYS SlDWJ. Y. Eyes ,loa(f-shof, look _ -1-hr•o!JI,
Ycrn.ovs .rtdior,.r P/ ervcli~J.tc~ ctf heae:/ mew~s. k't~p
swaying .sm•othf!h wit4ovt a prf«k.

3 0~e S/!1'11}· circvfrtr moven.rewf fak~.T 4" Qf'jlre>X,


A rel<~n-1 trip ojl~t head (ltfl-k right- lo lifr
t:fga/;;; .fak~s BN erp,Prox.
@ Copyri~f for all counf,.iu 1q7e_
All righfs ~s•f'Yt!ci
.-:.? {'_"':;:rt~~4 l~tt~Hilug ra:lher //ke a pr/e.sf{btf.w~e~t sln,j/Jtj ,_,~;c~ .J.J.W.Chu+•r, Lfd., lo~tdon, €.C.f. p,.,,.f,d ,-,. £,.,g/a~td.
a~d sp£q/o-,_, roice), bvf /VITI! G-RATING fSU/1'( oF
BR(IITH
i7-i
L_rj
23" 13"

r.1 r.1 r.1


WIND r.1 r.1 r.1
STRINGS r.1 r.1 r.1
~
M

Ralfles ' Beads


=~'1
{j 3byorshaking
4 trn..,e.s,fhem
sonorously
~)·\~
11
(2 approx.)

M t "_ _
/
. : ..------
10

"'-..
:---3''-
---
----
+------
a'-':2 "_____.:1-2'!....I

'-.,.,. UFJJj I
,..-
~~JJ11~ ~
=
~~~~ IIt/
PIANO ~ RIGHT~
~ ARM~I
s.ffJfz sjfff
I
___ Ped. __ .:._ ______________________ - - - - - - - - - - - - - - - - - - ____________ _! ___ _

soff hvf audible

PeRC. illllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllillllli•··
fad~ ovf
0

mysferious always
VIOLA

-<--------15''----~

cjBASSO

c1/l.,A"'- ~ Ar,.,
"~-JV "JI 1
Slow •
1!( n.res « .r~orr, ai.na'fce
_, "
a,q retvrnS for 1>i:u. ,

5 Very dow/!! <>ot.Jtrefch arm t>Yer heat/


'r~rlical/y fa c/2.rcrt./Je cvrve_ i~ .!LOW
1110TION AI..Wifr'S~ Jqnc//1-fg '"'" Jf'~Cif/~&/
>Jotes .
.5/rik~ f~' >rote.r wilh &olio-. ~J' o/
sf;/f'~ted ;,.,.,.,f (rigid) .The;. qr., nthmu
iH -Ihe .ram~ mt::f,.,,..,er,
r---,

112
I" 1m
f9" - - - - - - - - - ' - - + 3-f--------·T_j
:10 I
I
I
VOCAL
PART
r.1 r.1 WHISPeRS I•

WIND r.1 r.1 I


I
I
STRING-S r.1 r.1 I
I
slowly, with 9uief expectancy
I
I
,-----,
M8
t• _j
IL GRffN
___
I


1
I
CONE. I
I
dI ,
~--~--~ ~

arm acfioH continues' ~I owly


..... /
/
/ ---- ', ' \ / /
..-~
----
',AlE
'\ I"
li b

0..

' \ I \ I~
'-,I I \/ asbefore~"'
PIANO

sJfJf

__ Ped-
__
5
~-=-~·--~t~
t --~ ----------------- ---------------- 1~--
-4"-1
mas hifore' eve 3 :

PfRC. [~J~~::.~,~~;rlr~lilill~lllllllllllllllllllllll 1 1 ' r.1 :


---s·~
I
VIOLA ~r-- _ - ..--- I

·-=:=F==--o 1~2"~+-t"~l
I

SOLO

~ 6"--j
j-~ mnrmorm !J:"'~L
!II 111111111 I I effort tnvo/ved

5~~~- tstrnKAt~NKTErnMIGHRN
6XPLOS/V£
/I

1 ) a.rm.acfioH ,as bt2fore, cue 4 vowel in m?)mJ 1

\ ; p122

C /BASSO
Ir-;-'1
• I ""--:r ~-6-B"-l
____ ------
shnile
--r---- ------ _ _ I
0 0 0 0 0 0
T P sonorous I

Ci>'l>!" ;'!trc;:: 1._ }n a hParJe, D~~P;.SH} liiii.F-votCE~


WH!Sf'fl~- af'~icu/a:li.,J lhrcujh co"-
sona.nf.s ex.f rdmorf ma;u'mvm .r,o~~d:
TON6Ul -1CT!ON;fa.r.riffg lfJ~PIIgh co,.,~
SOHC!~?f..S is ~Xf'/().t/r~. !Nottlt10tJ.$ TOI~
JION prt~&/vc/r,~ a Cff()KIN6 F .CP~CT.
WIND

STRINGS

M slowly, quietly, expectantly

CONll.B

t
TUTTI IMMOBILE, FROZEN
f
...

PIANO
I
I
___ Ped ___________________ _ I I
----r-------------------l---
1

P€RC.

YJOLA

PANIC & TERROR swifch gradually fo expression of froJen impassivify


aculer fals•ffo
.lalseflo > shriek
shriek
SOLO

I
I
I

---
I
cj BASSO
STOP I
arm jree3es in mid-air and sfays fher~ vnfil pizzicafos are resumed

----0 0_...-----
I
I

I
VCCak l. Tlte me,.,bers of !~e e•ue ... ble ,J.I,af h•.- .,.,f
prcr:lvcee:l a11y JDVHcl .ro fqr 1:~. everyc~-t~, with
the £;ue,-f.fplf t>/
C(),.,c/vc.fcrJ pio.l'f/Jf.) ptrcvr-Jic,i.r~
v/tt/iif~ barite;,~ e:t,d dcvb/~ J,~ . r.r !lttyt~ wh/J;~r
.J'LOWLY1 #CII~S~L.YJ LOU]JLY ,~ r~c/.,t.;,.~ cltffu~e,.,-f
.ucri·~' •/ ;ht UXT.
,----,
I 13
L_T_j
I

72"
I
I

VOCAL
PART/C/PAT/0 r.l
WIND r.l
STRINGS r.l
...
1

PIANO- __ Ped _ _ - _________________ r.l- __ _


PERCUSSION

1+----------------48''-------------------+
1~------12''~
hypnoficcrlly

VIOLA
I
~2~
I ~M
I
I Slowly II choking"(sfrive forgrcrdvalcvmvlo.live effecf) f'(gasp) I
1---10"---1 2
I ~lJ::!eouSM)NeToToN D..IJ:i ara LLaGJ:.iiNPoNoN FRouRa~;,T iaS M i KoSiNKiMoMeN~
SOLO I ~ ':..-.(shriek) i( i- ;t" ·- 1

1 STeG!:!eSaTRiDTHoN aNGai!:!eNKiNoSDTHiKiNaSTRoNKaTiDTHaNiKTeRoNoMiill:Ji/
j -----;q.-44 v NN ~II
I t ·- f f :!:
I R iNKeTouSFeRoNTaSgj iMa Ke1J!eRoSVRoTiSLaMBRouSI:Jl.tfiNa ST aSeMPRe PoNTaL
I
I

impas-sively
M arm acTion as in eve 4 1
piz:z I
cjBASSo~-5"-[-5'-'~[ simile I
· a~---cr·--~o~~o~~~o~o
sonorous

Body 9nrtlval!y fremblihg will. effort.


Fur nof mcv;"-9.
He arficvlafrs hir TfXT l~r•v!JJ, ~xtrl!-
1111! f~)f.tioH -~"vnel/l1j C'P/IfJ~hQ;,
fs tHd!J~
y _II~ .rl~rlr sl• ..,ly*- "'"i~-
fXI't OS/ Vf t
ly HJ, .UuHd of lire ffl•rf ,; hrt>rtf_ hr tl•~.r
NOT Jt:!v><d lhe Pow~'/s (eg. [_HSMNTrNl!!f'·.)
ff.r ftns/"11 /~rcrta.J~.J Sll,.,~ VOIC! P.rca.p~.r
fN<<fi•.,ulfy rrl!ry How .,.,tf l~rn- CI'(0J(-
/NG-·EI'F£CT _ aiJo lhl' .rfl'td ojlhiJ "d1e>kPtl"
JfU~h JJ i,crl'erJ~d .... h~ 9rcw.r r~dd'~r """'
redt/U._,J!!if/, s/tUr t~'1SiM cr;u( w•rf
Gtt.spfi~q chcl(l'~t_!S !!re~w l~>tcrf'Ja.rln5ly
/coJ</rr. The sol.i.sr /afer(cue {-4) em;fs-<tifl~
/qp~J,.r ~r~I'"Y '1colt' 4-Hif '/h~"".

When. cvfhvrs~c/ Tf-XT Jdivery <U'# pro-


lc":!e<l, )arp Nfe«f(.,!J f~ t T~xr wil/,cvf
I( ;,,.,Ak (t:v~ .2' .fe>o),
PeRC. _,_lftc:;, ~ j·r·'"··
pi ercing/y

a.JI dry high saunds shake. OHCe


rr.;sh
drum
,_j bass-
~osifion
i

NOT fco loud a:f /t"rsf

VIOLR viola conhHves \local parficipafton

'tt-
cvmu/ative effect wilh no /el-vp
growing increasinofy hysferica/ as he
cvmulcxtive pcxnic terror -no. lef-vp proceed mfo
xi mum hysferta wh1!e sfr g-
"'"'1
_2,'--.~41o1M~' '"::~·
glmg wif:~lext
1:.41 sfrvggles with words~ thai will nof form.
0 00
'••' HAL
SOLO
eTH eRiaSTeRaSoTaNFTHiNoSiNaNTolaS
- ],· ..>- ~ I< f

HI
LRuG'
f

GASP
I'M-
J
,J
h
f
'Rue;;,!"\
,l Nf'J ..i~MMM -)_ NN ~JI C, .1 RI€K
r ' ' ,.
TeToNDTHa PallaGH iN PoNoNFRouRaS A-STRON KA-TIDTHA nikTE-ron omi-Q!:!IRIN J
- ~~~~~Jr~-~--1~~ I" 1.... 4[
lovder and /ovder I
JJJJ
maxsmum

cjBAs oL()~- - - - -~ ~; ();_- - -_ ; ; ; ; ();- - - - _; ; ; ; ():~L:- ~c~/-b_a~s~s-o __c_o_n_t._."_v_es__v_o_ca-t~p-ar-1-ic-ip_a_t_i_o"


__________________________ j

-l The speed(I'H.3 rot'ct*.s "'/!/ r~eulfr",., .f~e f)·01:'!:3


T(-XT prov/r:/ed, lact, per(or,..,er w/11 r'Qd i
fcr«pe ftj~tiy, /«n"i"J c .. l ;" 6•t4 d;..-nli•.,s
c:ac: /,fiJe. The fr~m·r ,v.s-1 6e ~¥-/r~mely fa.d
/H CI'IJ /,_,p('r..Je>HQ I
q,.,t:l v~<Thvrri~t( ,.,a, H~r~
Perform fhis o11ly q_g~,,u.f. ff.,t h;_g), rts,J-Ier c/
Jiruf;, 5 ;,.,.,.. /,t"J ~>r hfr "w"
drjf't>r~nf _;e;/~t
..rfr,"n3.S.
/,., ~~' T€-X7. WlreH -lite TEXT hru 6ee1-1 exhau-
sfl'c/,it wdl b~ r~p~af£'rl,frt7Ht -lift f"f, vH-
ittl~r,.vpff'ci /!I J u~l-;1 -fh f' .rl're~;, pQ fl ern .t",-dr.r
{YEN IN TliE YfP't l-OU]>-VPIC!J) P/fffAG-E~ t, ~~~,:.N~ ftiJ cverc< // ovfbvr.rf /J /,''"' furvf't'd a or"td& by
Tflf J'Pfl/kiN6- TONE WILL Of lfl'JPA.r.t";',l£) a jorrvard ~tv)Hgr·,.,J cf I ~ vpper parf o/ h,J b~cly
IMI'€~SONIIt t>"d IINHVR!llfl!. (jrorn the h'l'' "f> ..,;,. ~ f,.ir/ lro"' lejf lo r',shl) 0/f
f«.tl ttf I'_Jhfnory: cz foo.-q_,-/ Ji'YDL)I'~.J(o~He) hu ..sJtovl-
2 Each parllciprurf ('/ /Jri.f VtJ(a. / pQf/er11 will d~rf p/vng/ug t/c..vHwords ana' ..swet'fHnj ~~IJ.,cf t:fJ he_ .
~mif ctn VJJbrolan .St--U~SI/D~-1 of .si_JI,-Iik~ c-ha.nfs- oui--f~rcc/c~~lf 11,.,.; ,·.., p~. d~~p Y•tcr,--rh~ wPrd ~~01 ' ~
1

exJ,a/a.flo11s wiTh Yt!r!l ..rojf i'Dice ai f/r$l,~rt>t­ caf,..,'.~~ )(• •x,H.I~ ,/(fh•<>•r.
t:/t--al/y iffcrrt:t.slny .-olu'"~· Th~It! slghr qrr(f•r J his /11 wys Foi(CEFtJLL'r" c:tl fa.Jf· a/ pe>Ut6/~- .;;.,~~-, .
;::.,,...,,(;a:f~/!1-w/f~ "~~' fHivJI ktha.f.soevRr-rtJvn,~f h;.r
/-l,r mr:t/t-.1) 1'rt ~,ctlf~r~d f~,..cc/t' vcicr, Th~ \~~·:,, E
.sfrve.fvrt if «f f"l/cw..I : c""""/._t-lve cvT-IH~r.rf •
picio.-r~ 21 c,',,·,.-.,• 5 Par-r,·cipP.,.,f! cf nese l•ccr:rl ;a!lcr'7.r, wh,:; r:"~~ w/ .... d" "-.(
s-Ir/~! jJia.y~rJ -.-a' tiH"l' c~eft.-r..lly ;Hrforn·1fnJ ~ -n...-J~'r._(

~ .. ~ r-:;::: b . ______ P -------- '::1


a%.J..Ii,, ~r 1"-- G:--1''---.;:tJ-o-o-
!',. ""e.r"' (hl~rh jc>tr f.;£ w,·,.~ c..,q,' ~f...,<kr f#r It, r .rh-,·,, s)
.rhc11/e/ a/.f.~n.--.1-~ ,_.,.,;~l~o··vl'fedly 6c fw£c~ l-1.( '"'"(q I
5 1
TR~"-A- T~RRRPRRMA- PR~ R 1:1. R.RI< &,-;,d fht ~vs/ca/ p~ -flerru·, o.r ~1 ,s.,lro,..,·..,j }t:>r <\< d€Jf'€1"'1'Cf€
A B c. .D CCI?f.;nv/fy ~/ 6c.f~,

A -lclff"~-1/vf/er Cl_5q/~.rT ptdrrf~ 6rruk/uj j,,do


""wt./ ''A".
8 fo"'f."'~-f/vfler t?_ga/Hfr pttled~.
C 1/p f/vfT~riw! DreQ/ri~j ,Jf"i,., Y()wt! ''A.,_
]J lip fivfhr;N.! .
kUP RE!'f,I,TtN5' IN IM,.1>0hl o<tcauoew.
I'IT l.OVI; Pl)}Ni iHEJ~ CIUF.f SFcoi11F
08IF.SS1VE WIULS (i ... fC(I.st.-!io for,~,.,).
- 3"

fiH--..

WIND- -- --
---
I

m
I

J~"''""'" ""'"' '"""'~''""L_


!

c ; .. "' "' '"' "............. :;¥11


c _ _ _ _ __ _ _
I

.J. - Fa·f f/xed 9/v€d lo floor. 4 Snatch svife. ble o6jecf aJ?d raffle Cl!fc:t/MJI
-Twin' hips.R~ghf shov/der /orchin3 dcwn- "l'l'er cuul lower 6a:ck feelh _ a f .fa.d rxJ poJ·
Wa.rds fa fhe ltjf_ lowtY"iH:J bod:;; Th~~ sible _ prodvcin3 -Ioil in !J • rc<'H li11_3 lrel?1 or.
C!ITIIPCJ~T hack ,Jw;.rf;~j hi,N fa ,<J,e
rigld.lejf.rhovMer lvrchi"5 sltjidly ~PIY<:rd.r
- Ref.vrn ~Vii-/, r:shf Jhcvlt:lt.r /vrch/H_g -l~w,.,.
~Yqrt:/ r C1.J4 1~-t,

-K~~p DH rep('eri/~J n-/.J), "'' breR..k ,., "'ove-


,~~f ..J-1-qd veri( (t<ff, bvf arre/er.,fe f.,
lf.IR'Xt',.,v""" ;Jo.ri/b/e,

2 Wit~ t!rzc~·f>viff .f." thE. rtjhf a word i.r _


throw~ ovf ed -lop ;-o/v...,•-CHI?NT-LIKE''!:
(chooJe er JDnorovJ cle~l' rr31'.rfer Dnd
sft'ck ~, ch~se~ pil-e~). The acce~tf "/~ad,
WDrd tJ ~xtr~rn~~ heavily qc-ce;,f~d wt'l-1,
« powerjvl €.XfJV/J/~;., oj at'r. Th~ vnbroke~r
.r~..-i~s b~gi .. s eKfr~me/y fa.rf, bvi 14 e .rl"".s-
gle u fo develope eren fa.rter .rpeed.r- O,B ·
S€-S.>!VELY.

3 JiJ.,ce 1-he rigid '""'"" k--tl/ fr~rve~tlj' 6e


ocn,l'itd {l'eifor,.,ing f,yvrr.I .,.,J!,.;.,;,..,o)lh~
lefl qr;o, """'Y .be "sed oe<c<ri~,cdly,frul:;.
WJ11/e ..fire s/o,., c;r~"lar ,.,p,t/,,., cacn be .rub-
.s·hT{,/ht:l by .rlow ar,., /'YQ.'Vi~ q,f. t""rrlnelon,
et.na' whe,e;-e.r h,f /~rf.erf~rt'ny >wt".JJ, ec~f,cz/
p/<tf!/ng.
~~~9"--------..f+----~15'-'_ _ _J
1201 [21]

.....
~
~ l-3"'-1~2''------+l-2"-------l-1-"--

srRINGs -/~111111111111111111111111111
M
1111111111111111111 Ill slowly, impassively
Ms s 1mi 1e o ;

. COND.
~
t
Jl
ffi according fo Conducfor
RED
I
conducfor's VOICe
cool ti<APASSIVE, risiHg
sltghfly qp word is
sf,ghfly drawn out 1
YELLOW
onf7J jvsf aua'fb)e,

:
very dis/emf always

!iE raffle 1

'""' -~:~~~~~:~~~1111~ 1 1 1 1 1 1 1 1 1 1 1111~- 9"-~1~ 6"~


P€RC. -/~111111111111111111111111111 111111111111111111 111111 I
Tots in eve 1
VIOLA

very disfanf always I


I
2''- I

SOLO 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 i
slowly tmwind f o - - - - - - - - - - - - + - - - + -
0 I

'1 iI
I
I
I

cjBASSO

' \ ~ ~

""V. ~-;~ I IUt'/h a-.,Y . .TPilable r:>/;jecf, lr:> prcdvc~


et drj! 6rtft/e ((of1cr&!.-le ,n,f. Hrnvr/cQ.I'')
ralfle, a lrilliug ~ffut_ l"llrf/t:uf
'IUYcv.s fr/1/. If /"'.r.rihl• <rJ>«i><!f "'"Y
.rvlfc:tlde pa.rf "j /11.rlr,.,.E,.,Y.'.r .rfr,_,.c.fvrt!. ..
:2-2~
I :J
---1
I

scrape or raffle anything appropriate


I
I
WIND ~~~~· r.l 1 ~· r.l ~~-~- - - - - I
I
p P I
according fo conducfor I
fip of bow simi!• I
I
~ ~~
VIOLIN! rL_r.l.i__~ ~~...,__----~
--===.pp ::::::=-
according fo conducfor
-==p ==-
~ 3 "-1~-r-1-4"-1~7"--1~-s"--1

1c£LLI~:::::::.f.~~-------------------------------------------------------------:--
: PPPJ'
1limpassive!y, a "static climate" ~

CONI>.
i[ij ~r 1-l 11-l J1 t
condvcfor elrctfs an occass!ona! raffle or
scrape from single players
~ I

]1\lJ~Ill
Q. see cue 3 ,percussion , ~
scrape running ruler
crgamsf bolls, scrape
:

~ ' illll!lllllt'l!llill• ~lf le~:vre!:J I


1
2
PIAN0
;;,pox. •lill!llllllliilllll• 1 " I" acror.tr

pp PI' 1' ~ p-'- :


hd __________________________________________ ~--

raffle
f<:<slra/1/e anything
brdfle sovnd
~ I
P€RCUSSION
IIIII ~ I
p p'ff'
according fo conductor

VIOLA

SOLO

cf BASSO
I • I

C"ontlvcfor shakei b•acls ;, a li/li11f


ff.->eH.ewf "( hir '-",P!'ed /ta•oi (h~ Jl.o-
kn h~ads 3-4 1-imrr for a.hovf ff,_"
t:t/'~rc)t'. Ect.cJ, .f/,.,._,~ ), ~~~ f'VHCf/.H.l feF
h/.1 J,~,ul.r 6y ~//c/..;:i11.ff Q,., Dr:~Pt:.Iic;.,a./
f'"ll(H/e ~r Jcrt:¥/'e fr~n. .I"In~l~ pla.y~r
(tKpctr"f frP,., 1'/q..,o wh;clr iffl,Pr'gi-1/J"l'J
ifJ OWl? l't:t #ern and a~arl frP,., VIP-
I<:< ,..,q'
cell•)- lit p~i11h .,1- '"'<h ad,.,/y
et f r""r:ID;,., - -r I !Lt".rvre/y /;.,ferYt:l/J. O•-
Ct¥J/cl1al/y h~ pcf~t·IJ t:t.f .fwp 1'/t:~.~er.r /11
f"/~k .s~.~cc~.r.rick (alwa.y.J ~q/~ly) ln,r} JhL
~,.,f/re !'«n'er,., ,.,,uf 6~ ~-~~hvrrild.-ln-r­
l_ctJJ,·,-e. ihe aYer«ge /,.,Z,rvt:t / b~.fwt~..,
fhuL ~ve,f..r is {O" t:r;'l"rox, bed a n-,/rti-
111_1.1~ t'!?~'."() C( n•?elf:X/fftVHof till
f5Net'JI,Pr11X.
!J'¥~J th~ od·erva/.r .r;a;, jrt:>,., whicl,
It~ t;Qr, t:.i?DDJe «I- rt:rHtiDr97,

fl
1221 . -------~~~----- -------~~4J
loiiiiiiie~-----2s'!____ ·r 2o"

~
p;,t"·
q Clar.

lOb.
.

!:: r.sr.
..,
"'J
--:..:::~
-
~ t

.,-\,. -

7f:ff
like a
screarnmg
s1ren
_
resume raffles or scrapes

' illilliP· r.1


1
I
according fo condvcfor
r.l llllilllllillil• r:l

I
V/Ol/NI-~~~------------------~-----------~~--
(?j.;V_P)
I
=-0
via sord1
V/CWJ /.?.?_P_Pj I

a womanY~
scream
..
'"
L ·
in imifafion ofup-
acvfe scream
::: I
I
.r I
1_~ sliding siren f

1 -7!!!. r
I

as before, sparsely
I

PIANO r.1 ''illllllllilli 1


• r:1 ·ll lil l il l lil <• r.1 = r.1 = _
r:1 '=
pick-vp rnefal cups'=
I
1

_ Ped __ ~]_ _____ - - - - - - - -- - - - - - - - - ---- --- - - - --- - - --- - -r-


I

PERC.
lililllllilllill·
VIOLA

l
SOLO.

arm action only as if performing


slow regvlar pizz of cue 4

cjBASSO

c/bewf)l Fr~ ..3 ;ed!~ f•ur cv-fb,r.d of /rre 9 ~!ar


figur~s a.crcJr en.f/re regi.rfer1 n--ild leal's,
cascaele:r) "Pwarel rvshing .rpwh ott n:.-1 -
e/D..,.,- l'"~<<fvaft'd ~t o~te. cr .f>Yo l<>1ccks and
slaps tnt ;,,sfr<JmEMfS wooel"" .rfr~ctvre,
l.f;fl
-----~:r_j

Pic. fl.
1:\
3 Clar.
<:
- [ Br.Ob.
:S: Fag.

STRIN!5S

CONDUCTOR

PIANO

P€RCVSSION

VIOLA

,c-STRrcl<
.._~~o_,
SOLO ~ __, //11
PAN ENs

r r ,. ,.

{arm action J impassiv~ly


/
r lb,eous men !)_to tol)dth '~palla~J_!lin
ponon frouras etras mrkos, In kimome-
,

\ I
/
' \ I

;t \I
j\
C /BASSO I I
/ \
/ \

~ ~ !:tt1 _,

'

4 Short ''sl.ri~k.r • force cc<pa<if!J • / i>r.Sfrt.om.-nf to >'he


crrrno.If. Ocr«.rionallr, '.shriel<•' are /ollo ... •lf by /11M1en-
l-ar¥ .,...r,tJI"ff~rinjS., e:rcro.rs~n-1-/r~ r~!JiJ'ftr, J,vf "shrieks""
shcvl./ ,HIY,.;/_ !'i•rc/,.!J/!1.
132i
l__ _j
15" 1-"
I

'
approx.

fip of bow?sul ponficello

VIOLIN/

M

COND. coHdvcfor absolufely impassive, fro:u
vp fo fhe e11d
r:-1 3~
/. -
/II'.._ r.1
as before, only 2 or3 fimes vp fo f e et<d
E
~

~ ~ J1!111very subfly, impassiYe!y


q_ ~ Ill as eve 21

!L
.scrape

~ 1 1 1 1 \l l\l il lil•
bo!fs
PIANO
r.1 r.1ruler -=._p •lll\\\\\\\\lll\\l!llill·
P.f
-Ped - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - -

"" T :ff!Jz

VIOLA

t " I I
_.::;"1+---- 2 -----+1~ "1"-----+: I"
7 I I ,~2'2~1-..---l!j'---~

i SUDDEN:
"''"'!~LEMNJTY 1
:
T
I

. .,. l,,l) ..."


&. \ / "
()"a \ 0 ( 0 \ 0
SOLO \
~· ~·
,
A-S-TRON
'
KA-TIDTHA NJK.rTE-RON
!-1£{-~-%''~ -~'-.1+-fr:_l
spoken iH deep solemn loud resonanf voice

I. Stan. fixedly al.e&(.cl.


011e br,ud ge.r~vre fc~#fh,r wil~ f4~
d~.~,.af/cu oj Wl'rd1 el'.rcr-t'tn'n5 a (t.~!/
c/rcle.

'(i \)\; ()J, 2 A <c>?tinvcvs s-Ire a,., of a <t>H.rtawfly ra,do,.,


svcc~ssiu11 oj nof,.s wi-lhiM JI'Cif/tul al'"E&t-IIT
f>11/Xth/U"1 VUOCITY IVHIU !!ow If perjcr..,ing
~xire..,t>I.J! r"'piel fr-e,.,olc.
r: --~

04 ...
....~~------26"·-----~~~---15"----r ...
I
I
I
I
I
I
I
fip of bow (fasfiera) 1
fip of bow, sui ponfice/lo, as eve 30

VIOLIN!

1---1''----->-1+---4''~1 1"----1-- 8"--


*01 ( ...
M

CONDUCTOR
/
,~·
Ill'
'

·llllilllllllllillill•· •tilliiii\\Jlllllllllr·
PIANO __ Ped
.f.f svbf/y simile
------------------~~-
1
I
I
I
I
I
I
I
I
I
I
. . I
tmpass1ve always I
VIOLA I

SOLO

C /BASSO
2'~lmt sub. cresc poco j Ede ouf

I 11"------+....---l"---~--
appr.
7"-~
appr.

I
I
M
/------.--...,\
t
,r~eze,,,,,,,,,

COND.
I
~
I (\ "'-- / ) ./
~
1--s'f
I I
IL
wifh oufstrefched arm
- describe circle slowly ,
I llllllllfll•...(aff"' so/oisf's "apaila€Ji ')
svbfly simile I sim. I
PIANO __ Ped ____ - - -
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F R 0 Z E N (except
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VIOLA
jalseffo in
baby voicel

d ~um soiff/ 'I


r~
,. " T +
rise slowly from sfooped posifi?11
mfo pwno
t
Freez.e•••••••••••••••••••••••••
wdh palms fopro- r
duce a sojf rumbleAPALLA@t!l

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h..,~ ft~ne J. Spea.k i11fo pia.,oforfe Stoopin !l .ro a.f I"


alntcJf fo.,ch Sfri~-tgs will, "'"'"".,Ji).