Beruflich Dokumente
Kultur Dokumente
1926-1970
~~The Baritone~~
AITPONKATOI.D.ANYKTE PONOMHrYPIN
THE ORCHESTRA
j THE PRIMARY GROUP /aiel ovt in score under conduclors parf ·
a. BaritoH e So Io
b Pian oforfe ~. GraHc/ pla:noforte wifhouf corer. Pia nisi- shovlc/ 6 e S4lf'-
· f/iee/ wifh ; pidvre 2
i a slul p/ulruWI ~(eves 13,:Z1).
i. i a: flat ru/u-1/ke~ e/ic.i.fin9 a .stm<>rovs sovnel whc't
scraped across lteacls.f..£. stri~ holts (eve .21).
ttl hv~ .Jmal/ m£1al cvp!'g lhat cct., be f/rmly he/d,o~ote /.,
eifher h<i.>tel, jor .rfrikiH!J r/msfled a9crin.sf str/ngs (cues 25; lr).
cViola.
d Co~frabassoflwithcvf bow-'/ possible supplied with deep C dring.lJee,c
. sfn'"'!! is funecl dow11 to B ncdvr¢/.
e Percusston (one player).sv,c,cliefl._ l<fif.h:
i a sled p/ ecfrv""' lfi(.:tJI!S 3, ;z) ,
l j, 01 Se/ecficu of ra7rles «Hd objecfs prt?dvc/Hfj «'dry S~nt7re>UJ
sov11d, also flat meta./ .faHtbe>vri'1e d/.scs, a11d 1[ ,co.r.r/6/e ct
chai.,-sma/1 en_ov.!ih ·:for" slraki;,!l (cuv 13, :U). . .
NOT~: These objecfs fo be dislriln.>ttzc/ 6rlwe(';, llu '1-.v .. po.sd'"'"s ji-c,..,
. , . wh/ch percvssitn1/.rl plays.
l l L act.rfe cy~nJ,a./ et.Hd nreeliuHt cymbal (both Sl!spendecl, a He/
mec/ivm go~9 (eve {:5).
i V Yer!/ deep l>ass dnnH (gra>< cassaj-1-ite 1-rrgesf model qvai-
laole, if pcssi;,/e{we 16).
V <l 11ri/ifar!l .sna.re-drum_fa....,/wro milih:zre{cv~ 2.5).
POSITIONING- OF PERFORMERS
'!E__posirion
PERCUSSION
a
{:tf<zn<lin!J}
raffles
ohjecfs for scraping
* SCil TT€R.
ThiJ applies 1-o group perfPrminj
t::f
lh~ .>etme paflern(P"f.Ut:f'fJI!l). The sig~
dirufs each membtr oj.fJ.,e 9r""l'
to cr:~.rry pvr 1-b~ p«#un'r sp~(/jt'u¥
tioHso¥1 hi.r 0141., 1 to !r:> hiJ inc:livi-
picfvre.
Jlr.
(2
~~/<UP IMP~DIII!IIVG-
)~ Tlte pa. #ern i.r i ~n;;r()vi.re:cl
vp~11 c:r.+ rcthele>n. vp I-() .fhe
pqi11f. .shown 6y 11-,e dvrr:rf/Pn
tva./ way q/r:mg 'lh /..,J~;e1'1<iewf /11dicat.tor. (The rcu,elomHeu
pr:d·/, o/ OWit SfJf;i1'fqi1~C'IIJ i11Ve11fig'?. rerv/Y"eel /;y fhi.r cr:mfinllifJ s-lj~t
The mr:tin chctrr;u..ftristic ai~tt~PI a f i.J alwc:ry$ co~odrol/~cl by~~~ D~,,.
wifh :..f.~e'scrdfer"proeeu is -lhe fl'o· ct./1 .sl'ec,f/ccd-ions rt.Jih1!J .fhe pod'-
/ifer«ti~l1 of coM/corlly fh ijl; n y terH .S() f.hoct its t'clt>n·Hty (.s neyer
inclei~rmi HQfe re/c:d/onrh ip, ach/~11ft:/ /o.rl- si_yhf. 11j. The SIJn +her~fr;~
6y compovt-~di;,g rlu vn/9ve eul,"vi-li~J mer:o's: J<~tP /lhPROYI.f/IVG- 11T
o( ~t:tCh /n~l/vit/1/r:d Ce;lii!Jhf "f /v, ot col- IMNDom WITHIN THE t.JmJT.S s,r
/ecJive tu:tfier-~r)ik~ .fh~ chirpin!3 t>/ . S 'I TH€ OIIEIU/LL SPfCIFICA7lONS,
mco1y /.irds, thl' mvrnwri~g 4 ot crow~ p 1cfure 14
" ,,
1-he frun,pe/l'l?j t/ 't f/"cl< r/ g~e.te~
fhe llttcofJrcl/nafed maV'emewl-.s rj
"--======== rft D~- IN
from ''3 e ro " l"D !t..~ m t>
peo,Pif i11 a pvblic sfvare, or 14e
sov11r:l o/ .fhe/r pet nick/ 11J.
p/cfure ({
! SYNCHRONISE
ThE opposite "/".rca ffer ·~ T~e
sign cedis l"r syncJtrowiJed per. Mt-i 11 PR II X JS
J(;)rmt:fnCe. The performer is rer"irerl .fo
cr:t:rry ovf em cr_cf/e>~<t {I'!( A X IS)
STOP-1:>EA:D wh/ch fakes h117-1 "beyo11cl" (tn€--
Ti1e cvt- nw.s.f be Sf.ldde;., &'l??el rA) hi; norrna./ fvnc+ion.
cDrn;le.fe., wif.~ nD fl'&~~.ill;,_g cJ Jfv, ,-11s.frv ~nen Ia. !/.sf. plali 11_1
rmj,'ntJheel n-,er-lerir:r/: a;, ()(brvl'f his /tt.str"menf cl11r/n_g the couru
ancl foh:d 'swifcl, ·o/1". r;f Of Cr?/feft't perforn,Q nee ,.s a
Praxis I bllf ;f he i$ also reruirtu:/
PITCH INDICATOPS ft; walk rxbou.f,.speCik .shct.>t" 1
1. k'eep perform/n.J {J,e p~#et'n scream 1 ge.rfl~vlafe, or perforn-.
throv3hovf .fhe. ~~"'Je .!'f'!cJj/eol, CfhY "Mer acfi"n vJ~tchare:rcferi.rflc
i11clva'/n9 l);e /!mit nc,+es. oj 1-h~ cvrre;r/- lo_jiC "j hi.r caf~,yory1
fhat r:e>vlt:/ 6e ot fl1etr::~pr&~ )l.i s .
•
2. Ke~,c perjt;r~t~i n3 the ('e:t#ern Th/$ «cf/f) n /s If~cif'ec/ (conclvcfr:>r
fhrov_ghovf 1-~e enfirt reg/sfer: eve J~ /:Je~ss eve 4 1 piano eve 6',.
f01t:fvre 9 @For forlher i~fe>rmaficn on fhe n"ta.ti~n
()j
J.Cnr/.sfou .see -1/J" QHd "ENIINTio.
"PIUIXJ.S FOR
DltDMM "(J. 8< W. Chesfer, l.t~wdon). See also 11Uljt:JI.-
zine ".sou~tc£ ·; N! 9, 1969 ,Sctc-ramen1ojCalifornia..
TEXTS JN SCORE
Texf jor 'Baritone (/11 Gr-eek): /11 £H!JIIsh :
9€0Y£ fl'I€N AIT£. TfZNA'IjTfAiu1A!J1N llONEN My crt; to the gods /s for release frci'J?
t!fOYP/1[ €T~~~~ MHKoi, fiN KOJA1P.MENO:E this yea.r-lo113 wafch. flere 1 on fhe lttr~i
IT€rAIZ ATPEIAEN ~rKAG€N.~KYNOX AIKHN, dcres rooj-fajJ, 1 keep folloUJiH!J .J.he mo-
AITP!!.N K4TOIAA NYkTE-PEN OMHrYPIN.} fious of t-he sfc;rrs erf ntjh~crovched on
Kill TOYI ¢~PoNT~I XE"Ih!A KAJ !JfEPOI SPOTO/I my elbows like ei dos· Tltose lvmlnarles,
AYNAIT~I,EM!TPf'lONTAI AISEPI
AAM!TPOY.I /JriHgi~tg cr6oe,f oGJr wir~fers and ovr svm·
AXT~PAI, 0 TfAN t1-GIN.f!.:S:IN~ANTO/t.4.I TE T!2.N ... Hters- fhost? stars, wi.fh their Wct'</Hfl
ctHd thr?ir wa Hin3 .••
AiGx(J~ o CJ ''oP€.IT€ lA ;,
(Ayaf11,uv(l.)V) G"r. 1-iZ) ope11/HJJ. o/ 1/eschy/u.s 'oli'€STtl~
(A!Jal11~ml7o~-t~ I. i.-TL)
I"
= I"
- , ,.
-
1/STRON KATIDTHA NIKTePON OM!GHIRIN) GH = pronounced crs ct so/f. GJ
, = , , == , ~.s.for£vJ1HiH (!;,g/i.sh,J .I:Jvf
1<€ TOV.S F€f<ONT~S CH IA1-4 KG TH€-ROS VROT IS with 6recdh escap;";-,.3 pefweeJ1
., ,-== -, , fonque &!Hd pala.fe
L/l/118/?0US ])THI N;::}ST/15 €MBR€PONTflS ETHeR/
, , , 1
, , CH = ,oronourtc~d a.s '' ich " /;,
f/ST€Pil5 J OTI1N FTHINOSIN, I(NTOL~S T~ TON ... German
SIC9-NI11. TO lf/31}N])oN SHIP: /J10f?€ THfiN SIX SHOI(T ~ kJith the exce;:Jfio11 of .Jhe Dari.fo~te
IJLI/STS FOJ.J.O'W€1> BY 0/'le J.oNG 8LilST ON THG SI/?€N1 so/o.~ of covrse,ha(f of .f.ho.se co;,st/-
SUPPL.~nt€1VTE]) BY 111€- .SOI.INIJtNG- oF OTHER IU.19RIJ?- flJfit-tg Me ~lffiYF e11sem6/e will fake
IJPPIJIMru.s. ~/~N"i L FOR S~/?ICW.S FIR€: TIYO LoNG fad in SjJectkiH!J(i:ve.s 13;.24)aHd whi.
BLASTS ON Til€- SIH~N~ CoN TJNUOC/.S I?IIPIIJ RIIVG-1N6 oF .speriHg(Cve IO).These wi/1 Pe se/ecfet/
TH~ SHIP,S .Bf!-LJ...S IJN.JJ SOUNDING- OF ()TH€R ALI1Rh/- each til""fe 6y /he co~-te/t.Jclor,wifh &t
API'/IIMTOS F'oH. 11 P€R!o:D oF NOT ·uss THAN TeN Sc- view ..fo 111ctXiH1UHr Yt:lrierjl oj ;;cdu-
CON.DS. WH ~N ONE OF A80Y€ S 16-Niti.S IS SOUN D€ 1J, ret./ Yoca / fiv&t/ify.
TH€ PfiSS€/YG-~1( Sh',IJ 1.1. PtJT ON THG- LIF€-./11CK€ T) --The ofher half oj the ~Hsem/;/e ~~,>///
WHICH IS IN THe Cf/131N t9NJ> (jO To 11 /l)<J.ST€1( 57/1/ION, tak~ part iH "//1.1jtfered s-ighs'(cue 13)
ON iS oAT .J)f.Ck, Cr9f./J1/'I;!-SS1 Ol(.JJ€1? /1/'! D ]JI.JCI PJ.. IN£_~ a>u/ ".r-/tr/eks"(i:ue 26).8orh .fhe.Je
19R€ IY€-CeS.S/1/?Y IN C~SE oF' €117GI?6-E-NC >'. groop.s Jnov/~ poS.IiiJ/e~ cr.Wr«irt fe- t/
H1ct/e and male rolce.s.ln parficGJ/ar,
(explcrncd/o;, of .rounding of alarm- fhe .r,oeakiH!J !rovp shoulder/so htcllJ·
ctp,JJttrcd·us oH et siu",D ed sect_ inter- de a dee~ male yo/ce cmd &t rather lti_rh
11ario11ttl HtetrifiHte .safely regulc:(- pifched -lenor.
fio~rs) -If
&~ve<ilei/:.1~ 1 ~-6 »remhers-11of nece.s-
fctr/ly mvc/sicms-maJI fake pari/;, lite
1/oca I pctrhc/pcd/o""'(rf)~ctk,·11,-,flvlte
recl .sighs. efcj fo rei11jorce if.
- F!t-ta.l!y,jor a'H ectsler r-ecul/n!1 of
lhe fexf, a. I/ f,4e ;;erjormers(excepf
lk<? tJCtl'/lcHtej Cet.H be provided tv;fh co1
i?tdl""ldual card; as;de .fro»? lhdr p::rrl.s)
Oft Which ,the fz>xr w/// J:,e tvr/1/eJt /H
l4::rge pro·d.
;o.se.
COM POSER'S NOTE ABOUT THf WORK ])
£DI Tl NG NOTES
ANA PARAST/1 SIS I ('/fhe harlfo~te) was Cofflposed /;-; cttrtcHnJ.-t
cf-1968.
If. l>e/o~tg.s -lo ct grea.f c;~/e of works o~-tcler lhe genera./ .f;.j./e
ltN19PI11?F1ST19S/S, The coH~oser coff1p/efec/ rHr:J
.J.he HN_.t1P/tRIT-
ST"'S IS llZ ("fhe pial}isf; eci.J&. W. Chester, Londo;, awe/ .Jhe prese11f
WC?rk.
It was .lir. rJ. ;;eifoo'lteel i~t 1'11vn/ch> 10 Novef·fll>er {968, b_t.; -/-1-;e eHJeffl-
1>/e of "ifvdlc fi/r NetJe fllL~sik" w/.,tl, lhe ot:1rJ-fone Sf1.Sakkas as .st>lolsf
v~der .f!Je d_irecti&>H Pf TA. f/;rfo~tiou. .
Stn;e iheH. If oh&ts 6ee)1 pe.,..formed a!!Jctln /}1 A/hens) Ufcth J'los l?n3eles_,
Ph;, ere/e/ph u:t ':lc . .
The ;;re sertf }"rnt oj.fhe WPrk 111C/£Je/e.s all .J.he cr;>rrec:fit>t~.S e~nd a /lem·
-fions fhe co;npe:>ser Jonr:u/e 1'1 .Jhe score etfter -lhe jir.sf perfon-nuJ-tce.
Pla!/iny flhle : IO mintrfes IC/;OT&JX.
N/J<os Avg~ri.s
,c}theHS - 1 'f) r 2
r---1
'4
I
L_r_j
I
1o%"
I
I
VOCAL
PARTICIPATION
r.l I
I
I
WIND
r.l I
STRING-S
r.l
M6
""""'"' T • speak 1slowly, impassively
resonant
wooden ejjecf
PfRCUSSION -~;~ I
.1·;;_~""'"""""""1111111111111111\llllllllllllllllllllllllllllll
jade iH
BEND OVER PIANOFORTE ,auf of fhe way .
of p1antsf
VIOLA
A-strn ka-tdth
.f~
CONTRABI/550
M t "_ _
/
. : ..------
10
"'-..
:---3''-
---
----
+------
a'-':2 "_____.:1-2'!....I
'-.,.,. UFJJj I
,..-
~~JJ11~ ~
=
~~~~ IIt/
PIANO ~ RIGHT~
~ ARM~I
s.ffJfz sjfff
I
___ Ped. __ .:._ ______________________ - - - - - - - - - - - - - - - - - - ____________ _! ___ _
PeRC. illllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllillllli•··
fad~ ovf
0
mysferious always
VIOLA
-<--------15''----~
cjBASSO
c1/l.,A"'- ~ Ar,.,
"~-JV "JI 1
Slow •
1!( n.res « .r~orr, ai.na'fce
_, "
a,q retvrnS for 1>i:u. ,
112
I" 1m
f9" - - - - - - - - - ' - - + 3-f--------·T_j
:10 I
I
I
VOCAL
PART
r.1 r.1 WHISPeRS I•
•
1
I
CONE. I
I
dI ,
~--~--~ ~
0..
' \ I \ I~
'-,I I \/ asbefore~"'
PIANO
sJfJf
__ Ped-
__
5
~-=-~·--~t~
t --~ ----------------- ---------------- 1~--
-4"-1
mas hifore' eve 3 :
·-=:=F==--o 1~2"~+-t"~l
I
SOLO
~ 6"--j
j-~ mnrmorm !J:"'~L
!II 111111111 I I effort tnvo/ved
5~~~- tstrnKAt~NKTErnMIGHRN
6XPLOS/V£
/I
\ ; p122
C /BASSO
Ir-;-'1
• I ""--:r ~-6-B"-l
____ ------
shnile
--r---- ------ _ _ I
0 0 0 0 0 0
T P sonorous I
STRINGS
CONll.B
t
TUTTI IMMOBILE, FROZEN
f
...
PIANO
I
I
___ Ped ___________________ _ I I
----r-------------------l---
1
P€RC.
YJOLA
I
I
I
---
I
cj BASSO
STOP I
arm jree3es in mid-air and sfays fher~ vnfil pizzicafos are resumed
----0 0_...-----
I
I
I
VCCak l. Tlte me,.,bers of !~e e•ue ... ble ,J.I,af h•.- .,.,f
prcr:lvcee:l a11y JDVHcl .ro fqr 1:~. everyc~-t~, with
the £;ue,-f.fplf t>/
C(),.,c/vc.fcrJ pio.l'f/Jf.) ptrcvr-Jic,i.r~
v/tt/iif~ barite;,~ e:t,d dcvb/~ J,~ . r.r !lttyt~ wh/J;~r
.J'LOWLY1 #CII~S~L.YJ LOU]JLY ,~ r~c/.,t.;,.~ cltffu~e,.,-f
.ucri·~' •/ ;ht UXT.
,----,
I 13
L_T_j
I
72"
I
I
VOCAL
PART/C/PAT/0 r.l
WIND r.l
STRINGS r.l
...
1
1+----------------48''-------------------+
1~------12''~
hypnoficcrlly
VIOLA
I
~2~
I ~M
I
I Slowly II choking"(sfrive forgrcrdvalcvmvlo.live effecf) f'(gasp) I
1---10"---1 2
I ~lJ::!eouSM)NeToToN D..IJ:i ara LLaGJ:.iiNPoNoN FRouRa~;,T iaS M i KoSiNKiMoMeN~
SOLO I ~ ':..-.(shriek) i( i- ;t" ·- 1
1 STeG!:!eSaTRiDTHoN aNGai!:!eNKiNoSDTHiKiNaSTRoNKaTiDTHaNiKTeRoNoMiill:Ji/
j -----;q.-44 v NN ~II
I t ·- f f :!:
I R iNKeTouSFeRoNTaSgj iMa Ke1J!eRoSVRoTiSLaMBRouSI:Jl.tfiNa ST aSeMPRe PoNTaL
I
I
impas-sively
M arm acTion as in eve 4 1
piz:z I
cjBASSo~-5"-[-5'-'~[ simile I
· a~---cr·--~o~~o~~~o~o
sonorous
'tt-
cvmu/ative effect wilh no /el-vp
growing increasinofy hysferica/ as he
cvmulcxtive pcxnic terror -no. lef-vp proceed mfo
xi mum hysferta wh1!e sfr g-
"'"'1
_2,'--.~41o1M~' '"::~·
glmg wif:~lext
1:.41 sfrvggles with words~ thai will nof form.
0 00
'••' HAL
SOLO
eTH eRiaSTeRaSoTaNFTHiNoSiNaNTolaS
- ],· ..>- ~ I< f
•
HI
LRuG'
f
•
GASP
I'M-
J
,J
h
f
'Rue;;,!"\
,l Nf'J ..i~MMM -)_ NN ~JI C, .1 RI€K
r ' ' ,.
TeToNDTHa PallaGH iN PoNoNFRouRaS A-STRON KA-TIDTHA nikTE-ron omi-Q!:!IRIN J
- ~~~~~Jr~-~--1~~ I" 1.... 4[
lovder and /ovder I
JJJJ
maxsmum
exJ,a/a.flo11s wiTh Yt!r!l ..rojf i'Dice ai f/r$l,~rt>t caf,..,'.~~ )(• •x,H.I~ ,/(fh•<>•r.
t:/t--al/y iffcrrt:t.slny .-olu'"~· Th~It! slghr qrr(f•r J his /11 wys Foi(CEFtJLL'r" c:tl fa.Jf· a/ pe>Ut6/~- .;;.,~~-, .
;::.,,...,,(;a:f~/!1-w/f~ "~~' fHivJI ktha.f.soevRr-rtJvn,~f h;.r
/-l,r mr:t/t-.1) 1'rt ~,ctlf~r~d f~,..cc/t' vcicr, Th~ \~~·:,, E
.sfrve.fvrt if «f f"l/cw..I : c""""/._t-lve cvT-IH~r.rf •
picio.-r~ 21 c,',,·,.-.,• 5 Par-r,·cipP.,.,f! cf nese l•ccr:rl ;a!lcr'7.r, wh,:; r:"~~ w/ .... d" "-.(
s-Ir/~! jJia.y~rJ -.-a' tiH"l' c~eft.-r..lly ;Hrforn·1fnJ ~ -n...-J~'r._(
fiH--..
WIND- -- --
---
I
m
I
.J. - Fa·f f/xed 9/v€d lo floor. 4 Snatch svife. ble o6jecf aJ?d raffle Cl!fc:t/MJI
-Twin' hips.R~ghf shov/der /orchin3 dcwn- "l'l'er cuul lower 6a:ck feelh _ a f .fa.d rxJ poJ·
Wa.rds fa fhe ltjf_ lowtY"iH:J bod:;; Th~~ sible _ prodvcin3 -Ioil in !J • rc<'H li11_3 lrel?1 or.
C!ITIIPCJ~T hack ,Jw;.rf;~j hi,N fa ,<J,e
rigld.lejf.rhovMer lvrchi"5 sltjidly ~PIY<:rd.r
- Ref.vrn ~Vii-/, r:shf Jhcvlt:lt.r /vrch/H_g -l~w,.,.
~Yqrt:/ r C1.J4 1~-t,
.....
~
~ l-3"'-1~2''------+l-2"-------l-1-"--
srRINGs -/~111111111111111111111111111
M
1111111111111111111 Ill slowly, impassively
Ms s 1mi 1e o ;
. COND.
~
t
Jl
ffi according fo Conducfor
RED
I
conducfor's VOICe
cool ti<APASSIVE, risiHg
sltghfly qp word is
sf,ghfly drawn out 1
YELLOW
onf7J jvsf aua'fb)e,
:
very dis/emf always
!iE raffle 1
SOLO 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 i
slowly tmwind f o - - - - - - - - - - - - + - - - + -
0 I
'1 iI
I
I
I
cjBASSO
' \ ~ ~
1c£LLI~:::::::.f.~~-------------------------------------------------------------:--
: PPPJ'
1limpassive!y, a "static climate" ~
CONI>.
i[ij ~r 1-l 11-l J1 t
condvcfor elrctfs an occass!ona! raffle or
scrape from single players
~ I
]1\lJ~Ill
Q. see cue 3 ,percussion , ~
scrape running ruler
crgamsf bolls, scrape
:
raffle
f<:<slra/1/e anything
brdfle sovnd
~ I
P€RCUSSION
IIIII ~ I
p p'ff'
according fo conductor
VIOLA
SOLO
cf BASSO
I • I
fl
1221 . -------~~~----- -------~~4J
loiiiiiiie~-----2s'!____ ·r 2o"
~
p;,t"·
q Clar.
lOb.
.
!:: r.sr.
..,
"'J
--:..:::~
-
~ t
.,-\,. -
7f:ff
like a
screarnmg
s1ren
_
resume raffles or scrapes
I
V/Ol/NI-~~~------------------~-----------~~--
(?j.;V_P)
I
=-0
via sord1
V/CWJ /.?.?_P_Pj I
a womanY~
scream
..
'"
L ·
in imifafion ofup-
acvfe scream
::: I
I
.r I
1_~ sliding siren f
1 -7!!!. r
I
as before, sparsely
I
PERC.
lililllllilllill·
VIOLA
l
SOLO.
cjBASSO
Pic. fl.
1:\
3 Clar.
<:
- [ Br.Ob.
:S: Fag.
STRIN!5S
CONDUCTOR
PIANO
P€RCVSSION
VIOLA
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PAN ENs
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approx.
VIOLIN/
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COND. coHdvcfor absolufely impassive, fro:u
vp fo fhe e11d
r:-1 3~
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/II'.._ r.1
as before, only 2 or3 fimes vp fo f e et<d
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.scrape
~ 1 1 1 1 \l l\l il lil•
bo!fs
PIANO
r.1 r.1ruler -=._p •lll\\\\\\\\lll\\l!llill·
P.f
-Ped - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - -
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VIOLA
t " I I
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i SUDDEN:
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:
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04 ...
....~~------26"·-----~~~---15"----r ...
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fip of bow (fasfiera) 1
fip of bow, sui ponfice/lo, as eve 30
VIOLIN!
CONDUCTOR
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PIANO __ Ped
.f.f svbf/y simile
------------------~~-
1
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tmpass1ve always I
VIOLA I
SOLO
C /BASSO
2'~lmt sub. cresc poco j Ede ouf
I 11"------+....---l"---~--
appr.
7"-~
appr.
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COND.
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wifh oufstrefched arm
- describe circle slowly ,
I llllllllfll•...(aff"' so/oisf's "apaila€Ji ')
svbfly simile I sim. I
PIANO __ Ped ____ - - -
--- -r------------ --l- -- T-U~ ~ ;- -.-;;, -M-;;; ~ - . - ~ ~- - - *
F R 0 Z E N (except
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VIOLA
jalseffo in
baby voicel