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Imaginethe swain,wearyfrom
hisday'slabors,perhapstipsyfrom
sparklingcider,ale,or whiskeyat
IT SEEMS OWLS ARE
thepub,walkinghome.Ashewhis-
alwaysassociated tlespastthe graveyard,he hearsa
withreligion,
super- human voice. If a full moon is shin-
sticion or ritual. In ing, he might evenseethe calm
fact,I recentlyreal- gazeof human-sizedyellow eyes
ized that the owl turned upon him, from atop the
hasbeeneveryone's stoneof SquireWesternhimself.
symbol since the The vocalizationis a questionin
byJames
beginningof time.
I remembered that
Brooks English:
Who's "Who?
goingWho?
to die?
Who?"
Who next
thehornedowl (Tskili')werenearly with the owl's forward- The model for what became
blindedbythesmoke, andtheashes facing eyes, which knownasthe Graveyard Schoolof
madewhiteringsaroundtheireyes. English romantic poetry was
But if we areattractedby the owl's are the same size as ThomasGray's"ElegyWrittenin a
humanoidfeatures, whyarewe also our own. CountryChurch-Yard."
repelled?Mountainfolkloretoday Savethatfromyonderivy-
portraysthe owl asan objectof mantied tow'r
dread. to resist
following.Sheiscarried off Themopeing owldoesto the
Muchof Appalachian folklore, by the Great Horned Owl. mooncomplain
likethecolorful dialect,
goesstraight Eventuallyshelearnsto acceptthat Of such,aswand'ringnearher
back to Elizabethan times. The owl her husband is an owl, because, secretbow'r,
Molestherancientsolitary reign.
asan omenof doomgoesbackto "Womenhaveto getusedto their
the Romans,andkilling the mes- husbands,no matterwhotheyare." JohnKeatswasa keenobserver
sengerof doomwasa remedy then. Priorto Shakespeare, litera- of both nature and art, and he used
English
In Scotland it is even considered turehadnot determineda symbolic the owl to set the scene in "The Eve
bad luck to seean owl in the day- association for the owl. The 13th ofSt.Agnes." With typical
restraint,
time: centurypoem,"The Owl andthe Keatsdepicted theowlin realistic,
Nightingale,"is a debatebetween ratherthansymbolic fashion:"St
Birdsof omen dark and foul,
thetwobirdsovera rangeof sub- AgnesEve-- Ah, bitter chill it
Night-crow, raven,bat,andowl, jects,includingwisdombasedon was!/The owl, for all his feathers,
Leave the sick man to his
experience ratherthanschooling. was a-cold."
dream --
Althoughthegravityof theowlis Restraintwasnot typicallythe
All nightlongheheardyour contrastedwith the gaietyof the hallmark of romantic literature.
screalTi.
nightingale,neitherbird hasany Poetrytendedto be sentimental.
Sir Walter Scott,who penned consistent symbolic meaning. Eventhebestpoets putsome mauk-
the above,alsowrotea balladsung Naturalist Gilbert White pub- ish work beforethepublic.
William
by the crazed Madge Wildfire lished what we would consider to Wordsworthimmediatelycomesto
mind.
as she lay dying in The Heart be careful behavioral observations
of Midlothian. Here the proud of British owls in 1788, on the eve He wrote of a Miss Jewsbury,
lady fantasizesgoing to church of the romantic period.It was not long confined to her bed by
for her wedding, but she is just poets who stalked the grave- sickness, who derived pleasure
answered: yardsat nightthen.He wasoneof from an owl in an uncustomary
thefirstto pointoutthattheBarn manner: