Indice de Los Boletines

Fellowship of Makers and Researchers of Historical Instruments
FoMRHI Quarterly
Permuted Index II
1975 - 1998
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1975-1998 Permuted Index
A signed Mietke harpsichord. Kilstrom C-1057

Sweden (in/ Plans: the 1710 Michael Mietke single harpsichord in Hudiksval Bul-90
An exceptional G-sharp in Milan. Lindley C-684
Chiesa Milanese keyboard makers - 16th century C-1231
di Musica, no. 17, April 1989, Commune de Milano /I Quaderni della Civico Scuola C-989
Violin makers in Milano 17th-18th century. Chiesa C-1202
Diderot, viols and false tables. Miller C-214
Making lute pegs. Miller C-140
Restoration of a recorder edge. Miller C-353
theorbo from Musick's Monument, 1676. Miller Mace's C-154
musical instruments in the Dayton C. Miller collection. Cousen /Seyfritt: C-463
conversion of cents to Hertz. Goodwin Mills Computer programs for the C-791
sources of instrument-making timber. Mills Two possible C-433
Pepys's minikin. Downing C-1567
/Campbell: A check-list of the free reed, miscellaneous and ancillary instruments/ C-447
Miscellaneous comments. Cronin C-533
century in Lanciano (Abruzzo, Italy). Miscia, Tiella /making of the 19th C-1608
(record). Montagu Review: Rans, Misschaert: Die nachtegael int wilde C-284
(record). Yakeley Review: Rans, Misschaert: Die nachtegael int wilde C-285
A=415.3 and all that. Mobbs C-851
Magnano, Italy 21-23 September 1995. Mobbs /clavichord symposium, C-1478
'sunburst' for a cabinet piano. Mobbs, Mobbs Making a silk C-1473
Dr Robert Smith's 1748 keyboard tunings. Mobbs, Mackenzie of Ord C-1583
a silk 'sunburst' for a cabinet piano. Mobbs, Mobbs Making C-1473
drills, van Leeuwen Modification and sharpening of twist C-"?07
Jones On the reviewing and modification of musical instruments C-1018
Deutsche/ Review: Moeck (ed): Fiinf Jahrhunderte C-883
Moire contours. McLennan C-744
Willetts Moisture blocking of fipple flutes C-470
symbolism in the mural/ Falcon M0ller. Music aloft - musical C-1449
- with gratitude to Christopher Monk. Montagu /Snakes are Beautiful C-1061
The construction of a monochord. Montagu C-21
Mersenne's monochord. Napier-Hemy C-1054
Review: van Ree Bernard: The keyed monochord; rediscovery of a forgotten/ C-1240
and renaissance music./ Review: Monroe. Adding percussion to medieval C-1451
& Fortepiano magazine, October 1986. Montagu Review: Harpsichord C-895
& Raymond Parks, Trumpets and Trombones. Montagu /Vol 2;H;iii, Arnold Myers C-1211
(April 1997) & no.20, Sept 1997. Montagu /a vent. VII special C-1547
(Exhibition catalogue Frankfurt 1991). Montagu /from all over the world, C-1024
(Floten; Drehleier & Dudelsack). Montagu /Two catalogues of exhibitions C-424
(collection Haags Gemeente Museum). Montagu /recorders of the 18th century C-1058
(on C-1082, C-1077, C-1078 and C-1081). Montagu Various comments C-1084
(small and large mouthpieces for brass, Montagu /collection, vol 2-H iv&v C-1447
- Mikko Korhonen plays instant music. Montagu Review: Swedish clavichords C-1535
- des facteurs d'instruments de musique. Montagu /Un musee aujourd'hui C-693
- further to C-203, C-411 and C-659. Montagu Memlinc revisited C-1188
FOMRHI Quarterly page 2-81 99/03/28

rel 11.2
- the Galpin Society's 40th anniversary. Montagu Made for music C-752
- with gratitude to Christopher Monk. Montagu Review: Snakes are Beautiful C-1061
...', an obituary for Michael Morrow. Montagu 'Let us now praise famous men C-1272
12, 1985. Montagu C-691
/3, 1987. Montagu C-782
17 (August 1995 & 18 (February 1996). Montagu Review: Larigot C-1448
2 (the descriptive fascicles, 44 pp). Montagu /illustrations, 168 pp) and C-l 133
2500 historical woodwind instruments. Montagu Review: Young: C-806
2;E;ii, William Waterhouse, Bassoons. Montagu /Instruments, catalogue Vol C-1211
4, Plucked stringed-instruments. Montagu /College, Tokio: Catalogue C-645
A flying visit to Italy. Montagu C-658
A hypothesis on the symphony. Montagu C-96
A musical Directory for the year 1794. Montagu Review: Joseph Doane: C-l207
A rejoinder to a response to C-l 157. Montagu C-l 177
A return visit to Venice. Montagu C-673
A survey of musical instruments. Montagu Review: Marcuse: C-20
A word of two on the flute (1826). Montagu Review: James: C-427
ACB, Anthony Baines, 1912-1997. Montagu C-1502
Abstracts, vol. 28, no. 3, 237 pp. Montagu /Art & Archeology Technical C-l 107
Age. 386pp, CD + photo CD. 130 Dfl. Montagu /Music & Painting in the Golden C-1310
Ages; studies on text and performance. Montagu /and instruments of the Middle C-l565
An acoustical problem. Montagu C-221
As like as two peas. Montagu C-1588
Ashmolean museum, CD or cassette. Montagu /the 1772 Kirckman harpsichord C-l071
Auckland Institute & Museum, 1989. Montagu /Moyle: the Sound of Oceania, C-921
Augusteum: Jahresschrift 22 1976. Montagu /Salzburger Museum Carolino C-149
Bagpipe Society, vol.1, part 2, '86/'87. Montagu /Chanter, the journal of the C-783
Beethoven and the early music industry. Montagu More on C-l 157
Being fair to evidence in scholarship. Montagu C-1582
Biber: 16 Rosenkrantzsonaten (record). Montagu Review: C-603
Biblical instruments - further to C-672. Montagu C-721
C-900 on conservation and accreditation. Montagu A response to Cary's C-906
Catalogue 3, Bowed stringed-instruments. Montagu /Kunitachi College, Tokio: C-645
Catalogue of old brasswind instruments. Montagu Bingham C-481
Citt/Gitt (cittern and gittern) again. Montagu C-1530
Citt/Gitt. Montagu C-1514
College, Tokio, 2 vols, rev edition. Montagu /musical instruments, Kunitachi C-1475
College, Tokio: Catalogue 5, Harp; Lyre. Montagu Review: Kunitachi C-645
College, Tokio: Catalogue 8, bagpipes. Montagu Review: Kunitachi C-920
College, Tokio: Catalogue 9, Flute. Montagu Review: Gunji, Kunitachi C-988
Comments on C-448. Montagu C-473
Commonwealth Institute London (concert). Montagu /musicians of Jajouka at the C-316
Conservation, archaeology & museums. Montagu /UK Institute for Conservation: C-384
Cow bells, a request. Montagu C-l 156
Crafts Council Conservation Sourcebook. Montagu Review: C-242
Crumhorns - a letter from Hanchet to Montagu C-241

rel 11.2
Dawnym Instrumentarium, 1998; 184 pp. Montagu Review: Golos: Przewodnik Po C-l 114
Deutsche Musikinstrumentenbau. Montagu /(ed): Fiinf Jahrhunderte C-883
Die Romische Orgel von Aquincum. Montagu Review: Kaba: C-l49
Die nachtegael int wilde (record). Montagu Review: Rans, Misschaert: C-284
Don't go overboard about ivory. Montagu C-941
Ellis: Hanes y delyn yng Nghymru. Montagu Review: C-283
Ellis: The story of the harp in Wales. Montagu Review: C-283
Ensemble, the last of the troubadours. Montagu Review: Martin Best Medieval C-l071
Fairly, Flutes, flautists and makers. Montagu Review: C-445
Flote, Frankreich 1832-1932, 270 pp., Montagu /Das goldene Zeitalter der C-l239
FoMRHI book news. Montagu C-148
FoMRHI book news. Montagu C-56
Ford: Making musical instruments. Montagu Review: C-l88a
Further to Cary's C-655. Montagu C-677
General: Music and book reviews. Montagu Bul-54
Getutscht, (tr Beth Bullard), 275 pp. Montagu Review: Virdung: Musica C-1241
Gunji, Kunitachi College, Tokio: lute. Montagu Review: C-949
Herre. Museum Musicum Leipzig. Montagu Review: Schrammek, C-416
Hertz to cents and vice versa. Montagu Converting C-732
Hope: Italian baroque guitar (record). Montagu Review: C-299
Intervals, scales and temperaments. Montagu Review: Boyle: C-191
Jansen: The bassoon, part I (plates). Montagu Review: C-l90
Jansen: The bassoon, part VIII & IX. Montagu Review: C-350
Journal XIII, 1987, October 1986. Montagu /Musical Instrument Society C-895
Karp: Basic keyboard tuning techniques. Montagu Review: C-l06
Katalog der Streichinstrumente Berlin. Montagu Review: C-90
Klemt og Klang; Ringve Museum. Montagu Review: Kjeldsberg: C-l 10a
Landesmuseum, Linz. Montagu /in the Oberosterreichisches C-l534
Larigot, no. 2, May 1988, October 1986. Montagu Review: C-895
Larigot; annual subscription to ACIMV. Montagu Review: C-l210
Laying & decorating harpsichord papers. Montagu Review: Mactaggart: C-399
Leipzig band 5 Horner und Zinken. Montagu /Musikinstrumenten Museum C-498
Lindley: Lutes, viols & temperaments. Montagu Review: C-555
Lost traditions - or are they? Montagu C-468
Making a spinet by traditional methods. Montagu Review: Barnes: C-601
Mandolins of the 18th century, 154 pp. Montagu Review: Stephen Morey: C-l269
March for two pairs of kettledrums. Montagu Review: Philidor: C-785
Metal-covered threads before 1600. Montagu C-139
More on Longman, Lukey & Broderip. Montagu C-751
Museum - part 2 (further to C-l297). Montagu /Wien, Kunsthistorisches C-l312
Museum Leipzig band 1 Floten. Montagu /Heyde: Musikinstrumenten C-l93
Museum Leipzig band 2 Kielinstrumente. Montagu /Henkel: Musikinstrumenten C-348
Museum Leipzig band 4 Clavichorde. Montagu /Henkel: Musikinstrumenten C-498
Museum, vol 1, keyed brass instruments. Montagu /Stewart: The Shrine to Music C-365
Museum: Exhibition catalogue 1987. Montagu Review: Ringve C-784
Music, November 1988, October 1986. Montagu Review: Early C-895

rel 11.2
Musica Maximiliana, Ekkehart Stegmiller. Montagu Review: Henning: C-805

Musical Instruments], 1991; 209 pp. Montagu /Polish terminology of Historic C-l 114
Musical instruments of the West. Montagu Review: Remnant: C-149
Musical instruments of the world. Montagu Review: Diagram_group: C-73
Musical instruments through the ages. Montagu Review: Hamber, Stanners: C-689
Musikhistoriska museets skrifter. Montagu /Musicae Popularis, C-l 11
Musikinstrumente des Altertums. Montagu /Vorreiter: Die schonsten C-480
Musikinstrumenter ved Ringve Museum. Montagu Review: Kjeldsberg: C-l 10
Musikinstrumenter ved Ringve Museum. Montagu Review: Kjeldsberg: C-429
Myers: The Glen account book 1838-1853. Montagu Review: C-669
National Museum, 1989, 415 pp. Montagu /Musikinstrumente, Germanisches .... C-1069
Notes on the Horniman Museum Handbook. Montagu C-43
On nomenclature - a rejoinder. Montagu C-351
Painting and marbling harpsichord cases. Montagu Review: Mactaggart: C-518
Peculiar tibiae. Montagu C-892
Pinniger: Insect pests in museums. Montagu Review: C-964
Relative string lengths of the crwth. Montagu C-444
Renaissance Instruments, catalogue. Montagu Review: Nothern C-315
Reports on FoMRHI seminars Syrus. Montagu C-55
Review: Bingham: Harmony for the flute. Montagu C-580
Review: Cornett and Sackbut, journal. Montagu C-192
Review: Divisions, volume 1, no. 2. Montagu C-212
Review: Divisions, volume 1, no. 3. Montagu C-263
Review: Divisions: volume 1, no. 1. Montagu C-172
Review: Ehrlich: The piano: a history. Montagu C-963
Review: Haine: Adolphe Sax. Montagu C-280
Review: Harpa no.28, spring 1998. Montagu C-1577
Review: Hope: Baroque guitar (record). Montagu C-209
Review: Hutchins: The physics of music. Montagu C-150
Review: Jansen: The bassoon, part I. Montagu C-171
Review: Jansen: The bassoon, part II. Montagu C-210
Review: Jansen: The bassoon, part IV Montagu C-261
Review: Jansen: The bassoon, part V Montagu C-281
Review: Jansen: The bassoon, part VI. Montagu C-298
Review: Jansen: The bassoon, part VII. Montagu C-310
Review: Jansen: The bassoon, part X. Montagu C-361
Review: Jansen: The bassoon, part XI. Montagu C-383
Review: Larigot 15, June 1994, ACIMV. Montagu C-1268
Review: Larigot 21, ACIMV. Montagu C-1578
Review: Larigot no.5, May 1989. Montagu C-918
Review: Larigot no.7, March 1990. Montagu C-978
Review: Larigot no.8, September 1990. Montagu C-990
Review: Larigot no.9, December 1990. Montagu C-1023
Review: Larigot, November 1989. Montagu C-950
Review: Leppert: Arcadia at Versailles. Montagu C-149
Review: Mactaggart: Practical guilding. Montagu C-583

rel 11.2
Review: Nema, Early music in education. Montagu C-643

Review: Orcutt: The Stradivari memorial. Montagu C-313
Review: Palmer: The hurdy-gurdy. Montagu C-276
Review: Paul: Modern harpsichord makers. Montagu C-400
Review: Pollens. The early pianoforte. Montagu C-1404
Review: Quarna: vivera di Strumenti. Montagu C-552
Review: Rose. Talks with bandsmen. Montagu C-1450
Review: The Woodwind Quartely, issue 2. Montagu C-l 183
Review: Tibia 1/80 journal. Montagu C-279
Review: Tibia-Calendrium 1984. Montagu C-516
Review: Traverso no.2, April 1989. Montagu C-919
Review: Zeugnisse alter Musik XI, 1980. Montagu C-262
Rice: the baroque clarinet, 197 pp. Montagu Review: C-l 104
Ringve Museums Skrifter nr.5, 33 pp. Montagu /Meriker Klarinetten; C-l 105
Roche: A dictionary of early music. Montagu Review: C-402
Rose and the instruments found in her. Montagu A working visit to the Mary C-l597
Scherchen: Handbook of conducting. Montagu Review: C-962
Seiermarkischen Landeszeughaus in Graz. Montagu /Die musikinstrumente im C-l09
Should museum instruments be used? Montagu C-389
Society Journal XLI, 1988, October 1986. Montagu Review: Galpin C-895
Solum: The early Flute, 1992; 164 pp. Montagu Review: C-l 132
Some comments on C-60. Montagu C-60a
Sparks: The classical mandolin, 225 pp. Montagu Review: C-l357
Strumenti di Antonio Stradivari, 68 pp. Montagu Review: Tiella, Beare, et al.: C-l 108
Studia instrumentorum popularis VII. Montagu /Museet Stockholm: C-386
Syntagma Musicum Praetorius translated. Montagu Review: Blumenfeld: The C-346
Tasteninstrumente des Museums, Berlin. Montagu Review: Haase, Krickeberg: C-846
Taylor: The musician's piano atlas. Montagu Review: C-362
The UKIC and V&A Christmas symposium. Montagu C-501
The baroque flute fingering book. Montagu Review: Neuhaus: C-728
The bassoon, part II (plates) & III. Montagu Review: Jansen: C-245
The construction of a monochord. Montagu C-21
The early history of the viol. Montagu Review: Woodfield: C-582
The forked shawm. Montagu C-304
The historical harpsichord, vol.1. Montagu Review: Schott: C-602
The manufacture of musical instruments. Montagu Review: Tullberg: C-72
The musician's piano atlas, suppl 1. Montagu Review: Taylor: C-584
The oldest organ in Christendom. Montagu C-534
The problem of nomenclature. Montagu C-323
The proud bassoon (catalogue). Montagu Review: Waterhouse: C-497
The recorder; a basic workshop manual. Montagu Review: Brown: C-936
Tinplate instruments- further to C-1568. Montagu C-1587
Tokio: bowed string instruments. Montagu /Gunji, Kunitachi College, C-949
Toll: Bar Consort Earl Music (record). Montagu Review: C-244
Tolley: Making musical instruments. Montagu Review: C-151
Two upon a Ground, SIG CD 007. Montagu Review: Charivari agreable: C-l598

rel 11.2
Tyler, Sparks: The Early Mandolin, 1989. Montagu Review: C-922

UKIC and V&A Christmas symposium 1983. Montagu /of early musical instruments, C-992
Victorian reed organs and harmoniums. Montagu Review: Fluke: C-667
Wallraf-Richartz Museum, Cologne. Montagu /of paintings and sculptures, C-1476
Weston: Samuel Hughes ophicleidist. Montagu Review: C-747
What do we mean by A=415? Montagu C-829
What should measuring tools be made of? Montagu C-733
What was the flauto d'echo? Montagu C-328
Widensky: Das Claviorganum (record). Montagu Review: C-870
Wien, Kunsthistorisches Museum. Montagu /alter Musikinstrumente C-l297
Wishart: Bagpipes & hurdy-gurdies. Montagu Review: Stacey C-581
Wydawnictwo Naukowe PWN, 1992; 422 pp. Montagu /Zabytkowe Organy C-l 114
Yet more on organological terminology. Montagu C-388
a vent. IV & V special & no. 16. Montagu /collectionneurs d'instruments C-1405
'Musical Instruments, Edinburgh 1904). Montagu /The Highland harp (part 2 of C-l267
a discography of music on early pianos. Montagu /The sound of the fortepiano: C-688
a history of the English slide trumpet. Montagu /Brownlow. The last trumpet - C-1487
an annotated bibliography. 19 pp. 1993. Montagu /of musical instruments: C-l 170
and 18th century in Nuremberg; 186 pp. Montagu /techniques used in the 17th C-l 103
and fortepiano magazine, October 1987. Montagu Review: The harpsichord C-843
and other taxonomy - further to C-1429. Montagu Hautboy C-1460
and restoration of musical instruments. Montagu /Meer, Thibault: Preservation C-91
at the English Court 1540-1690. 491 pp. Montagu /twenty fiddlers; the violin C-l208
au Musee Instrumental de Bruxelles. Montagu /Catalogue des instruments Sax C-311
audio-visual review of different types. Montagu /The psaltery; an annotated C-948
bagpipes in the Edinburgh collection. Montagu /Cheape: A check-list of the C-478
band 3 Trompeten, Posaunen, Tuben. Montagu /Museum Leipzig C-348
band 6 Orgelinstrumente, Harmoniums. Montagu /Museum Leipzig C-519
bards, preserved by tradition, etc 1784. Montagu /poetical relicks of the Welsh C-695
care of historic musical instruments. Montagu /Robert Barclay, ed. The C-l566
centrum voor oude muziek 3, 1987. Montagu /Jaarboek van het Vlaamse C-993
clarinettists and other performers. Montagu /for flutists, oboists, C-767
collections of the world, 185 pp., 1992. Montagu /musical instruments in public C-l 154
companion to brass instruments. Montagu /John Wallace. The Cambridge C-1546
conservation and technology journal. Montagu Review: Musical instrument C-211
cultures worldwide, Viols & violins). Montagu /instruments of regional C-1406
d'instruments a vent. VI special. Montagu /des collectionneurs C-1488
de musique occidenteaux, 1960-1992. Montagu /organologie; les instruments C-l296
della Pieta Venezia, Venezia 1990. Montagu /degli Strumenti dell'Istituto C-979
der Bruckner-Zeit, Linz. Montagu /Linzer Musikinstrumente C-499
di proprieta del comune di Rovereto. Montagu /Primon: Ricerche su un violino C-847
dictionary of musical instruments (A). Montagu Review: The new Grove C-604
dictionary of musical instruments 3 vol. Montagu Review: The new Grove C-578
dictionary of musical instruments. Montagu Review: Jenkins: International C-92
drawings housed in the Bate collection. Montagu Plans: List of available Bul-68
du Conservatoire de Paris, 1793-1993. Montagu /les collections instrumentales C-l503

rel 11.2
ed.: Fluting and Dancing, 1992; 200 pp. Montagu Review: Lasocki, C-l 115
ein Uberblick iiber sein Leben. Montagu Review: Nagy: Michael Haydn, C-364
en Wallonie et a Bruxelles etc. Montagu /d'instruments de musique C-745
exhibition at Edinburgh, August 1986. Montagu Review: The historic clarinet C-769
fur Lauteninstrumente (record). Montagu /J.S. Bach Kompositionen C-870
for oboe, 1650-1800: a bibliography. Montagu Review: Haynes: Music C-690
for players & researchers. 504pp. Montagu /writings about the instrument C-1311
for playing the Welsh harp. Montagu /or method of instrumentation C-894
for the oboe 1650-1800: a bibliography. Montagu Review: Haynes: Music C-l 106
for the study of notes inegales. Montagu /instruments as a source C-264
fortepiano magazine, 4:5, April 1988. Montagu Review: Harpsichord and C-869
from Anglo-Saxon to Tudor times. Montagu /English bowed instruments C-786
from Anglo-Saxon to Tudor times. Montagu /English bowed instruments C-807
hearing, its nature and pedagogy. Montagu Review: Szende: Intervallic C-149
historic double reed instruments, 1988. Montagu /Young: Loan exhibition of C-885
historical instruments. Abbott Segerman Montagu /periodicals with interests in C-27
historical woodwind instruments, 270 pp. Montagu /Phillip T. Young: 4900 C-l270
historisierende literarische Anthologie. Montagu /and des Barock, Band 1: Eine C-947
history and directory. 448 pp. Montagu /British isles; an illustrated C-l359
iconographical and documentary survey. Montagu /festival books, 1500-1800; an C-935
illustrated with examples, etc 1757. Montagu /of fingering the harpsichord; C-694
im Salzburger Museum Carolino Augusteum. Montagu /Die Holzblas Instrumente C-149
in Europa, Haags Gemeente Museum. Montagu /en volksmuziekinstrumenten C-520
in Liverpool Museum (182 pp). Montagu /European musical instruments C-l294
in Mittelalter und Renaissance. Montagu /der Musikinstrumente C-387
in the Edinburgh University collection. Montagu /the brass musical instruments C-363
in the middle ages and the renaissance. Montagu Review: Lane: The trombone C-462
in the renaissance and middle ages. Montagu Drum rythms for dance music C-887
instrument collections, Catalogues. Montagu Review: Coover: Musical C-425
instrument makers and inventors. 518 pp. Montagu / - a dictionary of musical C-l209
instruments and a few other sources. Montagu /British Library with musical C-8
instruments at the University of Iowa. Montagu Review: Ross: Musical C-213
instruments by Brauchli & Elizondo. Montagu /century music for two keyboard C-1013
instruments in Belgian collections. Montagu Review: Haine: Musica, musical C-946
instruments in Canadian collections. Montagu /Institute: Care of musical C-385
instruments in the 1851 exhibition. Montagu Review: Mactaggart: Musical C-746
instruments in the Edinburgh collection. Montagu /and hammered string musical C-428
instruments in the Edinburgh collection. Montagu /miscellaneous and ancillary C-447
instruments in the Edinburgh collection. Montagu /of the bowed string musical C-423
instruments in the Edinburgh collection. Montagu /of the double-reed musical C-401
instruments in the Edinburgh collection. Montagu /of the percussion musical C-428
instruments of the 17th-19th century. Montagu /of the European musical C-482
instruments, 1991, 132 pp & graphs. Montagu /practice for keyboard C-1070
instruments, Kunitachi College, Tokio. Montagu /The collection of musical C-844
interpretazione della musica, 1983. Montagu /vol.1, Studi e testi sull' C-554
is alive and well and living in Euskadi. Montagu The Pipe and Tabor C-l537

rel 11.2
junior traverso; Haka treble recorder. Montagu Review: Aulos, Stanesby C-966
luthiers Parisiens, 17-18th siecles. Montagu /ed. Instrumentistes et C-1452
makers, vol.XII no.l, March '93. Montagu /of musical instrument C-1171
metrics of recorders & traverso. Montagu Review: Kolberg: Ornamental C-938
musical instrument makers, August '89. Montagu /the Australian Association of C-950
musical instrument makers, November '90. Montagu /the Australian Association of C-l023
musikalisches Kleeblatt, 1697. Montagu /Kunst oder Vierfaches C-349
nine sonatas for clavichord (record). Montagu /Brauchli: Carlos Seixas's C-521
of Bradford art galleries & museums. Montagu /instruments in the collection C-1060
of Burma, India, Nepal, Thailand, Tibet. Montagu /Museum, vol 2 instruments C-479
of Historic Musical Instruments. Montagu /ed.: Edinburgh Collection C-1113
of Music Museum, Set of 13 postcards. Montagu Review: Royal College C-884
of Thomas Green 1742-1790. 169 pp. Montagu /Sheldrick, ed.: The accounts C-l206
of a forgotten instrument, 48 pp. Montagu /keyed monochord; rediscovery C-l240
of an exhibition: the look of music. Montagu Review: Barclay: Anatomy C-517
of historical musical instruments. Montagu /university collection C-845
of historical musical instruments. Montagu /university collection C-868
of musical instrument makers, Aug '85. Montagu /of the Australian Association C-668
of musical instrument makers, March '88. Montagu /of the Australian Association C-869
of musical instrument makers, March '89. Montagu /of the Australian Association C-939
of musical instrument makers, Oct 1989. Montagu /of the Australian Association C-923
of musical instruments, Oxford. Montagu /List the Bate collection Bul-68
of musical instruments; a check-list. Montagu /Good: The Eddy collection C-644
of pianos, Haags Gemeente Museum. Montagu /von Gleich: A check-list C-842
of prehistoric Scandinavia (record). Montagu Review: Lund: The sounds C-553
of regional cultures worldwide. Montagu /vol 2A, wind instruments C-l238
of the 17th-19th century (2nd issue). Montagu /European musical instruments C-991
of the baroque trumpet before 1721. Montagu /The music and history C-945
on the catalogue of the V& A Museum. Montagu Comments C-9
or allow? (on measuring instruments). Montagu /expect museums to provide C-1212
paintings of Danish medieval churches. Montagu /musical symbolism in the mural C-1449
part I, European wind instruments. Montagu /of Music Museum Catalogue C-446
performances in Westminster-Abbey. Montagu /An account of the musical C-312
practice and songs in France 1100-1300. Montagu /the middle ages - instrumental C-786
practice and songs in France 1100-1300. Montagu /the middle ages - instrumental C-808
principles of violin playing, (Knocker). Montagu /A treatise on the fundamental C-692
recollections of Arnold Dolmetsch. Montagu Review: Dolmetsch: Personal C-314
recorder collection of Frans Briiggen. Montagu Review: Zen-on: The C-426
renaissance clavichord I & II (records). Montagu Review: Brauchli: The C-266
renaissance sackbut and its use today. Montagu Review: Fischer: The C-600
ricerca su strumenti pre-rinascimentali. Montagu Review: Tiella: Indirizzi di C-265
special 1 du bulletin Larigot, ACIMV. Montagu /a vent, tome 2, numero C-1059
standards and accreditation in the UK. Montagu /establishment of conservation C-849
symphony #2, piano concerto #3. Montagu /Huggett, Verney, Beethoven C-1071
the Bagpipe Society, vol.1, part 1, '86. Montagu /Chanter, the journal of C-748
the Cyfarthfa Castle museum collection. Montagu /and percussion instruments in C-1060

rel 11.2
the Lot and Godfroy families 1650-1900. Montagu /Great flute makers of France: C-l 184
the Niirnberg brass instrument makers. Montagu On the skill of C-722
the evolution of an English piano. Montagu /Burnett: Seven Broadwoods; C-l358
the hurdy-gurdy and the vielle-a-roue. Montagu On the distinction between C-286
the original pedal harp, London 1821. Montagu /improved state compared with C-l267
theft, and the law, 1992; 126 pp. Montagu /fraud: deception, forgery C-l 134
there which have musical instruments. Montagu /Paris and some of the museums C-l457
thoughts on manufacture and production. Montagu Some C-251
to C-981 - Are reviews justified? Montagu Further C-982
to medieval and renaissance music. Montagu /Monroe. Adding percussion C-1451
to musical instruments, 1694-1866. Montagu /Patents for inventions related C-579
to musical instruments, 1992; 404 pp. Montagu /Baines: The Oxford companion C-l 116
to musical instruments, 1992; 404 pp. Montagu /Baines: The Oxford companion C-l 131
veneta: patrimonio e salvaguardia. Montagu Convegno di Studi Organaria C-871
vol 2-K (ancillary equipment). Montagu /University collection, C-1447
with Roger Prior. The Bassanos, 288 pp. Montagu Review: David Lasocki C-l579
with whither - it's what that counts. Montagu To hell C-568
works of C P E . Bach by Brauchli. Montagu Review: Record, keyboard C-1012
A letter to J. Montagu. Bashford C-686
Grove dictionary of musical instruments. Montagu (B) Review: The new C-646
instruments - supplement to/ Review: Montagu: Bate collection of historical C-811
Grove dictionary of musical instruments. Montagu (C) Review: The new C-671
Instruments by named makers; Jeremy Montagu Collection Survey: Bul-55
Grove dictionary of musical instruments. Montagu (D-E) Review: The new C-697
from the middle ages/ Review: Blades, Montagu: Early percussion instruments C-l8
Grove dictionary of musical instruments. Montagu (F) Review: The new C-727
Grove dictionary of musical instruments. Montagu (G) Review: The new C-749
in Mittelalter und/ Review: Montagu: Geschichte der Musikinstrumente C-387
Grove dictionary of musical instruments. Montagu (H) Review: The new C-768
Grove dictionary of musical instruments. Montagu (I) Review: The new C-812
Grove dictionary of musical instruments. Montagu (J-K) Review: The new C-848
Grove dictionary of musical instruments. Montagu (L-M) Review: The new C-897
instruments. Bowles Review: Montagu: Making early percussion C-19
Bible. Segerman Review: Montagu. Musical instruments of the C-l453
Grove dictionary of musical instruments. Montagu (N) Review: The new C-924
Report on the 16th century seminar. Montagu Segerman C-93
Segerman Review: Jeremy Montagu. The magpie in ethnomusicology C-l549
renaissance musical/ Review: Montagu: The world of medieval and C-44
renaissance musical/ Review: Montagu: The world of medieval and C-44c
renaissance musical/ Review: Montagu: The world of medieval and C-44d
renaissance musical/ Review: Montagu: The world of medieval and C-44e
David Lasocki, the/ A reply to Jeremy Montagu's review of Richard Griscomb & C-l 333
Technology of/ Comments on Jeremy Montagu's review of the Conservation and C-l 117
Design of a viol belly. Moonen C-381
other renaissance windcap instruments. Moonen /Boydell: The crumhorn and C-430
instruments in the Brussels/ Review: Moonen: Drawings of four woodwind C-282

rel 11.2
Music and Cinematographic (Leningrad). Moore /the State Institute of Theatre, C-147
Jerome of Moravia. Baines C-58
medieval fiddle. Segerman/ Jerome of Moravia and bridge curvature in the C-50
individualised modal/ Jerome of Moravia's first fiddle tuning as an C-1093
A correction to C-50 on Jerome of Moravia's second fiddle tuning./ C-95
music. Segerman The inverted mordent in late 16th and 17th century C-359
154 pp. Montagu Review: Stephen Morey: Mandolins of the 18th century, C-1269
Instrument Makers Association Limited. Morley The Early Musical C-26
Announcements: Morley clavichord No. 213. Bence Bul-91
cittern. Forrester The Morley consort lessons and the English C-931
shipwrecks, lake dwellings and rivers. Morrison Early music instruments from C-317
famous men ...', an obituary for Michael Morrow. Montagu 'Let us now praise C-l272
Michael Morrow. Segerman C-l273
Key lever fulcrum pin mortices. Robson C-l262
clavichord 1440-1840,/ Review: Boalch, Mould. Makers of the harpsichord and C-1402
Scraping plane for mouldings in wood. Greenberg C-571
How to make your own mouldings in wood. Hendry C-476
A bit more on mouthpieces. Chiverton C-1464
Brass mouthpieces. Chiverton C-1433
Referring to C-1433 on brass mouthpieces. Myers C-1465
Valves and mouthpieces for bagpipes. Gretton C-358
/vol 2-H iv&v (small and large mouthpieces for brass, Montagu C-1447
Institute & Museum, 19897 Review: Moyle: the Sound of Oceania, Auckland C-921
principles of violin playing,/ Review: Mozart: A treatise on the fundamental C-692
Plans: Mulhouse traverso, van Leeuwen Bul-49
Viol bellies and bridges. Munck C-557
of the woodwinds at the Stadtmuseum, Munich. Lyndon-Jones /of some C-l222
and renaissance (part 1)./ Review: Munrow: Instruments of the middle ages C-44a
and renaissance (part 2)./ Review: Munrow: Instruments of the middle ages C-44b
and renaissance. Segerman Review: Munrow: Instruments of the middle ages C-44
/Music aloft - musical symbolism in the mural paintings of Danish medieval/ C-1449
d'instruments de musique./ Review: Un musee aujourd'hui - des facteurs C-693
/Florence Getrau. Aux origines du musee de la musique: les collections/ C-1503
Plans: List Musee Grobet, Labadie Bul-28
Keyser: Catalogue des instruments Sax au Musee Instrumental de Bruxelles./ /de C-311
Plans: List Societe des Amis du Musee Instrumental, Paris Bui-11
Plans: List Societe des Amis du Musee Instrumental, Paris Bui-18
Plans: List Societe des Amis du Musee Instrumental, Paris Bul-28
Plans: List Societe des Amis du Musee Instrumental, Paris (new/ Bul-63
popularis/ Review: Musikhistoriska Museet Stockholm: Studia instrumentorum C-386
Drone system of the Lissieu musette. Greensitt C-405
General: 1992 Acquisitions at the Fiske Museum Bul-71
General: 1993 Acquisitions at the Fiske Museum Bul-75
Plans: List Brussels Museum Bul-11

rel 11.2

Terton recorder from Haags Gemeente Museum Plans: Bul-40
and publications, Haags Gemeente Museum. Plans: Musical instruments Bul-56
in the collection of the Haags Gemeente Museum. Bouterse /the Dutch recorders C-l037
Pictures etc in the Ashmolean Museum. Downing C-8a
the liuto attiorbato by Choc in the V&A museum. Lourie /and photographs of C-259
woodwind instruments in the Brussels Museum. McCrone /Drawings of four C-282
/in Europa, Haags Gemeente Museum. Montagu C-520
A check-list of pianos, Haags Gemeente Museum. Montagu Review: von Gleich: C-842
Comments on the catalogue of the V&A Museum. Montagu C-9
Kjeldsberg: Klemt og Klang; Ringve Museum. Montagu Review: C-l 10a
Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-l 10
Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-429
Wien, Kunsthistorisches Museum. Montagu /Musikinstrumente, C-l297
Montagu /Wien, Kunsthistorisches Museum - part 2 (further to C-1297) C-1312
musical instruments in Liverpool Museum (182 pp). Cole /ed.: European C-1293
musical instruments in Liverpool Museum (182 pp). Montagu /European C-l294
Sound of Oceania, Auckland Institute & Museum, 1989. Montagu /Moyle: the C-921
/Musikinstrumente, Germanisches National Museum, 1989, 415 pp. Montagu C-l069
Tremmel The curtals of the Maximilian Museum Augsburg: a reply to C-l224 C-l257
General: New acquisitions to the Fiske Museum, Ca Bul-54
/Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum. Montagu C-149
22 1976. Montagu Review: Salzburger Museum Carolino Augusteum: Jahresschrift C-149
Review: Royal College of Music Museum Catalogue part I, European wind/ C-446
the 1772 Kirckman harpsichord Ashmolean museum, CD or cassette. Montagu /on C-l071
/list, new acquisitions at the Fiske Museum, Claremont, California, USA Bul-83
instruments in the Cyfarthfa Castle museum collection. Montagu /percussion C-1060
and sculptures, Wallraf-Richartz Museum, Cologne. Montagu /of paintings C-1476
The NF treble recorder at the Museum der Stadt Meran. Zaniol C-485
An Irish hurdy-gurdy in the National Museum Dublin. Doyle C-270
/musical instruments in the National Museum Dublin, with notes on a English/ C-l52
Montagu Review: Ringve Museum: Exhibition catalogue 1987 C-784
Notes on the Horniman Museum Handbook. Montagu C-43
Alto recorder Steenbergen Groninger Museum (in C-l569). Bouterse Plans: Bul-91
oboe (museum code 808/69) in the V&A Museum in London. Bouterse /baroque C-l 181
Should museum instruments be used? Montagu C-389
Review: Heyde: Musikinstrumenten Museum Leipzig band 1 Floten./ C-l93
Review: Henkel: Musikinstrumenten Museum Leipzig band 2 Kielinstrumente./ C-348
Review: Heyde: Musikinstrumenten Museum Leipzig band 3 Trompeten,/ C-348
Review: Henkel: Musikinstrumenten Museum Leipzig band 4 Clavichorde./ C-498
Review: Heyde: Musikinstrumenten Museum Leipzig band 5 Horner und/ C-498
/Henkel, Schrammek: Musikinstrumenten Museum Leipzig band 6 Orgelinstrumente,/ C-519
Plans: List V&A Museum, London Bul-20

rel 11.2
Review: Schrammek, Herre: Museum Musicum Leipzig. Henning C-496

Review: Schrammek, Herre. Museum Musicum Leipzig. Montagu C-416
Plans: List Metropolitan Museum of Art, New York Bul-40
Plans: List Metropolitan Museum of Art, New York Bul-6
Quigley Boston Museum of Fine Arts - 1989 Report C-952
/Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp)./ C-1291
/Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp)./ C-l292
/the Latvian State Museum, the Riga Museum of History and Shipping, Riga./ C-1072
/of Theatre and Music, Vilnius, the Museum of Theatre and Music, Tallinn,/ C-1072
/to the Baltic states; including the Museum of Theatre and Music, Vilnius/ C-1072
Plans: List Hill collection, Ashmolean Museum, Oxford Bul-22
Bulletin: CD-RoM museum pictures. Segerman Bul-87
Review: Royal College of Music Museum, Set of 13 postcards. Montagu C-884
/and Music, Tallinn, the Latvian State Museum, the Riga Museum of History and/ C-1072
(Floten;/ Review: Dreieich Museum: Two catalogues of exhibitions C-424
Plans: List the Shrine to Music Museum, Vermillion, USA (Italian/ Bul-54
Review: Stewart: The Shrine to Music Museum, vol 1, keyed brass instruments./ C-365
Review: Cross: The Shrine to Music Museum, vol 2 instruments of Burma,/ C-479
Measuring instruments in museums & conservation. Ransley C-1213
Bulletin: Further to C-1457 (Paris museums). Hailperin Bul-88
Conservation, archaeology & museums. Montagu /for Conservation: C-384
Review: Pinniger: Insect pests in museums. Montagu C-964
collection of Bradford art galleries & museums. Montagu /instruments in the C-1060
On measures of instruments in museums. Segerman, Abbott C-63
Haase, Krickeberg: Tasteninstrumente des Museums, Berlin. Montagu Review: C-846
drawings. Segerman Abbott Museums, commercialism and instrument C-42
/Aksdal: Meraker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp. Montagu C-l 105
A visit to Paris and some of the museums there which have musical/ C-1457
What can we reasonably expect museums to provide or allow? (on/ C-1212
Mace's theorbo from Musick's Monument, 1676. Miller C-154
On musicologists and early music. Segerman C-1217
Review: Zeugnisse alter MusikXI, 1980. Montagu C-262
instrumentorum popularis VII./ Review: Musikhistoriska Museet Stockholm: Studia C-386
/Studia Instrumentorum Musicae Popularis, Musikhistoriska museets skrifter./ C-l 11
(ed): Fiinf Jahrhunderte Deutsche Musikinstrumentenbau. Montagu /Moeck C-883
Plans: List Musikinstrumentenmuseum, Berlin Bul-52
An early gemshorn. Muskett C-271
for learning to play the vielle-a-roue. Muskett /Durichen: Corrette's Method C-277
hurdy-gurdy. Tolley Review: Muskett: Method for the vielle or C-243
Plans: list, Muzeum Ceske Hudby, Praha Bul-83
Association in instrument collections. Myers C-1246
Nominal pitch. Myers C-1247
Pitch notation: a plea to end confusion. Myers C-630
instruments of the Edinburgh University. Myers /collection of historic musical Bul-91
instruments of the Edinburgh University. Myers /collection of historic musical C-1087
instruments of the Edinburgh University. Myers /collection of historic musical C-l340

rel 11.2
instruments of the Edinburgh University. Myers /collection of historic musical C-1458

our instruments HISTORIC or HISTORICAL? Myers Are C-l245
to C-1433 on brass mouthpieces. Myers Referring C-1465
/catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and/ C-l211
instruments in the Edinburgh/ Review: Myers: A check-list of the brass musical C-363
musical instruments in the/ Review: Myers: Cartledge, Catalogue of the brass C-1060
musical instruments in/ Review: Field, Myers, ed. Catalogues of historic C-1447
Historic Musical Instruments,/ Review: Myers, ed.: Edinburgh Collection of C-l 133
Historic Musical Instruments./ Review: Myers, ed.: Edinburgh Collection of C-l 113
instruments in the Edinburgh/ Review: Myers, ed. Historical musical C-l406
European wind and percussion/ Review: Myers, Herbert: Catalogue of the C-1060
musical instruments in the/ Review: Myers, Parks, ed. Catalogues of historic C-1447
in Europe and the United States. Jones, Myers, Rice /(alto ophicleides) C-1499
Montagu Review: Myers: The Glen account book 1838-1853 C-669
iiber sein Leben. Montagu Review: Nagy: Michael Haydn, ein Uberblick C-364
string diameter on Mersenne's bass viol. Namreges A C-343
A dynamic harpsichord action. Napier-Hemy C-1022
Mersenne's monochord. Napier-Hemy C-1054
meeting report Oxford 17 Mar '91. Napier-Hemy /technology 1450-1550; C-l029
violin stringing. Segerman Napolitan mandolins, wire strengths and C-713
Building and playing a Narh. Madgwick C-724
/Musikinstrumente, Germanisches National Museum, 1989, 415 pp. Montagu C-l069
An Irish hurdy-gurdy in the National Museum Dublin. Doyle C-270
18th century musical instruments in the National Museum Dublin, with notes on a/ C-l52
Plans: List Germanisches Nationalmuseum, Nurnberg Bul-27
Plans: Naust traverso, Leningrad, Raudonikas Bul-49
A jig for preparing and glueing lute neck joints. Ellis C-233
Lute pegboxes and necks. Samson C-41
proprieta del/ Review: Tiella, Negri, Primon: Ricerche su un violino di C-847
Review: Nema, Early music in education. Montagu C-643
/vol 2 instruments of Burma, India, Nepal, Thailand, Tibet. Montagu C-479
book. Montagu Review: Neuhaus: The baroque flute fingering C-728
in more part renaissance dance music. Neumann No percussion C-915
30's. Tiella About Neupert harpsichord technology in the C-l526
/(appendix Gaffurius's 'breathing' and Neusidler's counting). Segerman C-l 130
Review: Ellis: Hanes y delyn yng Nghymru. Montagu C-283
Krumhorner, or/ Preatorius' Basset Nicolo - Lang Strack Basset zu den C-l049
Praetorius's Basset Nicolo, a reply to C-l049. Gire C-1064
More on Praetorius' Basset Nicolo, a reply to C-l064. Foster C-1081
A 17th century French harpsichord. Nobbs C-1041
On nomenclature - a rejoinder. Montagu C-351
The problem of nomenclature. Montagu C-323
English nomenclature of extended lutes. Spencer C-337
instruments. Meeus The nomenclature of plucked keyboard C-368
Non-ferrous harpsichord wire. Way C-576
Review: Kjeldsberg: Piano i Norge. Aanstad C-696

rel 11.2
Blowhorns of 19th century North America. Downing C-l568

Myers Pitch notation: a plea to end confusion C-630
Crookes The Davidic notation system, a sequel to C-l287 C-l299
New Braille codes for some early music notations. Williams C-1456
of misunderstanding (further to C-l 185). Novak Clinkscale /or a statement C-l242
1700-1820. Cole Review: Novak Clinkscale: Makers of the piano C-l 185
used in the 17th and 18th century in Nuremberg; 186 pp. Montagu /techniques C-l 103
pitches./ Praetorius's and surviving Nuremberg sackbut lengths and playing C-l371
Plans: List Germanisches Nationalmuseum, Nurnberg fiul-27
The way from Thoiry to Nurnberg. Gug C-766
Montagu On the skill of the Nurnberg brass instrument makers C-722
Untitled (craftsmanship of Nurnberg horns). Barclay C-760
Jobst Meuler or the secret of a Nurnberg wire drawer. Gug C-866
CNCs, the sledgehammer and the nut. Ackerman C-l 163
string./ Fret distances from the nut for every interval above the open C-l79
extended-neck lute. Segerman Nut groove diameters on a Sellas C-776
General: Instructions for working tagua nuts, a substitute for ivory Bul-71
Nuts, bolts and plugs. Marvin C-146
A tiny harp made from bog oak. Crookes C-560
/of timber - includes bogwood, bog oak, bog pine, alder. Downing C-l074
early music/ From small acorns, large oak tress grow; a personal report on C-1026
/Young. Woodwind instruments in the Oberosterreichisches Landesmuseum,/ C-1534
Robert Greenberg, an obituary. Barnes C-l380
'Let us now praise famous men ...', an obituary for Michael Morrow. Montagu C-1272
Obituary Len Stanners. Smith C-l384
the Gesellschaft der Freunde der Wiener Oboe Bulletin: Foundation of Bul-93
A peculiar Fornari oboe. Bernardini C-725
Montagu Review: Haynes: Music for oboe, 1650-1800: a bibliography C-690
Review: Haynes: Music for the oboe 1650-1800: a bibliography. Montagu C-l 106
On writing a history of the oboe in the 19th century. Burgess C-l279
Some remarks on the W. Beukers baroque oboe (museum code 808/69) in the V&A/ C-l 181
/of locations and citations of early oboe reeds and accessories. Burgess C-818
A profile of Mr Ling - English oboe reeds around 1800. Burgess C-804
Making unsoldered oboe staples. Kirkpatrick C-431
Three boxwood oboes by Hendrik Richters. Bouterse C-l259
/University collection (Cornets & Tubas, Oboes, Clarinets, Stringed instruments/ C-1406
/check-list of iconography for oboe-type instruments, reeds and/ C-764
of preluding, 1700-1830 for flutists, oboists, clarinettists and other/ /art C-767
instrument conservation and restoration. O'Brien Attitude to musical C-10
conservation and restoration by O'Brien. Barnes /to musical instrument C-lOa
The Maler and Frei lutes - some observations. Downing C-128
Way Tentative observations about barred soundboards C-575
(further to C-l559)7 Some tangential observations about hurdy gurdies C-l573
The cittern in Italy - notes, observations and speculations./ C-858
Barclay Some observations on the'natural'trumpet C-1216
keyboards separated 200 years. Lee Observations on the wear of two C-914

rel 11.2
the kithara. Crookes Observations prelusive to reconstructing C-508

Just a last(?) bang at Ockham (Occam). Chiverton C-1411
Suppliers for Occam's razor. Goodacre C-l376
On the upsetting power of Occam's razor. Segerman C-l365
Response to C-1302 on Occam's razor. Segerman C-l303
Thoughts on C-l276 'Occam's razor'. White C-l302
ensuring objectivity in scholarship./ Occam's razor: the formal method for C-l276
19897 Review: Moyle: the Sound of Oceania, Auckland Institute & Museum, C-921
Supplement: Chiverton's Ockham. Segerman Sup-84
Chiverton's Ockham bang. Loretto C-1434
Just a last(?) bang at Ockham (Occam). Chiverton C-1411
An experimental method. Odell C-711
Bulletin: Odilia Publishing Ltd.: harps Bul-93
Woodwind bore oil. Karp C-406
Pale drying oil. Wadsworth C-617
Woodwind bore oil. Willetts C-475
Oil and varnish. Mactaggart C-616
your recorder. Simmons The good oil; what really happens when you oil C-l228
good oil; what really happens when you oil your recorder. Simmons The C-l228
on Bull. Supp. 34: O'Kelly table. O'Kelly Comments C-526
string calculation and identification. O'Kelly Lute C-527
Comments on Bull. Supp. 34: O'Kelly table. O'Kelly C-526
A provisional list of quinticlaves (alto ophicleides) in Europe and the United/ C-l499
Review: Weston: Samuel Hughes ophicleidist. Montagu C-747
Montagu Review: Orcutt: The Stradivari memorial C-313
The British ten foot organ. Goetze C-l383
Introduction to the small organ. Gwynn C-296
Braga cathedral - gospel organ. Pereira C-418
answers to C-l252)7 The transposing organ and choir pitch in England: C-l261
short test. Goetze The transposing organ and choir pitch in England: a C-l252
The oldest organ in Christendom. Montagu C-534
An interesting organ loft in Antwerp. Lyndon-Jones C-l 187
Paper portative organ pipes. Bridges C-l062
Paper organ pipes. Gill C-l050
Old keyboard tablature used in making organ pipes. Pereira C-257
Organ pitch. Gwynn C-342
Comments on early 18th century organ pitches. Gwynn C-l 101
On early 17th century English vocal and organ pitches. Segerman C-l290
Reply to C-l329 on English organ pitches. Segerman C-l347
experimental studies on brass used for organ reeds. Gug Historic and C-893
The key system of the organistrum. Gibson C-510
C-351. Segerman More on organological terminology - response to C-376
/Florence Getrau, ed.: La recherche en organologie; les instruments de musique/ C-l296
Dean castle: van Raalte collection organs. Coetze C-511
Pitch standards of early English organs - response to C-1383. Segerman C-1398

rel 11.2
Review: Fluke: Victorian reed organs and harmoniums. Montagu C-667

Segerman's C-l2907 Transposing organs and pitch in England: response to C-l329
appendix of a catalogue of/ English organs and transposition skills (with an C-l 127
(including/ Plans: Harpsichords, organs, trumpet, tromba marina Bul-58
David's three-part organum (sequel to C-l299). Crookes C-l326
422/ Review: Rosionski: Zabytkowe Organy, Wydawnictwo Naukowe PWN, 1992; .. C-l 114
Review: Kaba: Die Romische Orgel von Aquincum. Montagu C-149
The words authentic and original. Segerman c.53
Estimation of original bore in old instruments. Gill C-1432
/to C-l 111: What is a 'copy' of an original instrument?. Loretto C-l 118
What is a 'copy' of an original instrument? Segerman C-llll
The use of drawings of original instruments. Lambert C-942
viols. Segerman Ruminations on original methods of constructing English C-l575
present improved state compared with the original pedal harp, London 18217 /its C-1267
varnishes of lutes in Italy./ Some original receipts, appertaining to the C-240
Haynes Appeal for pitches of original traversos and recorders C-1039
traverso. Montagu Review: Kolberg: Ornamental metrics of recorders & C-938
On the Palmer orpharion. Segerman Abbott C-16
Orpharion news. Segerman C-407
baroque guitar - one day course - Hope. O'Sea The C-319
Abbott Overspun string calculations. Segerman C-l63
On the time of invention of overspun strings. Abbott Segerman C-174
Overspun strings. Karp C-102
German baroque lutes and overspun strings. Peruffo C-l350
Mace on overspun strings. Segerman C-1440
Comments on C-483: review of Der Zink. Overton C-505
and Spieltechnik eines/ Review: Overton: Der Zink, Geschichte, Bauweise C-483
A reed-scraping tool. Owen C-801
Some historical notes on acid staining. Owen C-1226
to frequency values by micro computer. Owen Converting note names & cents C-551
Bressan recorder from Bate collection, Oxford Plans: Bul-40
List Hill collection, Ashmolean Museum, Oxford Plans: Bul-22
Plans: Complete list Bate collection, Oxford Bul-56
Plans: List woodwind, Bate collection, Oxford Bul-35
/technology 1450-1550; meeting report Oxford 17 M a r ' 9 1 . Napier-Hemy C-1029
in 17th century England; meeting report Oxford 3 F e b ' 9 1 . Gouk /technology C-1028
1992; 404 pp./ Review: Baines: The Oxford companion to musical instruments, C-l 116
1992; 404 pp./ Review: Baines: The Oxford companion to musical instruments, C-l 131
Bate collection of musical instruments, Oxford. Montagu Plans: List the Bul-68
list,/ Plans: List Bate collection, Oxford, supplement to the 1989 check Bul-60
practical guide/ Review: Lucy: Pitch, ;rand other musical paradoxes: a C-896

rel 11.2
Jean de Gerson's Tractatus de Canticis. Page Musical instruments in C-l2

Parrish: Johannes Tinctoris translated. Page Review: C-326
What's wrong with early music? Page C-813
in medieval Latin biblical glosses. Page Musical instruments C-l3
string materials in some medieval texts. Page References to C-l4
Middle Ages;/ Review: Christopher Page. Music and instruments of the C-l565
ages - instrumental practice/ Review: Page: Voices & instruments of the middle C-786
Montagu Review: Mactaggart: Painting and marbling harpsichord cases C-518
Notes on a painting by Sabastino Lazzari. Downing C-484
Painting harpsichords. Way C-307
/The Hoogsteder Exhibition of Music & Painting in the Golden Age. 386pp, C D + / C-1310
Painting keyboard instruments. Rawson C-291
an early music movement and not an early painting movement? Segerman /is there C-1079
and colour of the bowed instruments in paintings. Badiarov /varnishes C-l595
Review: CD-ROM catalogue: Collection of paintings and sculptures,/ C-l476
/aloft - musical symbolism in the mural paintings of Danish medieval churches./ C-1449
Further to C-276. Palmer C-288
The hurdy-gurdy. Palmer C-275
shafts and bearings for hurdy-gurdies. Palmer On C-340
On the Palmer orpharion. Segerman Abbott C-l6
Review: Palmer: The hurdy-gurdy. Montagu C-276
The colour of the Ruckers' wood-grain paper. Shann C-570
Paper organ pipes. Gill C-l050
Paper portative organ pipes. Bridges C-1062
Reducing and enlarging paper sizes. Lambert C-1017
Laying & decorating harpsichord papers. Montagu Review: Mactaggart: C-399
Parchment roses. Kemner C-235
Vellum and parchment roses. Rawson C-l67
Parchment roses. Theakston C-234
Rawson Parchment roses for harpsichords C-l524
baroque guitars and harpsichords./ Parchment roses in citterns, lute, C-l515
des Amis du Musee Instrumental, Paris Plans: List Societe Bui-11
des Amis du Musee Instrumental, Paris Plans: List Societe Bui-18
des Amis du Musee Instrumental, Paris Plans: List Societe Bul-28
instrumentales du Conservatoire de Paris, 1793-1993. Montagu /collections C-l503
Historical tests on Pleyel's music wire, Paris 1811. Gug C-901
/No.l: Martin Freres & Famille, Paris, 93 rue de la Chapelle C-l044
which have musical/ A visit to Paris and some of the museums there C-1457
List of plans. Paris Conservatoire C-246
des Amis du Musee Instrumental, Paris (new address) /List Societe Bul-63
string quality and thickness, and the Paris vihuela. Segerman Vihuela C-1483
/ed. Instrumentistes et luthiers Parisiens, 17-18th siecles. Montagu C-1452

rel 11.2
musical instruments in/ Review: Myers, Parks, ed. Catalogues of historic C-1447
/Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones. Montagu C-1211
Page Review: Parrish: Johannes Tinctoris translated C-326
harpsichord; illustrated with/ Review: Pasquali: The art of fingering the C-694
flaccid. White Preserving passion and conviction: fend off the C-1338
Response to C-1500 (recorder patents). Loretto C-l506
Old recorders for new (recorder patents). Madgwick, Loretto C-1486
Comments to C-1486 (recorder patents). Thomas C-l500
musical instruments,/ Review: Bingham: Patents for inventions related to C-579
early renaissance tunings and fretting patterns. Segerman On medieval and C-89
A method for casting harpsichord roses. Paul
C-403
A method of casting harpsichord roses. Pa
ul C-392
Ivory alternatives. Paul
C-1006
John Paul - An appreciation C-1045
Memories of John Paul. White C-1066
Montagu Review: Paul: Modern harpsichord makers C-400
Computing lute rib shapes. Peckham C-417
Bone for peg decoration. Jenkins C-487
Peg fitting. Segerman C-l606
Peg mill attached to a lathe. Steafel C-372
Peg taper finisher and cutter. Mather C-185
Why are lute pegboxes bent back? Segerman Abbott C-40
Lute pegboxes in pictures 1600-1800. Samson C-47
On extended peghead lutes. Hodgson C-738
Making lute pegs. Miller C-140
Regarding lute pegs and bridges. Curry C-17
The string formula, van Pelt C-81
Pepys' viol. Forrester C-857
Pepys's minikin. Downing C-1567
dance music. Neumann No percussion in more part renaissance C-915
Review: Montagu: Making early percussion instruments. Bowles C-l9
ages/ Review: Blades, Montagu: Early percussion instruments from the middle C-l8
/Catalogue of the European wind and percussion instruments in the Cyfarthfa/ C-1060
Review: Blades: A check-list of the percussion musical instruments in the/ C-428
music./ Review: Monroe. Adding percussion to medieval and renaissance C-1451
(keyboard instrument classification). Pereira Untitled C-717
Artificial ivory made from milk. Pereira C-201
Braga cathedral - gospel organ. Pereira C-418
On accuracy of measurements. Pereira C-222
on drawings of keyboard instruments. Pereira More C-273
tablature used in making organ pipes. Pereira Old keyboard C-257
scissors. Williams Perforating soundboard roses with C-434
Crombie. Piano: evolution, design and performance. Cole Review: David C-1477
of the Middle Ages; studies on text and performance. Montagu /and instruments C-1565
/Burney: An account of the musical performances in Westminster-Abbey./ C-312

rel 11.2
oboists, clarinettists and other performers. Montagu /for flutists, C-767

On current uniformity in performing style. Segerman C-l 158
A&Q: Clarinets by Koch. Perini Bul-89
(see also C-1235, C-1254 and C-1255). Peruffo /weighted bass gut strings C-l288
More on gut strings. Peruffo C-1417
More on gut strings. Peruffo C-1466
Ramelli, loaded gut strings and gansars. Peruffo More on C-l351
baroque lutes and overspun strings. Peruffo German C-l350
lutes and other gut strung instruments. Peruffo /of bass strings for C-1021
Early instruments in St Petersburg. Henning C-l253
Praetorius' pitchpipe pfeifflin zur ChormaB. Heavens C-l328
kettledrums. Montagu Review: Philidor: March for two pairs of C-785
(music criticism). Cousen Philip Stubbes: anatomy of abuses, 1583 C-1386
the Oberosterreichisches/ Review: Philip Young. Woodwind instruments in C-1534
Phosphorous iron music wire. Shann C-821
Painting in the Golden Age. 386pp, CD + photo CD. 130 Dfl. Montagu /Music & C-1310
Photogrammetric measurement. Hobrough C-332
Comments on technical drawings and photographs of musical instruments. Lee C-68
Choc in the/ Notes on the drawings and photographs of the liuto attiorbato by C-259
bases of great Italian/ Studies on the physical and technical construction C-879
Segerman Discussion of the physics of bowing - response to C-794 C-820
Review: Hutchins: The physics of music. Montagu C-l50
Making a silk 'sunburst' for a cabinet piano. Mobbs, Mobbs C-1473
Broadwoods; the evolution of an English piano. Montagu Review: Burnett: Seven C-l358
Review: Novak Clinkscale: Makers of the piano 1700-1820. Cole C-l 185
Quarterly review of 'Makers of the Piano 1700-1820', a question of/ /FoMRHI C-l242
Review: Ehrlich: The piano: a history. Montagu C-963
Review: Taylor: The musician's piano atlas. Montagu C-362
Review: Taylor: The musician's piano atlas, suppl 1. Montagu C-584
/reports: restoration of square piano c. 1820 by Gaiser. Barnes C-l 16
Huggett, Verney, Beethoven symphony #2, piano concerto #3. Montagu /Band, C-1071
performance./ Review: David Crombie. Piano: evolution, design and C-l477
Review: Kjeldsberg: Piano i Norge. Aanstad C-696
Giusti/ Documentation of a Fort'e Piano mechanism once existing in the C-l 17
Johann Socher's square piano of 1742. Cole C-1446
Review: Pollens. The early pianoforte. Cole C-1403
Review: Pollens. The early pianoforte. Montagu C-l404
the years 1823-1825. Gug English pianoforte wire - a controversy during C-853
Restoration reports for two Broadwood pianos. Barnes C-366
strings for clavichords and square pianos. Barnes Covered C-329
a discography of music on early pianos. Montagu /of the fortepiano: C-688
Early pianos at Ipswich. Barnes C-681
Review: von Gleich: A check-list of pianos, Haags Gemeente Museum. Montagu .... C-842
Bulletin: CD-RoM museum pictures. Segerman Bul-87
Trust but don't believe what you see in pictures. Segerman C-l509

rel 11.2
Downing Pictures etc in the Ashmolean Museum C-8a

Instruments at SchloB Pillnitz. Lyndon-Jones C-l306
curtals from Augsburg, Sonderhausen and Pillnitz. Lyndon-Jones Four great C-1305
Leeuwen Method for drilling the hinge pin hole in the foot of a traverso. van C-619
Key lever fulcrum pin mortices. Robson C-l262
timber - includes bogwood, bog oak, bog pine, alder. Downing /treatment of C-1074
A simple, safe method for making pine resin varnish. Duncalf Segerman C-302
Montagu Review: Pinniger: Insect pests in museums C-964
A method for making traditional tuning pins. Barnes C-200
Browning harpsichord P in s- Way C-367
living in Euskadi. Montagu The Pipe and Tabor is alive and well and C-l537
Paper portative organ pipes. Bridges C-1062
Woodwinds - boring pipes. Downing C-1260
Paper organ pipes. Gill C-1050
keyboard tablature used in making organ pipes. Pereira Old C-257
/in pitch between wider and narrower pipes of the same length. Bouterse C-1408
On catlines and Pistoy basses. Segerman C-1235
gut strings/ On Venice catlins, lyons, Pistoy basses and loaded weighted bass C-l288
Organ pitch. Gwynn C-342
Nominal pitch. Myers C-1247
Mersenne's iron and Ruckers 6 foot pitch. Segerman C-1494
Supplement: Praetorius's recorder pitch. Segerman Sup-84
FoMRHI conference on pitch and transposition. Rose C-322
/resonance of baroque transverse flute: I pitch axis and wind bands. Raudonikas C-l70
/some thoughts about the differences in pitch between wider and narrower pipes/ C-1408
Further comments to the pitch dispute. Haynes, Segerman C-1099
The transposing organ and choir pitch in England: a short test. Goetze C-l252
The transposing organ and choir pitch in England: answers to C-1252)./ C-1261
C-l2907 Transposing organs and pitch in England: response to Segerman's C-1329
Keyboard pitch in the 18th century. Karp C-627
Myers Pitch notation: a plea to end confusion C-630
Segerman On measuring the pitch of early wind instruments C-1372
'consort flute pitch' and 'church pitch o f f . Segerman /especially C-l 100
The pitch of Ruckers instruments. Shann C-593
a practical guide to/ Review: Lucy: Pitch, ;rand other musical paradoxes: C-896
Segerman Mersenne's sackbut and pitch, plus playing with shawms C-1373
A closer look at pitch ranges of gut strings. Segerman C-632
Mersenne's pitch standard. Segerman C-l374
of/ /Praetorius and the English viol pitch standard: problems of the history C-490
to Eph Segerman's C-l063; on English pitch standards. Haynes Response C-1082
Another note concerning Praetorius's pitch standards. Segerman C-79
16th century. Segerman Supplement: Pitch standards and playing viols in the Sup-92
Segerman Pitch standards in northern Italy C-1489
On German, Italian and French pitch standards in the 17th and 18th/ C-442
Segerman/ Praetorius and English pitch standards in the 17th century C-38
Segerman English pitch standards, mostly c.1600 C-1063

rel 11.2
- response to C-l383. Segerman Pitch standards of early English organs C-l398

in the/ The names, string lengths and pitch standards of extended-neck lutes C-59
Measuring instrument pitch with a pocket tuner. Downing C-l248
length. Samson The range of pitch with gut strings of a given C-66
Some flute pitches. Chiverton C-l 120
Comments on early 18th century organ pitches. Gwynn C-l 101
18th century German and French pitches? Haynes C-891
problems of the history of early pitches. Meeus /pitch standard: C-490
17th century English vocal and organ pitches. Segerman On early C-l290
18th century German and French pitches. Segerman C-683
English bass violins, and catlin highest pitches. Segerman Late 17th century C-l590
English viol sizes and pitches. Segerman C-597
Nuremberg sackbut lengths and playing pitches. Segerman /and surviving C-l371
Reply to C-l329 on English organ pitches. Segerman C-l347
Response to C-490 on English viol pitches. Segerman C-491
C-891 (on 18th century German and French pitches) by Bruce Haynes? Segerman /to C-1098
pitch' and/ Early 18th century English pitches, especially'consort flute C-l 100
Segerman Review: Karp: The pitches of 18th century strung keyboard C-606
Untitled (the pitches of flutes). Cameron C-723
The sizes and pitches of Italian archlutes. Hodgson C-464
recorders. Haynes Appeal for pitches of original traversos and C-l039
Segerman The sizes and pitches of Praetorius's sackbuts C-l200
Classification system of the pitches with various absolute height./ C-301
temperament using an equal temperament pitchmeter. Chiverton /an unequal C-835
Using the pitchmeter and digituner. Crowe C-535
Heavens Praetorius' pitchpipe pfeifflin zur ChormaB C-l328
Champollion Little French harpsichord plan, as asked for by Geza Vojnic C-720
Questions on bending and a plan for crumhorns. Buck C-l271
Scraping plane for mouldings in wood. Greenberg C-571
Re: scraping plane in C-571. Young C-586
Glover Plane scraping for profit and pleasure C-318
Small planes. Williams C-230
stringed instruments. Young Planes for shaping arched bellies of C-l68
Planning a workshop. Rawson C-l82
(harpsichords by William Smith, and/ Plans: Bate collection, two new plans Bul-76
List of plans. Paris Conservatoire C-246
Standards for instrument plans. Williams C-231
Groninger Museum (in C-l569)7 Plans: Alto recorder Steenbergen Bul-91
Plans: Bass recorder, Bergstr0m Bul-43
(flutes by Delerable, Lot, and/ Plans: Bate collection, three new plans Bul-75
collection, Oxford Plans: Bressan recorder from Bate Bul-40
Oxford Plans: Complete list Bate collection, Bul-56
Plans: Drawings available. Bouterse Bul-72
Plans: Eerens traverso, van Leeuwen Bul-43
Plans: Bate collection, three new plans (flutes by Delerable, Lot, and/ Bul-75
and/ Plans: Bate collection, two new plans (harpsichords by William Smith, Bul-76

rel 11.2
tromba marina (including/ Plans: Harpsichords, organs, trumpet, Bul-58

Raudonikas Plans: Hotteterre traverso, Leningrad, Bul-49
Plans: Italian harpsichords, Wraight Bul-5
supplement to the 1989 check list,/ Plans: List Bate collection, Oxford, Bul-60
Plans: List Brussels Museum Bui-11
genootschap, Antwerpen Plans: List cembalo, Ruckers Bul-46
collection Plans: List Edinburgh University Bul-43
Nurnberg Plans: List Germanisches Nationalmuseum, Bul-27
Tacoma WA Plans: List Guild of American Luthiers Bul-63
Museum, Oxford Plans: List Hill collection, Ashmolean Bul-22
New York Plans: List Metropolitan Museum of Art Bul-40
New York Plans: List Metropolitan Museum of Art, Bul-6
Plans: List Musee Grobet, Labadie Bul-28
Berlin Plans: List Musikinstrumentenmuseum Bul-52
Plans: List Musikmuseet, Stockholm Bul-28
Praha Plans: list, Muzeum Ceske Hudby, Bul-83
Fiske Museum, Claremont, California,/ Plans: list, new acquisitions at the Bul-83
in the Bate collection. Montagu Plans: List of available drawings housed Bul-68
the Edinburgh University Collection/ Plans: List of workshop drawings from Bul-73
London Plans: List Royal College of Music Bul-19
London Plans: List Royal College of Music, Bul-35
London Plans: List Royal College of Music Bul-45
Washington DC Plans: List Smithsonian Institute Bul-63
Musee Instrumental, Paris (new/ Plans: List Societe des Amis du Bul-63
Musee Instrumental, Paris Plans: List Societe des Amis du Bul-11
Musee Instrumental, Paris Plans: List Societe des Amis du Bui-18
musical instruments, Oxford. Montagu Plans: List the Bate collection of Bul-68
Vermillion, USA (Italian stringed/ Plans: List the Shrine to Music Museum, Bul-54
Oxford Plans: List woodwind, Bate collection Bul-35
Oxford Plans: List woodwind, Bate collection, Bul-37
Oxford Plans: List woodwind, Bate collection, Bul-38
Plans: Mulhouse traverso, van Leeuwen Bul-49

rel 11.2
publications, Haags Gemeente Museum. Plans: Musical instruments and Bul-56

Raudonikas Plans: Naust traverso, Leningrad, Bul-49
instruments on microfiche, MFF/ Plans: Technical drawings of musical Bul-80
Gemeente Museum Plans: Terton recorder from Haags Bul-40
harpsichord in Hudiksval, Sweden (in/ Plans: the 1710 Michael Mietke single Bul-90
live centre, metal turning tools, plastic calipers and 4-jaw/ /gun drills, C-958
Powell Plastic, ivory, gold and South Africa C-909
Profiling and tuning of viol front plates. Strahle C-78
in arching and thicknessing viol front plates. Strahle Ajigforuse C-294
C-l469. Badiarov More on draw plates; response to Peter Forrester's C-l550
Mersenne, Mace and speed of playing. Segerman C-753
Building and playing a Narh. Madgwick C-724
/of research information vs a playing collection. Segerman C-380
air. Segerman Thick gut string, playing harmonics and stopping in mid C-l519
Expanding boxwood and playing in. Kirckpatrick C-l227
Models for sound improvement on playing in. Segerman C-l472
to C-1439, claiming wood changes on playing in. Segerman /A response Sup-84
on the fundamental principles of violin playing, (Knocker). Montagu /treatise C-692
surviving Nuremberg sackbut lengths and playing pitches. Segerman /and C-l371
around 1500 as/ Review: Stradner: Playing practice and instrumentation C-787
/Manual or method of instrumentation for playing the Welsh harp. Montagu C-894
Supplement: Pitch standards and playing viols in the 16th century./ Sup-92
Mersenne's sackbut and pitch, plus playing with shawms. Segerman C-l373
Production of plectrum from bird feathers. Lajaruzny C-396
Historical tests on Pleyel's music wire, Paris 1811. Gug C-901
Review: Macauly: A check-list of the plucked and hammered string musical/ C-428
Segerman Praetorius's plucked instruments and their strings C-l593
Applying the principles of stringing plucked instruments to the Irish harp./ C-l 149
The nomenclature of plucked keyboard instruments. Meeus C-368
/Kunitachi College, Tokio: Catalogue 4, Plucked stringed-instruments. Montagu C-645
Nuts, bolts and plugs. Marvin C-l46
Segerman Discussion of points on violas and vihuelas in C-660 C-661
reply, C-l468, on English/ Some points raised by Ephraim Segerman's C-1481
/Zabytkow [Dictionary of the Polish terminology of Historic Musical/ C-l 114
44 historical varnishes and polishes. Badiarov C-l596
The polishing of metal surfaces. Betts C-22
Review: Pollens. The early pianoforte. Cole C-1403
Review: Pollens. The early pianoforte. Montagu C-1404
A&Q: Lyra da braccio and Lirone project. Pomykalo Bul-89
differences in pitch/ The auloi of Porphyrius: some thoughts about the C-1408
Paper portative organ pipes. Bridges C-l062
Portatives with reservoirs? Bridges C-469
London General: Portraits in the Royal College of Music, Bul-76
Origins of the 'guitarra portuguesa'. Segerman C-l543
/Museum Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu C-348
Rycroft Intonation tests on a post horn in F with one tone hole C-955

rel 11.2
Fixing the baroque flute. Powell C-1003

Further to C-981: A controversial issue. Powell C-1002
Ivory. Powell C-902
Plastic, ivory, gold and South Africa. Powell C-909
Reviews of musical instruments. Powell C-981
Throwing ivory overboard. Powell C-974
Traverso Newsletter. Powell C-929
Traverso or traversa? Powell C-943
Urgent communication on ivory. Haynes Powell C-903
a thousand words for the ivory ban. Powell Well under C-1219
program for woodwind instrument makers. Powell A technical database management C-800
to C-903 on the subject of ivory. Powell Responses C-928
to C-903 on the subject of ivory. Powell Update on response C-940
Review: Johann George Tromlitz, Ardal Powell, tr & ed. The keyed flute. Frank C-l474
eared minority and the effects of its power. Segerman The sharp C-l 193
instruments with varying string/ A power law in the stringing of C-1418
On the upsetting power of Occam's razor. Segerman C-l365
An unpublished letter by Michael Praetorius. Meeus C-608
in the 17th century. Segerman/ Praetorius and English pitch standards C-38
standard: problems of the/ Mersenne, Praetorius and the English viol pitch C-490
bowed instruments. Segerman On Praetorius and the sizes of Renaissance C-l545
Abbott Segerman Praetorius and the viola bastarda C-37
viols. Segerman Praetorius, Meeus and the English C-633
viols. Meeds Praetorius, Segerman and the English C-607
Crookes). Segerman Review: Praetorius: Syntagma Musicum I & II (tr C-810
Review: Blumenfeld: The Syntagma Musicum Praetorius translated. Montagu C-346
Segerman What Praetorius wrote on English viols C-598
sackbut lengths and playing pitches./ Praetorius's and surviving Nuremberg C-1371
C-l049. Gire Praetorius's Basset Nicolo, a reply to C-1064
A red herring on Praetorius's foot. Segerman Young C-l55
Another note concerning Praetorius's pitch standards. Segerman C-79
their strings. Segerman Praetorius's plucked instruments and C-l593
The sizes and pitches of Praetorius's sackbuts. Segerman C-1200
1990 instrument courses in Prague. Freeman C-994
Instrument courses in Prague. Freeman C-972
FoMRHI members teaching in Prague. Loretto C-953
Changes at Prague. Lyndon-Jones C-726
The Prague Bressan bocal. Loretto C-954
A van load of instruments to Prague, June 1991. Holden C-1027
Plans: list, Muzeum Ceske Hudby, Praha Bul-83
interpretazione della musica,/ Review: Praxis vol. 1, Studi e testi sull' C-554
shakuhachi. Mayers Notes on the preservation and repair of the C-76
Review: van der Meer, Thibault: Preservation and restoration of musical/ C-91
/notes on the use of benzotriazole as a preservative for copper and alloys of/ C-23
off the flaccid. White Preserving passion and conviction: fend C-1338

rel 11.2
dell'Istituto della/ Review: Tiella & Primon: Catalogo degli Strumenti C-979
proprieta/ Review: Tiella, Negri, Primon: Ricerche su un violino di C-847
/Bernard Brauchli, ed. De clavicordio II: proceedings of the international/ C-1478
/Brauchli, Galazzo, ed.: De clavicordo: proceedings of the international/ C-l360
of bridge and bars regarding tone production. Mather Position C-260
Some thoughts on manufacture and production. Montagu C-251
/Numeric Control); computer aided reamer production for woodwind instruments./ C-l 140
feathers. Lajaruzny Production of plectrum from bird C-396
/des Barock (Comparative research of bore profile of historical baroque/ C-l504
around 1800. Burgess A profile of Mr Ling - English oboe reeds C-804
in woodwind. Cameron Profile turning of reamer blanks for use C-70
for measuring front-plate thickness profiles of viols. Strahle A gauge C-l33
plates. Strahle Profiling and tuning of viol front C-78
instruments./ Resonans, a software program for developing new wind C-l356
A technical database management program for woodwind instrument makers./ C-800
Bulletin: Sibelius, a computer program for writing music Bul-93
Hertz. Goodwin Mills Computer programs for the conversion of cents to C-791
Some strangeness in the proportion. Fleming C-854
Keeping geometrical analysis in proportion. Smith C-880
Violin makers' inches in proportion. Smith C-l008
Samson Review: Coates: Geometry proportion and the art of lutherie C-730
Review: Waterhouse: The proud bassoon (catalogue). Montagu C-497
The music of psalm 117 (sequel to C-l378). Crookes C-1387
The scale of the psalter. Crookes C-l287
The Memling Angel Musicians Psaltery. Kottick C-203
review/ Review: Van Ree Bernard: The psaltery; an annotated audio-visual C-948
On Memling's psaltery. Segerman C-411
Harpsichords and 'Buntpapier'. Piihringer C-1495
in the USSR. Stembridge From Purcell to perestroika, early keyboard C-l067
between string and woodwind gracing in Purcell's time. Segerman Contrasts C-1316
Making your own traditional purfling cutter. Downing C-1444
Real instruments and fake putti. Lyndon-Jones C-l 186
Waldsassen. Lyndon-Jones More putti in the Stiftsbasilika at C-l284
syntax. Raudonikas Essays of Pythagorean system; 3. three-dimensional C-l068
syntax; 5. auscultation/ Essays of Pythagorean system; 4. four-dimensional C-1083
coherencies; 77 Essays of Pythagorean system; 6. spectrum of C-1083
part 1. Raudonikas The Pythagorean system of musical tones, C-959
part 2. Raudonikas The Pythagorean system of musical tones, C-l031
two-dimensional syntax./ Essays of Pythagorean system; primary concepts and C-1055
A letter on the Pythagorean system. Raudonikas C-l 190
representation of scale by/ Essays of Pythagorean system; Supplement: C-1083
/Musikinstrumenten in deutschsprachigen Quellen bis 1900 (158 pp). Segerman C-1295
Barock, Band 17 Review: Schultze: Querfloten der Renaissance and des C-947
Museum of Fine Arts - 1989 Report. Quigley Boston C-952
of historical feathers (on harpsichord quills and voicing). Gug /or songs C-l263
Europe and the/ A provisional list of quinticlaves (alto ophicleides) in C-1499

rel 11.2
An inventory of the Charles van Raalte Collection in instruments./ C-360

Dean castle: van Raalte collection organs. Coetze C-511
on the historical bassoon reed gouge. Rachor /of J.S. Halle: implications C-1600
(Vienna 1701). Samson Hodgson Von Radolt's instructions to lute players C-737
Peruffo More on Ramelli, loaded gut strings and gansars C-l351
Authentic methods of making woodwinds. Ramsley C-l 199
wilde (record). Montagu Review: Rans, Misschaert: Die nachtegael int C-284
wilde (record). Yakeley Review: Rans, Misschaert: Die nachtegael int C-285
A simple way to hold work on a lathe. Ransley C-1198
Further to C-849. Ransley C-864
instruments in museums & conservation. Ransley Measuring C-1213
7. classification of modalities. Raudonikas /6. spectrum of coherencies; C-1083
A letter on the Pythagorean system. Raudonikas Q.\ 199
Further to C-342. Raudonikas (3.37 j
IV the tone and the blowing process. Raudonikas /baroque transverse flute: C-419
Plans: Hotteterre traverso, Leningrad, Raudonikas Bul-49
Plans: Naust traverso, Leningrad, Raudonikas Bul-49
Syntax of relative two-dimensional mode. Raudonikas C-1266
To study the embouchure hole form. Raudonikas C-327
by point or the modular projection. Raudonikas /representation of scale C-1083
concepts and two-dimensional syntax. Raudonikas /Pythagorean system; primary C-l055
flute: I pitch axis and wind bands. Raudonikas /of baroque transverse C-l70
flute: II characteristic frequency. Raudonikas /of baroque transverse C-181
frequency measurement data treatment. Raudonikas Method of woodwind C-145
influence of cork position alteration. Raudonikas /transverse flute: III C-229
membership as whole (further to C-l243). Raudonikas Letter to the C-l275
of theoretical musical communication. Raudonikas The nature C-l265
pitches with various absolute height. Raudonikas /system of the C-301
syntax; 5. auscultation researches. Raudonikas /system; 4. four-dimensional C-1083
system of musical tones, part 1. Raudonikas The Pythagorean C-959
system of musical tones, part 2. Raudonikas The Pythagorean C-1031
system; 3. three-dimensional syntax. Raudonikas Essays of Pythagorean C-l068
to the modal scale theory (summary). Raudonikas Corollaria C-1030
transverse flute: V tolerances of tones. Raudonikas Blown resonance of baroque C-441
understandings (further to C-l 190). Raudonikas Somewhat about C-l243
Reply to Raudonikas's C-l243. Segerman C-l274
Hide glue defended. Rawnsley C-1424
Basic clavichord design. Rawson C-144
C-981: Reviews of musical instruments. Rawson Further to C-997
Felling your own timber. Rawson C-54
FoMRHI on the Internet. Rawson C-1277
Identifying woodworm. Rawson C-984
Is restoration doomed. Rawson C-268
Lead in harpsichord keyboards. Rawson C-98
Making arcades for keyboard instruments. Rawson C-292
Painting keyboard instruments. Rawson C-291

rel 11.2
Parchment roses for harpsichords. Rawson C-1524

Planning a workshop. Rawson C-182
Safety with woodworking machines. Rawson C-166
Seasoning your own timber. Rawson C-99
String keyboard instruments. Rawson C-250
Vellum and parchment roses. Rawson C-167
Where do we want to go? Rawson C-1339
with hot hide glue - response to C-l382. Rawson Veneering C-l399
Response to Rawson'sC-1339. Segerman C-l364
/catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones./ C-1211
Cameron Profile turning of reamer blanks for use in woodwind C-70
C.N.C. reamer experiment. July 1992. Jefferies C-1225
A reamer made of aluminium. Janke C-674
/Numeric Control); computer aided reamer production for woodwind/ C-l 140
More reamers. Chiverton C-1410
More about reamers. Gill C-1435
Reamers - hollow. Loretto C-l 161
Making mild steel (flat-stock) reamers. Willoughby C-567
Right angled reamers; addendum to C-1410. Chiverton C-1436
Chiverton Reamers again (further to C-1435) C-1463
Making reamers on a shoestring. Marvin C-l80
Another reamer-saving counterbore. Swayne C-675
Reamer-saving counterbores. Marvin C-648
bridges on 15th century illustrations of rebecs. Rooley The problem of double C-2
Three unrelated rebukes. Crookes C-546
of lutes in Italy./ Some original receipts, appertaining to the varnishes C-240
Another recipe for copal varnish. Gretton C-451
instruments. Barnes Recommendations for drawings of keyboard C-46
fagot. Lyndon-Jones Harris Reconstructing Mersenne's basson and C-l048
Observations prelusive to reconstructing the kithara. Crookes C-508
Smith Possible reconstruction of Stradivarius cellos C-594
Tolley A reconstruction of the Bosch hurdy-gurdy C-31
Crookes Reconstruction of the harpate wing C-635
Early 16th century lute reconstructions. Hodgson C-219
keyboard instruments by/ Review: Record, 18th century music for two C-1013
Brauchli. Montagu Review: Record, keyboard works of CPE. Bach by C-1012
Review: Griscomb & Lasocki: The recorder - a guide to writings about the/ C-1311
How to design a recorder. Brach C-1007
Determining the step size of a recorder. Loretto C-l353
A double recorder. Marvin C-453
A flexible recorder. Marvin C-649
Stanesby junior traverso; Haka treble recorder. Montagu Review: Aulos, C-966
what really happens when you oil your recorder. Simmons The good oil; C-1228
Montagu Review: Brown: The recorder; a basic workshop manual C-936
/of Richard Griscomb & David Lasocki, the Recorder: a guide to writings about the/ C-l333
Zaniol The NF treble recorder at the Museum der Stadt Meran C-485

rel 11.2
Plans: Bass recorder, Bergstr0m Bul-43

A shaper for recorder block blanks. Whinray C-l22
Recorder bore measuring. Loretto C-1354
telescopic bore gauges. Loretto Recorder bore measuring, using modified C-l355
Montagu Review: Zen-on: The recorder collection of Frans Briiggen C-426
Long and short recorder feet. Loretto C-l586
Bulletin: Recorder fingerings. Bouterse Bul-89
Recorder fingerings in print. Loretto C-l585
Plans: Bressan recorder from Bate collection, Oxford Bul-40
Plans: Terton recorder from Haags Gemeente Museum Bul-40
Response to C-l500 (recorder patents). Loretto C-l506
Old recorders for new (recorder patents). Madgwick, Loretto C-1486
Comments to C-1486 (recorder patents). Thomas C-1500
Recorder research. Loretto C-l602
(inC-1569). Bouterse Plans: Alto recorder Steenbergen Groninger Museum Bul-91
Recorder voicing. Loretto C-l540
Willoughby Recorder voicing: answers to questions C-514
Recorder voicing structures. Woods C-654
Recorder window size. Loretto C-l508
The fornication of recorder windways. Marvin C-532
sound? Loretto Recorder woods - do they influence the C-1431
Recorder writings. Loretto C-l370
Bulletin: Further to C-l569 (Steenbergen recorders) Bul-92
of bore profile of historical baroque recorders). Bouterse /research C-1504
On three well proportioned alto recorders. Brach C-987
Review: Aulos Haka descant and treble recorders. Davis C-980
for pitches of original traversos and recorders. Haynes Appeal C-1039
baroque flute and descant and treble recorders. Jones The Aulos C-967
Tuning recorders. Marvin C-652
Some measurements techniques for recorders. Stroom C-639
Review: Kolberg: Ornamental metrics of recorders & traverso. Montagu C-938
17th and 18th century, (list of/ Dutch recorders and transverse flutes of the C-l052
(Beukers, Stanesby,/ Four baroque recorders at Sotheby's, November 1996 C-1501
Loretto How recorders can improve with time C-1019
Madgwick, Loretto Old recorders for new (recorder patents) C-1486
The descriptions of the Dutch recorders in the collection of the Haags/ C-1037
The alto recorders of Steenbergen. Bouterse C-1569
van Acht, van den Ende, Schimmel: Dutch recorders of the 18th century/ Review: C-1058
J.S.Bach's 'Fiautid'echo': recorders off-stage. Smith C-1421
Helpful recordings. White C-734
rediscovery of a/ Review: van Ree Bernard: The keyed monochord; C-l240
audio-visual review of/ Review: Van Ree Bernard: The psaltery; an annotated C-948
implications on the historical bassoon reed gouge. Rachor /of J.S. Halle: C-1600
/Loan exhibition of historic double reed instruments, 1988. Montagu C-885

rel 11.2
Thomas Ling, 1787-1851, reed maker. Byrne C-826

/Campbell: A check-list of the free reed, miscellaneous and ancillary/ C-447
Review: Fluke: Victorian reed organs and harmoniums. Montagu C-667
Reed-gouging tool. Holmes C-l20
studies on brass used for organ reeds. Gug Historic and experimental C-893
Early double reeds. Haynes C-336
More on 19th century bassoon reeds. Lehey C-956
between early and modern baroque reeds. Segerman On the difference C-1223
Bajon reeds. White C-l089
Early sound generation: bassoon reeds. White C-1282
/of locations and citations of early oboe reeds and accessories. Burgess C-818
/iconography for oboe-type instruments, reeds and players, 1630-1830. Haynes C-764
A profile of Mr Ling - English oboe reeds around 1800. Burgess C-804
Bassoon reeds by Triebert and Massabo. White C-927
Meyer Kottick Making double reeds for renaissance wind instruments C-227
dictionaries. Young Information on regals and foreign language C-l23
Further to comments by Rein on C-307. Mactaggart C-374
Detection of reinforcing bars in instruments. Wood C-61
Anglo-Saxon to Tudor times./ Review: Remnant: English bowed instruments from C-786
Anglo-Saxon to Tudor times./ Review: Remnant: English bowed instruments from C-807
West. Montagu Review: Remnant: Musical instruments of the C-149
On C-76 and woodwind crack repair. Karp C-101
Notes on the preservation and repair of the shakuhachi. Mayers C-76
Boston Museum of Fine Arts - 1989 Report. Quigley C-952
at Music-Sources, 19937 Restoration report, 17th century Italian harpsichord C-l229
of Edinburgh collection; progress report 1988. Meyers University C-907
historic musical instruments, progress report 1989. Meyers /collection of C-971
historic musical instruments, progress report 1990. Meyers /collection of C-1014
historic musical instruments/ Progress report 1991 on the collection of C-l087
historic musical instruments/ Progress report 1994 on the collection of C-1340
historic musical instruments/ Progress report 1995 on the collection of C-l458
historic/ Announcements: Progress report 1997 on the collection of Bul-91
historical brass metal. Thein Report about our researches in C-642
of Makers of Historical/ 1992 Report from the Czechoslovakian Society C-l 155
Keene, London, 17047 Restoration report of English spinet by Stephen C-l346
/acorns, large oak tress grow; a personal report on early music in Czechoslovakia./ C-l026
turning/ Woodwind instrument making: report on gun drills, live centre, metal C-958
Montagu Segerman Report on the 16th century seminar C-93
Progress report on the kithara. Crookes C-561
Watchorn Report on the restoration of a violin C-378
exhibition August 1982. Champollion Report on the Stuttgart harpsichord C-435
/instrument technology 1450-1550; meeting report Oxford 17 M a r ' 9 1 . Napier-Hemy C-1029
/in 17th century England; meeting report Oxford 3 F e b ' 9 1 . Gouk C-1028
About restoration reports for fortepianos. Hermans C-394
Barnes Restoration reports for two Broadwood pianos C-366

rel 11.2
Montagu Reports on FoMRHI seminars Syrus C-55

c. 1820/ The circulation of restoration reports: restoration of square piano C-l 16
Reproductions. Garrod C-l 13
/with 'authenticity' in early woodwind reproductions (marketing, facade and the/ C-l 119
Recorder research. Loretto C-l602
Violin research 15 years ago. Segerman C-1492
collection. Segerman Conservation of research information vs a playing C-380
/Blockfloten des Barock (Comparative research of bore profile of historical/ C-l504
A&Q: Music and Technology Research Seminar; 1997-1998. Jones Bul-89
Ecker Instrument research through artist's depiction C-60
A simple, safe method for making pine resin varnish. Duncalf Segerman C-302
II characteristic frequency./ Blown resonance of baroque transverse flute: C-181
III influence of cork position/ Blown resonance of baroque transverse flute: C-229
IV the tone and the blowing/ Blown resonance of baroque transverse flute: C-419
pitch axis and wind bands./ Blown resonance of baroque transverse flute: I C-170
tolerances of tones./ Blown resonance of baroque transverse flute: V C-441
centuries, or the lost art of choosing resonance wood. Gug /forests in early C-1011
Comments on woodwind restoration. Ackerman C-865
Keyboard restoration. Barnes C-393
Old harpsichords, their construction and restoration. Barnes /van Acht: C-108
FoMRHI and conservation and restoration. Chiverton C-905
to musical instrument conservation and restoration. O'Brien Attitude C-10
On restoration. Way C-467
/to musical instrument conservation and restoration by O'Brien. Barnes C-lOa
Is restoration doomed. Rawson C-268
White The hallmark of good restoration is ruthless authenticity C-l 160
Report on the restoration of a violin. Watchorn C-378
Restoration of an early clarinet. Wells C-803
wrestplanks. Lee Restoration of cupped Flemish C-77
instruments, UKIC and V&A/ Review: Restoration of early musical C-992
/van der Meer, Thibault: Preservation and restoration of musical instruments./ C-91
The circulation of restoration reports: restoration of square piano c. 1820 by/ C-l 16
Scientist, 26 June 19937 Supplement: Restoration, on an article in the New Sup-72
harpsichord at Music-Sources, 19937 Restoration report, 17th century Italian C-l229
Stephen Keene, London, 17047 Restoration report of English spinet by C-l346
Hermans About restoration reports for fortepianos C-394
pianos. Barnes Restoration reports for two Broadwood C-366
square piano/ The circulation of restoration reports: restoration of C-l 16
makers and their catalogues, No. 17 Review: ACIMV [Larigot] Wind instrument C-l044
Review: Aguado: New guitar method. Hope C-422
Ringve Museums Skrifter nr.5, 33 pp./ Review: Aksdal: Meriker Klarinetten; C-l 105
Society Journal XIII, 1987, October/ Review: American Musical Instrument C-895
a history of the English slide/ Review: Art Brownlow. The last trumpet - C-l487
recorders. Davis Review: Aulos Haka descant and treble C-980
Haka treble recorder. Montagu Review: Aulos, Stanesby junior traverso; C-966

rel 11.2
musical instruments, 1992; 404 pp./ Review Baines: The Oxford companion to C-l 116
musical instruments, 1992; 404 pp./ Review Baines: The Oxford companion to C-l 131
preluding, 1700-1830 for flutists,/ Review Bang Mather, Lasocki: The art of C-767
exhibition: the look of music./ Review Barclay: Anatomy of an C-517
maker: the material, tools, and/ Review Barclay: the art of the trumpet C-l 103
traditional methods. Montagu Review Barnes: Making a spinet by C-601
traditional methods. Shann Review Barnes: Making a spinet by C-622
fortepiano: a discography of music/ Review Bassart: The sound of the C-688
clavicordio II: proceedings of the/ Review Bernard Brauchli, ed. De C-1478
(record). Montagu Review Biber: 16 Rosenkrantzsonaten C-603
Montagu Review Bingham: Harmony for the flute C-580
related to musical instruments,/ Review Bingham: Patents for inventions C-579
im Salzburger Museum Carolino/ Review Birsak: Die Holzblas Instrumente C-149
percussion musical instruments in/ Review Blades: A check-list of the C-428
percussion instruments from the/ Review Blades, Montagu: Early C-l8
Praetorius translated. Montagu Review Blumenfeld: The Syntagma Musicum .. C-346
harpsichord and clavichord/ Review Boalch, Mould. Makers of the C-l402
handleiding voor aanschaf, onderhoud/ Review Bouterse: De blokfluit, C-1038
festival books, 1500-1800; an/ Review Bowles: Musical ensembles in C-935
renaissance windcap instruments./ Review Boydell: The crumhorn and other C-430
temperaments. Montagu Review Boyle: Intervals, scales and C-191
ed.: De clavicordo: proceedings of/ Review Brauchli, Brauchli, Galazzo C-l360
sonatas for clavichord (record)./ Review Brauchli: Carlos Seixas's nine C-521
clavichord I & II (records)./ Review Brauchli: The renaissance C-266
workshop manual. Montagu Review Brown: The recorder; a basic C-936
evolution of an English piano./ Review Burnett: Seven Broadwoods; the C-l358
musical performances in/ Review Burney: An account of the C-312
free reed, miscellaneous and/ Review Campbell: A check-list of the C-447
Care of musical instruments in/ Review Canadian Conservation Institute: C-385
Bate Review Carse: Musical wind instruments C-347
paintings and sculptures,/ Review CD-ROM catalogue: Collection of C-l476
Bagpipe Society, vol.1, part 1, '867 Review Chanter, the journal of the C-748
Bagpipe Society, vol.1, part 2,1 Review Chanter, the journal of the C-783
a Ground, SIG CD 007. Montagu Review Charivari agreable: Two upon C-l598
bagpipes in the Edinburgh/ Review Cheape: A check-list of the C-478
instruments of the Middle Ages;/ Review Christopher Page. Music and C-l565
Recommendation for the conservation/ Review CIMCIM publication no. 1: C-l 170
the art of lutherie. Samson Review Coates: Geometry proportion and C-730
collection of historical/ Review Cooke: Edinburgh University C-l238
collections, Catalogues. Montagu Review Coover: Musical instrument C-425
Montagu Review Cornett and Sackbut, journal C-l92
Sourcebook. Montagu Review Crafts Council Conservation C-242
Museum, vol 2 instruments of Burma,/ Review Cross: The Shrine to Music C-479
design and performance. Cole Review David Crombie. Piano: evolution, C-1477
The Bassanos, 288 pp. Montagu Review David Lasocki with Roger Prior C-l579
instruments of the world. Montagu Review Diagram_group: Musical C-73

rel 11.2
Montagu Review Divisions: volume l,no. 1 C-172

Montagu Review Divisions, volume 1, no. 2 C-212
Montagu Review Divisions, volume 1, no. 3 C-263
recollections of Arnold Dolmetsch./ Review Dolmetsch: Personal C-314
Re: Grove review: double bass. Slatford C-771
of exhibitions (Floten; Drehleier/ Review Dreieich Museum: Two catalogues C-424
for learning to play the/ Review Durichen: Corrette's Method C-277
October 1986. Montagu Review Early Music, November 1988, C-895
Musical Instruments, catalogue Vol/ Review Edinburgh Collection of Historic C-1211
Montagu Review Ehrlich: The piano: a history C-963
Nghymru. Montagu Review Ellis: Hanes y delyn yng C-283
Wales. Montagu Review Ellis: The story of the harp in C-283
string musical instruments in the/ Review Emery: A check-list of the bowed C-423
Hellwig, Klaus Martius: Historische/ Review Eszter Fontana, Friedemann C-l295
makers. Montagu Review Fairly, Flutes, flautists and C-445
historic musical instruments in the/ Review Field, Myers, ed. Catalogues of C-1447
and its use today. Montagu Review Fischer: The renaissance sackbut C-600
du musee de la musique: les/ Review Florence Getrau. Aux origines C-l503
recherche en organologie; les/ Review Florence Getrau, ed.: La C-1296
harmoniums. Montagu Review Fluke: Victorian reed organs and C-667
instruments. Barnes Review Ford: Making musical C-l88c
instruments. Montagu Review Ford: Making musical C-l88a
instruments. Segerman Review Ford: Making musical C-l88b
instruments as a source for the/ Review Fuller: Mechanical musical C-264
1988, October 1986. Montagu Review Galpin Society Journal XLI C-895
Klangfuhrer durch die Sammlung/ Review Gerhard Stradner, ed.: C-l297
Klangfuhrer durch die Sammlung/ Review Gerhard Stradner, ed.: C-l312
Musikinstrumenten Museum Leipzig/ Review Gernhardt, Henkel, Schrammek: C-519
et luthiers Parisiens, 17-18th/ Review Getrau, ed. Instrumentistes C-1452
France: the Lot and Godfroy families/ Review Giannini: Great flute makers of C-l 184
accounts of Thomas Green 1742-17907 Review Gillian Sheldrick, ed.: The C-l206
Instrumentarium, 1998; 184 pp./ Review Golos: Przewodnik Po Dawnym C-l 114
Terminologiczny Zabytkow/ Review Golos, Kobus & Vogel: Stownik C-l 114
musical instruments; a check-list./ Review Good: The Eddy collection of C-644
- a guide to writings about the/ Review Griscomb & Lasocki: The recorder C-1311
Edinburgh university collection of/ Review Guide to the collection, C-845
Catalogue 9, Flute. Montagu Review Gunji, Kunitachi College, Tokio: C-988
bowed string instruments. Montagu Review Gunji, Kunitachi College, Tokio: C-949
lute. Montagu Review Gunji, Kunitachi College, Tokio: C-949
Tasteninstrumente des Museums,/ Review Haase, Krickeberg: C-846
Review Haine: Adolphe Sax. Montagu C-280
instruments Sax au Musee/ Review Haine, de Keyser: Catalogue des C-311
facteurs d'instruments de musique en/ Review Haine, Meeus: Dictionaire des C-745
instruments in Belgian collections./ Review Haine: Musica, musical C-946
instruments through the ages./ Review Hamber, Stanners: Musical C-689
Montagu Review Harpano.28, spring 1998 C-l577

rel 11.2
magazine, October 1986. Montagu Review Harpsichord & Fortepiano C-895

magazine, 4:5, April 1988. Montagu Review Harpsichord and fortepiano C-869
discovery of the scale of musick/ Review Harrison: Account of the C-896
deception, forgery, theft, and the/ Review Harvey: Violin fraud: C-l 134
its makers in the British isles; an/ Review Harvey: the violin family and C-l359
1650-1800: a bibliography. Montagu Review Haynes: Music for oboe, C-690
1650-1800: a bibliography. Montagu Review Haynes: Music for the oboe C-l 106
historischen Cembalobau. Wraight Review Henkel: Beitrage zum C-515
Leipzig band 2 Kielinstrumente./ Review Henkel: Musikinstrumenten Museum .. C-348
Leipzig band 4 Clavichorde. Montagu Review Henkel: Musikinstrumenten Museum .. C-498
Ekkehart Stegmiller. Montagu Review Henning: Musica Maximiliana, C-805
Leipzig band 1 Floten. Montagu Review Heyde: Musikinstrumenten Museum ... C-l93
Leipzig band 3 Trompeten, Posaunen,/ Review Heyde: Musikinstrumenten Museum ... C-348
Leipzig band 5 Horner und Zinken./ Review Heyde: Musikinstrumenten Museum ... C-498
Montagu Review Hope: Baroque guitar (record) C-209
(record). Montagu Review Hope: Italian baroque guitar C-299
samtlicher Musikinstrumente,/ Review Huber: Verzeichnis C-l069
Montagu Review Hutchins: The physics of music C-l50
di Musica, no. 17, April 1989,/ Review Quaderni della Civico Scuola C-989
voor oude muziek 3, 1987. Montagu Review aarboek van het Vlaamse centrum C-993
Kompositionen fur/ Review accottet: J.S. Bach C-870
flute (1826). Montagu Review ames: A word of two on the C-427
explained - components mechanism and/ Review ames Beament. The violin C-l548
(plates). Montagu Review ansen: The bassoon, part I C-190
Montagu Review ansen: The bassoon, part I C-171
(plates) & III. Montagu Review ansen: The bassoon, part II C-245
Montagu Review ansen: The bassoon, part II C-210
Montagu Review ansen: The bassoon, part IV C-261
Montagu Review ansen: The bassoon, part V C-281
Montagu Review ansen: The bassoon, part VI C-298
Montagu Review ansen: The bassoon, part VII C-310
IX. Montagu Review ansen: The bassoon, part VIII & C-350
Montagu Review ansen: The bassoon, part X C-361
Montagu Review ansen: The bassoon, part XI C-383
dictionary of musical instruments./ Review enkins: International C-92
ethnomusicology. Segerman Review eremy Montagu. The magpie in C-l549
Powell, tr & ed. The keyed flute./ Review ohann George Tromlitz, Ardal C-l474
instruments in the Museum of Fine/ Review ohn Koster: Keyboard musical C-l291
instruments in the Museum of Fine/ Review ohn Koster: Keyboard musical C-l292
relicks of the Welsh bards,/ Review ones: Musical and poetical C-695
Directory for the year 17947 Review oseph Doane: A musical C-l207
Association of musical instrument/ Review ournal of the Australian C-l023
Association of musical instrument/ Review ournal of the Australian C-l 171
Association of musical instrument/ Review ournal of the Australian C-668

rel 11.2
Association of musical instrument/ Review Journal of the Australian C-939

Association of musical instrument/ Review Journal of the Australian C-950
Aquincum. Montagu Review Kaba: Die Romische Orgel von C-149
Collection d'instruments de musique/ Review Kampmann: Catalogue de la C-l059
techniques. Montagu Review Karp: Basic keyboard tuning C-106
and technology of musical/ Review Karp et al.: The conservation C-l 107
century strung keyboard. Segerman Review Karp: The pitches of 18th C-606
and their music. 158 pp. Cole Review Katalin Komlos: Fortepianos C-l330
Berlin. Montagu Review Katalog der Streichinstrumente C-90
Ringve Museum. Montagu Review Kjeldsberg: Klemt og Klang; C-l 10a
ved Ringve Museum. Montagu Review Kjeldsberg: Musikinstrumenter C-l 10
ved Ringve Museum. Montagu Review Kjeldsberg: Musikinstrumenter C-429
Aanstad Review Kjeldsberg: Piano i Norge C-696
recorders & traverso. Montagu Review Kolberg: Ornamental metrics of C-938
Catalogue 3, Bowed/ Review Kunitachi College, Tokio: C-645
Catalogue 4, Plucked/ Review Kunitachi College, Tokio: C-645
Catalogue 5, Harp; Lyre. Montagu Review Kunitachi College, Tokio: C-645
Catalogue 8, bagpipes. Montagu Review Kunitachi College, Tokio: C-920
ages and the renaissance. Montagu Review Lane: The trombone in the middle C-462
double-reed musical instruments in/ Review Langwill: A check-list of the C-401
Montagu Review Larigot 15, June 1994, ACIMV. C-1268
(February 1996). Montagu Review Larigot 17 (August 1995 & 18 C-1448
Review Larigot 21, ACIMV. Montagu C-l578
ACIMV Montagu Review Larigot; annual subscription to C-l210
l'association des collectionneurs/ Review Larigot, Bulletin de C-1405
1'association des collectionneurs/ Review Larigot, Bulletin de C-1488
l'association des collectionneurs/ Review Larigot, Bulletin de C-1547
October 1986. Montagu Review Larigot, no. 2, May 1988 C-895
Review Larigot no.5, May 1989. Montagu C-918
Montagu Review Larigot no.7, March 1990 C-978
Montagu Review Larigot no.8, September 1990 C-990
Montagu Review Larigot no.9, December 1990 C-1023
Review Larigot, November 1989. Montagu C-950
Dancing, 1992; 200 pp. Montagu Review Lasocki, ed.: Fluting and C-l 115
d'anches renaissance. Wood Review Leguy: Precis de fracture C-278
Zeitalter der Flote, Frankreich/ Review Lenski, Ventzke: Das goldene C-1239
Montagu Review Leppert: Arcadia at Versailles C-149
temperaments. Hodgson Review Lindley: Lutes, viols & C-556
temperaments. Montagu Review Lindley: Lutes, viols & C-555
musical paradoxes: a practical guide/ Review Lucy: Pitch, nand other C-896
sackbut, Edinburgh university/ Review Lumsden: The sound of the C-868
Scandinavia (record). Montagu Review Lund: The sounds of prehistoric C-553
plucked and hammered string musical/ Review Macauly: A check-list of the C-428
construction. Hodgson Review MacLeod-Coupe: Lute C-l89
harpsichord papers. Montagu Review Mactaggart: Laying & decorating C-399
in the 1851 exhibition. Montagu Review Mactaggart: Musical instruments C-746

rel 11.2
marbling harpsichord cases. Montagu Review: Mactaggart: Painting and C-518

Montagu Review: Mactaggart: Practical guilding C-583
instruments. Montagu Review: Marcuse: A survey of musical C-20
the last of the troubadours./ Review: Martin Best Medieval Ensemble C-1071
Deutsche Musikinstrumentenbau./ Review: Moeck (ed): Fiinf Jahrhunderte C-883
medieval and renaissance music./ Review: Monroe. Adding percussion to C-1451
historical instruments - supplement/ Review: Montagu: Bate collection of C-811
Musikinstrumente in Mittelalter und/ Review: Montagu: Geschichte der C-387
instruments. Bowles Review: Montagu: Making early percussion C-l9
the Bible. Segerman Review: Montagu. Musical instruments of C-1453
and renaissance musical instruments./ Review: Montagu: The world of medieval C-44
and renaissance musical instruments./ Review: Montagu: The world of medieval C-44d
and renaissance musical instruments./ Review: Montagu: The world of medieval C-44e
and renaissance musical instruments/ Review: Montagu: The world of medieval C-44c
woodwind instruments in the Brussels/ Review: Moonen: Drawings of four C-282
Auckland Institute & Museum, 19897 Review: Moyle: the Sound of Oceania C-921
fundamental principles of violin/ Review: Mozart: A treatise on the C-692
middle ages and renaissance (part/ Review: Munrow: Instruments of the C-44a
middle ages and renaissance (part/ Review: Munrow: Instruments of the C-44b
middle ages and renaissance./ Review: Munrow: Instruments of the C-44
and technology journal. Montagu Review: Musical instrument conservation C-211
Stockholm: Studia instrumentorum/ Review: Musikhistoriska Museet C-386
or hurdy-gurdy. Tolley Review: Muskett: Method for the vielle C-243
musical instruments in the Edinburgh/ Review: Myers: A check-list of the brass C-363
the brass musical instruments in the/ Review: Myers: Cartledge, Catalogue of C-1060
of Historic Musical Instruments,/ Review: Myers, ed.: Edinburgh Collection C-l 133
of Historic Musical Instruments./ Review: Myers, ed.: Edinburgh Collection C-l 113
instruments in the Edinburgh/ Review: Myers, ed. Historical musical C-l406
European wind and percussion/ Review: Myers, Herbert: Catalogue of the C-1060
historic musical instruments in the/ Review: Myers, Parks, ed. Catalogues of C-1447
1838-1853. Montagu Review: Myers: The Glen account book C-669
Uberblick iiber sein Leben./ Review: Nagy: Michael Haydn, ein C-364
Montagu Review: Nema, Early music in education C-643
fingering book. Montagu Review: Neuhaus: The baroque flute C-728
catalogue. Montagu Review: Nothern Renaissance Instruments, C-315
piano 1700-1820. Cole Review: Novak Clinkscale: Makers of the C-l 185
Supplement: On C-l535, review of a clavichord CD. Segerman Sup-90
/The psaltery; an annotated audio-visual review of different types. Montagu C-948
1700-1820', a/ The FoMRHI Quarterly review of 'Makers of the Piano C-l242
Lasocki7 A reply to Jeremy Montagu's review of Richard Griscomb & David C-l333
Comments on Jeremy Montagu's review of the Conservation and/ C-l 117
Montagu Review: Orcutt: The Stradivari memorial C-313
Bauweise and Spieltechnik eines/ Review: Overton: Der Zink, Geschichte C-483
the middle ages - instrumental/ Review: Page: Voices & instruments of C-786

rel 11.2
Montagu Review: Palmer: The hurdy-gurdy C-276
translated. Page Review: Parrish: Johannes Tinctoris C-326
the harpsichord; illustrated with/ Review: Pasquali: The art of fingering C-694
Montagu Review: Paul: Modern harpsichord makers C-400
musical instruments in Liverpool/ Review: Pauline Rushton, ed.: European C-1293
musical instruments in Liverpool/ Review: Pauline Rushton, ed.: European C-1294
kettledrums. Montagu Review: Philidor: March for two pairs of C-785
instruments in the/ Review: Philip Young. Woodwind C-1534
historical woodwind instruments, 270/ Review: Phillip T Young: 4900 C-1270
present improved state compared with/ Review: Pierre Erard: The harp in its C-l267
museums. Montagu Review: Pinniger: Insect pests in C-964
Cole Review: Pollens. The early pianoforte C-1403
Montagu Review: Pollens. The early pianoforte C-1404
II (tr Crookes). Segerman Review: Praetorius: Syntagma Musicum I & C-810
sull' interpretazione della musica,/ Review: Praxis vol.1, Studie testi C-554
Montagu Review: Quarna: vivera di Strumenti C-552
int wilde (record). Montagu Review: Rans, Misschaert: Die nachtegael C-284
int wilde (record). Yakeley Review: Rans, Misschaert: Die nachtegael C-285
two keyboard instruments by Brauchli/ Review: Record, 18th century music for C-1013
Bach by Brauchli. Montagu Review: Record, keyboard works of CPE C-1012
instruments from Anglo-Saxon to/ Review: Remnant: English bowed C-786
instruments from Anglo-Saxon to/ Review: Remnant: English bowed C-807
the West. Montagu Review: Remnant: Musical instruments of C-149
newsletter, vol. 1, no. 1 & 2/ Review:Renaissance flute circle C-882
instruments, UKIC and V&A Christmas/ Review: Restoration of early musical C-992
pp. Montagu Review: Rice: the baroque clarinet, 197 C-l 104
for making musical instruments./ Review: Richter: Wood as raw material C-939
catalogue 1987. Montagu Review: Ringve Museum: Exhibition C-784
historic musical instruments./ Review: Robert Barclay, ed. The care of C-l566
Highland harp (part 2 of 'Musical/ Review: Robert Bruce Armstrong: The C-1267
instrumentation for playing the/ Review: Roberts: Manual or method of C-894
music. Montagu Review: Roche: A dictionary of early C-402
historical stringing practice for/ Review: Rose, Law: A handbook of C-1070
Montagu Review: Rose. Talks with bandsmen C-1450
Wydawnictwo Naukowe PWN, 1992; 422/ Review: Rosionski: Zabytkowe Organy, C-l 114
University of Iowa. Montagu Review: Ross: Musical instruments at the C-213
Catalogue part I, European wind/ Review: Royal College of Music Museum C-446
Set of 13 postcards. Montagu Review: Royal College of Music Museum, C-884
Augusteum: Jahresschrift 22 19767 Review: Salzburger Museum Carolino C-149
conducting. Montagu Review: Scherchen: Handbook of C-962
harpsichords, their construction and/ Review: Scheurwater, van Acht: Old C-108
harpsichord, vol. 1. Montagu Review: Schott: The historical C-602
Musicum Leipzig. Montagu Review: Schrammek, Herre. Museum C-416
Leipzig. Henning Review: Schrammek, Herre: Museum Musicum C-496
Renaissance and des Barock, Band 17 Review: Schultze: Querfloten der C-947

rel 11.2
the Dayton C. Miller collection./ Review: Seyfritt: musical instruments in C-463

of his life and times. Wollenberg Review: Simon: Handel: a celebration C-670
of the baroque trumpet before 17217 Review: Smithers: The music and history C-945
gratitude to Christopher Monk./ Review: Snakes are Beautiful - with C-l061
164 pp. Montagu Review: Solum: The early Flute, 1992; C-l 132
on the 1772 Kirckman harpsichord/ Review: Souter: Handel & Scarlatti C-l071
225 pp. Montagu Review: Sparks: The classical mandolin, C-l357
der musikalische Kunst oder/ Review: Speer: Grundrichter Unterricht C-349
the centuries from all over the/ Review: Spohr: Transverse flutes down C-l024
hurdy-gurdies. Montagu Review: Stacey, Wishart: Bagpipes & C-581
18th century, 154 pp. Montagu Review: Stephen Morey: Mandolins of the C-l269
Museum, vol 1, keyed brass/ Review: Stewart: The Shrine to Music C-365
Musicae Popularis, Musikhistoriska/ Review: Stockmann: Studia Instrumentorum C-l 11
im Seiermarkischen Landeszeughaus in/ Review: Stradner: Die musikinstrumente C-l09
Musikinstrumente der Bruckner-Zeit,/ Review: Stradner: Linzer C-499
instrumentation around 1500 as/ Review: Stradner: Playing practice and C-787
collection of musical instruments,/ Review: Sumi Gunji et alii: The C-1475
collection of musical instruments,/ Review: Sumi Gunji et alii: The C-844
Korhonen plays instant music./ Review: Swedish clavichords - Mikko C-l535
nature and pedagogy. Montagu Review: Szende: Intervallic hearing, its C-149
atlas, suppl 1. Montagu Review: Taylor: The musician's piano C-584
atlas. Montagu Review: Taylor: The musician's piano C-362
Verney, Beethoven symphony #2,/ Review: the Hanover Band, Huggett, C-1071
magazine, October 1987. Montagu Review: The harpsichord and fortepiano C-843
at Edinburgh, August 1986. Montagu Review: The historic clarinet exhibition C-769
Music & Painting in the Golden Age./ Review: The Hoogsteder Exhibition of C-l310
at the Commonwealth Institute London/ Review: The master musicians of Jajouka C-316
musical instruments (A). Segerman Review: The new Grove dictionary of C-621
musical instruments (A). Montagu Review: The new Grove dictionary of C-604
musical instruments 3 vol. Montagu Review: The new Grove dictionary of C-578
musical instruments. Montagu (N) Review: The new Grove dictionary of C-924
musical instruments. Montagu (B) Review: The new Grove dictionary of C-646
musical instruments. Montagu (C) Review: The new Grove dictionary of C-671
musical instruments. Montagu (D-E) Review: The new Grove dictionary of C-697
musical instruments. Montagu (F) Review: The new Grove dictionary of C-727
musical instruments. Montagu (G) Review: The new Grove dictionary of C-749
musical instruments. Montagu (H) Review: The new Grove dictionary of C-768
musical instruments. Montagu (I) Review: The new Grove dictionary of C-812
musical instruments. Montagu (J-K) Review: The new Grove dictionary of C-848
musical instruments. Montagu (L-M) Review: The new Grove dictionary of C-897
musical instruments. Segerman (Ba) Review: The new Grove dictionary of C-647
musical instruments. Segerman (D) Review: The new Grove dictionary of C-750
musical instruments. Segerman (E-F) Review: The new Grove dictionary of C-770
musical instruments. Segerman (G) Review: The new Grove dictionary of C-788
musical instruments. Segerman (H-I) Review: The new Grove dictionary of C-860
musical instruments. Segerman (J-K) Review: The new Grove dictionary of C-872

rel 11.2
musical instruments. Segerman (L) Review: The new Grove dictionary of C-886
musical instruments. Segerman (M) Review: The new Grove dictionary of C-898
musical instruments. Segerman (N-O) Review: The new Grove dictionary of C-904
musical instruments. Segerman (P) Review: The new Grove dictionary of C-951
musical instruments. Segerman (Q-R) Review: The new Grove dictionary of C-965
musical instruments. Segerman (S) Review: The new Grove dictionary of C-977
musical instruments. Segerman Review: The new Grove dictionary of C-605
musical instruments. Segerman/ Review: The new Grove dictionary of C-672
Montagu Review: The Woodwind Quartely, issue 2 C-l 183
chansonniers Francais du XV/ Review: Thibault, Rokseth: Trois C-309
Untersuchung von Bohrungprofilen/ Review: Thomas Lerch. Vergleichende C-1504
Review: Tibia 1/80 journal. Montagu C-279
Review: Tibia-Calendrium 1984. Montagu C-516
Strumenti dell'Istituto della/ Review: Tiella & Primon: Catalogo degli C-979
di Antonio Stradivari, 68 pp./ Review: Tiella, Beare, et al.: Strumenti C-l 108
strumenti pre-rinascimentali./ Review: Tiella: Indirizzi di ricerca su C-265
su un violino di proprieta del/ Review: Tiella, Negri, Primon: Ricerche C-847
(record). Montagu Review: Toll: Bar Consort Earl Music C-244
instruments. Baines Review: Tolley: Making musical C-208
instruments. Montagu Review: Tolley: Making musical C-151
Montagu Review: Traverso no.2, April 1989 C-919
The Cambridge companion to brass/ Review: Trevor Herbert, John Wallace C-1546
including the Museum of Theatre and/ Review: Trip to the Baltic states; C-1072
musical instruments. Montagu Review: Tullberg: The manufacture of C-72
Mandolin, 1989. Montagu Review: Tyler, Sparks: The Early C-922
Review: Tyler: The early guitar. Hope C-297
Catalogue of the European musical/ Review: Ueno Gakuen College Tokio: C-482
Catalogue of the European musical/ Review: Ueno Gakuen College Tokio: C-991
Conservation, archaeology & museums./ Review: UK Institute for Conservation: C-384
facteurs d'instruments de musique./ Review: Un musee aujourd'hui - des C-693
drawings of musical instruments in/ Review: van Acht: Checklist of technical C-l 154
Schimmel: Dutch recorders of the/ Review: van Acht, van den Ende, C-l058
volksmuziekinstrumenten in Europa,/ Review: van Acht: Volksmuziek en C-520
Preservation and restoration of/ Review: van der Meer, Thibault: C-91
monochord; rediscovery of a/ Review: van Ree Bernard: The keyed C-1240
an annotated audio-visual review of/ Review: Van Ree Bernard: The psaltery; C-948
Tolley Review: Varquin: hurdy-gurdy drawing C-107
der internationalen/ Review: Vierundzwandzigsteljahrschrift C-691
der internationalen/ Review: Vierundzwandzigsteljahrschrift C-782
Beth Bullard), 275 pp. Montagu Review: Virdung: Musica Getutscht, (tr C-1241
pianos, Haags Gemeente Museum./ Review: von Gleich: A check-list of C-842
Musikinstrumente des Altertums./ Review: Vorreiter: Die schonsten C-480
(catalogue). Montagu Review: Waterhouse: The proud bassoon C-497
ophicleidist. Montagu Review: Weston: Samuel Hughes C-747

rel 11.2
(record). Montagu Review: Widensky: Das Claviorganum C-870

Langwill index - a dictionary of/ Review: William Waterhouse: The new C-l209
Langwill Index: a dictionary of/ Review: William Waterhouse: The new C-l331
the viol. Montagu Review: Woodfield: The early history of C-582
instruments. Montagu Review: Young: 2500 historical woodwind C-806
historic double reed instruments7 Review: Young: Loan exhibition of C-885
of Frans Briiggen. Montagu Review: Zen-on: The recorder collection C-426
Montagu Review: Zeugnisse alter Musik XI, 1980 C-262
General: Music and book reviews. Montagu Bul-54
Further to C-981 -Are reviews justified? Montagu C-982
Reviews of musical instruments. Powell C-981
Further to C-981: Reviews of musical instruments. Rawson C-997
easily made counter bore that works. Rhoads An inexpensive, C-1088
Simple design for lute rib shapes. Chiverton C-l349
A method for the construction of the rib template for a lute. Kershaw C-799
and the United States. Jones, Myers, Rice /(alto ophicleides) in Europe C-l499
e request for additional information. Rice The clarinet d'amour: C-l 136
Montagu Review: Rice: the baroque clarinet, 197 pp C-l 104
Montagu Review: Tiella: Indirizzi di ricerca su strumenti pre-rinascimentali C-265
musical instruments./ Review: Richter: Wood as raw material for making C-939
Three boxwood oboes by Hendrik Richters. Bouterse C-l259
the Riga Museum of History and Shipping, Riga. Madgwick /Latvian State Museum, C-1072
/Tallinn, the Latvian State Museum, the Riga Museum of History and Shipping,/ C-1072
Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-l 10
Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-429
Review: Kjeldsberg: Klemt og Klang; Ringve Museum. Montagu C-l 10a
1987. Montagu Review: Ringve Museum: Exhibition catalogue C-784
Review: Aksdal: Meraker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp./ C-l 105
from shipwrecks, lake dwellings and rivers. Morrison /music instruments C-317
The flutes of Robert and Willem Wijne. Bouterse C-913
musical instruments. Montagu Review: Robert Barclay, ed. The care of historic C-l566
harp (part 2 of 'Musical/ Review: Robert Bruce Armstrong: The Highland C-l267
Robert Greenberg, an obituary. Barnes C-1380
Mobbs, Mackenzie of Ord Dr Robert Smith's 1748 keyboard tunings C-l583
instrumentation for playing/ Review: Roberts: Manual or method of C-894
On C-86. Robinson C-165
On measurement. Robinson C-86
Key lever fulcrum pin mortices. Robson C-1262
Montagu Review: Roche: A dictionary of early music C-402
du XV siecle./ Review: Thibault, Rokseth: Trois chansonniers Francais C-309
of gut and wood. Abbott Segerman Rolfe /cycling for stabilisation C-71
Did nothing survive from Roman antiquity? Crookes C-589
Making a Roman cornu. Barton C-542
Roman keyed tibiae? Galpin C-888
Vihuela and Jose Romanillos. Gill C-824

rel 11.2
Vihuela and Jose Romanillos. Hope C-796

on 15th century illustrations of rebecs. Rooley The problem of double bridges C-2
for school construction. Tolley Roscow Allison /musical instruments C-l00
Making solid bentsides for harpsichords. Rose C-290
conference on pitch and transposition. Rose FoMRHI C-322
Design of the V&A Rose and Jaye viol soundholes. Segerman C-1080
Montagu A working visit to the Mary Rose and the instruments found in her C-l597
stringing practice for/ Review: Rose, Law: A handbook of historical C-1070
The Mary Rose shawm. Forster C-1459
The Mary Rose shawm or dulcina. Lyndon-Jones C-531
Review: Rose. Talks with bandsmen. Montagu C-1450
Parchment roses. Kemner C-235
A method for casting harpsichord roses. Paul C-403
A method of casting harpsichord roses. Paul C-392
Parchment roses for harpsichords. Rawson C-l524
and harpsichords, van/ Parchment roses in citterns, lute, baroque guitars C-1515
Perforating soundboard roses with scissors. Williams C-434
University of Iowa. Montagu Review: Ross: Musical instruments at the C-213
Speculations on the rote. Segerman C-437
Catch Martin Routh's razor (further to C-l350) C-1362
Supplement: Response to Roy Chiverton's C-l464. Segerman Sup-85
Debenham The compass of the Royal College of Music clavicytherium C-l 12
the fretting of the Canpi cittern at the Royal College of Music in London./ /of C-l24
General: Portraits in the Royal College of Music, London Bul-76
Plans: List Royal College of Music, London Bul-19
part I, European wind/ Review: Royal College of Music Museum Catalogue C-446
postcards. Montagu Review: Royal College of Music Museum, Set of 13 C-884
1739-17537 Harpsichord jacks at the Royal Swedish Academy of Science, C-944
Two simple varnishes. Rubin C-132
Mersenne's iron and Ruckers 6 foot pitch. Segerman C-1494
theories. Shann Ruckers doubles - a survey of the C-665
Meeus Ruckers doubles: the sixth hypothesis C-680
Plans: List cembalo, Ruckers genootschap, Antwerpen Bul-46
On the construction of Ruckers harpsichords. Gug C-l 14
Shortridge Ruckers transposing double harpsichords C-623
Martin Freres & Famille, Paris, 93 rue de la Chapelle. /catalogues, No. 1: C-1044
instruments in/ Review: Pauline Rushton, ed.: European musical C-l293
instruments in/ Review: Pauline Rushton, ed.: European musical C-l294

rel 11.2
Guilt-free music; on vegetarians. Russell C-1075

on a post horn in F with one tone hole. Rycroft Intonation tests C-955
renaissance and middle ages./ Drum rythms for dance music in the C-887
Notes on a painting by Sabastino Lazzari. Downing C-484
Review: Fischer: The renaissance sackbut and its use today. Montagu C-600
shawms. Segerman Mersenne's sackbut and pitch, plus playing with C-l373
of/ Review: Lumsden: The sound of the sackbut, Edinburgh university collection C-868
Review: Cornett and Sackbut,journal. Montagu C-l92
Praetorius's and surviving Nuremberg sackbut lengths and playing pitches./ C-l371
The sizes and pitches of Praetorius's sackbuts. Segerman C-l200
Rawson Safety with woodworking machines C-l66
/Birsak: Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum./ C-149
Jahresschrift 22 19767 Review: Salzburger Museum Carolino Augusteum: C-149
/Stradner, ed.: Klangfuhrer durch die Sammlung alter Musikinstrumente, Wien,/ C-l297
/Stradner, ed.: Klangfuhrer durch die Sammlung alter Musikinstrumente, Wien,/ C-1312
A cut lute recorded. Samson C-141
Bologna lutes - comments on C-l28. Samson C-142
Comments on C-417 and C-420. Samson C-489
Jewelery in wood etc. Samson C-238
Lute outlines - geometrical description. Samson C-377
Lute soundboards - how were they fitted? Samson C-300
The twelve-course lute. Samson C-48
Tonal balance and bar depths. Samson C-220
What is a simple lute? Samson C-756
Why do some lutes have flattened backs? Samson C-324
authenticity - are our priorities right? Samson Acoustics, appearance and C-216
proportion and the art of lutherie. Samson Review: Coates: Geometry C-730
with gut strings of a given length. Samson The range of pitch C-66
wrong with the early music movement? Samson What has gone C-755
to lute players (Vienna 1701). Samson Hodgson /Radolt's instructions C-737
Review: Weston: Samuel Hughes ophicleidist. Montagu C-747
Bending in San Franscisco. Greenberg C-682
Review: Haine: Adolphe Sax. Montagu C-280
de Keyser: Catalogue des instruments Sax au Musee Instrumental de/ /Haine, C-311
/system; Supplement: representation of scale by point or the modular/ C-1083
An equal tempered scale for tempo. Segerman C-l250
/Account of the discovery of the scale of musick (1775?) (in above/ C-896
The scale of the psalter. Crookes C-l287
Corollaria to the modal scale theory (summary). Raudonikas C-1030
Review: Boyle: Intervals, scales and temperaments. Montagu C-191
Strong iron wire and long scales in Italian harpsichords. Wraight C-852
An analysis of Irish harp scaling. Downing C-l 112
Scaling harpsichords soundboards. Lloyd C-1512
Review: Lund: The sounds of prehistoric Scandinavia (record). Montagu C-553

rel 11.2
Review: Souter: Handel & Scarlatti on the 1772 Kirckman/ C-l071

Montagu Review: Scherchen: Handbook of conducting C-962
their construction and/ Review: Scheurwater, van Acht: Old harpsichords, C-l08
Review: van Acht, van den Ende, Schimmel: Dutch recorders of the 18th/ C-1058
Schmelzer's violino piffaro. Heavens C-l603
the dangers of becoming an established scholar. Segerman On C-69
The case of the unknown scholar and the missing lute. Hodgson C-628
A reminder on the principles of scholarly choice. Segerman C-873
Being fair to evidence in scholarship. Montagu C-l582
Supplement: Being fair to evidence in scholarship. Segerman Sup-91
The handling of source errors in scholarship. Segerman C-l580
method for ensuring objectivity in scholarship. Segerman /the formal C-l276
C-l335). Stroom Once more, scholarship and disputes (further to C-l366
C-l308. Segerman On the scholarship of string names, a reply to C-1317
amount of evidence needed. Segerman Scholarship, statistics, and the minimum C-1218
Allison Early musical instruments for school construction. Tolley Roscow C-100
vol.1. Montagu Review: Schott: The historical harpsichord, C-602
Leipzig. Montagu Review: Schrammek, Herre. Museum Musicum C-416
Leipzig. Henning Review: Schrammek, Herre: Museum Musicum C-496
Leipzig/ Review: Gernhardt, Henkel, Schrammek: Musikinstrumenten Museum C-519
woodwind bore measuring tool. Schultze A contact-free C-970
and des Barock, Band 1: Eine/ Review: Schultze: Querfloten der Renaissance C-947
Heinrich Schutz's strings. Karp C-439
Perforating soundboard roses with scissors. Williams C-434
background to the strings used by catgut scrapers. Segerman Abbott Historical C-l5
Glover Plane scraping for profit and pleasure C-318
Greenberg Scraping plane for mouldings in wood C-571
Early 18th century bows and screws. Segerman C-458
Harpsichord bottom screws. Way C-574
Comments on bows and their screws, taps, dies and lathes. Mather C-471
Henning Musical sculptures in medieval Burgundy C-l57
/catalogue: Collection of paintings and sculptures, Wallraf-Richartz Museum,/ C-1476
On seasoning timber. Gould C-223
Seasoning your own timber. Rawson C-99
'breathing' and Neusidler's counting). Segerman /century (appendix Gaffurius's C-l 130
(including a response to C-l288). Segerman /string types and tensions C-l307
- a response to C-1216 (and to C-1215). Segerman /honesty doesn't help C-1244
- components mechanism and sound. Segerman /Beament. The violin explained C-l548
- supplement to the 1976 catalogue. Segerman /of historical instruments C-811
17th century discussions of gracing. Segerman On some early C-l379
18th century German and French pitches. Segerman C-683
18th century success of copal varnish. Segerman C-506
A DIY make of gut lute strings. Segerman Bulletin: Bul-87
A note on mean temperament. Segerman C-459
A string calculator. Abbott Segerman C-162

rel 11.2
All-gut bass strings Segerman C-413

Ambiguity in Mersenne's use of Grosseur. Segerman C-344
An embryonic bass bar? Segerman C-840
An equal tempered scale for tempo Segerman C-1250
Angled bridges and J bars on lutes Segerman C-687
Anti FoMRHI people in the lute world Segerman C-1415
Beethoven and the early music industry Segerman C-l 147
Being fair to evidence in scholarship Segerman Supplement: Sup-91
Bulletin: CD-RoM museum pictures Segerman Bul-87
Bulletin: Cittern controversy Segerman Bul-87
Bulletin: The 'renaissance' guitar? Segerman Bul-87
C-1481 (on English citterns) Segerman Reply to Forrester's C-l497
Caccini's 'Exclamation' and a sigh Segerman The'dying fall', C-1455
Catline strings. Abbott Segerman C-138
Chiverton's C-l322 on lute belly shapes Segerman Response to C-l348
Comments on C-41 Segerman C-36a
Comments to C-l093 (fiddle tunings) Segerman Supplement: Sup-68
Criteria for the naming of instruments Segerman C-338
Early 18th century bows and screws Segerman C-458
English and French vocal and viol style Segerman On C-862
English lute sizes and tunings c.1600 Segerman On C-867
English organs - response to C-l383 Segerman Pitch standards of early C-l398
English pitch standards, mostly c.1600 Segerman C-1063
English viol sizes and pitches Segerman C-597
Facts and speculations people Segerman Supplement: Sup-93
Figures relevant to C-546 Segerman C-547
Fingerboard shapes and graded frets Segerman C-l 168
Ford: Making musical instruments Segerman Review: C-188b
Forrester's C-1445 on English citterns Segerman Reply to Peter C-1468
Further to C-l561 (Cremona secret) Segerman Supplement: Sup-91
Further to C-216 Segerman C-218
Gerle on tempo Segerman C-1251
Grove dictionary of musical instruments Segerman Review: The new C-605
Historical violin stringings up to 1900 Segerman C-1234
Hizler's tenor violin Segerman C-410
In defence of C-40 Segerman C-40a
Mace on overspun strings Segerman C-1440
Meeus and the English viols Segerman Praetorius, C-633
Mensur? Ugh Segerman C-178
Mersenne untwisted Segerman C-199
Mersenne's pitch standard Segerman C-1374
Mersenne, Mace and speed of playing Segerman C-753
Michael Morrow Segerman C-1273
Montagu. The magpie in ethnomusicology Segerman Review: Jeremy C-l549
More on early gut string diameter. Segerman C-743
Musical instruments of the Bible Segerman Review: Montagu C-1453

rel 11.2
On C-l535, review of a clavichord CD. Segerman Supplement: Sup-90

On C-97: Cetra fret blocks. Segerman C-125
On Early Music and music history. Segerman Supplement: Sup-77
On Memling's psaltery. Segerman C-411
On Stroom's C-l315. Segerman C-1335
OnStroom'sC-1366. Segerman C-1388
On Talbot's measurements of viols. Segerman C-382
On 'nuts & bolts', further to C-1469. Segerman Supplement: Sup-93
On baroque lute strings and tunings. Segerman C-215
On catlines and Pistoy basses. Segerman C-1235
On embellishment function and context. Segerman C-l 148
On extended lutes. Segerman C-712
On historical string tensions on lutes. Segerman C-1255
On manners, status and C-l301. Segerman C-1314
On musicologists and early music. Segerman C-1217
On the expression of emotion in music. Segerman C-1414
On the hair tension during bowing. Segerman C-1420
On the number of guts in a gut string. Segerman C-325
On the sizes of surviving English viols. Segerman C-158
On the upsetting power of Occam's razor. Segerman C-1365
Origins of the 'guitarra portuguesa'. Segerman C-1543
Orpharion news. Segerman C-407
Peg fitting. Segerman C-1606
Pitch standards in northern Italy. Segerman C-1489
Quellenbis 1900 (158 pp). Segerman /in deutschsprachigen C-l295
Recent changes in early music. Segerman C-814
Renaissance and baroque bows. Segerman C-409
Reply to C-l544 on catlines. Segerman C-1557
Reply to C-526. Segerman C-549
Reply to Raudonikas's C-l243. Segerman C-1274
Response to C-l302 on Occam's razor. Segerman C-1303
Response to C-l337 on wood science. Segerman C-1363
Response to C-610 on vihuelas. Segerman C-629
Response to C-739 and C-740. Segerman C-742
Response to Crighton's C-559. Segerman C-596
Response to Crookes's C-589 and C-590. Segerman C-613
Response to Rawson's C-l339. Segerman C-1364
Response to Roy Chiverton's C-1464. Segerman Supplement: Sup-85
Rhetoric for the voice and instruments. Segerman C-916
Semitone step calculations in stringing. Segerman C-1517
Some English viol belly shapes. Segerman C-1053
Some earlyish cello string information. Segerman C-1520
Some geometrical analyses of archings. Segerman C-1036
Some ways with means. Segerman C-665
Soundboard wood imported to England. Segerman Supplement: Sup-92
Speculations on the rote. Segerman C-437

rel 11.2
String tension on Mersenne's lute Segerman C-129

Stringing 5-course baroque guitars Segerman C-1256
Strings for the violin family Segerman C-438
Style decoration and tone Segerman C-983
Supplement: Catline, catlin and catling Segerman Sup-93
Supplement: Chiverton's Ockham Segerman Sup-84
Supplement: Fomrhi Website Segerman Sup-90
Supplement: Further again to C-1485 Segerman Sup-86
Supplement: Further to C-1490 Segerman Sup-86
Supplement: Good players then and now Segerman Sup-91
Supplement: Indexes Segerman Sup-91
Supplement: On C-l287 by D.Z. Crookes Segerman Sup-77
Supplement: On timpani, reply to C-l582 Segerman Sup-93
Supplement: Praetorius's recorder pitch Segerman Sup-84
Supplement: Sutton Hoo lyre Segerman Sup-85
Sympathetic strings Segerman C-1097
Syntagma Musicum I & II (tr Crookes) Segerman Review: Praetorius: C-810
The 'clearness' of early gut Segerman C-1397
The buzzing of wood strings Segerman C-1033
The instruments of the consort Segerman C-1422
The lengths of bows in the baroque Segerman C-550
The mathematics of tuning up a string Segerman C-1528
The musical uses of the word consort Segerman C-819
The size of the English 12-course lute Segerman C-1592
The wood under the varnish Segerman C-775
The words authentic and original Segerman C-53
Theory of viol design -1 Segerman C-253
Trouble with C-302 varnish Segerman C-500
Two-headed lute news. Vang Segerman C-156
Violin research 15 years ago Segerman C-1492
Visconti in focus (further to C-1518) Segerman Supplement: Christina Sup-88
What Praetorius wrote on English viols Segerman C-598
What is a historical instrument Segerman C-477
Why gut treble strings are the best Segerman C-563
Wood contraction and instrument bores Segerman C-460
Wood treatment to improve sound Segerman C-1423
'cello' strings and bass viols Segerman Stradivari C-1518
a correction to C-l562 and new theory Segerman /of the viole da braccio: C-l604
a file of musical instruments. Abbott Segerman Some thoughts on C-6
about the history of tempo standards? Segerman Supplement: What Sup-88
analysis of instrument shapes. Abbott Segerman Geometric description and C-5
and 18th century wound string sound Segerman Forqueray's strings C-1558
and 19th century stringing practices Segerman Shelley's guitar C-l096
and French pitches) by Bruce Haynes? Segerman /C-891 (on 18th century German C-1098
and 'cittern'; reply to C-l514 Segerman /of the names'gittern' C-l529
and baroque viols and violins Segerman On the sizes of renaissance C-65

rel 11.2
r
and design of early instruments. Segerman Culture mathematics C-l035

and honest FoMRHI - reply to C-1218. Segerman For an open C-l304
and musical instrument acoustics. Segerman Chaos, fractals C-l510
and not an early painting movement? Segerman /there an early music movement C-l079
and pitch, plus playing with shawms. Segerman Mersenne's sackbut C-l373
and pitches of Praetorius's sackbuts. Segerman The sizes C-l200
and playing viols in the 16th century. Segerman Supplement: Pitch standards Sup-92
and related instruments before 1700. Segerman On the double bass C-855
and renaissance musical instruments. Segerman /The world of medieval C-44
and scientists: response to C-1076. Segerman The reality of musicians C-1090
and the viola bastarda. Abbott Segerman Praetorius C-37
and thickness, and the Paris vihuela. Segerman Vihuela string quality C-1483
and woodwind gracing in Purcell's time. Segerman Contrasts between string C-l316
at the Royal College of Music in London. Segerman /fretting of the Canpi cittern C-l24
bass violin comments by Catch in C-1574. Segerman Supplement: Response to Sup-92
between early and modern baroque reeds. Segerman On the difference C-l223
bout back fold on English treble viols. Segerman The lower C-352
bowing of early fiddles and viols. Segerman On melodic and continuo C-l309
bridges I: focus on the lira da braccio. Segerman Flat C-715
by bars, and the history of soundposts. Segerman /of soundholes bracketed C-l36
calculations in C-1480 by Lee. Segerman On the (frequency) C-1493
catalogue of methods of transposition). Segerman /skills (with an appendix of a C-l 127
century English vocal and organ pitches. Segerman On early 17th C-l290
century information on Spanish gracing. Segerman More mid-16th C-408
changes from baroque to modern violins. Segerman The C-1484
claiming wood changes on playing in. Segerman /A response to C-l439 Sup-84
comments to the pitch dispute. Haynes, Segerman Further C-1099
concerning Praetorius's pitch standards. Segerman Another note C-79
construction of a medieval fiddle. Segerman Proposed C-412
construction of early English viols. Segerman A note on the belly C-289
criticism of Early Musicians. Segerman /C-1174 criticising C-1191
criticism of Early Musicians. Segerman /to Wood's C-l 175 criticising C-l 192
current uniformity in performing style. Segerman On C-l 158
diameters of unusual wound strings. Segerman /in calculating equivalent Sup-88
dictionary of musical instruments (A). Segerman Review: The new Grove C-621
don't believe what you see in pictures. Segerman Trust but C-l509
duplication of stringed instruments. Segerman /for more accurate acoustical C-135
family string diameters and tensions. Segerman A table for violin C-772
fiddles, the soundpost and the violino. Segerman French C-l605
flute pitch' and 'church pitch of f'. Segerman /pitches, especially'consort C-l 100
for C-1493 (frequency calculations). Segerman /correction and simplification C-1511
for ensuring objectivity in scholarship. Segerman /razor: the formal method C-l276
for making pine resin varnish. Duncalf Segerman A simple, safe method C-302
for sound improvement on playing in. Segerman Models C-l472
fretting by computer or calculator. Segerman Mean-tone C-1201
gauge and an unwound viola C string. Segerman A c . 1900 string C-l 233

rel 11.2
guitar and speculations on its origin. Segerman More on the English C-l531
harmonics and stopping in mid air. Segerman Thick gut string, playing C-l519
have all the creative amateurs gone? Segerman Where C-l 194
historical accuracy in popular design. Segerman Trends towards C-523
in late 16th and 17th century music. Segerman The inverted mordent C-359
in the 2nd quarter of the 17th century. Segerman /The English cittern Sup-85
in the Edinburgh 'A.S.' manuscript. Segerman Violins, citterns and viols C-l576
in the Hunt & Balsan experiment. Segerman /structure and what happened C-l471
in the New Scientist, 26 June 1993. Segerman /Restoration, on an article Sup-72
in the renaissance and early baroque. Segerman A survey of graces C-398
in which wood absorbs sound vibrations. Segerman Explanations of ways C-l532
information on authentic lutes. Abbott Segerman Sources of C-7
information vs a playing collection. Segerman Conservation of research C-380
instruments and cammerthon. Heavens, Segerman Praetorius' brass C-l327
instruments with varying string length. Segerman /power law in the stringing of C-1418
invention of overspun strings. Abbott Segerman On the time of C-l74
iron and Ruckers 6 foot pitch. Segerman Mersenne's C-l494
is a 'copy' of an original instrument? Segerman What C-l 111
length on the baroque violin. Segerman Fingerboard C-525
look at pitch ranges of gut strings. Segerman A closer C-632
lutes in the 17th century. Abbott Segerman /standards of extended-neck C-59
methods of constructing English viols. Segerman Ruminations on original C-l575
middle ages and renaissance (part 1). Segerman /Munrow: Instruments of the C-44a
middle ages and renaissance (part 2). Segerman /Munrow: Instruments of the C-44b
minority and the effects of its power. Segerman The sharp eared C-l 193
music meaning of the word 'Consort'. Segerman /hypothesis for the early C-l336
musical instruments (part 1). Segerman /of medieval and renaissance C-44c
non-view on the construction of catlins. Segerman Catch C-l591
of Moravia's second fiddle tuning. Segerman /correction to C-50 on Jerome C-95
of becoming an established scholar. Segerman On the dangers C-69
of instrument designs. Abbott Segerman /preparation and distribution C-28
of musical iconography: reply to C-1551. Segerman On the information C-l571
of source errors in scholarship. Segerman The handling C-l580
of string names, a reply to C-1308. Segerman On the scholarship C-l317
of tessitura and movement in music. Segerman On the measurement C-l249
of the Tourte bow - simple alternative. Segerman Thickness graduation C-379
of the middle ages and renaissance. Segerman Review: Munrow: Instruments C-44
of timpani by 17th century composers. Segerman Supplement: On the use Sup-91
on a Sellas extended-neck lute. Segerman Nut groove diameters C-776
on gut string history before 1600. Segerman Some thoughts C-94
on pre-18th century hurdy gurdies. Segerman Announcements: miscellany C-l572
on the 16th century seminar. Montagu Segerman Report C-93
on the name 'catline' (see also C-l254). Segerman More C-l289
on the principles of scholarly choice. Segerman A reminder C-873
on viol players, cittern and gittern. Segerman A 1656 Tabley manuscript: C-774
or an excuse for complacency? Segerman /a search for improvement C-1467

rel 11.2
or just accumulated? Reply to C-1516. Segerman Is evidence to be explained C-l523

other viols that played from tablature. Segerman Lyra and C-716
philosophies in the bassoon controversy. Segerman Conflicting C-l 159
physics of bowing - response to C-794. Segerman Discussion of the C-820
pitches of 18th century strung keyboard. Segerman Review: Karp: The C-606
plucked instruments and their strings. Segerman Praetorius's C-l593
plucked instruments to the Irish harp. Segerman /the principles of stringing C-l 149
points on violas and vihuelas in C-660. Segerman Discussion of C-661
practice and songs in France 1100-1300. Segerman /middle ages - instrumental C-809
procedure for baroque and modern bows. Segerman A thicknessing C-564
ranges and sizes up to the 18th century. Segerman /technology and instrument C-l03
sackbut lengths and playing pitches. Segerman /and surviving Nuremberg C-l371
sizes of Renaissance bowed instruments. Segerman On Praetorius and the C-l545
sound boxes, to be glued or not. Segerman Medieval C-l 167
standards in the 17th and 18th century. Segerman /Italian and French pitch C-442
stringing of English and German guitars. Segerman The C-1034
technology bearing on sound quality. Segerman Some aspects of string C-1416
terminology - response to C-351. Segerman More on organological C-376
the V&A Rose and Jaye viol soundholes. Segerman Design of C-l080
the Wensler G30 cithrinchen stringing. Segerman Response to C-l482 and C-1498
the body shapes of stringed instruments. Segerman On describing C-1419
the clavichord tangent hits the string? Segerman What happens when and after C-l541
the geometry of clearance angles. Segerman Round bridges: C-714
the hurdy-gurdy wheel and string. Segerman The purpose of cotton between C-l542
the information in instrument drawings. Segerman On C-232
the lira da bracio and lirone project. Segerman On C-l560
the minimum amount of evidence needed. Segerman Scholarship, statistics, and C-l218
the pitch of early wind instruments. Segerman On measuring C-l372
the violin a French invention after all? Segerman Was C-524
theorboes and archlutes before 1650. Segerman On the size of Italian C-456
time signatures in 17th century England. Segerman Tempos and C-l 129
to C-l329 on English organ pitches. Segerman Reply C-l347
to C-l426 on emotion imaged by music. Segerman Reply C-l454
to C-490 on English viol pitches. Segerman Response C-491
to Meeus on the bowed string. Segerman Response C-839
to an attack on modern catlines. Segerman Response C-773
tuning of baroque viol soundboards. Segerman On Chladni-plate C-206
tunings and fretting patterns. Segerman /and early renaissance C-89
viol bellies, made of bent strip? Segerman Supplement: English Sup-72
violino and the viole da bracio family. Segerman The early C-l562
violins, and catlin highest pitches. Segerman /17th century English bass C-l590
windings on a traditional wound string. Segerman The dimensions of C-l533
wire of high tensile strength ca. 1600. Segerman Ferrous C-440
wire strengths and violin stringing. Segerman Napolitan mandolins, C-713
with the chekker is alive and well. Segerman Fascination C-l 128
The world according to Segerman. Stroom C-1315

rel 11.2
Comment on C-81. Segerman Abbott C-82

Comments on C-29. Segerman Abbott C-43a
Comments on comments (C-39a) on C-39. Segerman Abbott C-39b
Design information for lute makers. Segerman Abbott C-29
Gut strings. Segerman Abbott C-3
On measures of instruments in museums. Segerman, Abbott C-63
On prematurity of communication. Segerman Abbott C-58a
On the Palmer orpharion. Segerman Abbott C-l6
Overspun string calculations. Segerman Abbott C-l63
Why are lute pegboxes bent back? Segerman Abbott C-40
approach to mean-tone fretting. Segerman Abbott /reasoned and practical C-88
bridge curvature in the medieval fiddle. Segerman Abbott Jerome of Moravia and C-50
commercialism and instrument drawings. Segerman Abbott Museums, C-42
courses in early stringed instruments. Segerman Abbott /octave or unison C-30
lute barring and bridge placement. Segerman Abbott On early 16th century C-l
metal strings and Mersenne's data. Segerman Abbott On twisted C-l64
of the 16th century vihuela da mano. Segerman Abbott On the string length C-39
offered by the early guitar and violin. Segerman Abbott /naming of instruments C-36
on medieval fiddle technique. Segerman Abbott Some speculations C-51
pitch standards in the 17th century. Segerman Abbott Praetorius and English C-38
the sizes of English (and other) viols. Segerman Abbott More on C-l87
to improve tone and fretting accuracy. Segerman Abbott Twist your strings C-l26
to the strings used by catgut scrapers. Segerman Abbott Historical background C-l5
Meeus Praetorius, Segerman and the English viols C-607
Grove dictionary of musical instruments. Segerman (Ba) Review: The new C-647
Grove dictionary of musical instruments. Segerman (Bb-Bz) Review: The new C-672
Response to Messrs Heavens and Segerman (C-l485). Loretto C-l507
Grove dictionary of musical instruments. Segerman (Ca-Ci) Review: The new C-698
Grove dictionary of musical instruments. Segerman (Cj-Cz) Review: The new C-729
Grove dictionary of musical instruments. Segerman (D) Review: The new C-750
of viol bellies by bending all staves. Segerman Duncalf Construction C-395
Grove dictionary of musical instruments. Segerman (E-F) Review: The new C-770
Grove dictionary of musical instruments. Segerman (G) Review: The new C-788
cittern. Forrester Segerman, Godwin, Fludd, and the English C-1496
Grove dictionary of musical instruments. Segerman (H-I) Review: The new C-860
Grove dictionary of musical instruments. Segerman (J-K) Review: The new C-872
Grove dictionary of musical instruments. Segerman (L) Review: The new C-886
Grove dictionary of musical instruments. Segerman (M) Review: The new C-898
in historical instruments. Abbott Segerman Montagu /with interests C-27
Grove dictionary of musical instruments. Segerman (N-O) Review: The new C-904
Grove dictionary of musical instruments. Segerman (P) Review: The new C-951
and renaissance musical instruments. Segerman (part 2) /world of medieval C-44d
and renaissance musical instruments. Segerman (part 3) /world of medieval C-44e
Grove dictionary of musical instruments. Segerman (Q-R) Review: The new C-965
stabilisation of gut and wood. Abbott Segerman Rolfe Humidity cycling for C-71
Grove dictionary of musical instruments. Segerman (S) Review: The new C-977

rel 11.2
interval above the open string. Abbott Segerman Spencer /the nut for every C-l79
A red herring on Praetorius's foot. Segerman Young C-l55
standards. Haynes Response to Eph Segerman'sC-1063; on English pitch C-1082
organs and pitch in England: response to Segerman'sC-1290. Goetze Transposing C-l329
Some points raised by Ephraim Segerman's reply, C-1468, on English/ C-1481
College 10 day instrument making course. Segerman(Y) West Dean C-1521
(record)./ Review: Brauchli: Carlos Seixas's nine sonatas for clavichord C-521
woodwind instruments. Bouterse The Selhof auction (1759) of musical C-1539
Nut groove diameters on a Sellas extended-neck lute. Segerman C-776
dispute between Jakob Bleyer & Martin Seufert. Swenson /as reflected in the C-933
Dayton C. Miller collection./ Review: Seyfritt: musical instruments in the C-463
John Hale. Shackleton C-817
The Clinton system clarinet. Shackleton C-816
Palmer On shafts and bearings for hurdy-gurdies C-340
on the preservation and repair of the shakuhachi. Mayers Notes C-76
Styll shalmes. Buckland C-272
Further to Still Shalmes (C-272). Buckland C-373
Bending harpsichord bentsides. Shann C-540
Bentsides again. Shann C-592
Double, double, toil and trouble. Shann C-718
Grove on the chekker. Shann C-614
Happy, happy transposition. Shann C-765
Making a spinet by traditional methods. Shann Review: Barnes: C-622
More on the proportional compass. Shann C-736
On the Zangelmass. Shann C-790
Phosphorous iron music wire. Shann C-821
Some historical data on harpsichords. Shann C-591
Soundboard finishes. Shann C-198
The Baffo virginal. Shann C-143
The fingered 16' on the harpsichord. Shann C-488
colour of the Ruckers' wood-grain paper. Shann The C-570
doubles - a survey of the theories. Shann Ruckers C-665
from octave to unison stringing. Shann The transition C-569
harpsichords - some rejoinders answered. Shann Flemish transposing C-537
Classic guitar shape. Ecker C-49
Whinray A shaper for recorder block blanks C-122
description and analysis of instrument shapes. Abbott Segerman Geometric C-5
Simple design for lute rib shapes. Chiverton C-l349
Some English viol belly shapes. Segerman C-1053
to Chiverton's C-l322 on lute belly shapes. Segerman Response C-l348
Fingerboard shapes and graded frets. Segerman C-l 168
/description and analysis of instrument shapes; considerations on early 16th/ C-486
Segerman On describing the body shapes of stringed instruments C-1419
instruments. Young Planes for shaping arched bellies of stringed C-l68

rel 11.2
its power. Segerman The sharp eared minority and the effects of C-l 193
cornetti and tuning cornetti at the sharp end. Gretton /of ivory C-390
Modification and sharpening of twist drills, van Leeuwen C-707
The Mary Rose shawm. Forster C-1459
The forked shawm. Montagu C-304
The Mary Rose shawm or dulcina. Lyndon-Jones C-531
-41 sackbut and pitch, plus playing with shawms. Segerman Mersenne's C-l373
Green 1742-1790. 169/ Review: Gillian Sheldrick, ed.: The accounts of Thomas C-l206
stringing practices. Segerman Shelley's guitar and 19th century C-1096
Morrison Early music instruments from shipwrecks, lake dwellings and rivers C-317
Making reamers on a shoestring. Marvin C-l80
Ruckers transposing double harpsichords. Shortridge C-623
musical instruments in St Mary's Church Shrewsbury. Wright /carvings of C-74
(Italian stringed/ Plans: List the Shrine to Music Museum, Vermillion, USA Bul-54
brass/ Review: Stewart: The Shrine to Music Museum, vol 1, keyed C-365
instruments of/ Review: Cross: The Shrine to Music Museum, vol 2 C-479
Timber - swelling and shrinking. Allen C-l 189
music. Bulletin: Sibelius, a computer program for writing Bul-93
happens when you oil your recorder. Simmons The good oil; what really „ C-1228
A note on 'the good oil' (C-1228) by T. Simmons. Guida C-l285
'What say you, Simon Catlin?'. Catch C-l589
life and times. Wollenberg Review: Simon: Handel: a celebration of his C-670
Downing More on sinew fibre-a footnote to C-l 394 C-1441
Sinew strings ... yet again! Downing C-1442
excuse for complacency? Segerman Sinews: a search for improvement or an C-1467
Singing lessons for wood. Catch C-1032
Recorder window size. Loretto C-l508
before 1650. Segerman On the size of Italian theorboes and archlutes C-456
Segerman The size of the English 12-course lute C-l592
Reducing and enlarging paper sizes. Lambert C-1017
Hodgson The sizes and pitches of Italian archlutes C-464
sackbuts. Segerman The sizes and pitches of Praetorius's C-l200
On English lute sizes and tunings c.1600. Segerman C-867
Segerman Abbott More on the sizes of English (and other) viols C-187
On cammer-ton and on the sizes of lutes. Hodgson C-662
and violins. Segerman On the sizes of renaissance and baroque viols C-65
Segerman On Praetorius and the sizes of Renaissance bowed instruments C-l545
Segerman On the sizes of surviving English viols C-l58
correction to C-l562/ The tunings and sizes of the viole da braccio: a C-l604
A table to convert plain gut string sizes to equivalent overwound string/ C-l77
/technology and instrument ranges and sizes up to the 18th century. Segerman C-103
Some instruments of skomorokhi from the 1630s. Crookes C-636

rel 11.2
Re: Grove review: double bass. Slatford C-771

personal report on early music/ From small acorns, large oak tress grow; a C-1026
instruments: Goodacre's/ Undercutting small diameter finger holes on woodwind C-l375
Chiverton A small miscellany of bits and pieces C-l086
Introduction to the small organ. Gwynn C-296
A comparison of some baroque violins. Smith C-1009
Baroque cello spikes. Smith C-595
Lewis, a flute case maker. Smith C-827
Obituary Len Stanners. Smith C-1384
The apparent geometry of Jakob Stainer. Smith C-841
The viola pomposa. Smith C-186
Thoughts after the New Langwill Index. Smith C-1332
Violin makers' inches in proportion. Smith C-1008
Woodwind taxonomy. Smith C-1461
'Fiauti d'echo': recorders off-stage. Smith J.S.Bach's C-1421
geometrical analysis in proportion. Smith Keeping C-880
reconstruction of Stradivarius cellos. Smith Possible C-594
/two new plans (harpsichords by William Smith, and by Joannes Goermans) Bul-76
baroque trumpet before 17217 Review: Smithers: The music and history of the C-945
Mackenzie of Ord Dr Robert Smith's 1748 keyboard tunings. Mobbs, C-1583
Plans: List Smithsonian Institute, Washington DC Bul-63
Johann Socher's square piano of 1742. Cole C-1446
March 19957 British clavichord society at the open university, 11th C-l341
The British Clavichord Society BCE. Alexander-Max C-1313
Review: American Musical Instrument Society Journal XIII, 1987, October/ C-895
Montagu Review: Galpin Society Journal XLI, 1988, October 1986 C-895
1992 Report from the Czechoslovakian Society of Makers of Historical/ C-l 155
/Chanter, the journal of the Bagpipe Society, vol.1, part 1,'86. Montagu C-748
/Chanter, the journal of the Bagpipe Society, vol.1, part 2,'86/'877 C-783
instruments. Bolton Resonans, a software program for developing new wind C-l356
Montagu Review: Solum: The early Flute, 1992; 164 pp C-l 132
Four great curtals from Augsburg, Sonderhausen and Pillnitz. Lyndon-Jones C-l305
/middle ages - instrumental practice and songs in France 1100-1300. Montagu C-786
/middle ages - instrumental practice and songs in France 1100-1300. Montagu C-808
/middle ages - instrumental practice and songs in France 1100-1300. Segerman C-809
On the wings of the muse or songs of historical feathers (on/ C-l263
About 'manacordo' and 'sordino'. Tiella C-1400
The SorduenBas. Lloyd C-1004
Stanesby7 Four baroque recorders at Sotheby's, November 1996 (Beukers, C-1501
Recorder woods - do they influence the sound? Loretto C-1431
Wood treatment to improve sound. Segerman C-1423
explained - components mechanism and sound. Segerman /Beament. The violin C-l548
strings and 18th century wound string sound. Segerman Forqueray's C-l558
Segerman Medieval sound boxes, to be glued or not C-l 167
Early sound generation: bassoon reeds. White C-l282

rel 11.2
Segerman Models for sound improvement on playing in C-1472

Museum, 19897 Review: Moyle: the Sound of Oceania, Auckland Institute & C-921
of music on/ Review: Bassart: The sound of the fortepiano: a discography C-688
university/ Review: Lumsden: The sound of the sackbut, Edinburgh C-868
aspects of string technology bearing on sound quality. Segerman Some C-1416
Upon the harp with a solemn sound (sequel to C-l342). Crookes C-l378
why old fiddles sound sweeter. Hunt, Balsan C-1439
/of ways in which wood absorbs sound vibrations. Segerman C-1532
Transferring soundboard designs. Mactaggart C-461
Harwood A possible soundboard finish for lutes and guitars C-l73
-u Soundboard finishes. Shann C-198
String to soundboard proximity. Mather C-335
Williams Perforating soundboard roses with scissors C-434
Installing soundboard wet and dry. Way C-577
Historical evidence for stewing soundboard wood. Gill C-1438
Segerman Supplement: Soundboard wood imported to England Sup-92
on the insides of surviving English viol soundboards. /The burn marks Sup-89
More on the treatment of soundboards. Barlow C-l470
Finishing lute soundboards. Brown C-432
Samson Lute soundboards - how were they fitted? C-300
Scaling harpsichords soundboards. Lloyd C-l512
On Chladni-plate tuning of baroque viol soundboards. Segerman C-206
thickness of musical instrument soundboards. Tourin /for measuring C-205
Sinking harpsichord soundboards. Way C-354
Tentative observations about barred soundboards. Way C-575
Salted soundboards and sweet sounds. Gug C-881
Laminated soundboards for harpsichords. Way C-306
Soundhole evolution. Lajaruzny C-397
of the lute. Downing Soundhole migration in the development C-l95
Design of the V&A Rose and Jaye viol soundholes. Segerman C-1080
/on the renaissance viol, the ubiquity of soundholes bracketed by bars, and the/ C-l36
French fiddles, the soundpost and the violino. Segerman C-l605
bracketed by bars, and the history of soundposts. Segerman /of soundholes C-l36
Salted soundboards and sweet sounds. Gug C-881
(record). Montagu Review: Lund: The sounds of prehistoric Scandinavia C-553
Review: Crafts Council Conservation Sourcebook. Montagu C-242
with musical instruments and a few other sources. Montagu /the British Library C-8
lutes. Abbott Segerman Sources of information on authentic C-7
Mills Two possible sources of instrument-making timber C-433
A bibliography of 18th century sources relating to crafts,/ C-754
1772 Kirckman harpsichord/ Review: Souter: Handel & Scarlatti on the C-1071
Untitled. Spalding C-258
More mid- 16th century information on Spanish gracing. Segerman C-408
sympathetic strings. Greenberg On Spanish harpsichord jacks and C-l 126
Some developments in Spanish musical life. Harris C-657
Montagu Review: Sparks: The classical mandolin, 225 pp C-l357

rel 11.2
r
Montagu Review: Tyler, Sparks: The Early Mandolin, 1989 C-922

Essays of Pythagorean system; 6. spectrum of coherencies; 77 C-1083
musikalische Kunst oder/ Review: Speer: Grundrichter Unterricht der C-349
English nomenclature of extended lutes. Spencer C-337
above the open string. Abbott Segerman Spencer /the nut for every interval C-l79
Baroque cello spikes. Smith C-595
More cello spikes and lute strings. Crookes C-562
An attribution of an unsigned spinet. Wraight C-l 150
An unknown bentside spinet by Albert Delin. Meeus C-934
Restoration report of English spinet by Stephen Keene, London, 17047 C-l346
Review: Barnes: Making a spinet by traditional methods. Montagu C-601
Review: Barnes: Making a spinet by traditional methods. Shann C-622
Mixed clavichord and spinette (with vibrato). Matern C-370
a message and some replies to C-l314. Spohr /the difficulties of delivering C-l334
to C-l278 'a kinder, gentler FoMRHI'. Spohr Further C-1301
centuries from all over the/ Review: Spohr: Transverse flutes down the C-l024
Spoon-castagnetts of Turkey. Harders C-449
/carvings of musical instruments in St Mary's Church Shrewsbury. Wright C-74
Early instruments in St Petersburg. Henning C-l253
the Gaita galega: the horse speaks. Stacey Fingering C-493
hurdy-gurdies. Montagu Review: Stacey, Wishart: Bagpipes & C-581
/of some of the woodwinds at the Stadtmuseum, Munich. Lyndon-Jones C-l222
/wizard lizard (a 5-keyed cornett in the Stadtmuseum of Munich). Lyndon-Jones C-1221
The apparent geometry of Jakob Stainer. Smith C-841
Some historical notes on acid staining. Owen C-l226
Acid staining of hardwoods. Willetts C-474
musical instruments. King Making a stamp or branding iron for marking C-1258
Eph Segerman's C-1063; on English pitch standards. Haynes Response to C-l082
What about the history of tempo standards? Segerman Supplement: Sup-88
note concerning Praetorius's pitch standards. Segerman Another C-79
UK conservation standards and accreditation. Barnes C-875
Conservation standards and accreditation. Karp C-900
The establishment of conservation standards and accreditation in the UK./ C-849
century. Segerman Supplement: Pitch standards and playing viols in the 16th Sup-92
Williams Standards for instrument plans C-231
Dictionary, 1726. Cousen Length standards from Stone's New Mathematical C-1385
Pitch standards in northern Italy. Segerman C-1489
On German, Italian and French pitch standards in the 17th and 18th century./ C-442
Abbott Praetorius and English pitch standards in the 17th century. Segerman C-38
English pitch standards, mostly c.1600. Segerman C-1063
response to C-l383. Segerman Pitch standards of early English organs - C-l398
The names, string lengths and pitch standards of extended-neck lutes in the/ C-59
at Sotheby's, November 1996 (Beukers, Stanesby, Denner). Bouterse /recorders C-l501
recorder. Montagu Review: Aulos, Stanesby junior traverso; Haka treble C-966
Re C-l 119. Stanley C-l 142

rel 11.2
Workshop gimmicks. Stanners C-454

Obituary Len Stanners. Smith C-l384
the ages. Montagu Review: Hamber, Stanners: Musical instruments through C-689
Making unsoldered oboe staples. Kirkpatrick C-431
Peg mill attached to a lathe. Steafel C-372
Bending bentsides using steam or hot-iron. Greenberg C-572
Making a bodhran without steaming. Crookes C-544
The Giusti harpsichord in the Stearns collection. Barnes C-l59
Hardening and tempering tool steel. Jenkins C-l536
Steel music wire. Karp C-548
The alto recorders of Steenbergen. Bouterse C-l569
C-l569)7 Plans: Alto recorder Steenbergen Groninger Museum (in Bul-91
Henning: Musica Maximiliana, Ekkehart Stegmiller. Montagu Review: C-805
on early 16th century lute construction. Steinberg /shapes; considerations C-486
perestroika, early keyboard in the USSR. Stembridge From Purcell to C-l067
Segerman Semitone step calculations in stringing C-l517
GPS Agencies artificial ivory. Stevens C-910
The changeable harpsichord. Stevens C-1607
1, keyed brass instruments./ Review: Stewart: The Shrine to Music Museum, vol C-365
Lyndon-Jones More putti in the Stiftsbasilika at Waldsassen C-l284
Plans: List Musikmuseet, Stockholm Bul-28
Review: Musikhistoriska Museet Stockholm: Studia instrumentorum/ C-386
Popularis, Musikhistoriska/ Review: Stockmann: Studia Instrumentorum Musicae .... C-l 11
1726. Cousen Length standards from Stone's New Mathematical Dictionary, C-l385
Thick gut string, playing harmonics and stopping in mid air. Segerman C-1519
Preatorius' Basset Nicolo - Lang Strack Basset zu den Krumhorner, or/ C-l049
Beare, et al.: Strumenti di Antonio Stradivari, 68 pp. Montagu /Tiella, C-l 108
viols. Segerman Stradivari'cello'strings and bass C-1518
Review: Orcutt: The Stradivari memorial. Montagu C-313
Possible reconstruction of Stradivarius cellos. Smith C-594
Seiermarkischen/ Review: Stradner: Die musikinstrumente im C-l09
Sammlung alter/ Review: Gerhard Stradner, ed.: Klangfuhrer durch die C-l297
Sammlung alter/ Review: Gerhard Stradner, ed.: Klangfuhrer durch die C-l312
Bruckner-Zeit, Linz. Montagu Review: Stradner: Linzer Musikinstrumente der C-499
instrumentation around 1500/ Review: Stradner: Playing practice and C-787
and thicknessing viol front plates. Strahle A jig for use in arching C-294
and tuning of viol front plates. Strahle Profiling C-78
front-plate thickness profiles of viols. Strahle A gauge for measuring C-l33
Review: Katalog der Streichinstrumente Berlin. Montagu C-90
Segerman Napolitan mandolins, wire strengths and violin stringing C-713
nut for every interval above the open string. Abbott Segerman Spencer /the C-179
The story of a harpsichord string. Gug C-452
The bowed string. Meeus C-795
1900 string gauge and an unwound viola C string. Segerman A c C-l233

rel 11.2
On the number of guts in a gut string. Segerman C-325

Response to Meeus on the bowed string. Segerman C-839
The mathematics of tuning up a string. Segerman C-l528
after the clavichord tangent hits the string? Segerman /happens when and C-l541
cotton between the hurdy-gurdy wheel and string. Segerman The purpose of C-l542
of windings on a traditional wound string. Segerman The dimensions C-l533
harp. Downing A string and tuning guide for the Irish C-l 122
time. Segerman Contrasts between string and woodwind gracing in Purcell's C-1316
O'Kelly Lute string calculation and identification C-527
Overspun string calculations. Segerman Abbott C-163
A string calculator. Abbott Segerman C-162
More on early gut string diameter. Segerman C-743
Namreges A string diameter on Mersenne's bass viol C-343
A table for violin family string diameters and tensions. Segerman C-772
The string formula, van Pelt C-81
string. Segerman A c . 1900 string gauge and an unwound viola C C-l233
An alphabetical string gauge system. Downing C-1232
Some thoughts on gut string history before 1600. Segerman C-94
Some earlyish cello string information. Segerman C-l520
Gunji, Kunitachi College, Tokio: bowed string instruments. Montagu Review: C-949
String keyboard instruments. Rawson C-250
stringing of instruments with varying string length. Segerman /law in the C-1418
vihuela da mano. Segerman/ On the string length of the 16th century C-39
extended-neck lutes in the/ The names, string lengths and pitch standards of C-59
Relative string lengths of the crwth. Montagu C-444
Instruments in 18th century Canada and a string maker of New France. Downing C-1513
Page References to string materials in some medieval texts C-14
/A check-list of the plucked and hammered string musical instruments in the/ C-428
Review: Emery: A check-list of the bowed string musical instruments in the/ C-423
Segerman On the scholarship of string names, a reply to C-1308 C-1317
in mid air. Segerman Thick gut string, playing harmonics and stopping C-l519
Paris vihuela. Segerman Vihuela string quality and thickness, and the C-1483
string/ A table to convert plain gut string sizes to equivalent overwound C-l77
strings and 18th century wound string sound. Segerman Forqueray's C-l558
gut string sizes to equivalent overwound string specifications. Hodgson /plain C-l77
and sizes/ The interaction between gut string technology and instrument ranges C-l03
quality. Segerman Some aspects of string technology bearing on sound C-1416
Segerman String tension on Mersenne's lute C-l29
On historical string tensions on lutes. Segerman C-l255
String to soundboard proximity. Mather C-335
response to/ On historical lute string types and tensions (including a C-l307
Music Museum, Vermillion, USA (Italian stringed instruments) /the Shrine to Bul-54
The early design of stringed instruments. Chiverton C-1010
On describing the body shapes of stringed instruments. Segerman C-1419
more accurate acoustical duplication of stringed instruments. Segerman /for C-l35
/octave or unison courses in early stringed instruments. Segerman Abbott C-30

rel 11.2
Planes for shaping arched bellies of stringed instruments. Young C-l68

-*4'
/(Cornets & Tubas, Oboes, Clarinets, Stringed instruments of regional/ C-l406
-4
/College, Tokio: Catalogue 3, Bowed stringed-instruments. Montagu C-645
/College, Tokio: Catalogue 4, Plucked stringed-instruments. Montagu C-645
Some notes on cittern fingerboards and stringing Forrester C-466
C-1482 and the Wensler G30 cithrinchen stringing Segerman Response to C-1498
Semitone step calculations in stringing Segerman C-1517
mandolins, wire strengths and violin stringing Segerman Napolitan C-713
The transition from octave to unison stringing Shann C-569
Segerman Stringing 5-course baroque guitars C-l256
The stringing of a baroque guitar. Hodgson C-663
Segerman The stringing of English and German guitars C-l034
string length./ A power law in the stringing of instruments with varying C-1418
Equal tension stringing of the Irish harp. Downing C-l204
Irish/ Applying the principles of stringing plucked instruments to the C-l 149
/Rose, Law: A handbook of historical stringing practice for keyboard/ C-l070
Shelley's guitar and 19th century stringing practices. Segerman C-l096
Historical violin stringings up to 1900. Segerman C-l234
Downing Roped gut bass strings - a 16th century reference C-1318
Catline strings. Abbott Segerman C-l38
On the time of invention of overspun strings. Abbott Segerman C-l74
Whistles on harpsichord strings. Bavington C-960
Catlin, coloured and loaded strings, Catch C-1254
More cello spikes and lute strings, Crookes C-562
Gansar lute strings, Downing C-l393
harpsichord jacks and sympathetic strings, Greenberg On Italian C-l 125
harpsichord jacks and sympathetic strings, Greenberg On Spanish C-l 126
in the 16th century and .... lute strings, Gug Travelling C-l094
More on sympathetic strings, Irvin C-l 153
Heinrich Schutz's strings, Karp C-439
On Mersenne's twisted data and metal strings, Karp C-183
Overspun strings, Karp C-102
German baroque lutes and overspun strings, Peruffo C-l350
More on gut strings, Peruffo C-1417
More on gut strings, Peruffo C-1466
A closer look at pitch ranges of gut strings, Segerman C-632
All-gut bass strings, Segerman C-413
Bulletin: A DIY make of gut lute strings, Segerman Bul-87
Mace on overspun strings, Segerman C-1440
Sympathetic strings, Segerman C-l097
The buzzing of wood strings, Segerman C-l033
equivalent diameters of unusual wound strings. Segerman /in calculating Sup-88
plucked instruments and their strings. Segerman Praetorius's C-l593
Gut strings. Segerman Abbott C-3
More sympathetic strings? Webb C-l 109
Sinew strings ... yet again! Downing C-1442

rel 11.2
r
Further on early manufacture of gut strings. Zaniol C-52J

sound. Segerman Forqueray's strings and 18th century wound string C-l5'
Stradivari 'cello' strings and bass viols. Segerman C-151
More on Ramelli, loaded gut strings and gansars. Peruffo C-l 3'
Abbott On twisted metal strings and Mersenne's data. Segerman C-1&
Downing More on roped strings and other knotty problems C-13'
Strings and their names. Catch C-13C
On baroque lute strings and tunings. Segerman C-2 If
Why gut treble strings are the best. Segerman C-562
pianos. Barnes Covered strings for clavichords and square C-32^
/hypothesis on the construction of bass strings for lutes and other gut strung/ C-10^
Strings for the violin family. Segerman C-43S
A 16th century French description of gut strings in Turkey. Wright C-25
The range of pitch with gut strings of a given length. Samson C-66
/basses and loaded weighted bass gut strings (see also C-1235, C-l254 and/ C-128
Supplement: Were early open-wound strings tigerlines? Sup-8
accuracy. Segerman Abbott Twist your strings to improve tone and fretting C-l26
Strings, twisted and Mersenne. Karp C-l37
Segerman/ Historical background to the strings used by catgut scrapers C-15
(on measuring tools and modems). Stroom Untitled C-763
The world according to Segerman. Stroom C-131
and disputes (further to C-l335). Stroom Once more, scholarship C-l36
measurements techniques for recorders. Stroom Some C-639
the internet mailing lists and Micat-L. Stroom C-13C
the status of FoMRHI and accuracy. Stroom Copyright C-l36
On Stroom's C-1315. Segerman C-l33
On Stroom's C-l366. Segerman C-l38
/of bass strings for lutes and other gut strung instruments. Peruffo C-102
Karp: The pitches of 18th century strung keyboard. Segerman Review: C-606
All-nylon strung lutes. Irvine C-414
criticism). Cousen Philip Stubbes: anatomy of abuses, 1583 (music C-138
Gug Historic and experimental studies on brass used for organ reeds C-893
and instruments of the Middle Ages; studies on text and performance./ /Music C-156
construction bases of great Italian/ Studies on the physical and technical C-879
City/ Bulletin: Center for the study of free-reed instruments of the Bul-9
/musical instruments as a source for the study of notes inegales. Montagu C-264
Raudonikas To study the embouchure hole form C-327
Styll shalmes. Buckland C-272
bases of great Italian violin. Suboni /and technical construction C-879
Cork substitute. Gill C-l34
An ivory substitute. Hachez C-35
Instructions for working tagua nuts, a substitute for ivory General: Bul-7
A substitute for ivory. Taggart C-24
musical instruments,/ Review: Sumi Gunji et alii: The collection of C-147
musical instruments,/ Review: Sumi Gunji et alii: The collection of C-844
Mobbs Making a silk 'sunburst'for a cabinet piano. Mobbs, C-147

rel 11.2
Further to C-981: Response to bulletin supplement 60. Hailperin C-996

claiming wood changes on playing in./ Supplement: A response to C-1439, Sup-84
Supplement: an addition to C-l 130 Sup-71
scholarship. Segerman Supplement: Being fair to evidence in Sup-91
Supplement: C-l545 error correction Sup-92
Segerman Supplement: Catline, catlin and catling Sup-93
Segerman Supplement: Chiverton's Ockham Sup-84
(further to C-1518). Segerman Supplement: Christina Visconti in focus Sup-88
tunings). Segerman Supplement: Comments to C-l093 (fiddle Sup-68
Supplement: Correction to C-l 129 Sup-72
Supplement: Corrections to C-l316 Sup-79
of bent strip? Segerman Supplement: English viol bellies, made Sup-72
people. Segerman Supplement: Facts and speculations Sup-93
Supplement: Fomrhi Website. Segerman Sup-90
Segerman Supplement: Further again to C-l485 Sup-86
Supplement: Further to C-1318 Sup-79
Supplement: Further to C-1490. Segerman Sup-86
(mathematics of tuning up a string). Supplement: Further to C-l528 Sup-89
~l' secret). Segerman Supplement: Further to C-l561 (Cremona Sup-91
-CI Segerman Supplement: Good players then and now Sup-91
~C Supplement: Indexes. Segerman Sup-91
-C 'historical'). Supplement: On C-l245 ('historic' or Sup-76
- [ • •
style). Supplement: On C-l278 (disputational Sup-76
-GO Segerman Supplement: On C-l287 by D.Z. Crookes Sup-77
» clavichord CD. Segerman Supplement: On C-l535, review of a Sup-90
-( history. Segerman Supplement: On Early Music and music Sup-77
.„(•: to C-l469. Segerman Supplement: On 'nuts & bolts', further Sup-93
«c 17th century composers. Segerman Supplement: On the use of timpani by Sup-91
-CI Segerman Supplement: On timpani, reply to C-l582 Sup-93
-[- viols in the 16th century. Segerman Supplement: Pitch standards and playing Sup-92
-til Segerman Supplement: Praetorius's recorder pitch Sup-84
-CI point/ Essays of Pythagorean system; Supplement: representation of scale by C-1083
-CI comments by Catch in C-l5747 Supplement: Response to bass violin Sup-92
Jl C-1464. Segerman Supplement: Response to Roy Chiverton's Sup-85
J in the New Scientist, 26 June 19937 Supplement: Restoration, on an article Sup-72
.CI England. Segerman Supplement: Soundboard wood imported to Sup-92
Supplement: Sutton Hoo lyre. Segerman Sup-85
insides of surviving English viol/ Supplement: The burn marks on the Sup-89
2nd quarter of the 17th century./ Supplement: The English cittern in the Sup-85
use of gun drills for long hole boring; supplement to C-957. Goodacre /making: C-l 137
collection of historical instruments - supplement to the 1976 catalogue./ /Bate C-811
Plans: List Bate collection, Oxford, supplement to the 1989 check list, July/ Bul-60
equivalent diameters of unusual/ Supplement: Tricks in calculating Sup-88
strings tigerlines? Supplement: Were early open-wound Sup-89
tempo standards? Segerman Supplement: What about the history of Sup-88
C-1227, C-1228, C-1285) Supplement: Wood absorption (further to Sup-78

rel 11.2
Suppliers for Occam's razor. Goodacre C-l37

Suppliers of materials. Gill C-121
an iconographical and documentary survey. Montagu /books, 1500-1800; C-935
Jeremy Montagu Collection Survey: Instruments by named makers; Bul-5!
early baroque. Segerman A survey of graces in the renaissance and C-398
Review: Marcuse: A survey of musical instruments. Montagu C-20
Ruckers doubles - a survey of the theories. Shann C-665
Survey: Publications by G. Dullat Bul-56
once existing in the Giusti harpsichord. Sutherland /of a Fort'e Piano mechanism C-l 17
Supplement: Sutton Hoo lyre. Segerman Sup-8!
Another reamer-saving counterbore. Swayne C-675
Long hole augers. Swayne C-146:
Response to C-889. Swayne C-908
Workshop ideas for woodwinds. Swayne C-676
to sing; a reply to C-1032 and C-1047. Swayne Teaching wood C-107'
Mietke single harpsichord in Hudiksval, Sweden (in Supplement). /1710 Michael Bul-90
Gug Harpsichord jacks at the Royal Swedish Academy of Science, 1739-1753 C-944
plays instant music. Montagu Review: Swedish clavichords - Mikko Korhonen C-l53!
Swedish gauge system? Gug C-666
Comments on C-666 on the Swedish gauge system. Karp C-679
Timber - swelling and shrinking. Allen C-l 18^
between Jakob Bleyer & Martin Seufert. Swenson /as reflected in the dispute C-933
A hypothesis on the symphony. Montagu C-96
/Band, Huggett, Verney, Beethoven symphony #2, piano concerto #3. Montagu C-1071
instruments, UKIC and V&A Christmas symposium 1983. Montagu /early musical C-992
/of the international clavichord symposium, Magnano 9-11 Sept 19937 C-136(
/of the international clavichord symposium, Magnano, Italy 21-23/ C-147S
Segerman Review: Praetorius: Syntagma Musicum I & II (tr Crookes) C-810
Montagu Review: Blumenfeld: The Syntagma Musicum Praetorius translated C-346
/Pythagorean system; 4. four-dimensional syntax; 5. auscultation researches./ C-108:
Pythagorean system; 3. three-dimensional syntax. Raudonikas Essays of C-106£
primary concepts and two-dimensional syntax. Raudonikas /system; C-105f
Raudonikas Syntax of relative two-dimensional mode C-126(
Reports on FoMRHI seminars Syrus. Montagu C-55
and pedagogy. Montagu Review: Szende: Intervallic hearing, its nature C-149
Lyra and other viols that played from tablature. Segerman C-716
Pereira Old keyboard tablature used in making organ pipes C-257
Comments on Bull. Supp. 34: O'Kelly table. O'Kelly C-526
and tensions. Segerman A table for violin family string diameters C-772
to equivalent overwound string/ A table to convert plain gut string sizes C-l77
cittern and gittern. Segerman A 1656 Tabley manuscript: on viol players, C-774
Euskadi. Montagu The Pipe and Tabor is alive and well and living in C-l53'
A substitute for ivory. Taggart C-24
General: Instructions for working tagua nuts, a substitute for ivory Bul-71

rel 11.2
•C-l]
van Edwards Talbot's English theorbo reconsidered C-l321
Segerman On Talbot's measurements of viols C-382
Riga/ /the Museum of Theatre and Music, Tallinn, the Latvian State Museum, the C-1072
Some more aspects about fiddle making. Talve C-1092
/happens when and after the clavichord tangent hits the string? Segerman C-l541
Peg taper finisher and cutter. Mather C-l85
Comments on bows and their screws, taps, dies and lathes. Mather C-471
Montagu Review: Haase, Krickeberg: Tasteninstrumente des Museums, Berlin C-846
Hautboy and other taxonomy - further to C-l429. Montagu C-1460
Hautboy taxonomy. Haynes C-1429
—CI
—c-., Montagu Review: Taylor: The musician's piano atlas C-362
—C* Taylor: The musician's piano atlas, C-584
suppl 1. Montagu Review:
—Cfl technique. Segerman Abbott C-51
Some speculations on medieval fiddle
—CI techniques. Cameron C-l97
— 3.
Woodwind making
Forces exerted by bore measuring techniques. Cronin C-l281
_CII
Review: Karp: Basic keyboard tuning techniques. Montagu C-l06
international database on conservation techniques. Winsor An C-874
Some measurements techniques for recorders. Stroom C-639
/trumpet maker: the material, tools, and techniques used in the 17th and 18th/ C-l 103
relating to crafts, manufacturing and technology. McGeary /century sources C-754
Oxford 17 Mar '917 Musical instrument technology 1450-1550; meeting report C-1029
The interaction between gut string technology and instrument ranges and/ C-l03
Segerman Some aspects of string technology bearing on sound quality C-1416
General: Course on applied conservation technology, Dundee Bul-54
meeting report/ Musical instrument technology in 17th century England; C-1028
r.ij
M M ^ •
About Neupert harpsichord technology in the 30's. Tiella C-l526
Musical instrument conservation and technology journal. Montagu Review: C-211
-CI
/Karp et al.: The conservation and technology of musical instruments, Art &/ C-l 107
en /Montagu's review of the Conservation and Technology of Musical Instruments'in/ C-l 117
[
Jones A&Q: Music and Technology Research Seminar; 1997-1998 Bul-89
A matter of temperament. Hodgson C-703
A note on mean temperament. Segerman C-459
Bavington/ Evidence of historical temperament from fretted clavichords C-1056
/an unequal temperament using an equal temperament pitchmeter. Chiverton C-835
pitchmeter./ Tuning an unequal temperament using an equal temperament C-835
Review: Lindley: Lutes, viols & temperaments. Hodgson C-556
A=415 and unequal temperaments. Lindley C-834
Review: Boyle: Intervals, scales and temperaments. Montagu C-191
Review: Lindley: Lutes, viols & temperaments. Montagu C-555
century (appendix Gaffurius's/ Duple tempi and time signature in the 16th C-l 130
A method for the construction of the rib template for a lute. Kershaw C-799
Gerle on tempo. Segerman C-l251

rel 11.2
Supplement: What about the history of tempo standards? Segerman Sup-88

century England. Segerman Tempos and time signatures in 17th C-l 129
Ferrous wire of high tensile strength ca. 1600. Segerman C-440
On the hair tension during bowing. Segerman C-l420
String tension on Mersenne's lute. Segerman C-129
Downing Equal tension stringing of the Irish harp C-l204
for violin family string diameters and tensions. Segerman A table C-772
On historical lute string types and tensions (including a response to/ C-1307
On historical string tensions on lutes. Segerman C-l255
Review: Golos, Kobus & Vogel: Stownik Terminologiczny Zabytkow [Dictionary/ C-l 114
Segerman More on organological terminology - response to C-351 C-376
/Zabytkow [Dictionary of the Polish terminology of Historic Musical/ C-l 114
Museum Plans: Terton recorder from Haags Gemeente Bul-40
Segerman On the measurement of tessitura and movement in music C-1249
/of the Middle Ages; studies on text and performance. Montagu C-1565
2 instruments of Burma, India, Nepal, Thailand, Tibet. Montagu /Museum, vol C-479
of data concerning historical documents. Theakston /for a computer-based index C-l 1
/and Music, Vilnius, the Museum of Theatre and Music, Tallinn, the Latvian/ C-1072
/Baltic states; including the Museum of Theatre and Music, Vilnius, the Museum/ C-1072
/on a visit to the State Institute of Theatre, Music and Cinematographic/ C-147
/Violin fraud: deception, forgery, theft, and the law, 1992; 126 pp./ C-l 134
researches in historical brass metal. Thein Report about our C-642
Miller Mace's theorbo from Musick's Monument, 1676 C-l54
Talbot's English theorbo reconsidered, van Edwards C-l321
Segerman On the size of Italian theorboes and archlutes before 1650 C-456
of musical/ Review: van der Meer, Thibault: Preservation and restoration C-91
Francais du XV siecle./ Review: Thibault, Rokseth: Trois chansonniers C-309
Segerman Vihuela string quality and thickness, and the Paris vihuela C-1483
An inductive thickness gauge. Edmunds C-4
simple alternative. Segerman Thickness graduation of the Tourte bow - C-379
instruments./ Determining wood thickness in unopened musical C-822
soundboards./ A gouge for measuring thickness of musical instrument C-205
Inductive meter to determine wood thickness of unopened musical/ C-794
A gauge for measuring front-plate thickness profiles of viols. Strahle C-l33
Thicknessing. Forrester C-1469
modern bows. Segerman A thicknessing procedure for baroque and C-564
A jig for use in arching and thicknessing viol front plates. Strahle C-294
The way from Thoiry to Nurnberg. Gug C-766
Bell key acoustics. Thomas C-1430
Comments to C-1486 (recorder patents). Thomas C-1500
/Gillian Sheldrick, ed.: The accounts of Thomas Green 1742-1790. 169 pp./ C-l206
von Bohrungprofilen/ Review: Thomas Lerch. Vergleichende Untersuchung C-l504
Byrne Thomas Ling, 1787-1851, reed maker C-826
Metal-covered threads before 1600. Montagu C-l39

rel 11.2
of Burma, India, Nepal, Thailand, Tibet. Montagu /vol 2 instruments C-479

—-C-IK Review: Tibia 1/80 journal. Montagu C-279
k Review: Tibia-Calendrium 1984. Montagu C-516
f. I
Roman keyed tibiae? Galpin C-888
l'\ Peculiar tibiae. Montagu C-892
[• ]
(photogrammetrics and organology). Tiella Untitled C-320
««.. Or About 'manacordo' and 'sordino'. Tiella C-1400
• i
On musical iconography. Tiella C-1551
[•_
The Cipollone fortepiano. Tiella C-1609
•».»» [.
fortepiano built as a folk instrument? Tiella Was the C-1401
harpsichord technology in the 30's. Tiella About Neupert C-l526
in Lanciano (Abruzzo, Italy). Miscia, Tiella /making of the 19th century C-l608
instrument iconography; reply to C-l571. Tiella /information in musical C-l599
Strumenti dell'Istituto della/ Review: Tiella & Primon: Catalogo degli C-979
Antonio Stradivari, 68 pp./ Review: Tiella, Beare, et al.: Strumenti di C-l 108
strumenti pre-rinascimentali./ Review: Tiella: Indirizzi di ricerca su C-265
.CI violino di proprieta del/ Review: Tiella, Negri, Primon: Ricerche su un C-847
.ca Were early open-wound strings tigerlines? Supplement: Sup-89
On seasoning timber. Gould C-223
pine,/ The chemical treatment of timber - includes bogwood, bog oak, bog C-l074
possible sources of instrument-making timber. Mills Two C-433
-C-l! The chemical treatment of timber - part II, general. Downing C-1073
.CD Felling your own timber. Rawson C-54
.CI Seasoning your own timber. Rawson C-99
.CD Timber - swelling and shrinking. Allen C-l 189
.ca Segerman Supplement: On the use of timpani by 17th century composers Sup-91
.CI Supplement: On timpani, reply to C-l582. Segerman Sup-93
.CI Review: Parrish: Johannes Tinctoris translated. Page C-326
.CJ Montagu Tinplate instruments-further to C-l568 C-1587
J-ll Note on titebond. Butler C-228
.0 Response to Butler's C-228: more on titebond. Cumpanio C-248
-CI musical instruments, Kunitachi College, Tokio. Montagu /The collection of C-844
-CI /musical instruments, Kunitachi College, Tokio, 2 vols, rev edition. Montagu C-1475
-CI Review: Gunji, Kunitachi College, Tokio: bowed string instruments./ C-949
.cfl Review: Kunitachi College, Tokio: Catalogue 3, Bowed/ C-645
.CIS Review: Kunitachi College, Tokio: Catalogue 4, Plucked/ C-645
.GH Review: Kunitachi College, Tokio: Catalogue 5, Harp; Lyre. Montagu C-645
.CI Review: Kunitachi College, Tokio: Catalogue 8, bagpipes. Montagu C-920
.0 Review: Gunji, Kunitachi College, Tokio: Catalogue 9, Flute. Montagu C-988
.CI Review: Ueno Gakuen College Tokio: Catalogue of the European musical/ C-482
,C! Review: Ueno Gakuen College Tokio: Catalogue of the European musical/ C-991
Review: Gunji, Kunitachi College, Tokio: lute. Montagu C-949
resonance of baroque transverse flute: V tolerances of tones. Raudonikas Blown C-441
Montagu Review: Toll: Bar Consort Earl Music (record) C-244
Method for the vielle or hurdy-gurdy. Tolley Review: Muskett: C-243
Review: Varquin: hurdy-gurdy drawing. Tolley c-107

rel 11.2
reconstruction of the Bosch hurdy-gurdy. Tolley A C-31

Baines Review: Tolley: Making musical instruments C-208
Montagu Review: Tolley: Making musical instruments C-151
instruments for school construction. Tolley Roscow Allison Early musical C-l00
Tonal balance and bar depths. Samson C-220
Style decoration and tone. Segerman C-983
Abbott Twist your strings to improve tone and fretting accuracy. Segerman C-l26
/of baroque transverse flute: IV the tone and the blowing process./ C-419
tests on a post horn in F with one tone hole. Rycroft Intonation C-955
Position of bridge and bars regarding tone production. Mather C-260
Materials and tone quality. Cronin C-587
Meanness of tone; re C-l 119. M.Lyndon-Jones C-l 143
transverse flute: V tolerances of tones. Raudonikas /of baroque C-441
The Pythagorean system of musical tones, p a r t i . Raudonikas C-959
The Pythagorean system of musical tones, part 2. Raudonikas C-l031
A bore measurement tool. Cronin C-859
Reed-gouging tool. Holmes C-l20
A contact-free woodwind bore measuring tool. Schultze C-970
Woodwind bore measuring tools. Karp C-762
Untitled (on measuring tools and modems). Stroom C-763
/art of the trumpet maker: the material, tools, and techniques used in the 17th/ C-l 103
What should measuring tools be made of? Montagu C-733
gun drills, live centre, metal turning tools, plastic calipers and 4-jaw/ /on C-958
Viol dimensions. Tourin C-269
of musical instrument soundboards. Tourin A gouge for measuring thickness C-205
Review: Barnes: Making a spinet by traditional methods. Montagu C-601
Review: Barnes: Making a spinet by traditional methods. Shann C-622
Making your own traditional purfling cutter. Downing C-1444
The dimensions of windings on a traditional wound string. Segerman C-l533
Lost traditions - or are they? Montagu C-468
Happy tranposition?!? Meeus C-735
Shortridge Ruckers transposing double harpsichords C-623
rejoinders answered. Shann Flemish transposing harpsichords - some C-537
Meeus Renaissance transposing keyboard instruments C-45
Meeus Renaissance transposing keyboard instruments II C-57
England: a short test. Goetze The transposing organ and choir pitch in C-l252
England: answers to C-l252)7 The transposing organ and choir pitch in C-l261
response to Segerman's C-l2907 Transposing organs and pitch in England: C-l329
FoMRHI conference on pitch and transposition. Rose C-322
Happy, happy transposition. Shann C-765
of a catalogue of/ English organs and transposition skills (with an appendix C-l 127
bars, fan bars and below the bridge transverse bars. Mather /'J'shaped C-1324
bands./ Blown resonance of baroque transverse flute: I pitch axis and wind C-l70

rel 11.2
frequency./ Blown resonance of baroque transverse flute: II characteristic C-181

position/ Blown resonance of baroque transverse flute: III influence of cork C-229
blowing/ Blown resonance of baroque transverse flute: IV the tone and the C-419
Raudonikas Blown resonance of baroque transverse flute: V tolerances of tones C-441
from all over the/ Review: Spohr: Transverse flutes down the centuries C-l024
century, (list of/ Dutch recorders and transverse flutes of the 17th and 18th C-1052
Traverso or traversa? Powell C-943
Tuning the traverso. Bouterse C-653
How to design a traverso. Brach C-l 121
"— (;, Ornamental metrics of recorders & traverso. Montagu Review: Kolberg: C-938
'«.„., [.J the hinge pin hole in the foot of a traverso. van Leeuwen /for drilling C-619
—C| Review: Aulos, Stanesby junior traverso; Haka treble recorder. Montagu C-966
"••».. u . Plans: Hotteterre traverso, Leningrad, Raudonikas Bul-49
—C4 Plans: Naust traverso, Leningrad, Raudonikas Bul-49
Traverso Newsletter. Powell C-929
Review: Traverso no.2, April 1989. Montagu C-919
— C| Traverso or traversa? Powell C-943
—CI Plans: Eerens traverso, van Leeuwen Bul-43
—CI Plans: Mulhouse traverso, van Leeuwen Bul-49
MHHW I'D]
Appeal for pitches of original traversos and recorders. Haynes C-1039
of violin playing,/ Review: Mozart: A treatise on the fundamental principles C-692
—C-l Museum Augsburg: a reply to C-l224. Tremmel The curtals of the Maximilian C-l257
—CI Bassoon reeds by Triebert and Massabo. White C-927
C-l Speculation on Memling's tromba marina. Davies C-659
—Ci Plans: Harpsichords, organs, trumpet, tromba marina (including photographs)./ Bul-58
—C1 renaissance./ Review: Lane: The trombone in the middle ages and the C-462
—CI Myers & Raymond Parks, Trumpets and Trombones. Montagu /2;H;iii, Arnold C-1211
—CI keyed flute./ Review: Johann George Tromlitz, Ardal Powell, tr & ed. The C-1474
Mill"" V • -
/Musikinstrumenten Museum Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu C-348
WWW I'M™
Best Medieval Ensemble, the last of the troubadours. Montagu Review: Martin C-1071
tWHW Vi
Review: Art Brownlow. The last trumpet - a history of the English slide/ C-1487
Some observations on the 'natural' trumpet. Barclay C-l216
trumpet - a history of the English slide trumpet. Montagu /Brownlow. The last C-1487
/The music and history of the baroque trumpet before 1721. Montagu C-945
CI
How to make a baroque trumpet (I), van der Heide C-330
-CI
How to make a baroque trumpet (II). van der Heide C-504
-CI
Review: Barclay: the art of the trumpet maker: the material, tools, and/ C-l 103
Plans: Harpsichords, organs, trumpet, tromba marina (including/ Bul-58
w-C-J
2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones. Montagu /Vol C-1211
-CI
/University collection (Cornets & Tubas, Oboes, Clarinets, Stringed/ C-1406
-c-fl Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu /Museum C-348
-c-ifi bowed instruments from Anglo-Saxon to Tudor times. Montagu /Remnant: English C-786
-CI bowed instruments from Anglo-Saxon to Tudor times. Montagu /Remnant: English C-807
cv instruments. Montagu Review: Tullberg: The manufacture of musical C-72
-0 Measuring instrument pitch with a pocket tuner. Downing C-l248
.c* on Jerome of Moravia's second fiddle tuning. Segerman A correction to C-50 C-95

rel 11.2
A note on electronic tuning aids. Gould C-224

equal temperament pitchmeter./ Tuning an unequal temperament using an C-835
check-list./ Viennese fortepiano tuning and maintenance manuals: a C-969
Jerome of Moravia's first fiddle tuning as an individualised modal/ C-l093
Construction of ivory cornetti and tuning cornetti at the sharp end./ C-390
Downing A string and tuning guide for the Irish harp C-l 122
bore, van der Heide Tuning instruments having a conical C-457
Segerman On Chladni-plate tuning of baroque viol soundboards C-206
bore/ Effects applicable to the tuning of instruments with a conical C-503
Profiling and tuning of viol front plates. Strahle C-78
Tuning recorders. Marvin C-652
Review: Karp: Basic keyboard tuning techniques. Montagu C-106
Tuning the traverso. Bouterse C-653
Further to C-l528 (mathematics of tuning up a string). Supplement: Sup-89
The mathematics of tuning up a string. Segerman C-1528
Dr Robert Smith's 1748 keyboard tunings. Mobbs, Mackenzie of Ord C-l583
On baroque lute strings and tunings. Segerman C-215
On medieval and early renaissance tunings and fretting patterns. Segerman C-89
braccio: a correction to C-1562/ The tunings and sizes of the viole da C-l604
On English lute sizes and tunings c.1600. Segerman C-867
Spoon-castagnetts of Turkey. Harders C-449
French description of gut strings in Turkey. Wright A 16th century C-25
woodwind. Cameron Profile turning of reamer blanks for use in C-70
/report on gun drills, live centre, metal turning tools, plastic calipers and/ C-958
General: Tutors from the Bate Collection Bul-71
Modification and sharpening of twist drills, van Leeuwen C-707
fretting accuracy. Segerman Abbott Twist your strings to improve tone and C-l26
Strings, twisted and Mersenne. Karp C-l37
On Mersenne's twisted data and metal strings. Karp C-l83
data. Segerman Abbott On twisted metal strings and Mersenne's C-164
Montagu Review: Tyler, Sparks: The Early Mandolin, 1989 C-922
Review: Tyler: The early guitar. Hope C-297
standards and accreditation in the UK. Montagu /of conservation C-849
accreditation. Barnes UK conservation standards and C-875
Conservation, archaeology &/ Review: UK Institute for Conservation: C-384
Montagu The UKIC and V&A Christmas symposium C-501
Montagu /of early musical instruments, UKIC and V&A Christmas symposium 1983. ... C-992
Zajaruzny The collection of Ukranian folk instruments at Kiev C-236
Devices for measuring the undercutting. Karp C-333
on woodwind instruments: Goodacre's/ Undercutting small diameter finger holes C-l375
Hailperin Goodacre's razor and undercutting woodwind finger holes C-l505
On renaissance flute design. Underhill C-369
temperament pitchmeter./ Tuning an unequal temperament using an equal C-835
A=415and unequal temperaments. Lindley C-834
/(alto ophicleides) in Europe and the United States. Jones, Myers, Rice C-1499

rel 11.2
musical instruments of the Edinburgh University. Myers /of historic Bul-91

musical instruments of the Edinburgh University. Myers /of historic C-l087
.U
musical instruments of the Edinburgh University. Myers /of historic C-l340
musical instruments of the Edinburgh University. Myers /of historic C-1458
British clavichord society at the open university, 11th March 19957 C-l341
Plans: List Edinburgh University collection Bul-43
•CI Plans: List Edinburgh University collection Bul-50
musical instruments in the Edinburgh University collection. Montagu /brass C-363
/musical instruments in the Edinburgh University collection (Cornets & Tubas,/ C-1406
of workshop drawings from the Edinburgh University Collection of Historic/ /List Bul-73
/Guide to the collection, Edinburgh university collection of historical/ C-845
/The sound of the sackbut, Edinburgh university collection of historical/ C-868
Review: Cooke: Edinburgh University collection of historical/ C-l238
-C-l.
/musical instruments in the Edinburgh University collection, vol 2-H iv&v/ C-1447
-Cfl /musical instruments in the Edinburgh University collection, vol 2-K/ C-1447
-CI progress report 1988. Meyers University of Edinburgh collection; C-907
historic musical instruments,/ University of Edinburgh collection of C-1014
.C-l historic musical instruments,/ University of Edinburgh collection of C-971
Review: Ross: Musical instruments at the University of Iowa. Montagu C-213
.CI
of free-reed instruments of the City University of New York, /for the study Bul-93
.C-2
Untitled. Kolberg C-620
..I
Untitled. Spalding C-258
.CI
Untitled (and some more). Kolberg C-500b
J:' battente). Hope Untitled (comments on the chitarra C-759
.CI horns). Barclay Untitled (craftsmanship of Nurnberg C-760
.C-l) classification). Pereira Untitled (keyboard instrument C-717
.CI temperament). Haynes Untitled (non-keyboard baroque C-702
Untitled (on computers). Lyndon-Jones C-700
.CI modems). Stroom Untitled (on measuring tools and C-763
organology). Tiella Untitled (photogrammetrics and C-320
Cameron Untitled (the pitches of flutes) C-723
instruments). Marvin Untitled (tuning conical bore woodwind C-492
Mersenne untwisted. Segerman C-199
the Fiske Museum, Claremont, California, USA. Plans: list, new acquisitions at Bul-83
/the Shrine to Music Museum, Vermillion, USA (Italian stringed instruments) Bul-54
/of early musical instruments, UKIC and V&A Christmas symposium 1983. Montagu .... C-992
of the liuto attiorbato by Choc in the V&A museum. Lourie /and photographs C-259
Comments on the catalogue of the V&A Museum. Montagu C-9
/baroque oboe (museum code 808/69) in the V&A Museum in London. Bouterse C-l 181
Segerman Design of the V&A Rose and Jaye viol soundholes C-1080
Gretton Valves and mouthpieces for bagpipes C-358

rel 11.2
Two-headed lute news. Vang Segerman C-l56

safe method for making pine resin varnish. Duncalf Segerman A simple, C-302
Another recipe for copal varnish. Gretton C-451
Oil and varnish. Mactaggart C-616
18th century success of copal varnish. Segerman C-506
The wood under the varnish. Segerman C-775
Trouble with C-302 varnish. Segerman C-500
Two simple varnishes. Rubin C-l32
instruments in paintings./ Historical varnishes and colour of the bowed C-l59:
44 historical varnishes and polishes. Badiarov C-159i
/original receipts, appertaining to the varnishes of lutes in Italy. Forrester C-240
Review: Varquin: hurdy-gurdy drawing. Tolley C-107
Caul veneering. Downing C-144;
Some comments on veneering with hot glue. Hood C-l38;
to C-l382. Rawson Veneering with hot hide glue - response C-l39!
Cutting thick veneers. Gill C-l34;
Montagu Convegno di Studi Organaria veneta: patrimonio e salvaguardia C-871
dell'Istituto della Pieta Venezia, Venezia 1990. Montagu /degli Strumenti C-979
Strumenti dell'Istituto della Pieta Venezia, Venezia 1990. Montagu /degli C-979
A return visit to Venice. Montagu C-673
loaded weighted bass gut strings/ On Venice catlins, lyons, Pistoy basses and C-l28J
The Bassano, HIE(RO).S, !!, Venice discussion. Lyndon-Jones C-802
Flote, Frankreich/ Review: Lenski, Ventzke: Das goldene Zeitalter der C-123<
Review: the Hanover Band, Huggett, Vemey, Beethoven symphony #2, piano/ C-1071
Review: Leppert: Arcadia at Versailles. Montagu C-149
Montagu Review: Fluke: Victorian reed organs and harmoniums C-667
Review: Muskett: Method for the vielle or hurdy-gurdy. Tolley C-243
between the hurdy-gurdy and the vielle-a-roue. Montagu /distinction C-286
Method for learning to play the vielle-a-roue. Muskett /Corrette's C-277
A case for the 'Ganassi Recorder' in Vienna. Lyndon-Jones C-158z
between Jakob/ Fortepiano building in Vienna as reflected in the dispute C-933
maintenance manuals: a check-list./ Viennese fortepiano tuning and C-969
Vihuela. Hope C-710
The vihuela. McCormack C-610
quality and thickness, and the Paris vihuela. Segerman Vihuela string C-148;
Vihuela and Jose Romanillos. Gill C-824
Vihuela and Jose Romanillos. Hope C-796
On the string length of the 16th century vihuela da mano. Segerman Abbott C-39
and the Paris vihuela. Segerman Vihuela string quality and thickness, C-148;
Comments on C-629 on vihuelas. Gill C-660
Response to C-610 on vihuelas. Segerman C-629
Violas, vihuelas and iconography. Forrester C-739
Discussion of points on violas and vihuelas in C-660. Segerman C-661
/the Museum of Theatre and Music, Vilnius, the Museum of Theatre and/ C-107;
Pepys' viol. Forrester C-857

rel 11.2
Woodfield: The early history of the viol. Montagu Review: C-582

A string diameter on Mersenne's bass viol. Namreges C-343
Folding viol backs. Van Edwards C-l391
Viol bellies and bridges. Munck C-557
Segerman Duncalf Construction of viol bellies by bending all staves C-395
—, to Segerman Supplement: English viol bellies, made of bent strip? Sup-72
— C: Design of a viol belly. Moonen C-381
—C Some English viol belly shapes. Segerman C-l053
""~«, [• Theory of viol design - 1 . Segerman C-253
"»».«, [. • Viol dimensions. Tourin C-269
—C| Profiling and tuning of viol front plates. Strahle C-78
XHUHW [• jig for use in arching and thicknessing viol front plates. Strahle A C-294
Hutmannsberger Is it a lyra viol or division viol or what? C-856
( • Is it a lyra viol or division viol or what? Hutmannsberger C-856
fll
"turn,, \,\
Mersenne, Praetorius and the English viol pitch standard: problems of the/ C-490
Response to C-490 on English viol pitches. Segerman C-491
Segerman A 1656 Tabley manuscript: on viol players, cittern and gittern C-774
on the insides of surviving English viol soundboards. /The burn marks Sup-89
(.: On Chladni-plate tuning of baroque viol soundboards. Segerman C-206
Design of the V&A Rose and Jaye viol soundholes. Segerman C-l080
On English and French vocal and viol style. Segerman C-862
Speculations on the renaissance viol, the ubiquity of soundholes/ C-l36
Praetorius and the viola bastarda. Abbott Segerman C-37
—» A c. 1900 string gauge and an unwound viola C string. Segerman C-l233
C-l The violapomposa. Smith C-l86
„._..[•• Discussion of points on violas and vihuelas in C-660. Segerman C-661
—C-l Forrester Violas, vihuelas and iconography C-739
and new/ The tunings and sizes of the viole da braccio: a correction to C-l562 C-l604
The early violino and the viole da bracio family. Segerman C-l562
.CI What was the viole d'aline? Crookes C-611
.CI Fingerboard length on the baroque violin. Segerman C-525
.CI Hizler's tenor violin. Segerman C-410
.CJ offered by the early guitar and violin. Segerman Abbott /instruments C-36
.« construction bases of great Italian violin. Suboni /physical and technical C-879
.ci« Report on the restoration of a violin. Watchorn C-378
.c« Segerman Was the violin a French invention after all? C-524
," /Holman, Four and twenty fiddlers; the violin at the English Court 1540-16907 C-l208
.CI On the early violin bridge position. Badiarov C-l594
Segerman Supplement: Response to bass violin comments by Catch in C-l574 Sup-92
(-.- and sound./ Review: James Beament. The violin explained - components mechanism C-l548
Strings for the violin family. Segerman C-438
ci British isles; an/ Review: Harvey: the violin family and its makers in the C-l359
Cl tensions. Segerman A table for violin family string diameters and C-772
and the law, 1992;/ Review: Harvey: Violin fraud: deception, forgery, theft, C-l 134
c^
century. Chiesa Violin makers in Milano 17th-18th C-l202

rel 11.2
Smith Violin makers'inches in proportion C-l008

/on the fundamental principles of violin playing, (Knocker). Montagu C-692
Violin research 15 years ago. Segerman C-1492
Napolitan mandolins, wire strengths and violin stringing. Segerman C-713
Historical violin stringings up to 1900. Segerman C-l234
French fiddles, the soundpost and the violino. Segerman C-l605
Segerman The early violino and the viole da bracio family C-l562
/Tiella, Negri, Primon: Ricerche su un violino di proprieta del comune di/ C-847
Schmelzer's violino piffaro. Heavens C-l603
The Cremona secret of violins. Aristotel C-l561
The changes from baroque to modern violins. Segerman C-1484
of renaissance and baroque viols and violins. Segerman On the sizes C-65
A comparison of some baroque violins. Smith C-l009
Late 17th century English bass violins, and catlin highest pitches./ C-l590
Edinburgh 'A.S.' manuscript./ Violins, citterns and viols in the C-l576
Forsyth (1914) quotes on viols. Cousen C-l 110
Praetorius, Segerman and the English viols. Meeus C-607
On Talbot's measurements of viols. Segerman C-382
On the sizes of surviving English viols. Segerman C-l58
Praetorius, Meeus and the English viols. Segerman C-633
Stradivari 'cello' strings and bass viols. Segerman C-l518
What Praetorius wrote on English viols. Segerman C-598
and continuo bowing of early fiddles and viols. Segerman On melodic C-l309
lower bout back fold on English treble viols. Segerman The C-352
original methods of constructing English viols. Segerman Ruminations on C-l575
the belly construction of early English viols. Segerman A note on C-289
More on the sizes of English (and other) viols. Segerman Abbott C-l87
front-plate thickness profiles of viols. Strahle A gauge for measuring C-l33
Review: Lindley: Lutes, viols & temperaments. Hodgson C-556
Review: Lindley: Lutes, viols & temperaments. Montagu C-555
of regional cultures worldwide, Viols & violins). Montagu /instruments C-l406
On the sizes of renaissance and baroque viols and violins. Segerman C-65
Supplement: Pitch standards and playing viols in the 16th century. Segerman Sup-92
manuscript./ Violins, citterns and viols in the Edinburgh'A.S.' C-l576
Segerman Lyra and other viols that played from tablature C-716
Bullard), 275 pp. Montagu Review: Virdung: Musica Getutscht, (tr Beth C-1241
/around 1500 as represented by Virdung's Musica Getutscht. Chiverton C-787
TheBaffo virginal. Shann C-143
Segerman Supplement: Christina Visconti in focus (further to C-1518) Sup-88
19877 Review: Jaarboek van het Vlaamse centrum voor oude muziek 3 C-993
The Canadian vocalion. Downing C-l264
Zabytkow/ Review: Golos, Kobus & Vogel: StownikTerminologiczny C-l 114
- instrumental practice/ Review: Page: Voices & instruments of the middle ages C-786

rel 11.2
Harpsichord voicing. Cole C-l230

Recorder voicing. Loretto C-l540
1
— [.': Willoughby Recorder voicing: answers to questions C-514
• C-; Recorder voicing structures. Woods C-654
—C-li Early instrument news from Yugoslavia. Vojnic C-685
"•»«. C-ly_ harpsichord plan, as asked for by Geza Vojnic. Champollion Little French C-720
""««. C-l!' Musikinstrumente des/ Review: Vorreiter: Die schbnsten C-480
C-li Pale drying oil. Wadsworth C-617
CIS More putti in the Stiftsbasilika at Waldsassen. Lyndon-Jones C-l284
C-l! Review: Ellis: The story of the harp in Wales. Montagu C-283
~~. C| brass/ Review: Trevor Herbert, John Wallace. The Cambridge companion to C-l546
—c.» /des facteurs d'instruments de musique en Wallonie et a Bruxelles etc. Montagu C-745
—C-li! /Collection of paintings and sculptures, Wallraf-Richartz Museum, Cologne./ C-l476
—C-l! English guitar a guitar or a cittern? Walsh Was the C-798
Warning! Gretton C-345
•-.[•;.
— CI
monuments documentation centre, Warszawa. /conducted by the historical C-876
— CI
Plans: List Smithsonian Institute, Washington DC Bul-63
•»~ C-i:
Report on the restoration of a violin. Watchorn C-378
A 'bajon' for London. Waterhouse C-1280
A new edition of Langwill's index? Waterhouse C-421
dictionary of musical/ Review: William Waterhouse: The new Langwill index - a C-l209
/catalogue Vol 2;E;ii, William Waterhouse, Bassoons. Montagu C-1211
dictionary of musical/ Review: William Waterhouse: The new Langwill Index: a C-l331
-CI
(catalogue). Montagu Review: Waterhouse: The proud bassoon C-497
-C-l!
On water-resistant glues. Coutrait C-339
-C-l
Lute body manufacture - the authentic way. Downing C-267
-CI
Bouterse The microwave way: drying boxwood fast and easy C-641
-CI
More sympathetic strings? Webb C-l 109
.C-fl
Supplement: Fomrhi Website. Segerman Sup-90
„ CI
baroque guitars and harpsichords, van Weerd /roses in citterns, lute C-1515
.cm affected by high internal stresses. Weiss /-an oscillating system C-1490
-CI
Clamps for woodwind parts. Wells C-815
Restoration of an early clarinet. Wells C-803
/Musical and poetical relicks of the Welsh bards, preserved by tradition, etc/ C-695
of instrumentation for playing the Welsh harp. Montagu /Manual or method C-894
Segerman Response to C-l482 and the Wensler G30 cithrinchen stringing C-1498
account of the musical performances in Westminster-Abbey. Montagu /Burney: An C-312
J-< Montagu Review: Weston: Samuel Hughes ophicleidist C-747
A shaper for recorder block blanks. Whinray C-122
Woodwind measurements. Whinray C-121
Bavington Whistles on harpsichord strings C-960
A response to C-l454 & C-1426. White C-1479
Bajon reeds. White C-1089
Early sound generation: bassoon reeds. White C-1282
Helpful recordings. White C-734
Memories of John Paul. White C-1066

rel 11.2
Thoughts on C-l276 'Occam's razor'. White C-1302

and conviction: fend off the flaccid. White Preserving passion C-l338
makers and inventors. 518 pp. 1993. White /of musical wind instrument C-l331
ohne Worte: emotion imaged by music. White Lieder C-1426
on musical instrument reviewing. White /the early bassoon: some thoughts C-999
reeds by Triebert and Massabo. White Bassoon C-927
restoration is ruthless authenticity. White The hallmark of good C-l 160
the early music industry steamroller). White /(marketing, facade and C-l 119
Montagu Review: Widensky: Das Claviorganum (record) C-870
/die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum. Montagu C-l297
/die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum - part 2/ C-1312
of the Gesellschaft der Freunde der Wiener Oboe Bulletin: Foundation Bul-93
The flutes of Robert and Willem Wijne. Bouterse C-913
Acid staining of hardwoods. Willetts C-474
Moisture blocking of fipple flutes. Willetts C-470
Thoughts on C-755. Willetts C-792
Standards for instrument plans. Williams C-231
codes for some early music notations. Williams New Braille C-1456
gauging - some ideas and suggestions. Williams Bore C-761
soundboard roses with scissors. Williams Perforating C-434
Further to C-529. Willoughby C-541
Recorder voicing: answers to questions. Willoughby C-514
/Herbert: Catalogue of the European wind and percussion instruments in the/ C-1060
transverse flute: I pitch axis and wind bands. Raudonikas /of baroque C-l70
/Langwill Index: a dictionary of musical wind instrument makers and inventors./ C-l331
catalogues,/ Review: ACIMV [Larigot] Wind instrument makers and their C-l044
Review: Carse: Musical wind instruments. Bate C-347
a software program for developing new wind instruments. Bolton Resonans C-l356
full-sized line drawings of historical wind instruments. Cousen Three C-l 19
Making double reeds for renaissance wind instruments. Meyer Kottick C-227
Music Museum Catalogue part I, European wind instruments. Montagu /College of C-446
On measuring the pitch of early wind instruments. Segerman C-l372
/instruments, catalogue, vol 2A, wind instruments of regional cultures/ C-l238
The crumhorn and other renaissance windcap instruments. Moonen /Boydell: C-430
The fornication of recorder windways. Marvin C-532
Reconstruction of the harpate wing. Crookes C-635
What was the Bohemian wing? Crookes C-612
The Bohemian wing. MatouSek C-634
database on conservation techniques. Winsor An international C-874
1823-1825. Gug English pianoforte wire - a controversy during the years C-853
About old music wire. Gug C-105
Steel music wire. Karp C-548
Wrought iron music wire. Karp C-83

rel 11.2
• [•;;
Phosphorous iron musicwire. Shann C-821
Non-ferrous harpsichordwire. Way C-576
Uniformity in old
wire. Way C-626
harpsichords. Wraight Strong iron wire and long scales in Italian C-852
Meuler or the secret of a Nurnbergwire drawer. Gug Jobst C-866
of the/ The 'Zangelmass' of the wire drawer; a documentary confirmation C-l 164
Wire drawing and working conditions
Gug C-837
The Birminghamwire gauge and its musical sisters. Gug C-917
wire making places. Gug
European music C-836
(1780-1850). Gug Historical wire micrometers and diameter values C-932
Segerman Ferrous wire of high tensile strength ca. 1600 C-440
wire, Paris 1811. Gug
Historical tests on Pleyel's music C-901
Segerman Napolitan mandolins, wire strengths and violin stringing C-713
Montagu Review: Stacey, Wishart: Bagpipes & hurdy-gurdies C-581
Wollenberg Review: Simon: Handel:
a celebration of his life and times. C-670
Blow somewhat strong. Wood C-l 175
Freighting instruments from the U.K. Wood C-64
•~-1.: Wood Review: Leguy: Precis
de fracture d'anches renaissance. C-278
Wood Detection
of reinforcing bars in instruments. C-61
-CI wood. Abbott Segerman Rolfe Humidity
cycling for stabilisation of gut and C-71
~C4 wood. Catch
Singing lessons for C-l032
-CI Singing lessons for
wood. Catch C-1065
-CI Singing lessons for
wood. Catch C-l091
-CI evidence for stewing soundboard wood. Gill Historical C-1438
-C» Scraping plane for mouldings inwood. Greenberg C-571
-.CI or the lost art of choosing resonance
wood. Gug /forests in early centuries, C-1011
C-ll How to make your own mouldings in wood. Hendry C-476
IMHH t i
C-l! Old
wood. Way C-985
CI Explanations of ways in whichwood absorbs sound vibrations. Segerman C-l532
-CI C-1228, C-1285) Supplement: Wood absorption (further to C-l227, Sup-78
-C-ll Gug Selection of
wood according to a German document C-731
CI instruments./ Review: Richter: Wood as raw material for making musical C-939
CI England. GugWood bending process in 18th century C-1040
MM I*" /A response to C-1439, claiming wood changes on playing in. Segerman Sup-84
ci Segerman
Wood contraction and instrument bores C-460
Jewelery in
wood etc. Samson C-238
-CI Wood for bows. Jenkins C-565
-CI Bending wood for crummhorns. Buck C-l390
-CI Supplement: Soundboard wood imported to England. Segerman Sup-92
Gug On chemical analysis of the wood of historical bowed instruments C-793
Wood science. Beament C-l337
Response to C-1337 on wood science. Segerman C-l363
The buzzing of wood strings. Segerman C-l033
Hunt & Balsan experiment. Segerman Wood structure and what happened in the C-l471
instruments. Armitage Determining wood thickness in unopened musical C-822
Inductive meter to determine wood thickness of unopened musical/ C-794

rel 11.2
On teaching wood to sing. Way C-1047

C-1047. Swayne Teaching wood to sing; a reply to C-1032 and C-1077
scientist and musicians./ Teaching wood to sing, and other matters; on C-1076
Segerman Wood treatment to improve sound C-1423
The wood under the varnish. Segerman C-775
Goodacre Woodwind instrument making: wooden collet chucks for lathe work C-l 138
Drilling bristle-holes in wooden jacks. Groom C-512
viol. Montagu Review: Woodfield: The early history of the C-582
The colour of the Ruckers' wood-grain paper. Shann C-570
Recorder voicing structures. Woods C-654
Loretto Recorder woods - do they influence the sound? C-l431
On bending woods. Hachez C-34
Early Musicians./ Response to Wood's C-l 175 criticising criticism of C-l 192
turning of reamer blanks for use in woodwind. Cameron Profile C-70
Plans: List woodwind. Bate collection, Oxford Bul-37
Plans: List woodwind. Bate collection, Oxford Bul-38
More thoughts on woodwind bore measurement. Cronin C-828
Lewin Woodwind bore measurement and analysis C-404
A contact-free woodwind bore measuring tool. Schultze C-970
Woodwind bore measuring tools. Karp C-762
Woodwind bore oil. Karp C-406
On C-76 and woodwind crack repair. Karp C-101
Goodacre's razor and undercutting woodwind finger holes. Hailperin C-l505
treatment. Raudonikas Method of woodwind frequency measurement data C-145
Segerman Contrasts between string and woodwind gracing in Purcell's time C-1316
/database management program for woodwind instrument makers. Powell C-800
gun drills, live centre, metal/ Woodwind instrument making: report on C-958
drills for long hole boring./ Woodwind instrument making: use of gun C-957
drills for long hole boring;/ Woodwind instrument making: use of gun C-l 137
collet chucks for lathe work./ Woodwind instrument making: wooden C-l 138
/and understandable are measurements of woodwind instruments. Bouterse C-1437
The Bolhuis auction (1764) of musical woodwind instruments. Bouterse C-l538
The Selhof auction (1759) of musical woodwind instruments. Bouterse C-l539
Artificial ivory rings for woodwind instruments. Desforges C-780
The killing of woodworm, particularly in woodwind instruments. Freemanova C-973
/computer aided reamer production for woodwind instruments. Jefferies C-l 140
Untitled (tuning conical bore woodwind instruments). Marvin C-492
Review: Young: 2500 historical woodwind instruments. Montagu C-806
/Phillip T. Young: 4900 historical woodwind instruments, 270 pp. Montagu C-l270
/small diameter finger holes on woodwind instruments: Goodacre's razor./ C-l375
Review: Philip Young. Woodwind instruments in the/ C-l534
Review: Moonen: Drawings of four woodwind instruments in the Brussels/ C-282

rel 11.2
•C|
Making woodwind keys. Bigio C-254
Woodwind making techniques. Cameron C-l97
Woodwind measurements. Whinray C-121
Clamps for woodwind parts. Wells C-815
Review: The Woodwind Quartely, issue 2. Montagu C-l 183
/problems with 'authenticity' in early woodwind reproductions (marketing,/ C-l 119
Comments on woodwind restoration. Ackerman C-865
Woodwinds - boring pipes. Downing C-1260
• C« Authentic methods of making woodwinds. Ramsley C-l 199
• C-l! Workshop ideas for woodwinds. Swayne C-676
Accuracy of measurement of woodwinds and the exact copy. Karp C-84
• C-l
Lyndon-Jones Checklist of some of the woodwinds at the Stadtmuseum, Munich C-l222
.01
17th century guitar woodwork. Forrester C-825
Safety with woodworking machines. Rawson C-l66
Identifying woodworm. Rawson C-984
instruments./ The killing of woodworm, particularly in woodwind C-973
Proposal for a medieval workshop. Hobrough C-375
Planning a workshop. Rawson C-l82
University Collection/ Plans: List of workshop drawings from the Edinburgh Bul-73
.ci Workshop gimmicks. Stanners C-454
.Ml Workshop ideas for woodwinds. Swayne C-676
.CI Review: Brown: The recorder; a basic workshop manual. Montagu C-936
.CI Ducept Inventory of the workshop of Kejcher, Krakow (1548-1599) C-202
.CI An attribution of an unsigned spinet. Wraight C-l 150
.[•.
Beitrage zum historischen Cembalobau. Wraight Review: Henkel: C-515
.CI Comments on humidity cycling. Wraight C-169
.c-i« Italian two-manual harpsichords. Wraight C-538
.CI Plans: Italian harpsichords, Wraight Bul-5
.CI and long scales in Italian harpsichords. Wraight Strong iron wire C-852
.CI early 16th century Italian short octave. Wraight The C-968
.CI A method of bushing wrestplanks. Law C-l298
.CI Restoration of cupped Flemish wrestplanks. Lee C-77
description of gut strings in Turkey. Wright A 16th century French C-25
in St Mary's Church Shrewsbury. Wright /carvings of musical instruments C-74
.CI Wrought iron music wire. Karp C-83
.CI Die nachtegael int wilde (record). Yakeley Review: Rans, Misschaert: C-285
,[••' The archetypal harpsichord. Yokota C-986
List Metropolitan Museum of Art, New York Plans: Bul-40
List Metropolitan Museum of Art, New York Plans: Bul-6
of the City University of New York, /study of free-reed instruments Bul-93
Bending irons. Garrod, Abbott, Young C-62
and foreign language dictionaries. Young Information on regals C-l23
arched bellies of stringed instruments. Young Planes for shaping C-l68
herring on Praetorius's foot. Segerman Young A red C-l55

rel 11.2
instruments, 270/ Review: Phillip T. Young: 4900 historical woodwind C-l270

instruments. Montagu Review: Young: 2500 historical woodwind C-806
double reed instruments,/ Review: Young: Loan exhibition of historic C-885
Review: Philip Young. Woodwind instruments in the/ C-l534
Early instrument news from Yugoslavia. Vojnic C-685
as an individualised modal framework. Zaerr /of Moravia's first fiddle tuning C-l093
of Ukranian folk instruments at Kiev. Zajaruzny The collection C-236
Further on C-514. Zaniol C-529
on early manufacture of gut strings. Zaniol Further C-528
recorder at the Museum der Stadt Meran. Zaniol The NF treble C-485
More on Denis Gaultier, Sohne, Zarlino et al. Lindley C-609
Review: Lenski, Ventzke: Das goldene Zeitalter der Flote, Frankreich/ C-l239
Two links with antiquity: Kundera's zert and the zhaleyka. Crookes C-640
with antiquity: Kundera's zert and the zhaleyka. Crookes Two links C-640
Spieltechnik/ Review: Overton: Der Zink, Geschichte, Bauweise and C-483
Museum Leipzig band 5 Horner und Zinken. Montagu /Musikinstrumenten C-498

rel 11.2

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Fellowship of Makers and Researchers of Historical Instruments

A signed Mietke harpsichord. Kilstrom C-1057

FOMRHI Quarterly page 2-81 99/03/28

FOMRHI Quarterly page 2-82 99/03/28

FOMRHI Quarterly page 2-83 99/03/28

Musica Maximiliana, Ekkehart Stegmiller. Montagu Review: Henning: C-805

FOMRHI Quarterly page 2-84 99/03/28

Review: Nema, Early music in education. Montagu C-643

FOMRHI Quarterly page 2-85 99/03/28

Tyler, Sparks: The Early Mandolin, 1989. Montagu Review: C-922

FOMRHI Quarterly page 2-86 99/03/28

FOMRHI Quarterly page 2-87 99/03/28

FOMRHI Quarterly page 2-88 99/03/28

FOMRHI Quarterly page 2-89 99/03/28

FOMRHI Quarterly page 2-90 99/03/28

Plans: List Brussels Museum Bul-22

FOMRHI Quarterly page 2-91 99/03/28

Review: Schrammek, Herre: Museum Musicum Leipzig. Henning C-496

FOMRHI Quarterly page 2-92 99/03/28

instruments of the Edinburgh University. Myers /collection of historic musical C-1458

FOMRHI Quarterly page 2-93 99/03/28

Blowhorns of 19th century North America. Downing C-l568

FOMRHI Quarterly page 2-94 99/03/28

the kithara. Crookes Observations prelusive to reconstructing C-508

FOMRHI Quarterly page 2-95 99/03/28

Review: Fluke: Victorian reed organs and harmoniums. Montagu C-667

FOMRHI Quarterly page 2-96 99/03/28

Jean de Gerson's Tractatus de Canticis. Page Musical instruments in C-l2

FOMRHI Quarterly page 2-97 99/03/28

FOMRHI Quarterly page 2-98 99/03/28

oboists, clarinettists and other performers. Montagu /for flutists, C-767

FOMRHI Quarterly page 2-99 99/03/28

Downing Pictures etc in the Ashmolean Museum C-8a

FOMRHI Quarterly page 2-100 99/03/28

- response to C-l383. Segerman Pitch standards of early English organs C-l398

FOMRHI Quarterly page 2-101 99/03/28

tromba marina (including/ Plans: Harpsichords, organs, trumpet, Bul-58

FOMRHI Quarterly page 2-102 99/03/28

publications, Haags Gemeente Museum. Plans: Musical instruments and Bul-56

FOMRHI Quarterly page 2-103 99/03/28

Fixing the baroque flute. Powell C-1003

FOMRHI Quarterly page 2-104 99/03/28

FOMRHI Quarterly page 2-105 99/03/28

An inventory of the Charles van Raalte Collection in instruments./ C-360

FOMRHI Quarterly page 2-106 99/03/28

Parchment roses for harpsichords. Rawson C-1524

FOMRHI Quarterly page 2-107 99/03/28

Plans: Bass recorder, Bergstr0m Bul-43

FOMRHI Quarterly page 2-108 99/03/28

Thomas Ling, 1787-1851, reed maker. Byrne C-826

FOMRHI Quarterly page 2-109 99/03/28

Montagu Reports on FoMRHI seminars Syrus C-55

FOMRHI Quarterly page 2-110 99/03/28

FOMRHI Quarterly page 2-111 99/03/28

Montagu Review Divisions: volume l,no. 1 C-172

FOMRHI Quarterly page 2-112 99/03/28

magazine, October 1986. Montagu Review Harpsichord & Fortepiano C-895

FOMRHI Quarterly page 2-113 99/03/28

Association of musical instrument/ Review Journal of the Australian C-939

FOMRHI Quarterly page 2-114 99/03/28

marbling harpsichord cases. Montagu Review: Mactaggart: Painting and C-518

FOMRHI Quarterly page 2-115 99/03/28

FOMRHI Quarterly page 2-116 99/03/28