Beruflich Dokumente
Kultur Dokumente
词作:
流行歌 vs 音乐剧曲目
the theatre lyrics has maintained its sense of ‘form’ over the
century
A- A strong statement
A- Repetition
B- Contrast with a new statement
A- Return to the original statement
Lerner and loewe as well as Gershwin kern coward hart arlen and
Hammerstein always have a preponderance of AABA in their shows; younger,
perhaps more showbiz people like kander and ebb, jerry herman adams
and strouse johns and schimide generally lean forwards ABAC form. Cole
porter, always the master of form, usually come out 50-50 as did
Sondheim in his early works. ALW use verse-chorus forms
musical
the subtext
book/concept/jukebox/biographical/revue/musical comedy
book musical:
story-based; story drives the songs and characters; every song grows out of the plot
concept musical:
revolve around an idea; exploring the ways to tell a story; disconnected plot line
biograpichal musical
revue musical:
《曼珠沙华》——梅艳芳
《喝采》——陈百强 张国荣
song cycle: a collection of songs with or without a theme
TIMELINE
operetta-from Europe
vaudeville-variety show
revue-big business
R&H (fully-integrated)
Oklahoma!:
1、 No star actors
Rodeo(Aaron Copland)
4、
60s-70s
Sondheim
British musicals
90s and disney’s
dramatic tension
兩者如何互相轉化
La La Land
Audition Scene
City of Stars
情感宣泄?
喃喃自语?
作为独白的作用?
刻奇发生在什么地方?
情感的单一性?
Self-reflection
Emotion expressing
多样化情感表达是缺失的
hook line