PE 3 REVIEWER

FOLK DANCE
- It is the heartbeat of the people
- are the traditional dances of a country which where evolved naturally and
spontaneously in connection with everyday activities and experiences of the
people.
FOLK DANCES
- are the traditional social expressions of the ideals, mores, feelings and
thoughts of a group of people through body movement.
- Dancing is the outburst of people feelings
TYPES OF FOLK DANCES
A. National – traditional dances of a given country
B. Regional – local
C. Character – created by an individual or a group
CHARACTERISTICS OF PHILIPPINE DANCES
- As a rule, our dances begin and end with a saludo
- In general, partners stand apart. A distance between 6-8 feet from each
other
- Most of the dances are done in pairs or couple.
- The is little, if any, bodily contract. Holding of the hands is very common.
- Hand movements play an important part,
- Dances from the lowlands have more foreign elements than those found in
the uplands.
- War dances are found among non-christians tribes.
OBJECTIVES OF TEACHING PHILIPPINE FOLK DANCES
- To foster patriotism and nationalism through the study of our dances.
- To arouse better appreciation of Philippine music and folk dances
- To provide, through dance, a healthful form of relaxation and recreation.
- To develop a graceful and rhythmic coordination of body movements that
improves posture.
- To arouse and keep the interest of our children in taking part and enjoying
our own dance
- To preserve for posterity the folkdances and music indigenous to the
different regions of the Philippines
- To demonstrate the growth of Filipino culture through the evolution of
Philippine dances
VALUES OF DANCING
A. Physiological and Neuro-Muscular Development of the organic systems of the
body
B. Cultural – depicts the culture of people
 C. Social and Recreational
CLASSIFICATION OF PHILIPPINE DANCES
A. General Classification
i. Nature of Dances
ii. Movements
iii. Formations
B. Special Classifications

A. NATURE OF DANCES
I. Nature of Dances
1. NATIONAL DANCES – These are the traditional dances throughout the Philippines
with a common basi movement or pattern but with slight variations
EXAMPLE
Carinosa – is a word that describes an affectionate, friendly and lovable
woman. This dance is performed in flirtatious manner with fans and
handkerchiefs to assist the dancers; hide-and-seek movements
Kuratsa – commonly performed during festivals in Bohol and other
Visayan towns this dance portrays a young couple’s attempt to get each
attention. It is performed in moderate waltz style.
Tinikling – dance with a pair of dancers hopping between two bamboo
poles held just above the ground and struck together in time to music. Originated
from Leyte Province, this dance is in fact a mimic movement of “tikling birds”
hopping over trees, grass stems or over bamboo traps set by farmers. Dancers
perform this dance with remarkable grace and speed jumping between bamboo
pole.
2. LOCAL AND REGIONAL DANCES – These are dances found in certain localities or
regions only.
EXAMPLE
Maglalatik o Magbabao – originally performed in Binan, Laguna as a
mock-war dance at demonstrates a fight between the moros and the Christians
over the prized latik or coconut meat during the Spanish rule. This dance is also
shown to pay tribute to the town’s patron saint, San Isidro Labrador.
Gayong Gayong – originated from Aklan and Capiz.
Biniganbigat – originated from Abra
3. OCCUPATIONAL DANCES – These are dances that depict actions characterizing
certain occupations, industries and phases of human labor
EXAMPLE
Sala Ti Mais – a dance of the corn from the lowland Chrstians of Isabela
Provice
Agakakukan – DANCE OF THE CLAM GATHERERS from Subic,
Zambales
Mananguete – (Tuba Gatherer) depicting the different movement and
actions of a tuba gatherer from the sharpening of his sangot (scythe to climbing a
coconut tree and finally the native wine. Tuba is the liquid dripping from the
coconut bud.
 Rice Festival – has the largest number of dances. It starts with
Pagtatanim (rice planting). When the grains are ripe, the Paggapas (rice
harvesting) follows Paggiikb (rice threshing) which separates the grains from the
stalks. Paglulugas (rice flailing) is another way of threshing with the use of Toka.
Paghangin (airing) is a process separating the grains from the chaff. Bayuhan
(pounding rice) removes the husk from the grain and then Pagtatahip
(winnowing rice) separates the husk from the grain
Regatones – a dance of the travelling fish vendors from Cadiz City,
Negros Occidental.
4. RELIGIOUS OR CEREMONIAL DANCES – These are dances that are performed in
connection with religious vows, practise and ceremonies. A religious dance may be
performed to;
a. Drive away evil spirits like SINUROG
5. COURTSHIP DANCES – These dances depict love making or are dances with love
themes.
EXAMPLE
Habenera de Soltera – a dance of an engaged couple performed during
the eve of the wedding day.
Komintang – originated from Batangas portraying the modest behaviour
as well as its flirtatious movements of the girl while being courted by an admirer
La Simpatika – THE LOVING, GRACIOUS AND CHARMING from
pangasinan
Timawa - Forsaken Lover from Lamot, Capiz
Katsutsa – a very interesting dance from San Pablo, Laguna, depicting
the story of two boy who are both in love with the same girl
6. WEDDING DANCES – These are dances performed by newlywed, by friends and
relatives of the bride and groom
EXAMPLE
Sinurog – is a dance, wherein the male dancers beat drums, shout
dances, performs stunts or anything to drive evil spirits that may harm or make
the newlyweds unhappy.
Pandang Pandang – is a danced only by the bring and groom, and the
friends and relatives of each side compete in throwing more coins or paper bills
to the dancing newlyweds.
Soryano – is danced by the parents of the future groom as they visit the
parents of the bride to ask for her hand.
Pantomina - is danced by the bride and groom and visitors give any gift
in kind or cash.
7. FESTIVAL DANCES – These dances are performed in connection with a
celebration, a feast, a barrio fiesta, good harvest, and good fortune.
EXAMPLE
 Tubong – Tubong in Pangasinan or Kalatong in Tagalog means a piece
of bamboo
Jota Pangasinan - a Spanish influenced dance from Lingayen,
Pangasinan. It is usually performed during fiestas and other social gatherings.
Uyaoy – GRAND FESTIVAL DANCE from Mayaoyao Ifugao.
Kuratsa – commonly performed during festivals in Bohol and other
Visayan towns, this dance portrays a young playful couple’s attempt to get each
attention. It is performed in a moderate waltz style.
8. WAR DANCES – These dances are intended to show imaginary combat or duel with
the use of fighting implement like the bolo, kris or spear.
EXAMPLE
Maglalatik – this is a very interesting dance depicting he fght between
the Chrisian and the Moros over the tasty latik
Imbaknon – (Aeta)
Sagayan – (Maranao)
Kayaw – (Kalinga)
Burong Talo – (Maguindanao)
9. COMIC DANCES – These are dances with funny or humorous movements mainly
intended for entertainment.
EXAMPLE
Makongo – dancers imitate the movements of a monkey
Kinoton – dancers imitate the movements of a person bitten by ants.
Pinuhag – dancers imitates the movements of a person bitten by bees
while gathering honey.
10. GAME DANCES – These are dancers that have some elements and are for
recreational prposes
EXAMPLE
Pabo
Lubi-Lubi
Sabong Inday

II. Movement
1. Fast or Active – when fast energetic movements
 Tinikling, Maglalatik, Tubong Kalatong, Manmanok
2. Moderate
 Carinosa, Ilocana a Nasudi, Jotabal, Jota Pangasinan
3. Slow
 Kundiman, Tiiday, Pasakat
4. Slow and Fast
 Pandanggo Rinconada, Ba-Ingles, Habanera Botolena, Jota Moncadena
 III. Formation
1. Square or Quadrille
 Baranggay, Los Bailes de Ayer, Pasakat, Rigodon Royale
2. Long Formation or Line Formation
 Lulay, Sakuting
3. Set
 Binadyong, Hapli, Kakawati, Ati Ati sa Bukid, Pasakat, Estudiantina

B. SPECIAL CLASSIFICATION
1. Dancing with Song
 Putungan, Manag Biday, Lulay, Sua ku Sua, Ati Ati sa Bukid,
Ragragsakan
2. Old Balroom Dances
 Polka, Mazurka, Chotis, Birginia
3. Dances with Implements
 Jota Moncadena, Salakot, Bulaklakan, Binasuan, Tarektek
4. Dances of Combined Rhythm
 Pandanggo Rinconada, Jota Manila, Habanera de Soltera

FACTORS AFFECTING FOLK DANCES

1. Geographical Location
2. Economic Condition
3. Climatic Conditions
4. Customs and Traditions