Beruflich Dokumente
Kultur Dokumente
Pi eces
Three pieces to be performed, chosen from the pieces included in this book or from the alternative piece(s) listed
"'or th e grade, to form a balanced programme. Full details of alternative pieces are given above and in the current
Guitar Syllabus. One piece may be replaced by the candidate's own composiNon of a similar length and standard
-:o th e other pieces chosen.
Technical work
ee inside back cover for details.
Supporting tests
vo t ests to be chosen from Aural, Improvisation, Musical Knowledge or Sight Reading at candidate's choice.
ee th e current Guitar Syllabus for details.
rtant
idat es and teachers must refer to the Information & Regulations booklet for all examination requirements
regul ations. Syllabuses and further information can be obtained from your Trinity Guildhall Centre Representative
i ity's Head Office.
Guitar Grade 4
Pieces & Exercises
for Trinity Guildhall examinations
2010-2015
Published by: .
Trinity College London
89 Albert Embankment
London SE1 7TP UK
T +44 (0)20 7820 6100
F +44 (0)20 7820 6161
E music@trinityguildhall.co.uk
www.t ri n ityg u i ld ha ll.co.u k
Copyright© 2009 Trinity College London
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Candidates choosing Option ii) Tec hnica l Su ite in the Technica l Work section of the examination must prepare e --
exercises.
1. Arabesque (slurs)
o-tr
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To be prepared tirando.
J= 56- 64
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Exercises
Candidates to prepare all of the following exercises, printed in this book:
1. Arabesque (slurs)
2. Clair de Lune (half barre and arpeggios)
3. Espana (scales)
4. Skyline Melody (full barre)
All pieces in this volume have been edited with regard to current concepts of performance practice. Dynamics a'"'
fingering have been suggested to assist candidates and thei r teachers in developing their own interpretat ions.
Recommended metronome markings are given as a useful, but not definitive, performance guide for all pieces..
Those without square brackets are the composer's own indication of the appropriate speed for the music.
Repeats of more than three bars should be omitted unless instruct ed otherwise in the syllabus or Trin ity
music book, but all da capo and dal segno instruction s should be observed.
Every effort has been made to trace and acknowledge the copyright owners. If any right has been omitted
or if any detail is incorrect, Trinity College London apologises and will rectify this in any subsequent repr ints
following notification.
•
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TG 008046
Ackerman ii;usic 01293 537900
... r:va ·} D' ISMN 9790570380367
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