New Titles
Photography
Text by Martin Parr
30 x 22 cm | 11 ⅘ x 8 ⅔ inches
120 pages, 75 color, hardbound
ISBN 978-88-6208-625-7
January 2019
$45 | £30
Collector's edition of 90 copies
with a numbered and signed print
ISBN 978-88-6208-626-4
$480 | £400
Martin Parr
Beach Therapy
During his long career as a photographer, Martin Parr has
always photographed on beaches, particularly in the UK.
He has often used the beach as a laboratory to experiment
with new cameras and techniques. So for example, when
he changed from black and white to medium format colour
in the early 80s his first major project was about New
Brighton, a run down seaside resort near Liverpool. In
recent months he has started exploring the beach with the
aid of a telephoto lens. This lens is rarely used in the world
of art and documentary photography so it is a challenge to
find new ways of using it. Often this involves incorporating
the vegetation on the perimeter with the beach as a
backdrop, both in and out of focus. So over his long career
he has tried everything from a close up macro lens, a
medium format wide angled camera and finally this latest
offering with the telephoto.
Martin Parr is one of the best-known documentary
photographers of his generation. The author of more
than 90 books and the editor of 30 others, he has firmly
established his photographic legacy. He has also curated
two photography festivals: Arles in 2004 and the Brighton
Biennial in 2010. More recently he curated the Barbican
exhibition, Strange and Familiar. In 1994 he became a full
member of Magnum Photographic Cooperative. Between
2013 - 2017 Martin was president of Magnum Photos. In
Autumn 2017 the Martin Parr Foundation opened in Bristol.
In 2013 he was appointed visiting professor of photography
at the University of Ulster. Parr’s work has been collected
by many of the major museums, including the Tate, the
Pompidou, and the Museum of Modern Art in New York.
New Titles 7
 Contemporary Art

Louise Bourgeois
Spiral

Spirals are a recurring motif in the work of Louise Bourgeois

including her sculpture, painting, and drawings from as early
as the 50s through 2010 the year of her death. This book, which
accompanied an exhibition at Cheim & Read, New York, is
the first to focus on Bourgeois’ use of the spiral which she
has described as “an attempt at controlling the chaos. It has
two directions. Where do you place yourself, at the periphery
or at the vortex?” The spiral is simultaneously “the fear of
losing control” and the experience of “giving up control; of
trust, positive energy, of life itself.” In another book Bourgeois
is quoted as saying “The spiral is important to me. It is a
twist. As a child, after washing tapestries in the river, I would
turn and twist and wring them… Later I would dream of my
father’s mistress. I would do it in my dreams by wringing her
neck. The spiral — I love the spiral — represents control
and freedom.” In materials as diverse as wood, steel, bronze,
latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon,
woodcut, watercolor, and gouache, Bourgeois investigates
every imaginable manifestation of the spiral, from graphic
22.9 x 29.9 cm | 9 x 11 ¾ inches
80 pages, 48 color, clothbound with jacket patterns to graphite whorls, wobbly orbits to chiseled vortices,
ISBN 978-88-6208-644-8 twisted columns to coiling snakes, staircases, and pyramids.
June 2019 The cursive blue-paper word drawings, in English and French,
$50 | £35
complement the purely visual works by conveying the spirit of
Bourgeois’ poetry in extraordinary pictorial forms.

Louise Bourgeois was born in Paris in 1911 and lived in New

York from 1938 until her death in 2010. She was named
Officer of the Order of Arts and Letters by the French minister
of culture in 1983. Other honors included the Grand Prix
National de Sculpture from the French government in 1991;
the National Medal of Arts, presented to her by President Bill
Clinton in 1997; the first lifetime achievement award from
the International Sculpture Center in Washington, DC; and
election as a fellow of the American Academy of Arts and
Sciences. In 1993 she was chosen to represent the United
States at the Venice Biennale. Her work appears in the most
important museum collections worldwide and has been the
subject of several major traveling retrospectives organized by
the Tate Modern, London, Centre Georges Pompidou, Paris, the
Portrait of Louise Bourgeois: © Carollee Pelos.
Images: © The Easton Foundation/VAGA at ARS, NY.
Brooklyn Museum, and the Kunstverein, Frankfurt.
New Titles 9
 Photography

Tom Bianchi
63 E 9th Street
NYC Polaroids 1975 –1983

In 1975 Tom Bianchi moved to New York City and took a

job as in-house counsel at Columbia Pictures and moved
into an apartment at Randall House at 63 East 9th Street.
That first year Tom was given a Polaroid SX – 70 camera by
Columbia Pictures at a corporate conference. He took that
camera to the Pines on summer weekends, those pictures
became the book, Fire Island Pines. Polaroids 1975 – 1983
published in 2013. Now some 44 years later we finally get
a first look at another extraordinary collection of Polaroids
by Tom, taken in his NYC apartment on East 9th Street.
Whereas Fire Island is an expansive communal experience
happening on a sunny sand bar out in the Atlantic under
huge open skies, Tom’s New York apartment was an
intimate, track lit den on rheostats where he and his friends
could comfortably play out erotic night games. Tom’s New
York City Polaroids are an essential companion book to Fire
Island Pines and an important document of urban gay life.
21.5 x 25.5 cm | 8 ½ x 10 inches
186 pages, 150 color, hardbound with jacket Tom Bianchi was born and raised in the suburbs of Chicago
ISBN 978-88-6208-646-2 and graduated from Northwestern University School of
June 2019
$55 | £40 Law in 1970. He became a corporate attorney, eventually
working with Columbia Pictures in New York, painting and
drawing on weekends. His artwork came to the attention
of Betty Parsons and Carol Dreyfuss and they gave him his
first one-man painting show in 1980. In 1984, he was given
his first solo museum exhibition at the Spoleto Festival.
After Bianchi’s partner died of AIDS in 1988, he turned his
focus to photography, producing Out of the Studio, a candid
portrayal of gay intimacy. Its success led to producing
numerous monographs, including On the Couch, Deep Sex
and In Defense of Beauty.

Collector's edition of 50 copies

with a numbered and signed print
ISBN 978-88-6208-647-9
$750 | £540
10 New Titles 11
 Photography

Bill Owens
Altamont 1969

Altamont 1969 by Bill Owens presents a new and

unpublished series of photographs documenting the
unique moment of the first large Rolling Stones concert
at Altamont Raceway in California. This was during
the period of protest movements in San Francisco. Bill
Owens captured the young generation’s desire to stand
up and raise their voice against the war in Vietnam,
against segregation and racial discrimination, against
authority in general. Slogans and billboards, sit-ins and
demonstrations, are evidence of the cultural agitation
of those years. Together with the Stones, other major
rock bands appeared on stage, including Grace Slick,
Jefferson Airplane, Carlos Santana and many others,
while the Hells Angels were employed as security. Bill
Owens has always been involved in socio-anthropological
aspects of American culture and in the rise of the
collective movement of protest and criticism against the
misuse of power. Here, he uses photography as a kind of
‘visual anthropologist’, painting a ‘fresco’ of the cultural
revolution that swept the whole world during the 1960s.
Edited by Claudia Zanfi
Text by Sasha Frere-Jones, Bill Owens, Claudia Zanfi Born in San Jose, California, Bill Owens made his name
24.5 x 28 cm | 9 ⅗ x 11 inches
in 1973 with Suburbia and numerous other monographs on
96 pages, 59 color and b&w, hardbound
ISBN 978-88-6208-623-3 the customs of middle-class America. A collector of folk
March 2019 art and pop memorabilia, Owens has dealt with subjects
$40 | £29 such as food and vintage cars. In the early 1980s Owens
became a beer producer and in 1983 opened ‘Buffalo Bill’s
Brewery’. Three years later, he founded the first American
Brewer Magazine, a periodical dedicated to beer. His
photographs have been exhibited internationally and are
in many collections including the Museum of Modern Art,
Berkeley Art Museum, Los Angeles County Museum of
Art, San Francisco Museum of Modern Art, Los Angeles
Museum of Contemporary Art, San Jose Museum of Art
and the Getty Museum in Los Angeles.

Collector's edition of 30 copies

with a numbered and signed print
ISBN 978-88-6208-635-6
$550 | £400
New Titles 13
 Photography

Hiroshi Sugimoto
Seascapes

*New edition*

For more than 30 years, Hiroshi Sugimoto has traveled

the world photographing its seas, producing an extended
meditation on the passage of time and the natural history of
the earth reduced to its most basic, primordial substances:
water and air. Always capturing the sea at a moment
of absolute tranquility, Sugimoto has composed all the
photographs identically, with the horizon line precisely
bifurcating each image. The repetition of this strict format
reveals the uniqueness of each meeting of sea and sky, with
the horizon never appearing exactly the same way twice. The
photographs are romantic yet absolutely rigorous, apparently
universal but exceedingly specific. In 2015 Damiani
published the first edition of Seascapes, the complete series of
more than 200 Seascapes for the first time in one publication.
The new edition of this book contains seven new, previously
unpublished photographs taken by Sugimoto.
25.2 x 27.8 cm | 10 x 11 inches
282 pages, 213 b&w, clothbound with jacket
ISBN 978-88-6208-624-0
Hiroshi Sugimoto has defined what it means to be a multi-
April 2019 disciplined contemporary artist, blurring the lines between
$80 | £59 photography, painting, installation, and architecture.
Preserving and picturing memory and time is a central
theme of Sugimoto’s photography, including the ongoing
series Dioramas, Theaters, and Seascapes. His work is held
in numerous public collections including The Metropolitan
Museum of Art, New York; Museum of Contemporary
Art, Tokyo; The National Gallery, London; The National
Museum of Modern Art, Tokyo; Smithsonian Institute of
Art, Washington, D.C., and Tate, London, among others.

New Titles 15
 Photography

Gavin Watson

Not just an ambitious restoration of a fascinating unseen

30.5 x 24 cm | 12 x 9 ⅖ inches
176 pages, 200 color and b&w, hardbound
ISBN 978-88-6208-634-9
April 2019
$40 | £29
archive; but a book that takes on the gargantuan task of
shifting the collective memory around key moments in
British youth culture history with a mesmerizing force of
honesty and humanity. By the man who’s previous books
Skins (1994), and Skins & Punks (2008), have been hailed
as modern classics, Damiani is pleased to announce the
latest Gavin Watson monograph. This intimate selection
of photographs disrupts the notion of skinheads and
council estate residents as problematic figures in an almost
endearing manner while still preserving the subversive
character of the cult of youth. At an undisputed time of
little optimism this monograph comes as a very important
fly-on-the-wall testimonial and reminder that no matter
how difficult life is, it should also be fun... At least when
captured from the right angle.

Gavin Watson was born in London in 1965 and grew up on

a council estate in High Wycombe, Buckinghamshire. He
started soon taking pictures of his younger brother Neville
and their group of skinhead friends in High Wycombe. The
‘Wycombe Skins’ were part of the working-class skinhead
subculture brought together by a love of ska music and
fashion. Although skinhead style had become associated
with the right-wing extremism of political groups like
the National Front in the 1970s, Watson’s photographs
document a time and place where the subculture was
racially mixed and inclusive. His images documented the
early D.I.Y. party culture that sprang up around London. His
photographs were published in the books Skins and Skins
and Punks, with director Shane Meadows citing them as
an inspiration for his film This is England (2006). His Rave
images were published in the book Raving ‘89 (2009). In 2011
and 2012 Watson photographed campaigns for Dr Martens
and Farah. He continues to take photographs and has been a
longtime collaborator with the singer Plan B.

New Titles 17
 Photography
Introduction by Jim Wintner
21 x 28 cm | 8 ¼ x 11 inches
160 pages, 120 b&w, clothbound
ISBN 978-88-6208-627-1
March 2019
$50 | £37
Kenneth Van Sickle
Photography
Photography is a collection of 140 of Kenneth Van Sickle
favorite black and white photographs taken in various
places around the world from 1952 to the present. Van
Sickle evanescent photographs fulfill the time-traveling
brief of all great photography, granting onlookers intimate,
keyhole access to Paris in the fifties, the New York Beat
scene, Andy Warhol's Factory. You can almost smell the
cigarette smoke in that Greenwich Village club. You can feel
the sunlight on that sleeping cat's back. Echoing the light
of Irving Penn pictures and the compositions of images
of Henri Cartier-Bresson, Van Sickle's street photographs
make their first appearance in his first and exhaustive
monograph, nearly seventy years after their production.
Kenneth Van Sickle was born in 1932 in New Brunswick,
New Jersey. He learned the basics of drawing, painting
and composition from his grandfather and later studied
under George Grosz at the Art Students League and cubist
painter André Lhote in Paris. Van Sickle came early to
photography, assisted Robert Frank, and is known for his
atmospheric images of New York and Paris. His travels to
France heavily influenced his work, manifesting a pastoral
and salon style appeal. Although decades have passed since
Van sickle's photography work has been exhibited, in the
past his works have been shown in prestigious museums
and galleries including Limelight Gallery, the very first
photography exhibition at the Metropolitan Museum
of Art, Witkin Gallery, Soho Photo Gallery, and Galerie
Thierry Marlat in a six man show that included Henri
Cartier-Bresson, Robert Doisneau and Dolores Marat.
New Titles 19
 Photography
24 x 24 cm | 9 ½ x 9 ½ inches
120 pages, 80 b&w, hardbound
ISBN 978-88-6208-638-7
June 2019
$35 | £25
Sohei Nishino
Water Line. A Story of the Po River
The Po river flows for over 600 km through four
different regions of Northern Italy, from its source in the
mountains of Piedmont to its wide delta in the Adriatic
Sea. About 16 million people live along the banks of the
longest river in Italy, and more than a third of Italian
industries and agricultural production are concentrated
here. In 2017 the Japanese photographer Sohei Nishino
traveled along the river, taking hundreds of photographs,
which he then printed, combined in collage and arranged
on large tableaux. The works created by Nishino are a
habitat to different perspectives and languages in which
map and diorama blend harmoniously to give life to a
new vision of reality. Swarming with life, this image of
the river is composed of a multitude of faces, industrial
landscapes, glimpses of the river, city views and scenes
of everyday life, thus combining details and broad views,
and creating an image-filled polyptych. At the center of
all is the river, understood as a fundamental condition
for existence and a symbol of its continuous flow.
Water Line. A Story of the Po River, the photographer’s
second monograph, brings together over a hundred
black and white images never published before.
Sohei Nishino was born in Japan in 1982. He graduated from
Osaka University of the Arts in 2004, when he began working
on his Diorama Map series. In making his Diorama maps,
Nishino combines photography, collage, cartography and
psychogeography to create large prints of urban landscapes.
In his final works, he re-imagines the cities he has visited in
order to build new worlds. He has exhibited internationally
in prestigious museums and galleries: Daegu Photo Biennale,
Korea; Saatchi Gallery, London; Tokyo Metropolitan
Museum of Photography; ICP, New York; San Francisco
Museum of Modern Art. He has received many major
awards, including the Canon Excellence Award, together with
the Mast Foundation for photography grant on industry and
work. Nishino is based in Tokyo, where he lives and works.
He is represented by the Michael Hoppen Gallery in London
and the Bryce Wolkowitz Gallery in New York.
New Titles 21
 Photography
Foreword by Paolo Roversi
28 x 36 cm | 11 x 14 ⅙ inches
192 pages, 82 color, hardbound
ISBN 978-88-6208-637-0
June 2019
$69 | £54
22
Coppi Barbieri
Early Works 1992-1997
The London based photography duo Lucilla Barbieri and
Fabrizio Coppi met in Milan in the early 90s and started to
work together as Coppi Barbieri. In the following decades
they have become among the most sought after still life
photographers in the world crafting meticulous images for
the likes of Apple, Chanel, Cartier, Estee Lauder, Fendi,
Gucci, Harry Winston, Louis Vuitton, and Van Cleef &
Arpels. Early Works 1992-1997 presents for the first time
the experimental images they created together before
their commercial career took off. Their first experiments
involved flowers immersed in water, common household
objects such as plastic bottles, and glassware, and back-lit
dresses animated by fans. Their inspiration was the work of
historical photographers and artists such as André Kertész,
Baron Adolph de Meyer, Josef Sudek and the painter
Morandi. But they also injected the sensibility of fashion
photographers working at that time such as Paolo Roversi
and Javier Vallhonrat. Their slow process involved using
single 5x7 film which lends the pictures in this book a unique
quality and the feeling of belonging to another world.
In addition to their commercial work Coppi Barbieri
contribute regularly to publications including New York Times
magazine, W magazine, T magazine, Wallpaper, various editions
of Vogue, World of Interiors and V magazine.
New Titles 23
 Photography

Guido Argentini
Eros

The images presented in Eros, the new monograph by

29.5 x 31 cm | 11 ⅗ x 12 ⅕ inches
250 pages, 200 color, hardbound
ISBN 978-88-6208-632-5
April 2019
$60 | £39
Guido Argentini, suggest stories to the viewers. The use
of the diptych, an image of a woman and a photograph
of a landscape or a still life helps to create a narrative.
These stories are still and silent; they have no voice and no
soundtrack. The stories are only told by the emotions of their
characters. Each woman is dreaming and, at the same time,
we, the viewers are dreaming of each woman depicted in the
book. Imaginary women, imaginary places combined together
with the magic of color, all of which becomes a major creative
tool for Argentini. Flipping through the pages we jump from
old palaces in Italy, to urban landscapes in Japan to the desert
of California. A Japanese woman is standing in a garage in
Tokyo, screaming on the phone to her lover who is lying in
bed in his flat in a building overlooking the Chao Phraya
River in the night of Bangkok; a girl wearing a curly vintage
wig inside an abandoned motor home in the California desert
holds a barbie doll that someone left behind a long time ago.
An old Italian theatre with empty red velvet chairs on the left
and a young girl wearing a red dress lying in an empty pool
at night in the Arizona desert on the right side. As always
happens for a still photograph, it can only suggest a story. It is
only a single frame from a movie. Every viewer will make his
own film, will make up his own soundtrack and will choose a
different beginning and a different end, creating his own story.

Guido Argentini is an Italian-American photographer. Best

known for his series of dancers covered in metallic chrome
paint, Argentini’s oeuvre is characterized by its formal poses
and sensual imagery. Born in Florence, Italy in 1966, he
moved to Los Angeles in 1990. By 2003, Argentini achieved
widespread recognition when he published Silvereye, his
series of black-and-white photographs of nudes, many of
them covered in his signature silver paint. Metallic women
have featured heavily throughout his career, culminating in
the publication of Argentum (2013), featuring ballet dancers
posing nude and in motion. His photographs have been
featured in such publications as Vogue, Marie Claire, and
Playboy. He lives in Los Angeles, CA.

New Titles 25
 Photography

Jan Welters
Profile

Profile is a highly personal selection of Jan’s work from the

Introduction by Iain R. Webb, Steve Hiett
28 x 28 cm | 11 x 11 inches
176 pages, 120 color and b&w, clothbound
ISBN 978-88-6208-639-4
June 2019
$60 | £39
early ‘90s to 2018. Jan’s defining images cross all kinds of
fashion barriers. His respect for the models he works with is
evident. His models raw, sometimes slighty unconventional
beauties quite often with very little hair and make-up. Jan’s
images are pure, powerful and evocative, getting to the very
soul of the subject. Whether its an androgynous looking
girl with a cowboy hat, a model smoking a cigarette on a
beach, a movie star or a picture of his wife or children, the
pictures are captivating in their simplicity with a very clear
style that belongs only to him. His approach to his craft
remains unchanged over decades, his style clear, avant-gard
and transcendent of trends. Featured among others are Cate
Blanchett, Helena Christensen, Eva Herzigova, PJ Harvey,
Drew Barrymore, Kirsten Owen, Kylie Minogue, Tatjana
Patitz, Jessica Chastain, Christy Turlington, Tilda Swinton,
Vanessa Paradis, Gisele Bundchen, Courtney Love, Laetitia
Casta, Charlotte Gainsbourg, Jennifer Connelly, Milla
Jovovich, and Helen Mirren.
Jan Welters was born in The Netherlands in 1963. Passionate
by the visual arts since he was very young he studied at the
St Joost Art School in Breda where he left in 1983 to become
a photoassistant, first in Amsterdam and later in New York.
He began his photographic career in Amsterdam, focusing
on fashion and portraits. In 1992 he continued in Milan
until moving to Paris in 1995. Since 2013 he calls Topanga
Canyon his home where he lives with his wife and children.
Renowned in the fashion industry Jan has worked for a wide
range of magazines such as the Paris, German, Dutch and
American editions of Vogue, Elle, Italian Marie Claire and
Vanity Fair to mention a few.

26 New Titles 27
 Photography

Stephan Würth
Tennis Fan

Tennis Fan by Stephan Würth illustrates the photographer’s

love of tennis over the last 10 years. In all black and white
images, the book captures Stephan’s life as a tennis fan,
traveling to tennis tournaments, being captivated by
anything tennis and experiencing tennis in any way he can,
no matter where he is.

Stephan Würth is a photographer originally from Germany

who grew up between Munich, Texas and California. He
discovered photography at age fourteen during a family
vacation in Spain. In 2000, he enrolled in the Art Institute of
Ft. Lauderdale to study photography, and after graduating,
became a full time photographer. Since then, his work has
been featured in editions of Vogue, The New York Times,
Porter Magazine, GQ, Playboy, Esquire and Sports Illustrated
Swimsuit Edition among others. In 2011, Stephan released
his first book Ghost Town published by Damiani and later
published his second title Ikinga also with Damiani.
20 x 25 cm | 7 ⅞ x 9 ⅚ inches
100 pages, 64 b&w, hardbound
ISBN 978-88-6208-642-4
June 2019
$40 | £29

New Titles 29
 Contemporary Art

Cheim & Read

Twenty-One Years

Twenty-One Years is published on the occasion of the

twenty-one year anniversary of Cheim & Read. The book
features a comprehensive record of exhibitions, including
installation views and seminal artworks. Phoebe Hoban has
contributed an incisive essay on the gallery’s history.

The gallery was founded in 1997 by John Cheim and

22.9 x 30.5 cm | 9 x 12 inches
768 pages, 600 color, hardbound
ISBN 978-88-6208-648-6
June 2019
$105 | £80
Howard Read in New York City’s Chelsea neighborhood
and actively represents an international group of leading
contemporary artists and estates, embracing diverse artistic
practices, from painting and sculpture to photography
and video. The gallery is characterized by its commitment
to a rigorous curatorial model. It is known for critical
monographic exhibitions, including comprehensive,
museum-quality surveys of work by William Eggleston
(21st Century), Lynda Benglis (New Work), Louise Bourgeois
(Spiral), Joan Mitchell (Trees), Milton Resnick (The Elephant
in the Room) and Al Held (Paris to New York 1952–1959).
The gallery is also acclaimed for organizing historically-
significant group exhibitions, including The New Landscape/
The New Still Life, an in-depth examination of Chaim
Soutine’s influence on Modern art; The Female Gaze: Women
Look at Women, a show of women artists’ depictions of
the female form; and I Am As You Will Be, a study of the
skeleton and mortality in artistic representation.

30 New Titles 31
 Photography

Caleb Cain Marcus

A line in the sky

A line in the sky is a response to the overwhelming emotional

17.8 x 25.4 cm | 7 x 10 inches
48 pages, 19 color, softcover
ISBN 978-88-6208-636-3
June 2019
$30 | £20
reaction from the 2016 American Presidential Election. The
results of the election were hard to comprehend because
they couldn’t be understood through logical or rational
thinking. The lack of comprehension of the results led to
half the nation living in a continual state of bewilderment.
Caleb Cain Marcus turned to photography as a means
to make sense of and process his visceral reaction to
the election. He photographed the blue sky because like
our thoughts and minds it is abstract and seemingly
undividable and yet humans create division with thoughts
and ideas which have no physical presence. He used his
work to move beyond the feeling of hopelessness and
despondency. The first step of the process was to physically
divide the prints by tearing them in half. The next step was
to join the two pieces together and finally to apply gold leaf
along the tear to create a continuous gold line. Through
this physical intervention to the photographs every print
becomes a unique expression of an attempt to leave behind
the feelings that resulted from the election.
Caleb Cain Marcus, a photographic artist living in New
York City, has a practice rooted in photography that is
centered around color which he explores through material
and surface, and the tangible presence of space as a
connector with the universe. His work juxtaposes the
inkjet and the hand applied mediums to produce color that
is immersive, sensory and poetic. Through this physical
intervention of the photographic paper, each print becomes
unique. His work is in the permanent collection of many
public institutions including the Metropolitan Museum of
Art and the Getty Museum.

32 New Titles 33
 Photography
Introduction by Emily Lambert-Clements.
Essay by Esther R. Berry
18.5 x 26.6 cm | 7 ⅓ x 10 ½ inches
92 pages, 38 color, hardbound
ISBN 978-88-6208-640-0
June 2019
$30 | £20
34
Rohina Hoffman
Hair Stories
Hair Stories is a series of excerpted interviews and portraits
of a diverse array of women which explores the complex
relationship women have with their hair. Photographer
Rohina Hoffman used her interviewing skills, which she
developed in her training as a neurologist, to establish an
intimate rapport that allowed for a truthful telling about
the impact of hair in these womens’ lives. Though it was
conceived and shot before the #MeToo movement, this
salient project presents hair as a metaphor for identity,
femininity, and the manner in which women struggle for
control over their own bodies in a misogynistic world. Hair
Stories reflects that hair is more than just style or aesthetics;
it is a physical manifestation of the history of women.
Rohina Hoffman was born in India and raised in New
Jersey. She received a B.S. in Neural Sciences from Brown
University and an M.D. from Brown University School
of Medicine. While a student at Brown she studied
photography at the Rhode Island School of Design. In
1994, she moved to Los Angeles to begin her residency
in neurology at UCLA Medical Center but continued her
interest in photography. After a career in neurology, she
devoted herself full time as a fine art photographer with
the support of mentors Aline Smithson and Ken Merfeld.
Her award winning work has been exhibited in museums
and galleries both nationally and internationally including
the Griffin Museum of Photography, Southeast Center
of Photography, dnj Gallery, Tilt Gallery, Stephen F.
Austin State University School of Art and the Center for
Fine Art Photography. Her photography has appeared in
publications such as Shots Magazine, Edge of Humanity, and
Lenscratch. She lives in Los Angeles and will be having an
opening of Hair Stories at Brown University’s Warren Alpert
Medical School in January 2019.
New Titles 35
 Photography

Jacopo Benassi
Bologna Portraits

Bologna Portraits is the portrait of one of the most charming

21 x 29.7 cm | 8 ⅕ x 11 ⅗ inches
212 pages, 150 color and b&w, hardbound
ISBN 978-88-6208-650-9
June 2019
$60 | £39
and least well-known Italian cities portrayed through the faces
of the people who live there today. It started during the artist’s
many stays in the town. Discovering Bologna little by little,
Jacopo Benassi took pictures, like a sort of notebook, of the
faces of the most interesting people he met during his time
there. After a few months he already had a large portfolio of
people which, like in a mosaic, built a bigger portrait of the
whole city today. Bologna is probably the best-kept secret of
the Italian cities with a great past. Large-scale tourism has
never affected it, but in recent years it has been discovered
by a growing group of sophisticated travellers passionate
about art, culture, cinema and food. The portraits are a
mix of young artists, writers, minor and great musicians,
leading businessmen, famous bar tenders, tailors, professors
at the local university (the oldest in the Western world),
personalities and international artists such as Nino Migliori
and Luigi Ontani. All of them born or living in Bologna.
The whole book is a study of real faces that are able to be
meaningful and to tell a story, and recall a tradition like the
study of faces by Pier Paolo Pasolini in some of his films, or
Andy Warhol’s Screen Tests. But at the same time, they recall a
masterpiece like Un Paese, the book produced by Paul Strand
and Cesare Zavattini. The book includes a text by art critic
Antonio Grulli.

Jacopo Benassi is one of the most prolific and talented Italian

photograher. His work has the camera at its centre but he
touches on languages such as performance, video, curating, and
sound. He has collaborated for many years with the director
Paolo Sorrentino: recently they produced a book together
published by Mondadori. Benassi has worked with some of
the most legendary international musicians of the international
punk and post-punk scene. During his career he has worked,
among the others, for Rolling Stone, Purple Magazine, GQ, Vice,
Wired, ICON Panorama, Riders, just to name a few. In his most
recent show, Is It MY Body?, at the Galleria Francesca Minini
in Milano, his work was exhibited alongside artworks by Roger
Ballen, Vanessa Beecroft and Dan Graham.

New Titles 37
Collector’s Editions

Edition of 400 signed and numbered books
Text by Hiroshi Sugimoto
34 x 27.1 cm | 13 ½ x 10 ¾ inches
160 pages, 76 b&w, silkbound with aluminum slipcase
ISBN 978-88-6208-520-5
$750 | £580
Edition of 360 signed and numbered books
Text by Jonathan Safran Foer
26.6 x 35.5 cm | 10 ½ x 14 inches
140 pages, 65 b&w, silkbound with aluminum slipcase
ISBN 978-88-6208-384-3
$750 | £500
40
Hiroshi Sugimoto
Snow White
Snow White is a unique collector’s edition book containing 76
artworks by Hiroshi Sugimoto. All of the photographs in Snow
White are from his Theaters series and include many of his well
known photographs of classic movie palaces and drive-ins, along
with new photographs of Italian opera houses and abandoned
theaters. Sugimoto began the Theaters series four decades ago. To
make these images, he exposes the film inside the dark theater (or
in the case of the drive-ins, outside at night) for the duration of the
movie. The running movie is the only source of light bringing out
the architectural details of these spaces.The Disney movie Snow
White was running when Sugimoto photographed Palace Theater,
Gary, 2013, one of the abandoned theaters that is reproduced
here. In this book, Sugimoto reveals for the first time the movies
that were screened when he took these photographs and the
exposure time of each photograph. Each artwork in Snow White
is accompanied by the name of the movie, its running time, and a
short text about each written by Sugimoto. The black-and-white
photographs are hand-tipped onto the pages.
Hiroshi Sugimoto
The Long Never
The Long Never is a unique collector’s edition book containing
65 artworks by Hiroshi Sugimoto. Composed of photographs
from five series—Meteorites, Dioramas, Pre-Photographic
Time Recording Devices, Lightning Fields, and Seascapes—the
sequence of images conjures a natural history of the planet,
perhaps even one untouched by humans. The black-and-
white photographs are hand-tipped onto the pages of the
book, which is wrapped in silk cloth. Celebrated author
Jonathan Safran Foer has written an original story. Foer’s text
sits on the page underneath each artwork, so the reader must
lift up each photograph in order to read the story
New for spring 2019
Edition of 90 signed and numbered prints
St Ives, 2017
Pigment print
Image size: 22.9 x 15.3 cm | 9 x 6 inches
Sheet size: 25.4 x 20.2 cm | 10 x 8 inches
30 x 22 cm | 11 ⅘ x 8 ⅔ inches
120 pages, 75 color, hardbound
ISBN 978-88-6208-626-4
$480 | £400
Edition of 50 signed and numbered prints
Gourock Lido, 2004
Pigment print
Image size: 22.9 x 18.4 cm | 9 x 7 inches
Sheet size: 25.3 x 20.2 cm | 10 x 8 inches
23 x 31.5 cm | 9 x 12 ½ inches
144 pages, 100 color, hardbound
ISBN 978-88-6208-551-9
$500 | £400
Martin Parr
Beach Therapy
This special edition limited to 90 copies includes the book
clothbound and one print signed and numbered by Martin
Parr. The picture is entitled St Ives, Cornwall, England, 2017.
“I love to try different approaches to photography and
in recent years I have started to explore what is possible
with a telephoto lens. As the beach has always been an
experimental place to explore new ideas, I called the new
work that emerged, Beach Therapy.”
Martin Parr
Think of Scotland
This stunning limited edition of 50 copies includes a print
numbered and signed by Martin Parr. The image is entitled
Gourock Lido, 2004, and features the Gourock Outdoor Pool,
the oldest heated swimming pool in Scotland. The swimmer
in the print of Gorouck lido says about the Martin Parr’s
photograph: “It must have been a particularly wild night –
there’d obviously just been a rainstorm. The colours work
beautifully—that gray against that aquamarine—and the
photograph captures something of our Scottish eccentricity:
the storm clouds and the rain, and the eccentric local who
decided to go swimming when no one else would.”
Collector’s Editions 41
 Kenro Izu
Seduction
This limited edition to 15 copies comes with a sunning print
signed and numbered by Kenro Izu. Kenro Izu considers his
own photography, especially still life that he composes in the
studio, as a sort of conversation with himself. The print of this
limited edition features a mask facing to a pear. He sees the
mask, any mask, as a magic tool that transforms the person
who wears it and brings him to another dimension. It may
New for spring 2019 even be a parallel world to the world where we live. At the
Edition of 15 signed and numbered prints time of taking this photograph, he was questioning himself
Seduction #1045, 2016
Pigment print about what is that the being behind the mask is seeing through
Image size: 22.9 x 29.2 cm | 9 x 11 ½ inches the black holes for the eyes. It actually may not even be a pear.
Sheet size: 25.5 x 33 cm | 10 x 13 inches
24 x 30 cm | 9 ½ x 11 ⅘
160 pages, 100 color and b&w, hardbound
ISBN 978-88-6208-628-8
$600 | £430
Joel Meyerowitz
Morandi’s Objects
For this collector’s edition of Morandi’s Objects, Joel Meyerowitz
has printed an edition of 25 of the photograph White Bottles.
In the spring of 2015, the photographer Joel Meyerowitz sat
at the work table in Giorgio Morandi’s Bologna home, in the
exact spot where the painter sat for 40 years making his quiet,
sublime still lifes. Here Meyerowitz looked at, touched, studied,
Edition of 25 signed and numbered prints and connected with the more than 250 objects that Morandi
White Bottles, 2015 painted. Using only the warm natural light in the room, he
Archival digital print photographed Morandi’s objects: vases, shells, pigment-filled
Image size: 20.3 x 25.4 cm | 8 x 10 inches
bottles, silk flowers, tins, cans, funnels, watering cans. In the
Sheet size: 25.4 x 30.5 cm | 10 x 12 inches
photographs, each object sits on Morandi’s table, which still
Text by Joel Meyerowitz, Maggie Barrett bears the marks the painter drew to set the positions of his
25.4 x 32 cm | 10 x 12 5/8 inches
subjects. In the background is the same paper that Morandi left
116 pages, 65 color, clothbound
ISBN 978-88-6208-473-4 on the wall, now brittle and yellow with age.
$1,000 | £750
42
New for spring 2019
Edition of 25 signed and numbered prints
Pitcher, 2011
Archival digital print
Image size: 22.8 x 28 cm | 9 x 11 inches
Sheet size: 25.4 x 30.5 cm | 10 x 12 inches
ISBN 978-88-6208-633-2
Text by Joel Meyerowitz, Maggie Barrett
25.4 x 32 cm | 10 x 12 ⅝ inches
116 pages, 65 color, clothbound
$1,000 | £750
Edition of 25 signed and numbered prints
Pitcher, 2011
Archival digital print
Image size: 22.8 x 28 cm | 9 x 11 inches
Sheet size: 25.4 x 30.5 cm | 10 x 12 inches
ISBN 978-88-6208-571-7
Text by Joel Meyerowitz, Maggie Barrett
25.4 x 32 cm | 10 x 12 ⅝ inches
116 pages, 65 color, clothbound
$1,000 | £750
Joel Meyerowitz
Cézanne's Objects
For this collector’s edition of Cézanne's Objects, Joel
Meyerowitz has printed an edition of 25 each of the two
photographs with the same title Pitcher. Each photograph is
numbered and signed by the author.
Some years ago, while working on a book commission about
Provence, Joel Meyerowitz visited Cézanne’s studio in Aix-en-
Provence. While there, he experienced a flash of understanding
about Cézanne’s art. Cézanne had painted the studio walls
a dark grey, mixing the color himself. Consequently, every
object in the studio seemed to be absorbed into the grey of
the background. There were no telltale reflections around the
edges of the objects, so there was nothing that could separate
them from the background itself. Meyerowitz suddenly saw
how Cézanne, making his small, patch-like brush marks,
moved from the object to the background, and back again
to the objects, without the illusion of perspective. After all,
Cézanne was the original voice of “flatness.” Meyerowitz
decided to take each of the objects in Cézanne’s studio
and view them against the grey wall (managing to obtain
permission from the Director of the Atelier—no-one had
touched these objects in ages). His impulse was to place each
one in the exact same spot on his marble-topped table and
simply make a “dumb” record of it. He then decided to arrange
them in rows, almost as if they were back on his shelf above
the table, and made a grid of five rows with five objects on
each row, with Cézanne’s hat as the centerpiece.
Collector’s Editions 43

New for spring 2019
Edition of 50 signed and numbered prints
Giclée print
Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches
Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches
Edited by Ben Smales
21.5 x 25.5 cm | 8 ½ x 10 inches
212 pages, 350 color, hardcover with jacket and slipcase
ISBN 978-88-6208-647-9
$750 | £540
Edition of 67 signed and numbered prints
Untitled, 250, 1978
Giclée print
Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches
Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches
Edited by Ben Smales. Text by Edmund White, Tom Bianchi
21.5 x 25.5 cm | 8 ½ x 10 inches
212 pages, 350 color, hardcover with jacket and slipcase
ISBN 978-88-6208-314-0
$750 | £500
44
Tom Bianchi Jack Pierson
63 E 9th Street The Hungry Years
NYC Polaroids 1975 – 1983
This collector’s edition of Tom Bianchi’s 63 E 9th Street. For this collector’s edition of The Hungry Years, Jack Pierson
Polaroids 1975 – 1983 is limited to 50 numbered copies, and has printed an edition of 30 each of the photographs Pink
comes in a special cloth slipcase with a tipped-in cover Road and Yellow Road. Each photograph is numbered and
image. It also contains a fine art print signed and numbered signed by the author.
by Tom Bianchi.
The Hungry Years collects Jack Pierson’s 1980s’ photographs,
which have increasingly captured the attention of the art
world since they were first published as a collection in 1990.
Informed in part by his artistic emergence in the era of AIDS,
New for spring 2019
Edition of 30 signed and numbered prints
Pierson’s work is moored by melancholy and introspection,
Yellow Road, 2017 yet his images are often buoyed by a celebratory aura of
Pigment print seduction and glamour. Sometimes infused with a sly sense
Image size (full bleed):
of humor, Pierson’s work is inherently autobiographical;
35.5 x 23.8 cm | 14 x 9 ⅜ inches
often using his friends as models and referencing traditional
ISBN 978-88-6208-629-5
Americana motifs, his bright yet distanced imagery reveals
20.3 x 24.1 cm | 8 x 9 ½ inches
the undercurrents of the uncanny in the quotidian. Fueled by
104 pages, 70 color, hardbound
the poignancy of emotional experience and by the sensations
$800 | £590
of memory, obsession, and absence, Pierson’s subject is
ultimately, as he states, “hope.”
Tom Bianchi
Fire Island Pines: Polaroids 1975–1983
Growing up in the 1950s, Tom Bianchi would head into
downtown Chicago and pick up 25-cent “physique”
magazines at newsstands. In one, he found a photograph
of bodybuilder Glenn Bishop on Fire Island. Years later,
Bianchi began traveling to New York and was invited to
spend a weekend at Fire Island Pines, where he encountered
a community of gay men. Using an SX-70 Polaroid camera,
Bianchi documented his friends’ lives in the Pines, amassing
an image archive of people, parties, and private moments.
Edition of 30 signed and numbered prints
These photos, accompanied by Bianchi’s moving memoir of
Pink Road, 2017
the era, record the birth and development of a new culture. Pigment print
Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines Image size (full bleed):
35.5 x 23.8 cm | 14 x 9 ⅜ inches
conjures a magical bygone era. This collector’s edition of 67
ISBN 978-88-6208-576-2
numbered copies comes in an orange cloth slipcase with a
tipped-in cover image and contains a signed and numbered 20.3 x 24.1 cm | 8 x 9 ½ inches
giclée print. 104 pages, 70 color, hardbound
$600 | £490
Collector’s Editions 45
 Bill Owens Tria Giovan
Altamont 1969 The Cuba Archive. Photographs 1990-1996

This limited edition to 30 copies of Altamont 1969 comes with For this collector’s edition of The Cuba Archive, Tria Giovan
a signed and numbered print. Bill Owens's iconic, The Naked has printed an edition of 15 each of the photographs Malecon-
Guy image captures a breath-taking moment of the concert Gibara and Beauty Salon in Vedado-Havana. Each photograph is
considered to be the end of the ‘60s. numbered and signed by the author.

Tria Giovan first traveled to Cuba in 1990. Over the next six
years she took twelve month-long trips, traversing the island
New for spring 2019
numerous times, and making more than 25,000 images.
Edition of 15 signed and numbered prints
Beauty Salon in Vedado-Havana, Cuba, 1993 Immersing herself in Cuba’s history, literature, and politics,
Archival pigment print she photographed interiors of homes and businesses, city
Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches
streets, rural landscapes, signs and billboards, and, most of all,
New for spring 2019 Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches
the people, creating a compelling body of work that captures
Edition of 30 signed and numbered prints
The Naked Guy, 1969 29.3 x 21 cm | 11 ½ x 8 ¼ inches the subtleties and layered complexities of day-to-day Cuba
Piezography 168 pages, 125 color, hardbound born from complete engagement and informed perspective.
Sheet size: 33 x 24.1 cm | 13 x 9 ½ inches ISBN 978-88-6208-630-1
$500 | £390 Cuba: The Elusive Island, published by Harry N. Abrams in
Edited by Claudia Zanfi
1996—a collector’s item—first brought together 100 of these
Text by Sasha Frere-Jones, Bill Owens, Claudia Zanfi images, along with a selection of writings by some of Cuba’s
24.5 x 28 cm | 9 ½ x 11 ⅘ most important writers. Twenty years later, Giovan re-edited
96 pages, 59 color and b&w, hardbound
ISBN 978-88-6208-635-6
the images, while working to preserve the original 6 x 9 color
$550 | £400 negatives. Through this intensive re-examination, a new, more
complex view of the historical significance of this work has
Michael Stipe emerged. Images previously disregarded or missed now stand
out as a record of elements that no longer exist, and of a Cuba
Volume 1 poised on the brink of change. The selected images featured
in The Cuba Archive, many of which have never previously
been shown, reveal Cuba at a pivotal point in its fascinating
history, and bear witness to an inimitable, resilient, and
complex country and people.
This limited edition of 20 copies includes the book Volume 1 and
a numbered and signed print by Michael Stipe. Volume 1 is the
first in a series of publications presenting different aspects of
Michael Stipe’s multifaceted artistic practice. Volume 1 includes a
focused presentation of 35 images, bringing together 37 years of
Stipe’s practice of creating and collecting photographic materials,
in addition to posing as a subject in the photographs of others.
Edition of 20 signed and numbered prints The book centers around his unconventional and deeply personal
The last time I saw River, 1993 understanding of queerness, conflating figures in his own life with Edition of 15 signed and numbered prints
Archival print on Hahnemühle Japanese rice paper
Image size (full bleed): 48.3 x 32.4 | 19 x 12 ¾ inches
those in American history and popular culture. Malecon-Gibara, Cuba 1993
Archival inkjet print
Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches
22.9 x 33 cm | 9 x 13 inches
Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches
72 pages, 35 color and b&w, hardbound
ISBN 978-88-6208-615-8
29.3 x 21 cm | 11 ½ x 8 ¼ inches
$600 | £400
168 pages, 125 color, hardbound
ISBN 978-88-6208-577-9
$500 | £390
46 Collector’s Editions 47

Edition of 10 signed and numbered prints
Columbus, Penelope, Delilah, 2005
Archival pigment print
Image size: 35.6 x 28 cm | 14 x 11 inches
Sheet size: 36.8 x 29.2 cm | 14 ½ x 11 ½ inches
30 x 24.5 cm | 11 ⅘ x 9 ⅗ inches
336 pages, 250 color and b&w, hardbound
ISBN 978-88-6208-599-1
$800 | £580
Edition of 30 signed and numbered prints
Wynton Marsalis, New York City, 1992
Gelatin silver print
Image size 32.3 x 21.5 cm | 12 ¾ x 8 ½ inches
Sheet size 35.6 x 27.7cm | 14 x 11 inches
Foreword by Wynton Marsalis. Introduction by
Hank O’Neal. Edited by Marianne Houtenbos
17.8 x 22.9 cm | 7 x 9 inches
160 pages, 100 color and b&w, hardbound
ISBN 978-88-6208-619-6
$850 | £600
48
Catherine Wagner
Place, History, and the Archive
Columbus, Penelope, Delilah was made while Wagner was
commissioned to develop a new body of work for the re-
opening of the DeYoung Museum in 2005. Wagner—working
from the cold storage collection of the Fine Arts Museums
of San Francisco—created installations of sculptures,
forming new tableaus specifically to be photographed. Re-
contextualizing the sculptures within their crating systems
serves as yet another system to reframe histories as they have
been previously told. Columbus, Penelope, Delilah unveils new
narratives forming hybrid histories allowing the viewer fictive
possibilities for interpretation. A limited edition of 10 prints
will accompany a special collector’s edition set of Place, History,
and the Archive. A signed archival pigment print of Columbus
Penelope Delilah (2005) from the series Re-classifying History
will come with the book housed in a special edition slipcase.
Arthur Elgort
Jazz
This collector’s edition of Arthur Elgort Jazz is limited to 30
copies and contains a gelatin silver print signed and numbered
by Elgort. The superb black and white print features the
internationally acclaimed musician and composer Wynton
Marsalis playing his trumpet.
Edition of 30 signed and numbered prints
Two men in ice, 2006
Inkjet on archival Illford paper
Image size: 27.9 x 37.6 cm | 11 x 14 ⅘ inches
34.21 x 41.91 cm | 13 ⅖ x 16 ½ inches
240 pages, 150 color, clothound
ISBN 978-88-6208-611-0
$680 | £500
Edition of 25 signed and numbered prints
Electricity + Water III, 1993
Gelatin silver print
Image size: 29.2 x 22.86 cm | 11 ½ x 9 inches
Sheet size: 35,6 x 28 cm | 14 x 11 inches
24.75 x 30.5 cm | 9 ¾ x 12 inches
160 pages, 100 color, hardbound
ISBN 978-88-6208-561-8
$900 | £680
Frédéric Lagrange
Mongolia
Mongolia is a project which Frédéric Lagrange began in 2001 and
has spanned over sixteen years, during which he took thirteen
trips in all four seasons, covering vastly different regions of the
country. This book is his visual portrait of Mongolia and her
people captured in detail in a genuine, human form through a
compilation of landscapes and portraits. This superb limited
edition of 30 copies, housed in a clothbound slipcase, includes
the trade publication with a special red cover, plus a print
edition of Lagrange signed and numbered. The image is titled
Two men in ice and features two men standing on the frozen lake
Khövsgöl Nuur in Northern Mongolia.
David Goldes
Electricities
Electricity is the energy that runs nearly everything. We are
dependent on it for light, heat, and communications as well
as powering the innumerable devices and machines that
shape and support our lives. To investigate and build on
our historical understanding into the nature of electricity,
David Goldes constructs and photographs what he calls,
“performing still lifes.” This stunning limited edition of 25
copies plus 4 artist proofs includes the book Electricities and
a gelatin silver print signed and numbered by the artist. The
print is entitled Electricity + Water lll, 1993.
Collector’s Editions 49

Edition of 25 signed and numbered prints
Kayleigh Crying #1, 2012
Archival inkjet print
Image size: 35 x 27.8 cm | 13¾ x 10 ⅞ inches
Sheet size: 45 x 37.8 cm | 17 ¾ x 14 ⅞ inches
Text by Jack Pierson
17.1 x 22.9 cm | 6 ¾ x 9 inches
96 pages, 60 color, clothbound
ISBN 978-88-6208-508-3
$500 | £380
Edition of 15 signed and numbered prints
Iggy Pop, 2002
Archival inkjet print
Image size: 28 x 28 cm | 11 x 11 inches
Sheet size: 38 x 38 cm | 15 x 15 inches
Introduction by Jean-Paul Goude
27.5 x 27.5 cm | 11 x 11 inches
316 pages, 280 color and b&w, hardbound
ISBN 978-88-6208-509-0
$500 | £380
50
Pamela Hanson
Private Room
Private Room is a series of photographs of eight different
women whom Pamela Hanson photographed between 2012
and 2014 at Lafayette House, a small hotel in New York
City. Beginning when she photographed Camille Rowe
in 2012, the photographs in Private Room progressed into
a series of nudes and semi-nudes. Hanson was inspired
to shoot in the Lafayette House because of its European
feeling. A brownstone built in the 19th century, the hotel is
a place of forgotten beauty, with walls lined in gold-leafed
wallpaper. It is charming, sexy, romantic, and private. Women
photographed by a woman: the intimate and feminine
environment captures the essence of each subject. Hanson
collaborated with stylist Susan Winget, and together they
cast each woman for her individual beauty and personality.
This collector's edition of 25 copies includes a signed and
numbered print.
Antoine Le Grand
Portraits
Portraits is the first monograph on the work of Antoine
Le Grand and spans the 20-year career of this acclaimed
celebrity photographer. Taken from the pages of leading
fashion and lifestyle magazines such as Vogue, W, GQ,
and Vanity Fair, Le Grand’s images provide an astonishing
collection of portraits of the actors, musicians, and
personalities who enliven our culture. Through his irony,
witty storytelling, and concise visual aesthetic, Le Grand
has created indelible imagery of celebrities such as Iggy
Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim
Burton, Woody Allen, and Jean Nouvel. The book includes
more than 250 portraits and an introduction by the French
visionary Jean-Paul Goude. This collector's edition of 15
copies includes a signed and numbered print.
Edition of 25 signed and numbered prints
Untitled (Man Reading Newspaper), 1990/1999
Gelatin silver print
Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches)
Sheet size: 27.7 x 35.5 cm | 11 x 14 inches
Text by Sarah Lewis and Adrienne Edwards
24.8 x 34.3 cm | 9 ¾ x 13 ½ inches
86 pages, 34 b&w, hardbound with jacket
ISBN 978-88-6208-471-0
$3,000 | £2,200
Edition of 25 signed and numbered prints
Street Photographers of Times Square, 1982
Archival inkjet print
Image size: 25.4 x 20.3 cm | 10 x 8 inches
Sheet size: 35.6 x 25.4 cm | 14 x 10 inches
30.5 x 24.1 cm | 12 x 9 ½ inches
160 pages, 100 color and b&w, hardbound
ISBN 978-88-6208-527-4
$950 | £750
Carrie Mae Weems
Kitchen Table Series
Kitchen Table Series is the first publication dedicated solely to
this early and important body of work by the American artist
Carrie Mae Weems. The 20 photographs and 14 text panels
that make up Kitchen Table Series tell a story of one woman’s
life, as conducted in the intimate setting of her kitchen. The
kitchen, one of the primary spaces of domesticity and the
traditional domain of women, frames her story, revealing to
us her relationships—with lovers, children, friends—and
her own sense of self, in her varying projections of strength,
vulnerability, aloofness, tenderness, and solitude. Weems
herself is the protagonist of the series, though the woman she
depicts is an archetype. Kitchen Table Series seeks to reposition
and reimagine the possibility of women and the possibility
of people of color, and has to do with, in the artist’s words,
“unrequited love.” The collector’s edition of Kitchen Table
Series includes a signed and numbered silver gelatin print of
Untitled (Man Reading Newspaper), 1990/1999.
Jamel Shabazz
Sights in the City
New York Street Photographs
During the summer of 1980, under the direction of his father,
a photographer, Jamel Shabazz armed himself with a Canon
AE1 SLR camera and passionately photographed the urban
landscape that he called home. New York City—the city that
never sleeps—was the ideal epicenter to photograph because
of its 24-hour subway system and the many businesses that
are open late into the night. New York’s energy inspired him
to use the streets as a canvas for the majority of his work for
over 35 years. This limited edition of Sights in the City: New
York Street Photographs includes a signed and numbered print
of Street Photographers of Times Square.
Collector’s Editions 51

Edition of 30 signed and numbered prints
The Deck at La Piscine Deligny, 1975
C-print
Image size: 30. 5 x 22.8 cm | 12 x 9 inches
Sheet size: 35.5 x 28 cm | 14 x 11 inches
Text by Peter Schlesinger, Hilton Als
24.8 x 28.6 | 9 ¾ x 11 ¼ inches
176 pages, 150 color, hardbound
ISBN 978-88-6208-459-8
$500 | £300
Edition of 25 numbered prints
Untitled (Diamonds), 1987
Giclée print
Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches
Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches
Text by Aaron Rose
23.5 x 20.3 cm | 9 ¼ x 8 inches
132 pages 120 color, clothbound
ISBN 978-88-6208-488-8
$500 | £350
52
Peter Schlesinger
A Photographic Memory 1968–1989
The photographs of artist Peter Schlesinger are a visual diary
of an extraordinary life that has intersected with some of the
brightest names in the worlds of art, fashion, and society.
Schlesinger’s remarkable journey began in 1966 when, as
an 18-year-old student at UCLA, he met the artist David
Hockney. The couple moved to London, where Schlesinger
met and photographed luminaries including Cecil Beaton,
Paloma Picasso, and Manolo Blahnik. This monograph
presents the full range of Schlesinger’s photographic work.
The collector's edition includes a signed and numbered color
print of The Deck at La Piscine Deligny, 1975.
Dennis Hopper
Colors. The Polaroids
In 1987, Dennis Hopper began to use a Polaroid camera
to document gang graffiti. Hopper transformed the
instantaneous, disposable nature of Polaroid film into
pictures as deliberate and final as images achieved by
an artist painting on canvas. This limited edition of
Colors. The Polaroids includes a numbered print of Untitled
(Diamonds), 1987, which has been certified authentic by
Hopper Art Trust.
David Leventi
Opera
Photographing the interiors of some of the most storied and
illustrious opera houses around the world, David Leventi
has constructed an arresting, visually rich survey of grand
architecture. Opera brings together in one publication images
from more than 40 opera houses, spanning four continents
and 400 years of history, and includes a foreword by Plácido
Domingo. Taken over an eight-year period and shot on a large
format camera, the images demonstrate Leventi’s meticulous
approach to his subject, revealing these temples of music in all
Edition of 15 signed and numbered prints their wealth of architectural detail and design. The collector’s
Palais Garnier, 2009
edition of Opera includes a color print of Palais Garnier, 2009.
C-print
Image size: 35.6 x 28.2 cm | 14 x 11 inches
Sheet size: 38.1 x 30.5 cm | 15 x 12 inches
Text by Plácido Domingo, Marvin Heiferman,
Thomas Mellins
33.8 x 28 cm | 13 ¼ x 11 inches
120 pages, 40 color, clothbound with jacket
ISBN 978-88-6208-440-6
$700 | £490
Ricky Adam
Belfast Punk. Warzone Centre 1997—2003
Limited edition of 15 copies, each comprising a first edition
book housed in a slipcase with a single beautiful print. As a
young photographer, Ricky Adam documented the late '90s'
punk scene in Belfast, Northern Ireland, inside the infamous
punk venue, the Warzone Centre. These images offer a unique
fly on the wall snapshot of D.I.Y. punk culture at a certain
time and place in the city of Belfast.
Edition of 15 signed and numbered prints
Untitled, 2000
Epson archival inks on Hahnemuhle fine art archival paper (glossy)
Image size: 26.9 x 20 cm | 10 ⅝ x 7 ⅞ inches
Sheet size: 29.7 x 21 cm | 11 ¾ x 8 ¼ inches
25.5 x 30 cm | 10 x 11 ¾ inches
176 pages, 85 b&w, hardbound
ISBN 978-88-6208-552-6
$200 | £150
Collector’s Editions 53

Edition of 20 signed and numbered prints
Delight, 1978
Gelatin silver print
Image size: 25.4 x 33 cm | 10 x 13 inches
Sheet size: 27.9 x 33.5 cm | 11 x 14 inches
24.5 x 22.5 cm | 9 ¾ x 9 inches
104 pages, 100 b&w, hardbound
ISBN 978-88-6208-435-2
$650 | £450
Edition of 25 signed and numbered prints
Feet I, 2014
C-print
Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches
Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches
Text by Marie-Agnès Gillot
21.5 x 28.7 cm | 8 ½ x 11 ¼ inches
68 pages, 40 b&w, hardbound
ISBN 978-88-6208-467-3
$450 | £290
54
Joseph Szabo
Rolling Stones Fans
On June 17th, 1978, Joe Szabo accompanied two of his high
school students to a Rolling Stones concert. The kids needed
the ride from Philadelphia to JFK Stadium in Long Island,
New York, and Szabo thought he would be able to take some
good photographs. Thirty-five years after the event, Szabo
selected the best shots from that day when 90,000 fans
gathered to hear the Stones and presents them here in Rolling
Stones Fans. This collector’s edition is limited to 20 copies and
includes a signed and numbered print, Delight.
Matthew Brookes
Les Danseurs
Matthew Brookes’s style of photography leans toward the
natural, raw emotion of his subjects. In his first book, Brookes
has turned his lens on the professional male ballet dancers of
Paris. For a year in the life of these dancers, he took them out
of their regular environment of rehearsals and performances
and photographed them in a raw space, where they were
allowed to explore the physicality of dance in its essential
form. Brookes’s stunning series of portraits depicts the pure
physicality of the male dancer. This collector’s edition includes
a signed and numbered black-and-white print of Feet I, 2014.
Edition of 25 signed and numbered prints
Mukunda as Death in the Graveyard, 2015
C-print
Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches
Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches
Text by Crystal Moselle, Joseph Akel
21.6 x 28 cm | 8 ½ x 11 inches
160 pages, 168 color, softcover
ISBN 978-88-6208-461-1
$300 | £200
Edition of 17 unique signed
and numbered prints, matted
Container, 2014
C-print
Image size: 28.4 x 35.4 cm | 11 x 14 inches
Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches
35 x 28 cm | 13 ¾ x 11 inches
176 pages, 120 color, hardbound
ISBN 978-88-6208-375-1
$3,000 | £2,000
Dan Martensen
Wolves Like Us: Portraits of the
Angulo Brothers
In 2010, photographer Dan Martensen was introduced to the
Angulo brothers by filmmaker Crystal Moselle, who had just
begun work on her hit documentary The Wolfpack. The film
chronicles the lives of six home-schooled boys, who gained
most of their knowledge of the outside world from the movies
they watched at home. Confined to their four-bedroom
apartment in New York City’s Lower East Side for 14 years,
the siblings recreated cult-classic films, fashioning props
as well as costumes from the contents of their apartment.
Martensen photographed the boys, capturing the cinema-
inspired world they had created, while also documenting
their first forays into the world outside. The collection of
intimate portraits and still lifes in Wolves Like Us adds another
layer to the captivating story of the Angulo brothers, and is a
testament to the enduring spirit of creativity. The collector’s
edition of Wolves Like Us includes a signed and numbered
color print of Mukunda as Death in the Graveyard, 2015.
Matthew Brandt
Lakes & Reservoirs
For his series Lakes & Reservoirs, Matthew Brandt
photographed lakes and reservoirs in the western United
States and then submerged each print in water collected from
the subject of the photograph. Prints are soaked for days,
weeks, or even months, and this process influences the layers
of color that comprise the image. The resulting photographs
range from mostly representational to completely abstract.
This series considers the current condition not only of our
lakes and reservoirs, but also of traditional color photography.
This edition of Lakes & Reservoirs is limited to 17 copies and
includes the book and a unique matted print numbered and
signed by the artist. Each of the 17 prints in the Lakes &
Reservoirs series is titled Container, plus its unique number.
The prints comprising this collector’s edition are not
reproduced in the book.
Collector’s Editions 55

Edition of 50 signed and numbered prints
Marcel Duchamp and Eve Babitz, 1963
Silver gelatin print
Image size: 30.7 x 20.5 cm | 12 x 8 inches
Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches
Edited by Brad Elterman
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
144 pages, 150 b&w, hardbound with slipcase
ISBN 978-88-6208-377-5
$700 | £420
Edition of 25 signed and numbered prints
Cash Meier Barn, 2012
Archival inkjet print
Image size: 35.5 x 27.7 cm | 14 x 11 inches
Sheet size: 50.8 x 40.6 cm | 20 x 16 inches
Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks
24.8 x 34.3 cm (9 ¾ x 13 ½ inches)
140 pages, 73 color, hardbound
ISBN 978-88-6208-470-3
$600 | £450
56
Julian Wasser
The Way We Were: The Photography
of Julian Wasser
This long-overdue monograph presents an astonishing
panorama of a bygone Los Angeles from photographer Julian
Wasser. The Way We Were is replete with iconic images such
as a 1968 shot of Joan Didion leaning against a Corvette
Stingray in Hollywood. But photographs of Jack Nicholson
and Angelica Huston at Nicholson’s Mulholland Drive
home, or the Fonda family lined up on the family sofa, paint
a picture of a very private Hollywood of the 1960s and '70s,
when privacy was possible and celebrity culture had not yet
completely consumed the country. This collector’s edition
includes a numbered and signed photograph and is issued
in a cloth slipcase. Wasser’s famous print captures Marcel
Duchamp playing chess with a naked Eve Babitz at his
seminal 1963 exhibition at the Pasadena Art Museum.
Andrew Moore
Dirt Meridian
The acclaimed photographer Andrew Moore takes to the air
to create an intimate vision of the High Plains. The title refers
to the 100th meridian, the longitude that neatly bisects the
United States and has long been considered the dividing line
between the fertile green East and the dry brown West. Much
of the meridian traverses America’s “flyover country,” those
remote and sparsely populated landscapes with a long history
of repeated drought and failed dreams. Yet other parts of the
meridian overlap bustling and contentious zones such as
the heavily fracked Bakken formation in North Dakota. Dirt
Meridian interweaves both these stories: the enduring myths
and rich history of a place where so little meets the eye,
alongside a portrayal of those who continue to live amidst its
vast and severe magnificence. The collector’s edition of Dirt
Meridian includes a signed and numbered color print of Cash
Meier Barn, 2012.
Edition of 50 signed and numbered prints
Waiting Room with Snowdrift, 2008
Archival C-print
Image size: 28 x 35.5 cm | 11 x 14 inches
Sheet size: 30.5 x 38 cm | 12 x 15 inches
Text by Andrew Moore, Philip Levine
34.5 x 27 cm | 13 ½ x 10 ½ inches
128 pages, 70 color, hardbound with jacket and slipcase
ISBN 978-88-6208-140-5
$750 | £500
Edition of 50 signed and numbered prints
Casa de Verano, El Vedado, 1999
Archival inkjet print
Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches
Sheet size: 30 x 38 cm | 11 ¾ x 15 inches
Text by Joel Smith, Orlando Luis Pardo Lazo
40 x 30 cm | 15 ¾ x 11 ¾ inches
128 pages, 68 color, hardbound with slipcase
ISBN 978-88-6208-258-7
$750 | £500
Andrew Moore
Detroit Disassembled
For Andrew Moore, the wonder of Detroit’s transformation is
its demonstration of nature’s power to devour, and, through
destruction, to renew. He has remarked, “One could say
that Detroit has become America’s version of an open city.
It’s been left undefended against an onslaught of scrappers,
vandals, and the forces of nature. It’s a city of hundreds, if not
thousands, of empty homes, apartment buildings, factories,
libraries, hospitals, schools, and churches. All are abandoned
and most are unguarded, barely salvageable, and slated for
demolition that gets delayed year after year.” His depiction
of Detroit questions what the changing, precarious future of
America holds.
Andrew Moore
Cuba
Cuba offers a series of poignant interiors that display the
changing fortunes of the country over its 500-year history,
with portraits and landscapes that hint at the changes coming
to this island nation. Originally published as Inside Havana
in 2002 to wide acclaim, this new version expands that
book with finer and larger reproductions, older photographs
never before seen or published, as well as new work made
specifically for this edition. This collector’s edition includes a
signed and numbered photograph and is housed in a slipcase.
Collector’s Editions 57

Edition of 50 signed and numbered prints
Cinderella, 1983
Archival pigment print
Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches
Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches
24 x 31.5 cm | 9 ½ x 12 ½ inches
96 pages, 80 color and b&w, clothbound with slipcase
ISBN 978-88-6208-346-1
$750 | £500
Edition of 25 signed and numbered prints, matted
Maurizio Cattelan by Ari Marcopoulos, 2014
C-print
Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches
Sheet size: 30.5 x 45.6 cm | 12 x 18 inches
Edited by Maurizio Cattelan, Myriam Ben Salah,
Marta Papini
23 x 29 cm | 9 x 11 ½ inches
160 pages, 120 color, softcover
ISBN 978-88-6208-409-3
$500 | £350
58
Richard Corman
Madonna NYC 83
Madonna NYC 83 celebrates a moment in early 1980s New
York that has been reappraised in recent years for its fecund
interactions and overlaps between the worlds of fashion, art,
and music. The vital, edgy restlessness in the city spawned
adventurous personal styles and music that merged rap, funk,
punk, and pop. Madonna represented this sensibility like no
one else, and she was determined to define a look for herself,
and to carve out a space in the public imagination. After
her countless subsequent incarnations over the past three
decades, it is extraordinary to revisit these early years. This
collector’s edition is housed in a silk slipcase and includes a
signed and numbered print, Cinderella.
Ari Marcopoulos
Shit and Die: Maurizio Cattelan
Photographed by Ari Marcopoulos
Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos
is a limited edition that includes a portrait of Maurizio
Cattelan by Ari Marcopoulos, the book Shit and Die, and
a zine by Marcopoulos. Shit and Die was published to
accompany an exhibition of the same name at Palazzo
Cavour in Turin, curated by Cattelan, Myriam Ben Salah,
and Marta Papini in 2014. Marcopoulos’s zine documents the
exhibition backstage.
Edition of 15 signed and numbered prints
Tuinol Barry, Kings Road, 1983
C-print
Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches
Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches
Text by John Maybury
21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches
160 pages, 120 b&w, hardbound
ISBN 978-88-6208-405-5
$650 | £450
Edition of 100 signed and numbered prints
Untitled, 2009
C-print
Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches
Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches
Edited by Alexander McQueen, Nick Waplington.
Text by Susannah Frankel
26.3 x 30.5 cm | 10 ⅜ x 12 inches
304 pages, 200 color, hardbound with jacket and slipcase
ISBN 978-88-6208-356-0
$1,500 | £990
Derek Ridgers
78–87 London Youth
Taken in the streets, clubs, basements, and bars of London
between 1978 and 1987, this book brings together an
incredible series of images from the British photographer
Derek Ridgers. Since first picking up a camera in 1971, Ridgers
has felt compelled to record the characters that make up
the social scenes around him. These photographs bridge the
extremities of youth culture in the U.K., from punk through
the birth of acid house, and document the changing faces
of fashion, music, and culture through individuals and
influential social scenes in a time of DIY attitudes. This
collector’s edition includes the numbered and signed print
Tuinol Barry, Kings Road.
Nick Waplington
Alexander McQueen: Working Process
In 2008, Alexander McQueen commissioned the photographer
Nick Waplington to document the creation of his Fall 2009
collection—all the way from inception to runway showing.
Unfortunately, this fall/winter collection was to be the last
that McQueen would stage before his untimely death. Every
step of the creative process is documented in fascinating
detail, and readers receive a rare insight into the inner
workings of McQueen’s creative process. Waplington was
given unprecedented access to McQueen and his staff,
including Sarah Burton, the current creative director. Most
notably, McQueen edited the sequence of photographs in the
book’s layout. This collector’s edition includes a signed and
numbered print and is housed in a linen slipcase.
Collector’s Editions 59

Edition of 100 signed and numbered prints
Instant Incognito, 2010
Archival pigment print
Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches
Sheet size: 24 x 18 cm | 9 ½ x 7 inches
23.5 x 16.5 cm | 9 ¼ x 6 ½ inches
56 pages, 25 color, hardcover with jacket and slipcase
ISBN 978-88-6208-351-5
$490 | £330
Edition of 15 signed and numbered prints
Self Portrait with Nicholas, Becky, and Marshall, 2009
Inkjet pigment print
Image size: 35.5 x 28 cm | 14 x 11 inches
Sheet size: 38 x 30.5 cm | 15 x 12 inches
Text by Alain de Botton, Alison Nordström
28 x 24 cm | 11 x 9 ½ inches
112 pages, 50 color, hardbound
ISBN 978-88-6208-406-2
$650 | £450
60
Tierney Gearon
Alphabet Book
This book by Tierney Gearon takes the form of a children’s
alphabet book. Each letter of the alphabet is illustrated with a
photograph by Gearon that animates the letter: A is “Airplane
Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and
so on. At once an inventive photo book and an enchanting
take on the classic children’s alphabet book, this volume is
Gearon’s most charming and lighthearted work to date. This
collector’s edition includes a signed and numbered color print.
Jessica Todd Harper
The Home Stage
The title of Jessica Todd Harper’s The Home Stage has a
double meaning: it alludes to both the homebound lifestyle
of families with small children and the idea that home is the
stage on which children first learn how to live. Her nuanced
treatment of her subjects and environs, coupled with her
elegant compositions, unique color palette, and theatrical
handling of light, transforms each room and yard into a
stage set. No detail is left untouched by her eye. Private but
universal, she is genuine, tender, uninhibited, and humorous.
This collector’s edition includes the signed and numbered
print Self Portrait with Nicholas, Becky, and Marshall.
Edition of 200 signed and numbered prints
Cross, 2004
C-print
Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches
Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches
24 x 29 cm | 9.5 x 11.5 inches
176 pages, 150 color, hardbound
ISBN 978-88-6208-060-6
$600 | £300
Edition of 25 signed and numbered prints
Nangorot. Turkana, Loiyangalani, 2006
Archival pigment print
Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches
Sheet size: 28 x 28 cm | 11 x 11 inches
Text by Christopher Harth, Amanda Schmitt
28 x 28 cm | 11 x 11 inches
80 pages, 25 b&w, clothbound with jacket and slipcase
ISBN 978-88-6208-350-8
$390 | £250
Ed Templeton
Deformer
Eleven years in the making, and compiling more than 30 years'
worth of material, Ed Templeton’s Deformer is a multimedia
scrapbook of his upbringing in suburban Orange County,
California. Its photographs give a sun-drenched glimpse of
what it might be like to be young and alive in what Templeton
refers to as “the suburban domestic incubator.” Deformer
intertwines photographs, paintings, drawings, sketchbook
pages, disciplinary letters from his grandfather, and religious
notes from his mother into a magnificent narrative of teenage
isolation and social criticism. This collector’s edition includes
a signed and numbered photograph.
Xavier Guardans
Windows
Windows is the debut volume of photographer Xavier
Guardans. The photographs in Windows were taken in 2006
while he was exploring the Kenyan bush. Guardans’ portraits
of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot
people were shot through the window of his Toyota Land
Cruiser. His world is both dark and light, expressed elegantly
through black-and-white film. The balance in these images is
both solid and ephemeral. This collector’s edition is housed in
a slipcase and includes a signed and numbered print.
Collector’s Editions 61
 Michael Thompson Terry Richardson
Portraits Kibosh

Portraits spans the twenty-year career of acclaimed fashion and “Kibosh is the most important book of my career. This is
celebrity photographer Michael Thompson. This collector's my life's work. From the age of 16 when I first started to
edition includes a signed and numbered color print. photograph for fun and then as a profession, I have always
thought of Kibosh as the summary of my career.” This
Edition of 50 signed and numbered prints
Image size: 30.4 x 24.1 cm | 12 x 9 ½ inches
collector's edition includes the book Kibosh and the print
Sheet size: 44.5 x 35.9 cm | 17 ½ x 14 ⅛ inches Edition of 500 signed and numbered prints Untitled, 2004 signed and numbered by Terry Richardson.
Untitled, 2004
26 x 33 cm | 10 x 13 inches C-print
216 pages, 200 color, hardbound Image size: 24.7 x 16.4 cm | 9 ¾ x 6 ½ inches
ISBN 978-88-6208-157-3 Sheet size: 25.4 x 20.3 cm | 7 ½ x 7 ⅝ inches
$750 | £500
24 x 32.5 cm | 9 ½ x 15 ½ inches
320 pages, 250 color, hardbound
ISBN 978-88-89431-30-6
$400 | £250

Nick Haymes
GabeTM

Nick Haymes first met Gabe Nevins on an editorial

assignment in the summer of 2007. Gabe had just wrapped
up his lead role in Gus Van Sant’s Paranoid Park, in which he
had played a teenage skateboarder who accidentally kills a
security guard. This collector’s edition includes a signed and
numbered color print.

Edition of 25 signed and numbered prints

Untitled, 2008
Ultrachrome inkjet print
Print size: 16.1 x 20.3 cm | 6 ⅜ x 8 inches
Sheet size: 24.1 x 25.3 cm | 9 ½ x 10 inches

Introduction by Gus Van Sant

22 x 28 cm | 8 ½ x 11 inches
128 pages, 85 color and b&w, hardcover
ISBN 978-88-6208-225-9
$350 | £220

62 Collector’s Editions 63
 Toiletpaper
Toiletpaper was founded in 2010 by Maurizio Maurizio Cattelan and
Pierpaolo Ferrari
Cattelan and Pierpaolo Ferrari with the art direction Toiletpaper 7
of Micol Talso as a picture-based magazine. Photos 22.5 x 29 cm | 9 x 11 ½ inches
published in the magazine have been applied to 40 pages, 22 color, softcover
ISBN 978-88-6208-280-8
a variety of products and media, exploring the $16 | £10
multiple possibilities for images to live beyond the
pages. Each picture in a Toiletpaper publication
springs from an idea, often simple, but through a
complex orchestration of people it becomes the
materialization of the artists’ mental outbursts. The
resulting publications are themselves works of art Maurizio Cattelan and
that, through the accessible and widely distributed Pierpaolo Ferrari
Toiletpaper 8
media of magazines and books, challenge the limits 22.5 x 29 cm | 9 x 11 ½ inches
of the contemporary art economy. 40 pages, 22 color, softcover
ISBN 978-88-6208-286-0
$16 | £10
Maurizio Cattelan has exhibited internationally in
leading institutions and has participated numerous
times in the Venice Biennale. He curated the 4th
Berlin Biennale with Massimiliano Gioni and Ali
Subotnick. He collaborated on No Soul for Sale–A
Festival of Independents, which took place in the Maurizio Cattelan and
Turbine Hall of the Tate Modern in 2010. Cattelan Pierpaolo Ferrari
Toiletpaper 9
also conceived the art magazines Permanent Food and
22.5 x 29 cm | 9 x 11 ½ inches
Charley. Since retiring from art, after the acclaimed 40 pages, 22 color, softcover
2011 retrospective at the Guggenheim Museum ISBN 978-88-6208-294-5
$16 | £10
in New York City, he has committed himself to
publishing Toiletpaper magazine.
Pierpaolo Ferrari is a fashion and advertising
photographer and creative researcher. In 2007 he
began a collaboration with L’Uomo Vogue that offered
him the chance to explore the portrait’s potential and Maurizio Cattelan and
Pierpaolo Ferrari
radically change its codes. In 2009, he teamed with Toiletpaper 10
Maurizio Cattelan to create Toiletpaper. When he is 22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
not shooting, he can be found surfing in Costa Rica. ISBN 978-88-6208-339-3
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 11
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-394-2
$16 | £10
66
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 12
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-428-4
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 13
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-490-1
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 13
Limited edition of 650 copies
with Toiletpaper fan
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-501-4
$45 | £35
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 14
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-536-6
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 14
Limited edition of 650 copies
with Toiletpaper bag
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-537-3
$45 | £35
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 15
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-556-4
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 15
Limited edition of 700 copies
with Toiletpaper foulard
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-557-1
$45 | £35
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 16
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-585-4
$16 | £10
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 16
Limited edition of 1000 copies with
a Toiletpaper puzzle
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-586-1
$45 | £35
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 17
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-613-4
$16 | £10
Toiletpaper 67
 Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper 17
Limited edition of 1000 copies with
a surprise...
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-614-1
$45 | £35
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper Calendar 2017
21 x 28 cm | 8 ¼ x 11 inches
13 pages, 13 color, wire-O
ISBN 978-88-6208-517-5
$20 | £16.99
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper Calendar 2018
21 x 28 cm | 8 ¼ x 11 inches
13 pages, 13 color, wire-O
ISBN 978-88-6208-555-7
$20 | £16.99
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper Volume II:
Platinum Collection
23.8 x 34.5 cm | 9 ½ x 13 ½ inches
240 pages, 200 color, hardbound
Limited to 1,000 copies
Includes Toiletpaper watch
ISBN 978-88-6208-445-1
$150 | £100
Maurizio Cattelan and
Pierpaolo Ferrari
Toiletpaper Volume II
22.9 x 30.5 cm | 9 x 12 inches
240 pages, 200 color, hardbound
ISBN 978-88-6208-427-7
$65 | £45
68
ToiletMartin PaperParr Magazine is a new, special
edition of Toiletpaper published by Damiani.
This unique edition celebrates a new suite of
pictures presenting a back-to-back of images
made in collaboration with Maurizio Cattelan and
Pierpaolo Ferrari on the one side and Martin Parr
on the other.
Martin Parr, Maurizio Cattelan
and Pierpaolo Ferrari
ToiletMartin PaperParr
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-589-2
$18 | £13
Martin Parr, Maurizio Cattelan
and Pierpaolo Ferrari
ToiletMartin PaperParr
Limited edition of 1000 copies
with ToiletMartin PaperParr bag
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-594-6
$50 | £40
Martin Parr, Maurizio Cattelan
and Pierpaolo Ferrari
ToiletMartin PaperParr
Calendar 2019
21 x 28 cm | 8 ¼ x 11 inches
7 pages, 14 color, wire-O
ISBN 978-88-6208-597-7
$22 | £17.99
Kenzine is a collaboration between Toiletpaper
magazine and the Parisian clothing label Kenzo.
Founder Kenzo Takada is known for his synthesis
of Japanese style with Parisian high fashion.
The images in Kenzine contain subtle visual tricks
that become more powerful the longer you are
exposed to them.
Kenzo and Toiletpaper
Kenzine Vol. 1
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-343-0
$35 | £25
Kenzo and Toiletpaper
Kenzine Vol. 2
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-371-3
$35 | £25
Kenzo and Toiletpaper
Kenzine Vol. 3
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-385-0
$35 | £25
Kenzo and Toiletpaper
Kenzine Vol. 4
22.5 x 29 cm | 9 x 11 ½ inches
40 pages, 22 color, softcover
ISBN 978-88-6208-430-7
$35 | £25
Toiletpaper 69
Backlist
 Photography

Mark Abrahams Jessica Antola Cass Bird Michael Christopher Brown

Text by James Frey Circadian Landscape Rewilding Yo Soy Fidel
24 x 31.4 cm | 9 ½ x 12 ½ inches 23.5 x 28.6 cm | 9 ¼ x 11 ¼ inches Text by Sally Singer, Edited by Martin Parr
304 pages, 150 b&w, clothbound 128 pages, 69 color, clothbound Jack Halberstam Text by Martin Parr, Jon Lee Anderson,
Rights world except Germany ISBN 978-88- 6208-580-9 18 x 24 cm | 7 x 9 ½ inches Michael Christopher Brown
ISBN 978-88-6208-138-2 $40 | £29 88 pages, 42 b&w, clothbound 31 x 24 cm | 12 ⅕ x 9 ½ inches
$70 | £45 ISBN 978-88-6208-218-1 152 pages, 110 color, hardbound
$35 | £20 ISBN 978-88-6208-602-8
$50 | £35

Ricky Adam Tom Atwood Eric Boman Susan Burnstine

Belfast Punk. Warzone Centre Kings & Queens in Their Castles A Wandering Eye. Absence of Being
1997-2003 24.8 x 31.8 cm | 9 ¾ x 12 ½ inches Photographs 1975–2005 Text by Del Zogg, Chantel Paul,
25.5 x 30 cm | 10 x 11 ¾ inches 144 pages, 135 color, hardbound Edition of 1,200 numbered copies Susan Burnstine
176 pages, 85 b&w, hardbound ISBN 978-88-6208-516-8 Text by Kevin Moore 24 x 24 cm | 9 ½ x 9 ½ inches
ISBN 978-88-6208-510-6 $45 | £35 23.5 x 17.1 cm | 9 ¼ x 6 ¾ inches 96 pages, 80 b&w, hardbound
$40 | £30 128 pages, 120 color, hardbound ISBN 978-88-6208-475-8
ISBN 978-88-6208-487-1 $50 | £35
$45 | £30

Elizabeth Albert Stephanie Berger Matthew Brandt Kristin Capp

Silent Beaches, Untold Stories: Merce Cunningham: Beyond Lakes & Reservoirs Brasil
New York City’s Forgotten Waterfront the Perfect Stage 35 x 28 cm | 13 ¾ x 11 inches Text by Paulo Venancio Filho,
Edited by Elizabeth Albert Text by Nancy Dalva 176 pages, 120 color, hardbound Sergio Alcides
24 x 30 cm | 9 ½ x 11 ⅞ inches 22.8 x 22.8 cm | 9 x 9 inches ISBN 978-88-6208-374-4 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches
SILENT BEACHES. UNTOLD STORIES
N E W Y O R K C I T Y ’ S FORGOT T E N W A T E R F R O N T 128 pages, 80 color and b&w, 96 pages, 100 color, hardbound $65 | £40 120 pages, 98 b&w, hardbound
softcover with slipcase English & Portuguese
ISBN 978-88-6208-500-7 ISBN 978-88-6208-465-9 ISBN 978-88-6208-455-0
$39.95 | £30 $50 | £35 $40 | £25

Mariam Amurvelashvili Monica Biancardi Robin Broadbent James Casebere

Endless Questions RiMembra The Photographic Work of Works 1975–2010
22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 24 x 32 cm | 9 ½ x 12 ½ inches Robin Broadbent Edited and with text by Okwui
112 pages, 70 b&w, hardbound 72 pages, 50 color, hardbound 21.6 x 28 cm | 9 x 11 ¾ inches Enwezor. Text by Toni Morrison,
ISBN 978-88-6208-447-5 ISBN 978-88-6208-514-4 184 pages, 160 color and b&w, Hal Foster, Ford Morrison
$35 | £24 $30 | £25 hardbound with jacket 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches
ISBN 978-88-6208-530-4 320 pages, 250 color, hardbound
$50 | £38 with jacket
ISBN 978-88-6208-186-3
$80 | £50

Marco Anelli Tom Bianchi Matthew Brookes Gusmano Cesaretti

Portraits in the Presence of Fire Island Pines: Polaroids Les Danseurs Fragments of Los Angeles,
Marina Abramović 1975–1983 Text by Marie-Agnès Gillot 1969–1989
Text by Marina Abramović, Edited by Ben Smales. Text by 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches In association with Alleged Press
Tom Bianchi was born and raised in the suburbs of Chicago and graduated
Klaus Biesenbach, Chrissie Iles Edmund White, Tom Bianchi 68 pages, 40 b&w, hardbound Edited by Aaron Rose. Text by
22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches 21.5 x 25.5 cm | 8 ½ x 10 inches ISBN 978-88-6208-433-8 Jeffrey Deitch, Michael Mann
from Northwestern University School of Law in 1970. He became a corporate
attorney, eventually working with Columbia Pictures in New York, painting and
Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and
drawing on weekends. His artwork came to the attention of Betty Parsons and
pick up 25-cent “physique” magazines at newsstands. In one such magazine,
Carol Dreyfuss and they gave him his first one-man painting show in 1980. In
he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island
1984, he was given his first solo museum exhibition at the Spoleto Festival. After
sounded exotic, perhaps a name made up by the photographer,” he recalls in

192 pages, 1,600 color, softcover 212 pages, 150 color, hardbound $45 | £30 24 x 30.5 cm | 9 ½ x 12 inches
Bianchi’s partner died of AIDS in 1988, he turned his focus to photography,
the preface to his latest monograph. “I had no idea it was a real place. Certainly,
producing Out of the Studio, a candid portrayal of gay intimacy. Its success led
I had no idea then that it was a place I would one day call home.” In 1970,
to producing numerous monographs, including On the Couch, Deep Sex and In
fresh out of law school, Bianchi began traveling to New York, and was invited
Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with
to spend a weekend at Fire Island Pines, where he encountered a community
the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the

ISBN 978-88-6208-249-5 with jacket 164 pages, 100 b&w, hardbound

of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’
company responsible for funding the research through 2000.
lives in the Pines, amassing an image archive of people, parties and private
moments. These images, published here for the first time, and accompanied by
Bianchi’s moving memoir of the era, record the birth and development of a new
culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures

$40 | £25 ISBN 978-88-6208-270-9 ISBN 978-88-6208-275-4

a magical bygone era.

These photographs are at once formal and intimate for they

bring both rigor and tenderness to glimpses of real people.

Edmund White
$50 | £35 $50 | £35

$ 50.00 | £ 35.00

72 Backlist 73
 Gian Butturini
London
Edited by Martin Parr. Text by
Martin Parr, Allen Ginsberg,
Gian Butturini, Luciano Mondini
25,4 x 30.5 cm | 10 x 12 inches
104 pages, 78 b&w, hardbound
with jacket
ISBN 978-88-6208-558-8
$45 | £34
Luca Campigotto
Iconic China
Text by William M. Hunt
34 x 26 cm | 13 ⅜ x 10 inches
84 pages, 40 color, hardbound
ISBN 978-88-6208-566-3
$45 | £35
Ludovic Cesari
Text by Phil Bicker
24 x 28 cm | 9 ½ x 11 inches
160 pages, 100 color, hardbound
ISBN 978-88-6208-421-5
$40 | £25
Rachel Cobb
Mistral: The Legendary
Wind of Provence
Introduction by Bill Buford
24,8 x 31.7 cm | 9 ¾ x 12 ½ inches
192 pages, 99 color, hardbound
ISBN 978-88-6208-618-9
$50 | £35
Michel Comte
Michel Comte and MILK:
A Collaboration 1996–2016
Interview by Bobby Woods
24.1 x 34 cm | 9 ½ x 13 ⅜ inches
336 pages, 265 color, clothbound
with jacket
ISBN 978-88-6208-446-8
$75 | £50
74
Mariana Cook
Justice: Faces of the Human
Rights Revolution
Text by Anthony Lewis
25 x 29.2 cm | 9 ⅞ x 11 ½ inches
216 pages, 99 b&w, clothbound
with jacket
ISBN 978-88-6208-261-7
$50 | £35
Mariana Cook
Stone Walls: Personal Boundaries
Text by Wendell Barry, Susan
Allport, Lucy Breathitt, Thomas
Cummins, Robert O. Paxton, et al
28 x 28 cm | 11 x 11 inches
192 pages, 82 b&w, hardbound
with jacket
ISBN 978-88-6208-169-6
$50 | £35
Richard Corman
Madonna NYC 83
24 x 31.5 cm | 9 ½ x 12 ½ inches
96 pages, 80 color and b&w,
clothbound
ISBN 978-88-6208-288-4
$49.95 | £34
Alessandro Cosmelli
and Gaia Light
Brooklyn Buzz
Text by Gavin Keeney, Jamie Wellford
16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches
208 pages, 94 color, softcover
ISBN 978-88-6208-241-9
$40 | £25
Alessandro Cosmelli
and Gaia Light
Havana Buzz
10.2 x 15.5 cm | 4 x 6 ⅛ inches
224 pages, 170 color, softcover
with jacket
ISBN 978-88-6208-560-1
$30 | £25
Alessandro Cosmelli
and Gaia Light
Milano Buzz
17.1 x 22.8 cm | 6 ¾ x 9 inches
208 pages, 120 color, softcover
ISBN 978-88-6208-393-5
$40 | £25
William Coupon
Portraits
Foreword by Walter Isaacson
and text by Anthony Bannon
29.2 x 31.7 cm | 11 ½ x 12 ½ inches
216 pages, 150 color, clothbound
with jacket
ISBN 978-88-6208-603-5
$60 | £44
Chris Craymer
From the Heart
24.1 x 30.5 cm | 9 ½ x 12 inches
192 pages, 48 color, 87 b&w,
hardbound
ISBN 978-88-6208-452-9
$50 | £35
Chris Craymer
American Romance
24 x 30.5 cm | 9 ½ x 12 inches
200 pages, 170 color, hardbound
ISBN 978-88-6208-584-7
$50 | £34
Stéphane Coutelle
Insomnies
24 x 17 cm | 9 ½ x 6 ¾ inches
160 pages, 100 color, clothbound
ISBN 978-88-6208-303-4
$40 | £25
Marco Craig
NYC Marathon: Do Not Cross
Text by Federico Rampini
30.5 x 22.9 cm | 12 x 9 inches
80 pages, 60 color, hardbound
ISBN 978-88-6208-497-0
$45 | £30
Philip-Lorca diCorcia
Eleven
Edited by Dennis Freedman
Interview by Jeff Rian
24.8 x 33 cm | 9 ½ x 13 inches
272 pages, 144 color, hardbound
with jacket
ISBN 978-88-6208-167-2
$70 | £50
Terence Donovan
Portraits
Text by Philippe Garner
24.5 x 28 cm | 9 ¾ x 11 inches
176 pages, 160 color and b&w,
hardbound
ISBN 978-88-6208-482-6
$50 | £35
Cheryl Dunn
Festivals Are Good
In association with Standard Press
29.2 x 19 cm | 11 ½ x 7 ½ inches
128 pages, 80 color, hardbound
ISBN 978-88-6208-466-6
$40 | £25
Simon Eeles
Australiana
24.1 x 30.5 cm | 9 ½ x 12 inches
96 pages, 60 color, clothbound
ISBN 978-88-6208-499-4
$35 | £25
Backlist 75
 Simon Eeles
Far Far Rockaway
24.1 x 30.5 cm | 9 ½ x 12 inches
96 pages, 60 color, clothbound
ISBN 978-88-6208-543-4
$35 | £25
Sasha Eisenman
California Girls
24.2 x 30 cm | 9 ½ x 11 ¾ inches
240 pages, 200 color, softcover
ISBN 978-88-6208-366-9
$50 | £35
Arthur Elgort
Jazz
Foreword by Wynton Marsalis.
Introduction by Hank O’Neal.
Edited by Marianne Houtenbos
17.8 x 22.9 cm | 7 x 9 inches
160 pages, 100 color and b&w,
hardbound
ISBN 978-88-6208-608-0
$45 | £35
Brad Elterman
Dog Dance. The Photographs
of Brad Elterman
Edited by Sandy Kim
Text By Olivier Zahm
16.8 x 23.8 cm | 6 ½ x 9 ½ inches
96 pages, 100 color and b&w,
hardbound
ISBN 978-88-6208-297-6
$35 | £25
Deborah Feingold
Music
Introduction by Anthony
DeCurtis
25.4 x 25.4 cm | 10 x 10 inches
108 pages, 60 b&w, hardbound
ISBN 978-88-6208-311-9
$45 | £30
76
Hans Feurer
Text by Gianni Jetzer
24 x 34 cm | 9 ½ x 13 ½ inches
200 pages, 175 color, clothbound
ISBN 978-88-6208-292-1
$65 | £40
Larry Fink
Fink on Warhol: New York
Photographs of the 1960s
Text by Kevin Moore
24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches
128 pages, 80 b&w, clothbound
ISBN 978-88-6208-515-1
$50 | £38
Fischerspooner
Egos
Edited by Meredith Mowder
Text by Klaus Biesenbach,
Gavin Brown, Jeffrey Deitch,
Warren Fischer, Casey Spooner
24.2 x 28 cm | 9 ½ x 11 inches
96 pages, 70 color, hardbound
ISBN 978-88-6208-429-1
$45 | £30
Jill Freedman
Resurrection City, 1968
24.5 x 30 cm | 9 ⅗ x 11 ⅘ inches
176 pages, 140 b&w, hardbound
ISBN 978-88-6208-583-0
$45 | £35
Adam Fuss
Water
27.3 x 33 cm | 10 ¾ x 13 inches
120 pages, 80 color and b&w,
clothbound with jacket
ISBN 978-88-6208-587-8
$55 | £39
Ron Galella
New York
Edited by Nick Vogelson
Text by William Van Meter
22.8 x 28 cm | 9 x 11 inches
176 pages, 150 b&w, hardbound
ISBN 978-88-6208-355-3
$49.95 | £34
Tierney Gearon
Alphabet Book
23.5 x 16.5 cm | 9 ¼ x 6 ½ inches
56 pages, 26 color, hardbound
with jacket
ISBN 978-88-6208-320-1
$40 | £25
Tria Giovan
The Cuba Archive.
Photographs 1990-1996
Essey by Silvana Paternostro
29.3 x 21 cm | 11 ½ x 8 ¼ inches
168 pages, 125 color, hardbound
ISBN 978-88-6208-545-8
$40 | £30
Deborah Goodman Davis
PhotoRx: Pharmacy in
Photography Since 1850
Edited by Shawn Waldron.
Text by David Campany
24 x 29 cm | 9 ½ x 11 ½ inches
160 pages, 100 color and b&w,
clothbound
ISBN 978-88-6208-554-0
$45 | £35
Greg Gorman
Outside the Studio
Text by James Nachtwey,
Greg Gorman
30.5 x 30.5 cm | 12 x 12 inches
156 pages, 140 b&w, hardbound
with jacket
ISBN 978-88-6208-391-1
$50 | £30
Xavier Guardans
Self-Portraits
Text by Emilie Lee,
Sarita Louise Moore,
Anja Skidan, Grace Villamil
28 x 28 cm | 11 x 11 inches
96 pages, 46 b&w, clothbound
with jacket
ISBN 978-88-6208-484-0
$50 | £35
Xavier Guardans
Traveling Lights
Text by Amelia Rina
27.9 x 27.9 cm | 11 x 11 inches
84 pages, 39 b&w, clothbound
ISBN 978-88-6208-387-4
$50 | £30
Xavier Guardans
Windows
Text by Christopher Harth,
Amanda Schmitt
28 x 28 cm | 11 x 11 inches
80 pages, 25 b&w, clothbound
ISBN 978-88-6208-323-2
$60 | £39
Torkil Gudnason
Body Vase
25.4 x 30.5 cm | 10 x 12 inches
80 pages, 70 color, clothbound
ISBN 978-88-6208-296-9
$40 | £25
Philippe Halsman
Philippe Halsman’s Jump Book
22 x 28 cm | 8 ⅝ x 11 inches
96 pages, 194 b&w, hardbound
with jacket
ISBN 978-88-6208-420-8
$45 | £30
Backlist 77
 Pamela Hanson
Private Room
Edition of 1,500 numbered copies
Text by Jack Pierson
17.1 x 22.9 cm | 6 ¾ x 9 inches
96 pages, 60 color, clothbound
ISBN 978-88-6208-491-8
$40 | £30
Dennis Hopper
Colors. The Polaroids
Text by Aaron Rose
23.5 x 20.3 cm | 9 ¼ x 8 inches
132 pages 120 color, clothbound
ISBN 978-88-6208-476-5
$45 | £30
Eward Keating
Main Street. The Lost
Dream of Route 66
32 x 25.5 cm | 12 ⅗ x 10 inches
176 pages, 84 b&w, hardbound
ISBN 978-88-6208-600-4
$50 | £35
Lionel Koretzky
1000 Cars of NYC.
15.9 x 15.9 cm | 6 ¼ x 6 ¼ inches
288 pages, 1000 color, hardbound
ISBN 978-88-6208-546-5
$35 | £25

Charles Harbutt Dennis Hopper David Lykes Keenan David Lachapelle

Departures and Arrivals
24 x 29 cm | 10 ½ x 11 ½ inches
120 pages, 93 b&w, clothbound
ISBN 978-88-6208-243-3
$50 | £35
Drugstore Camera
Edited by Michael Schmelling
Text by Marin Hopper
23.5 x 20.3 cm | 9 ¼ x 8 ½ inches
96 pages, 60 b&w, clothbound
ISBN 978-88-6208-403-1
$45 | £30
Fair Witness
Text by Eli Reed
24.1 x 20.3 cm | 9 ½ x 8 inches
160 pages, 100 b&w, hardbound
ISBN 978-88-6208-389-8
$45 | £29
Landscape
Text by Shana Nys Dambrot,
Paul Watson
33 x 30 cm | 13 x 11 ¾ inches
88 pages, 80 color, softcover
ISBN 978-88-6208-331-7
$45 | £29

Jessica Todd Harper Kenro Izu Daniel King Frédéric Lagrange

The Home Stage
Text by Alain de Botton,
Alison Nordström
28 x 24 cm | 11 x 9 ½ inches
112 pages, 50 color, hardbound
ISBN 978-88-6208-364-5
$45 | £30
Seduction
24 x 30 cm | 9 ½ x 11 ⅘ inches
160 pages, 100 color, hardbound
ISBN 978-88-6208-579-3
$50 | £35
Ukraine Youth, Between Days
22.8 x 30.5 cm | 9 x 12 inches
96 pages, 80 color, hardbound
ISBN 978-88-6208-398-0
$40 | £25
Mongolia
34.2 x 41.9 cm | 13 ½ x 16 ½ inches
240 pages, 150 color, clothbound
ISBN 978-88-6208-606-6
$280 | £200

Jessica Todd Harper Niko J. Kallianiotis James Klosty Gillian Laub

Interior Exposure
Text by Larry Fink
Interview by Sarah A. McNear
28 x 24 cm | 11 x 9 ½ inches
112 pages, 50 color, hardbound
English & Italian
ISBN 978-88-6208-016-3
$45 | £24.99
America in a Trance
30.5 x 21.6 cm | 12 x 8 ½ inches
136 pages, 95 color, hardbound
ISBN 978-88-6208-595-3
$44 | £30
Greece 66
28 x 28 cm | 11 x 11 inches
108 pages, 70 b&w, clothbound
ISBN 978-88-6208-605-9
$45 | £34
Southern Rites
24.1 x 26.7 cm | 9 ½ x 10 ½ inches
160 pages, 100 color, clothbound
ISBN 978-88-6208-413-0
$50 | £35

Elizabeth Heyert Ruth Kaplan Jeremy Kost Antoine Le Grand

The Outsider
Text by Madeleine Thien
29.85 x 30.48 cm | 11 ¾ x 12 inches
96 pages, 43 b&w, hardbound
ISBN 978-88-6208-544-1
$30 | £25
Bathers
24.7 x 30,5 cm | 9 ¾ x 12 inches
112 pages, 70 b&w, clothbound
ISBN 978-88-6208-548-9
$50 | £35
Fractured
Interview by Franklin Sirmans.
Text by Glenn O’Brien, Garrett Neff
23 x 28 cm | 9 x 11 inches
208 pages, 180 color, hardbound
ISBN 978-88-6208-363-8
$49.95 | £35
Portraits
Introduction by Jean-Paul Goude
27.5 x 27.5 cm | 11 x 11 inches
316 pages, 280 color and b&w,
hardbound
ISBN 978-88-6208-503-8
$50 | £35

78 Backlist 79
 David Leventi
Opera
Text by Plácido Domingo, Marvin
Heiferman, Thomas Mellins
33.8 x 28 cm | 13 ¼ x 11 inches
120 pages, 40 color, clothbound
with jacket
ISBN 978-88-6208-397-3
$50 | £30
Builder Levy
Humanity in the Streets.
New York City 1960s-1980s
Text by Deborah Willis
24.3 x 30.5 cm | 9 ⅗ x 12 inches
124 pages, 100 b&w, hardbound
ISBN 978-88-6208-612-7
$49.95 | £35
Julien Levy
Every Day Is Doomsday
28 x 19 cm | 11 x 7 ½ inches
144 pages, 110 color, hardbound
ISBN 978-88-6208-442-0
$50 | £35
Joan Liftin
Water for Tears
22.9 x 25.4 cm | 9 x 10 inches
144 pages, 80 color, hardbound
ISBN 978-88-6208-596-0
$50 | £34
Joan Liftin
Marseille
30.5 x 23.5 cm | 12 x 9 ¼ inches
112 pages, 64 b&w, hardbound
ISBN 978-88-6208-449-9
$50 | £35
80
Lima, Peru
Edited by Mario Testino.
Text by Mario Vargas Llosa
23 x 33 cm | 9 x 13 inches
224 pages, 190 color, hardbound
English, Italian & Spanish
ISBN 978-88-89431-92-4
$65 | £35
Lipstick Flavor:
A Contemporary Art Story
with Photography
Edited by Jérôme Sans, Marla
Hamburg Kennedy
24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches
174 pages, 120 color and b&w,
hardbound
ISBN 978-88-6208-426-0
$50 | £35
Alexi Lubomirski
Diverse Beauty
Text by Lupita Nyong’o, Alexi
Lubomirski
25 x 34.5 cm | 9 ⅞ x 13 ½ inches
192 pages, 135 color and b&w,
hardbound
ISBN 978-88-6208-479-6
$50.00 | £35
Magnum Photos with Reda: 150
24 x 28 cm | 9 ½ x 11 inches
180 pages, 102 color and b&w,
clothbound
ISBN 978-88-6208-408-6
$50 | £35
Eric Maillet
Silent Conversations
Text by Jérôme Sans
24.6 x 30.5 cm | 9 ¾ x 12 inches
192 pages, 150 color and b&w,
hardbound
ISBN 978-88-6208-415-4
$50 | £35
Ari Marcopoulos
Out & About
In association with Alleged Press
Edited by Aaron Rose
24 x 31.5 cm | 9 ½ x 12 ½ inches
248 pages, 200 b&w, clothbound
with sleeve
Italian & English
ISBN 978-88-89431-13-9
$55 | £35
Caleb Cain Marcus
A brief movement after death
17.8 x 25.4 cm | 7 x 10 inches
48 pages, 20 color, softcover
ISBN 978-88-6208-604-2
$30 | £20
Caleb Cain Marcus
Goddess
Text by Richard Ford
25 x 29.1 cm | 8 ½ x 11 ½ inches
116 pages, 90 color, hardbound
ISBN 978-88-6208-418-5
$50 | £35
Sarai Mari
Speak Easy
21 x 27 cm | 8 ¼ x 10 ½ inches
160 pages, 100 color, hardbound
ISBN 978-88-6208-507-6
$45 | £35
Dan Martensen
Photographs from the American
Southwest
30 x 24.5 cm | 11 ¾ x 9 ½ inches
100 pages, 60 color, clothbound
ISBN 978-88-6208-232-7
$50 | £35
Dan Martensen
Wolves Like Us: Portraits
of the Angulo Brothers
Text by Crystal Moselle, Joseph
Akel
21.6 x 28 cm | 8 ½ x 11 inches
160 pages, 168 color, softcover
ISBN 978-88-6208-443-7
$35 | £24
Happy Massee
Diary of a Set Designer
21 x 26 cm | 8 ¼ x 10 ¼ inches
160 pages, 140 color, clothbound
ISBN 978-88-6208-485-7
$50 | £35
Rania Matar
L’Enfant-Femme
Introduction by Her Majesty
Queen Noor. Text by Lois Lowry,
Kristen Gresh
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
152 pages, 97 color, clothbound
ISBN 978-88-6208-450-5
$50 | £35
Susan Meiselas
Mediations
17.5 x 24 cm | 6 ⅞ x 9 ⅖ inches
184 pages, 100 color and b&w,
hardbound
ISBN 978-88-6208-569-4 (English)
ISBN 978-88-6208-568-7 (French)
$35 | £25
Toni Meneguzzo
Gauchillos
Text by Toni Meneguzzo, Andrés
Sala, Daphné Anglès, Jean
Blanchaert, Tommaso Basilio
28 x 21.2 cm | 11 x 8 ½ inches
184 pages, 140 color, hardbound
ISBN 978-88-6208-513-7
$35 | £25
Backlist 81
 Joel Meyerowitz
Cézanne’s Objects
Text by Joel Meyerowitz, Maggie
Barrett
25.4 x 32 cm | 10 x 12 ⅝ inches
116 pages, 50 color, clothbound
ISBN 978-88-6208-564-9
$50 | £35
Joel Meyerowitz
Morandi’s Objects
Text by Joel Meyerowitz, Maggie
Barrett
25.4 x 32 cm | 10 x 12 ⅝ inches
116 pages, 65 color, clothbound
ISBN 978-88-6208-453-6
$50 | £35
William Meyers
Outer Boroughs: New York
Beyond Manhattan
22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches
208 pages, 160 b&w, hardbound
with jacket
ISBN 978-88-6208-401-7
$50 | £30
Bart Michiels
The Course of History
Text by Sonja Fessel, Simon
Schama
31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches
156 pages, 70 color, clothbound
ISBN 978-88-6208-305-8
$65 | £39
Sabine Mirlesse
As If It Should Have Been a Quarry
Text by Eduardo Cadara
30 x 24 cm | 11 ¾ x 9 ½ inches
64 pages, 60 color, clothbound
ISBN 978-88-6208-310-2
$40 | £25
82
Klaus Mitteldorf
Next
Text by Joseph Akel
25 x 30.5 cm | 9 ⅞ x 12 inches
96 pages, 60 color, hardbound
ISBN 978-88-6208-456-7
$50 | £35
Klaus Mitteldorf
Work: Photographs 1983–2013
24 x 30 cm | 9 ½ x 11 ¾ inches
360 pages, 800 color and b&w,
softcover
English & Portuguese
ISBN 978-88-6208-291-4
$50 | £35
Carlo Mollino
Polaroids
Text by Fulvio Ferrari,
Napoleone Ferrari, James Crump,
Silvio Curto
21.5 x 26.5 cm | 8 ½ x 10 ½ inches
288 pages, 400 color, hardbound
ISBN 978-88-6208-378-2
$65 | £40
Andrew Moore
Cuba
Text by Joel Smith, Orlando Luis
Pardo Lazo
40 x 30 cm | 15 ¾ x 11 ¾ inches
128 pages, 68 color, hardbound
ISBN 978-88-6208-252-5
$75 | £50
Andrew Moore
Detroit Disassembled
22.5 x 33 cm | 10 x 13 inches
136 pages, 70 color, hardbound
ISBN 978-88-6208-118-4
$50 | £34.95
Andrew Moore
Dirt Meridian
Text by Kent Haruf, Toby
Jurovics, Inara Verzemnieks
34.5 x 27.9 cm | 13 ½ x 11 inches
132 pages, 60 color, hardbound
ISBN 978-88-6208-412-3
$50 | £35
Motus
Hello Stranger
21.6 x 25.4 cm | 8 ½ x 10 inches
274 pages, 150 color, hardbound
ISBN 978-88-6208-518-2
$35 | £25
Tom Munro
Text by Madonna. Interview with
Pierre Alexandre de Looz
24 x 34 cm | 9 ½ x 13 inches
240 pages, 127 color and b&w,
clothbound with jacket
ISBN 978-88-6208-125-2
$75 | £50
Joan Myers
Fire and Ice: Timescapes
Text by Joan Myers, Kathleen
Stewart Howe
31.1 x 24.1 cm | 12 ¼ x 9 ½ inches
160 pages, 140 color, hardbound
ISBN 978-88-6208-392-8
$50 | £30
Joan Myers and Nathaniel Tarn
The Persephones
Edition of 500 numbered copies
Text by Nathaniel Tarn
18 x 23.8 cm | 7 x 9 inches
60 pages, 30 color, clothbound
ISBN 978-88-6208-498-7
$40 | £30
Hans Neumann
and Gabriel Rivera-Barraza
Nuevo New York
25.5 x 30 cm | 10 x 11 ⅞ inches
176 pages, 98 color and b&w,
hardbound
ISBN 978-88-6208-495-6
$50 | £35
Marc Ohrem-Leclef
Olympic Favela
Text by Luis Perez-Oramas,
Itamar Silva, David Kelley
24.1 x 31.1 cm | 11 x 11 inches
88 pages, 50 color, hardbound
ISBN 978-88-6208-338-6
$50 | £30
Christine Osinski
Summer Days Staten Island
Interview by A. H. Data.
Text by Paul Moakley
30.5 x 24.1 cm | 12 x 9 ½ inches
96 pages, 51 b&w, hardbound
ISBN 978-88-6208-448-2
$40 | £25
Bill Owens
25.5 x 30.5 cm | 10 x 12 inches
240 pages, 170 color, hardbound
ISBN 978-88-6208-017-0
$65 | £35
Jean Pagliuso
In Plain Sight. The Photographs
1968-2017
24 x 29 cm | 9 ½ x 11 ½ inches
256 pages, 200 color and b&w,
hardbound with jacket
ISBN 978-88-6208-578-6
$70 | £54
Backlist 83
 Martin Parr
Think of Scotland
23 x 31.5 cm | 9 x 12 ½ inches
144 pages, 100 color, hardbound
ISBN 978-88-6208-549-6
$40 | £30
Elizabeth Peyton
Portrait of an Artist:
Photographs 1994–2008
Text by Richard Klein,
Rirkrit Tiravanija
28 x 20 cm | 11 x 8 inches
112 pages, 62 color, clothbound
ISBN 978-88-6208-077-4
$45 | £24.99
Jack Pierson
The Hungry Years
Text by Eileen Myles
Quote by Stephen Shore
20.3 x 24.1 cm | 8 x 9 ½ inches
104 pages, 70 color, hardbound
ISBN 978-88-6208-562-5
$40 | £30
Jean Pigozzi
Charles and Saatchi. The Dogs
Foreword by Charles Saatchi
24.9 x 32.8 cm | 9 ⅘ x 12 ⅘ inches
48 pages, 29 b&w, hardbound
ISBN 978-88-6208-592-2
$49 | £39
Jean Pigozzi
ME + CO. The Selfies: 1972-2016
Text by Ash Carter
14 x 19.7cm | 5 ½ x 7 ¾ inches
168 pages, 160 illustrations, hardbound
ISBN 978-88-6208-550-2
$40 | £25
84
Giuseppe Pino
The Way They Were: Portraits
& Stories from the 20th Century
30 x 30 cm | 11 ¾ x 11 ¾ inches
304 pages, 250 b&w, hardbound
ISBN 978-88-6208-341-6
$70 | £45
Norma I. Quintana
Circus: A Traveling Life
Text by Mona Simpson
28 x 28 cm | 11 x 11 inches
144 pages, 120 b&w, hardbound
ISBN 978-88-6208-365-2
$60 | £39
Terry Richardson
Terrywood
Text by Jeffrey Deitch, Al Moran
25 x 30 cm | 10 x 12 inches
228 pages, 150 color, hardbound
with jacket
ISBN 978-88-6208-251-8
$60 | £40
Curt Richter
Thousand Words. Portraits
from the Key West Literary Seminar
Text by Ann Beattie
29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches
96 pages, 48 b&w, hardbound
ISBN 978-88-6208-478-9
$45 | £30
Derek Ridgers
78–87 London Youth
Text by John Maybury
21.5 x 31.5 cm | 8 ½ x 12 ½ inches
160 pages, 120 b&w, hardbound
ISBN 978-88-6208-359-1
$50 | £30
Peter Schlesinger
A Photographic Memory 1968–1989
Text by Peter Schlesinger, Hilton Als
24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches
176 pages, 150 color, hardbound
ISBN 978-88-6208-436-9
$50 | £35
Mark Segal
Cheetah
35 x 24 cm | 13 ¾ x 9 ½ inches
240 pages, 180 color and b&w,
clothbound
ISBN 978-88-6208-523-6
$120 | £90
David Seltzer
Knowledge of the Raw
Text by Eric Fischl
24.1 x 30.4 cm | 9 ½ x 12 inches
160 pages, 100 color and b&w,
hardbound
ISBN 978-88-6208-417-8
$45 | £30
Andres Serrano
Holy Works
Text by Germano Celant,
James Frey
24 x 31 cm | 9 ½ x 12 inches
112 pages, 60 color, clothbound
ISBN 978-88-6208-209-9
$50 | £30
Jamel Shabazz
Sights in the City: New York
Street Photographs
30.5 x 24.1 cm | 12 x 9 ½ inches
160 pages, 120 color and b&w,
hardbound
ISBN 978-88-6208-522-9
$50 | £38
David Shama
Do Not Feed Alligators
20.5 x 29 cm | 8 x 11 ½ inches
136 pages, 100 color, clothbound
ISBN 978-88-6208-617-2
$45 | £30
David Benjamin Sherry
It’s Time
Text by Neville Wakefield
22 x 30 cm | 9 x 12 inches
96 pages, 60 color, clothbound
ISBN 978-88-6208-093-4
$50 | £29.99
David Benjamin Sherry
Quantum Light
Text by Collier Schorr
21 x 27 cm | 8 ¼ x 10 ⅝ inches
72 pages, 70 color, clothbound
ISBN 978-88-6208-213-6
$50 | £30
Jacqueline Roberts
Nebula
Text by Frank Kalero
25.5 x 30 cm | 10 x 11 ⅞ inches
144 pages, 87 b&w, clothbound
ISBN 978-88-6208-486-4
$45 | £30
Lynn Saville
Dark City:
Urban America at Night
Text by Geoff Dyer
33.8 x 27 cm | 13 ¼ x 10 ⅝ inches
128 pages, 80 color, hardbound
ISBN 978-88-6208-411-6
$50 | £35
Backlist 85
 Portraits of an Urban Hymn David Scheinbaum
HIP HOP PHotograPHs
Hip Hop: Portraits of an
Urban Hymn
26 x 30 cm | 10 ¼ x 11 ¾ inches
DaviD scHeinbaUm
160 pages, 100 color and b&w,
hardbound
ISBN 978-88-6208-273-0
$50 | £34
Marius Schultz
A Conversation with Nature
20 x 30 cm | 7 ⅞ x 11 ⅘ inches
160 pages, 80 color, hardcover
ISBN 978-88-6208-588-5
$40 | £29
Erica Simone
Nue York: Self-Portraits of a
Bare Urban Citizen
NUE YORK
ERICA SIMONE
30.5 x 24.7 cm | 12 x 9 ¾ inches
88 pages, 48 color, hardbound
English & French
ISBN 978-88-6208-464-2
$40 | £25
Brian Bowen Smith
Projects
24 x 30.5 cm | 9 ½ x 12 ½ inches
168 pages, 100 b&w, hardbound
ISBN 978-88-6208-263-1
$60 | £40
Randi Malkin Steinberger
No Circus
Text by D.J. Waldie
22.9 x 17.8 cm | 9 x 7 inches
128 pages, 69 color, hardbound
ISBN 978-88-6208-480-2
$35 | £25
86
Aaron Stern
I Woke Up in My Clothes
Text by David Wagoner, Rich Appel
24 x 30 cm | 9 ½ x 11 ¾ inches
96 pages, 50 color, clothbound
ISBN 978-88-6208-352-2
$45 | £25
Joni Sternbach
Surf Site Tin Type
Text by Lyle Rexer, April M. Watson,
Chris Malloy, Johnny Abegg
30.5 x 24.8 cm | 12 x 9 ¾ inches
192 pages, 123 b&w, hardbound
ISBN 978-88-6208-380-5
$45 | £29
Michael Stipe
Volume I
22.9 x 33 cm | 9 x 13 inches
72 pages, 35 color and b&w,
hardbound
ISBN 978-88-6208-591-5
$45 | £34
Hiroshi Sugimoto
Dioramas
25.2 x 27.8 cm | 10 x 11 inches
118 pages, 56 b&w, clothbound
with jacket
Rights world except France
ISBN 978-88-6208-327-0
$65 | £40
Hiroshi Sugimoto
Seascapes
25.2 x 27.8 cm | 10 x 11 inches
272 pages, 213 b&w, clothbound
with jacket
Rights world except France
and Japan
ISBN 978-88-6208-416-1
$70 | £45
Hiroshi Sugimoto
Theaters
Text by Hiroshi Sugimoto
25.2 x 27.8 cm | 10 x 11 inches
176 pages, 130 b&w, clothbound
with jacket
Rights world except France
ISBN 978-88-6208-477-2
$60.00 | £40
Hiroshi Sugimoto
Portraits
25.2 x 27.8 cm | 10 x 11 inches
120 pages, 70 b&w, clothbound
with jacket
ISBN 978-88-6208-582-3
$50 | £35
Joseph Szabo
Rolling Stones Fans
24.5 x 22.5 cm | 9 ¾ x 9 inches
104 pages, 100 b&w, hardbound
ISBN 978-88-6208-399-7
$39 | £25
Joseph Szabo
Lifeguard
29 x 23.5 cm | 11 ⅖ x 9 ¼ inches
96 pages, 60 b&w, hardbound
ISBN 978-88-6208-542-7
$40 | £29
Ed Thompson
and Julien Roubinet
Ice Cream Headaches. Surf
Culture in New York & New Jersey
21.5 x 27.8cm | 8 ½ x 11 inches
192 pages, 100 color, hardbound
ISBN 978-88-6208-573-1
$45 | £32
Alexey Titarenko
The City Is a Novel
Text by Alexey Titarenko, Gabriel
Bauret, Brett Abbott, Sean Corcoran
24.1 x 26.7 cm | 9 ½ x 10 ½ inches
208 pages, 122 b&w, clothbound
with jacket
ISBN 978-88-6208-414-7
$60 | £40
Michael Thompson
Portraits
Edited by Vince Aletti
26 x 33 cm | 10 x 13 inches
216 pages, 147 color, clothbound
with jacket
English, Italian & French
Rights world except Germany and Asia
ISBN 978-88-6208-156-6
$65 | £45
Charles H. Traub
Dolce Via: Italy in the 1980s
Text by Max Kozloff, Luigi Ballerini
29,8 x 24,1 cm | 11 ¾ x 9 ½ inches
112 pages, 60 color, hardbound
ISBN 978-88-6208-344-7
$50 | £30
Charles H. Traub
Lunchtime
21.5 x 21.5 cm | 8 ½ x 8 ½ inches
140 pages, 100 color, hardbound
ISBN 978-88-6208-423-9
$45 | £30
Charles H. Traub
Taradiddle
Text by David Campany
29,8 x 24,1 cm | 11 ¾ x 9 ½ inches
116 pages, 102 color, hardbound
ISBN 978-88-6208-621-9
$50 | £35
Backlist 87
 Diego Uchitel
Polaroids
Text by Diane von Furstenberg
25 x 31.5 cm | 9 ¾ x 12 ½ inches
240 pages, 200 color and b&w,
clothbound
ISBN 978-88-6208-239-6
$50 | £35
Carlo Van de Roer
The Portrait Machine Project
24,5 x 30.5 cm | 9 ¾ x 12 inches
88 pages, 40 color, clothbound
ISBN 978-88-6208-268-6
$40 | £25
Mariano Vivanco
Portraits Nudes Flowers
Foreword by Domenico Dolce,
Stefano Gabbana.
Introduction by Tim Blanks.
Conversation with Janet Mock
24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches
224 pages, 200 color, clothbound
ISBN 978-88-6208-489-5
$50 | £35
Catherine Wagner
Place, History, and the Archive
30 x 24.5cm | 11 ⅘ x 9 ⅔ inches
336 pages, 250 color and b&w,
hardbound
ISBN 978-88-6208-598-4
$65 | £49
Julian Wasser
The Way We Were: The
Photography of Julian Wasser
Edited by Brad Elterman.
Text by Julian Wasser
24.1 x 31.7 cm | 9 ½ x 12 ½ inches
144 pages, 150 b&w, hardbound
ISBN 978-88-6208-349-2
$60 | £39
88
Ben Watts Brian Young
Montauk Dreaming The Train NYC, 1984
22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 30 x 29.8 cm | 8 ¼ x 11 ¾ inches
144 pages, 140 color, hardbound 112 pages, 80 color, hardbound
ISBN 978-88-6208-388-1 ISBN 978-88-6208-492-5
$45 | £29 $45 | £30
Jork Weismann Dan Ziskie
Asleep at the Chateau Cloud Chamber
Text by Bret Easton Ellis 30 x 24 x cm | 11 ¾ x 9 ½ inches
33 x 24 cm | 12 x 9 inches 108 pages, 65 color, hardbound
184 pages, 87 color, clothbound ISBN 978-88-6208-547-2
ISBN 978-88-6208-242-6 $35 | £25
$50 | £35
James Welling
Glass House
Text by Noam Elcott, Sylvia Lavin
32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches
112 pages, 45 color, hardbound
ISBN 978-88-6208-161-0
$50 | £35
Amani Willett
Disquiet
16.5 x 24 cm | 6 ½ x 9 ½ inches
128 pages, 60 color, clothbound
ISBN 978-88-6208-274-7
$40 | £25
Stephan Würth
Ikinga
Text by Joseph Akel
24.1 x 24.1 cm | 9 ½ x 9 ½ inches
72 pages, 31 color, clothbound
ISBN 978-88-6208-444-4
$45 | £30
Backlist 89
 Fashion & Lifestyle
Ara Gallant
Edited by David Wills
Text by Anjelica Huston
23.5 x 31 cm | 9 ½ x 12 ½ inches
260 pages, 100 color, hardbound
ISBN 978-88-6208-120-7 (English)
$60 | £39
David Casavant
David Casavant Archive
21.4 x 28 cm | 8 ⅖ x 11 inches
304 pages, 250 color, hardbound
ISBN 978-88-6208-607-3
$60 | £39
Embroidery Italian Fashion
Text by Giusy Ferrè, Valentino,
Gianfranco Ferre, Anna Molinari,
Roberto Cavalli, et al
24 x 31.5 cm | 9 ½ x 12 ½ inches
280 pages, 240 color, clothbound
with embroidery
ISBN 978-88-89431-23-8 (English)
$99 | £60
Fashion at the Time of Fascism:
Italian Modernist Lifestyle, 1922–1943
Edited by Mario Lupano,
Alessandra Vaccari
23 x 29.5 cm | 9 x 11 ½ inches
400 pages, 700 color and b&w,
hardbound
ISBN 978-88-6208-051-4 (English)
ISBN 978-88-6208-061-3 (Italian)
$60 | £39
Franco Gobbi
Fragile
22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches
160 pages, 70 color and b&w,
clothbound
ISBN 978-88-6208-529-8
$70 | £55
90
Maripol Bob Recine
Little Red Riding Hood Alchemy Of Beauty
Text by Maripol Text by René Ricard
Conversation with Marc Jacobs Photographs by Mario Sorrenti,
24 x 30 cm | 9 ½ x 11 ½ inches Robbie Fimmano and Bob Recine
268 pages, 350 color, hardbound 24 x 31.2 cm | 9 ½ x 12 inches
ISBN 978-88-6208-136-8 (English) 164 pages, 130 color and b&w,
ISBN 978-88-6208-143-6 (French) hardbound with jacket
$60 | £40 ISBN 978-88-6208-212-9
$65 | £40
$ 65,00 £ 40,00
Christopher Niquet Stephen Sprouse: Xerox / Rock /
Models Matter Art: An Archive of Drawings and
Edited with text by Christopher Ephemera 1970s–1980s
Niquet. Preface by Steven Meisel Edited by Carol McCranie, Javier Magri
22 x 28 cm | 8 ½ x 11 inches Text by Debbie Harry, Carol McCranie
120 pages, 70 color and b&w, 21.5 x 28 cm | 8 ½ x 11 inches
softcover 208 pages, 200 color, hardbound
ISBN 978-88-6208-519-9 ISBN 978-88-6208-370-6
$40 | £30 $50 | £35
James Moore Nick Waplington
Photographs 1962-2006 Alexander McQueen: Working Process
25 x 33.5 cm | 10 x 13 ¼ inches Edited by Alexander McQueen,
278 pages, 190 color and b&w, Nick Waplington.
hardbound Text by Susannah Frankel
ISBN 978-88-6208-494-9 24 x 29 cm | 9 ½ x 11 ½ inches
$75 | £60 304 pages, 160 color, hardbound
with jacket
ISBN 978-88-6208-295-2
$60 | £40
Landon Nordeman Nick Waplington
Out of Fashion The Isaac Mizrahi Pictures:
23.5 x 16 cm | 9 ¼ x 6 ¼ inches New York City 1989–1993
128 pages, 112 color, clothbound 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches
ISBN 978-88-6208-496-3 168 pages, 119 color, hardbound
$50 | £30 ISBN 978-88-6208-451-2
$50 | £35
Harri Peccinotti Vivienne Westwood
H.P. Shoes
Text by Derek Birdsall Edited by Luca Beatrice,
23 x 30 cm | 9 ½ x 12 inches Matteo Guarnaccia
228 pages, 200 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches
with jacket 192 pages, 120 color, hardbound
ISBN 978-88-6208-074-3 with sleeve
$60 | £34 ISBN 978-88-89431-84-9
(English)
$65 | £39
Backlist 91
 Contemporary Art
Mamma Andersson
Memory Banks
Essay by Kevin Moore
24.5 x 31 cm | 9 ⅗ x 12 ⅕ inches
80 pages, 50 color and b&w,
hardbound
ISBN 978-88-6208-601-1
$45 | £34
Jennifer Bartlett
Epic Systems
Text by Barry Schwabsky
28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches
88 pages, 75 color, clothbound
ISBN 978-88-6208-410-9
$45 | £30
Valérie Belin
21 x 27 cm | 8 1⁄4 x 10 1⁄2 inches
288 pages 122 color and b&w,
softcover with flaps
ISBN 978-88-6208-511-3 (English)
ISBN 978-88-6208-512-0 (French)
$55 | £40
Daniel Brush
Text by Oliver Sacks, David Revere
McFadden, Brett Littman
Interview by Paul Keegan
34.2 x 33 cm | 13 ½ x 13 inches
276 pages, 250 color, hardbound
with jacket
Rights world except USA
ISBN 978-88-6208-278-5
$85 | £50
Colors: A Book About a Magazine
About the Rest of the World
Text by Francesco Bonami
Interview with Luciano Benetton,
Oliviero Toscani
24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches
240 pages, 300 color, clothbound
with jacket
ISBN 978-88-6208-424-6
$50 | £35
92
Johan Creten
In association with Galerie Perrotin
Text by Jan Hoet
Interview by Léa Chauvel-Lévy
21 x 27 cm | 8 ¼ x 10 ½ inches
264 pages, 200 color, hardbound
ISBN 978-88-6208-308-9
$50 | £34
Andy Denzler
Fragmented Identity
28 x 32 cm | 11 x 12 ⅝ inches
216 pages, 105 color, hardbound
ISBN 978-88-6208-559-5
$55 | £40
Dzine
Nailed: The History of Nail
Culture and Dzine
In association with Standard Press
24.4 x 29.3 cm | 9 ½ x 11 ½ inches
216 pages, 290 color, hardbound
ISBN 978-88-6208-205-1
$45 | £30
Electrical Banana: Masters of
Psychedelic Art
Text by Paul McCartney,
Norman Hathaway, Dan Nadel
23.5 x 26 cm | 9 ½ x 10 ¼ inches
208 pages, 150 color, softcover
ISBN 978-88-6208-204-4
$39.95 | £27
FAQ
Edited by Maurizio Cattelan,
Myriam Ben Salah
15.5 x 21 cm | 6 x 8 ¼ inches
120 pages, 80 color, accordion fold
ISBN 978-88-6208-502-1
$35 | £25
David Goldes
Electricities
24.75 x 30.5 cm | 9 ¾ x 12 inches
160 pages, 100 color, hardbound
ISBN 978-88-6208-553-3
$50 | £35
Okwui Enwezor and
Chika Okeke-Agulu
Contemporary African Art
Since 1980
24 x 31.5 cm | 9 ½ x 12 ½ inches
368 pages, 400 color, softcover
ISBN 978-88-6208-092-7
$60 | £45
Monir Shahroudy Farmanfarmaian
Cosmic Geometry
Edited by Hans Ulrich Obrist, Karen
Marta. Text by Nader Ardalan, Media
Farzin, Eleanor Sims. Conversation
with Hans Ulrich Obrist
24.5 x 29.4 cm | 9 ½ x 11 ½ inches
296 pages, 200 color, clothbound
ISBN 978-88-6208-175-7
$70 | £45
Daniel Firman
In association with Galerie Perrotin
Text by Emmanuel Latreille,
Thierry Raspail
Interview by Hou Hanru
21 x 27 cm | 8 ¼ x 10 ½ inches
192 pages, 250 color, hardbound
ISBN 978-88-6208-309-6
$40 | £25
Fischerspooner: New Truth
Edited with text by Meredith Mowder
Text by Klaus Biesenbach, Gavin
Brown, Jeffrey Deitch, Warren
Fischer, Casey Spooner
24.2 x 28 cm | 9 ½ x 11 inches
256 pages, 220 color, hardbound
ISBN 978-88-6208-328-7
$50 | £35
Natalie Frank
Tales of the Brothers Grimm
Drawings by Natalie Frank
Edited by Karen Marta
Text by Claire Gilman, Linda
Nochlin, Julie Taymor, Jack Zipes
22.8 x 30.5 cm | 9 x 12 inches
272 pages, 250 color, hardbound
ISBN 978-88-6208-386-7
$60 | £40
Chris Johanson
Please Listen I Have Something
to Tell You About What Is
In association with Alleged Press
24 x 31.5 cm | 9 ½ x 12 ½ inches
208 pages, 180 color, hardbound
English & Italian
ISBN 978-88-89431-45-0
$50 | £27.50
JR and Art Spiegelman
The Ghosts of Ellis Island
21.7 x 27 cm | 8 ½ x 10 ½ inches
120 pages, 90 color, hardbound
ISBN 978-88-6208-395-9
$39.95 | £25
JR and José Parlá
The Wrinkles of the City:
Havana Cuba
In association with Standard Press
30 x 30 cm | 11 ¾ x 11 ¾ inches
160 pages, 150 color, hardbound
with jacket
ISBN 978-88-6208-250-1
$49.95 | £35
Michael Danoff, Martin Z. Margulies
and Katherine Hinds
Martin Z. Margulies Collection Vol. 1
24.1 x 27.9 cm | 9 ½ x 11 inches
268 pages, 200 color, clothbound
ISBN 978-88-6208-620-2
November 2018
$60 | £39
Backlist 93
 Barry McGee
Essay by Katya Tylevich
24.8 x 33 cm | 9 ¾ x 13 inches
72 pages, 60 color and b&w,
hardbound
ISBN 978-88-6208-616-5
$35 | £25
Barry McGee
In association with Alleged Press
Edited by Aaron Rose
24 x 31.5 cm | 9 ½ x 12 ½ inches
200 pages, 200 color, hardbound
ISBN 978-88-6208-096-5
$49.95 | £29.99
Ryan McGinness
#metadata
Essays by Dieter Buchhart,
Andrew Blauvelt, Ben Sutton,
Carlo McCormick, Bill Powers
21.6 x 28 cm | 8 ½ x 11 inches
168 pages, 100 color, hardbound
ISBN 978-88-6208-572-4
$40 | £29
Mike Mills
Graphics / Films
In association with Alleged Press
24 x 31.5 cm | 9 x 12 inches
164 pages, 100 b&w, hardbound
English & Italian
ISBN 978-88-6208-075-0
$50 | £24.99
Gianni Motti
In association with Galerie Perrotin
Text by Elisabeth Lebovici, Françoise
Ninghetto, Marie-Olivier Wahler,
Jade Lindgaard, Fabrice Stroun, et al
21 x 27 cm | 8 ¼ x 10 ⅝ inches
240 pages, 200 color and b&w,
hardbound
ISBN 978-88-6208-361-4
$50 | £34
94
Kaz Oshiro
In association with Galerie Perrotin
Text by Michael Duncan, Ed Schad
21 x 27 cm | 8 ¼ x 10 ½ inches
144 pages, 120 color, hardbound
ISBN 978-88-6208-342-3
$40 | £25
Eduardo Paolozzi. Selected Works
1947-1974
20 x 24.9 cm | 8  x 10 inches
76 pages, 58 color and b&w,
softcover
ISBN 978-88-6208-631-8
$30 | £22
Parallel Views: Italian and Japanese
Art from the 1950s, 60s and 70s
Edited by Allan Schwartzman
28 x 30.5 cm | 11 x 12 inches
408 pages, 249 color, clothbound
with jacket
ISBN 978-88-6208-400-0
$75 | £45
José Parlá
In Medias Res
Text by Manon Slome, Greg
Tate, Carlo McCormick, Michael
Betancourt, Isolde Brielmaier, et al
24 x 29.2 cm | 9 ½ x 11 ½ inches
256 pages, 220 color, hardbound
ISBN 978-88-6208-362-1
$60 | £39
José Parlá
Roots
24.4 x 29.3 cm | 9 ⅝ x 11 ½ inches
96 pages, 101 color, hardbound
ISBN 978-88-6208-563-2
$45 | £35
José Parlá
Segmented Realities
Text by Michael Rooks, Rey Parlá,
Steve Swieter, Mike Jensen, Farzad
24 x 29.2 cm | 9 ½ x 11 ½ inches
96 pages, 70 color, hardbound
ISBN 978-88-6208-422-2
$45 | £30
Paola Pivi
In association with Galerie Perrotin
Text by Massimiliano Gioni,
Jens Hoffmann
21 x 27 cm | 8 ¼ x 10 ½ inches
192 pages, 100 color, hardbound
ISBN 978-88-6208-319-5
$50 | £34
Carlos Rolon
Boxed: A Visual History and
the Art of Boxing
Edited and with text by Carlos
Dzine Rolon
Text by Franklin Sirmans
24 x 29.2 cm | 9 ½ x 11 ½ inches
208 pages, 150 color, hardbound
ISBN 978-88-6208-354-6
$60 | £39
Claude Rutault
In association with Galerie Perrotin
Text by Claude Rutault.
Interview by Hans Ulrich Obrist
21 x 27 cm | 8 ¼ x 10 ⅝ inches
238 pages, 200 color, hardbound
ISBN 978-88-6208-321-8
$50 | £34
Kenny Scharf
Kolors
In association with Standard Press
Text by Jeffrey Deitch
21.6 x 26.7 cm | 8 ½ x 10 ½ inches
96 pages, 68 color, hardbound
ISBN 978-88-6208-287-7
$40 | £25
John Severson
John Severson’s Surf
Text by Gerry Lopez, Drew Kampion
Interview by Nathan Howe
24 x 31 cm | 9 ½ x 12 ¼ inches
212 pages, 200 color and b&w,
hardbound
ISBN 978-88-6208-326-3
$45 | £29
Shit and Die
Edited by Maurizio Cattelan,
Myriam Ben Salah, Marta Papini
23 x 29 cm | 9 x 11 ½ inches
152 pages, 100 color, softcover
English & Italian
ISBN 978-88-6208-402-4
$30 | £19
Gary Simmons
Paradise
Text by Gwen Allen, Nancy
Princenthal, Charles Wylie
Conversation with Okwui Enwezor
24.2 x 29.2 cm | 9 ½ x 11 ½ inches
192 pages, 150 color, clothbound
ISBN 978-88-6208-240-2
$50 | £35
Berndnaut Smilde
Builded Remnants
28.5 x 22.8cm | 11 ¼ x 9 inches
112 pages, 50 color, hardbound
ISBN 978-88-6208-532-8
$50 | £38
Tabboo! The Art of Stephen
Tashjian
Edited by Lia Gangitano
Text by Jack Pierson,
Elisabeth Kley, Lia Gangitano
24 x 30.5 cm | 9 ½ x 12 inches
224 pages, 150 color, hardbound
ISBN 978-88-6208-264-8
$50 | £35
Backlist 95

Ed Templeton
Deformer
In association with Alleged Press
24 x 29 cm | 9 ½ x 11 ½ inches
176 pages, 150 color and b&w,
hardbound
ISBN 978-88-6208-050-7
$55 | £25
Cy Twombly
Paradise
Edited by Julie Sylvester
Text by Walter Hartsarich,
Gabriella Belli, Philip Larratt-Smith
25 x 34.5 cm | 9 ¾ x 13 ½ inches
172 pages, 90 color, clothbound
with jacket
ISBN 978-88-6208-376-8
$60 | £39
Carrie Mae Weems
Kitchen Table Series
Text by Sarah Lewis,
Adrienne Edwards
24.8 x 34.3 cm | 9 ¾ x 13 ½ inches
86 pages, 34 b&w, hardbound
with jacket
ISBN 978-88-6208-462-8
$50 | £35
Peter Zimmermann
In association with Galerie Perrotin
21 x 27 cm | 8 ¼ x 10 ½ inches
96 pages, 250 color, hardbound
ISBN 978-88-6208-307-2
$40 | £25
96
Music
Keziah Jones and Native Maqari
Captain Rugged
16.5 x 24 cm | 6 ½ x 9 ½ inches
120 pages, 110 color, hardbound,
includes a card to download an
album by Keziah Jones
ISBN 978-88-6208-340-9 (English)
ISBN 978-88-6208-336-2 (French)
$45 | £29
Astrid Kirccherr
Astrid Kirccherr with the Beatles
Introduction by Vladislav Ginzburg
21 x 26 cm | 8 ¼ x 10 ¼ inches
96 pages, 71 color and b&w,
hardbound
ISBN 978-88-6208-574-8 (English)
ISBN 978-88-6208-575-5 (Italian)
$30 | £22.5
Moby
Destroyed
29 x 22.8 cm | 11 ½ x 9 inches
128 pages, 55 color, hardback,
includes Destroyed CD
English, Italian, German,
Spanish & French
ISBN 978-88-6208-155-9
$39.95 | £25
Sound & Vision
Texts by Luca Beatrice,
Alberto Campo
20 x 28 cm | 8 x 11 inches
260 pages, 200, softcover
ISBN 978-88-89431-98-6 (English)
$35 | £22
Sound Zero
Texts by Fabio de Luca, Uwe Husslein,
Aaron Rose, Valerio Dehò
16.5 x 23 cm | 6 ½ x 9 inches
200 pages, 150 color, hardbound
ISBN 978-88-89431-63-4 (German)
$48 | £27.50
Urban Art
Chaz Bojorquez
The Art and Life of Chaz
Bojorquez
Edited by Mario Klefisch,
Alberto Scabbia
Text by François Chastenet,
Greg Escalante, Usugrow
24 x 28 cm | 9 ½ x 13 inches
160 pages, 140 color, hardbound
ISBN 978-88-6208-121-4
$50 | £30
Dumbo
Acts of Vandalism and Stories
of Love
Text by Barry McGee,
Federico Sarica, Kyri Chenven
20 x 29 cm | 8 x 11 ½ inches
136 pages, 130 color, hardbound
English & Italian
ISBN 978-88-89431-95-5
$35 | £19
Alex Fakso
Fast or Die
Text by Andrea Caputo,
Alessandro Zuek Simonetti
24 x 31 cm | 9 ½ x 12 ½ inches
112 pages, 60 color, softcover
ISBN 978-88-6208-164-1
$35 | £19.95
Alex Fakso
Heavy Metal
Text by Alex Fakso,
Giovanna Calvenzi, Jamel Shabazz
30 x 18 cm | 12 x 7 inches
164 pages, 100 color, hardbound
ISBN 978-88-89431-49-8
$35 | £19
Frontier: The Line of Style
Edited by Claudio Musso, Fabiola
Naldi. Text by Mubi Brighenti,
Claire Calogirou, Dado, Stewart
Home, Christian Omodeo, et al
16.5 x 23 cm | 6 ½ x 9 inches
176 pages, 100 color, softcover
English & Italian
ISBN 978-88-6208-300-3
$40 | £25
Phil Frost
Text by Pushead, Carlo McCormick
28 x 28 cm | 11 x 11 inches
162 pages, 164 color, hardbound
English & Italian
ISBN 978-88-6208-024-8
$45 | £24.99
Rae Martini
24 Carat Dirt
24 x 30 cm | 9 ½ x 11 ½ inches
208 pages, 150 color, hardbound
ISBN 978-88-6208-207-5
$40 | £25
Stefano Pane
People Think I’m Cool: The Life
and Art of Pane
23 x 28.7 cm | 9 ½ x 11 inches
208 pages, 140 color, hardbound
English & Italian
ISBN 978-88-6208-183-2
$39 | £24.95
Raptuz
Mother Road
Text by Lorenzo Bonini, Raptuz
22.8 x 22.8 cm | 9 x 9 inches
144 pages, 100 color, hardbound
ISBN 978-88-6208-229-7
$35 | £20
ISBN 978-88-6208-229-7
9 788862 082297 >
Tsang Tsou Choi
The King of Kowloon: The Art
of Tsang Tsou Choi
Edited by David Spalding
24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches
240 pages, 150 color, hardbound
English & Chinese
ISBN 978-88-6208-271-6
$50 | £35
Backlist 97
 Architecture & Design
Diller Scofidio + Renfro
Lincoln Center Inside Out
23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches
288 pages, 800 color, clothbound
ISBN 978-88-6208-244-0
$85 | £50
ISBN 978-88-6208-244-0
9 788862 082440 >
Stewart Grimshaw
The Loveliest Valley:
A Garden in Sussex
30 x 25 cm | 11 ¾ x 9 ⅞ inches
240 pages, 265 color, hardbound
with jacket
ISBN 978-88-6208-441-3
$65 | £40
The Haas Brothers
Haas Brothers
Text by Laura Dern, Vincent Gallo,
Simon and Nikolai Haas
22 x 29 cm | 8 ½ x 11 ½ inches
176 pages, 150 color, softcover
ISBN 978-88-6208-373-7
$50 | £35
The Haas Brothers
Haas Brothers Volume II: Afreaks
21.6 x 29.2 cm | 8 ½ x 11 ½ inches
160 pages, 120 color, softcover
ISBN 978-88-6208-434-5
$50 | £35
Maria Pergay
Complete Works 1957–2010
Text by Suzanne Demisch,
Stephane Danant, Adam Lindeman
25.4 x 29.8 cm | 10 x 11 ¾ inches
290 pages, 300 color, hardbound
with jacket
ISBN 978-88-6208-174-0
$70 | £50
98
Qualities of Duration: The
Architecture of Phillip Smith
and Douglas Thompson
Text by Alastair Gordon
22.9 x 22.9 cm | 9 x 9 inches
222 pages, 357 color, hardbound
ISBN 978-88-6208-231-0
$50 | £35
R & Company
20 Years of Discovery
22.8 x 29.2 cm | 9 x 11 ½ inches
240 pages, 200 color, hardbound
ISBN 978-88-6208-581-6
$50 | £34
Thomas R. Schiff
Prospect
Text by Michael Speaks, Ann Cotter
42.5 x 24.8 cm | 16 ½ x 10 inches
304 pages, 250 color, clothbound
with jacket
ISBN 978-88-6208-195-5
$80 | £50
Walter Vallini
Walter Vallini Architect: Works
2000–2012
19 x 22 cm | 7 ¾ x 8 ¾ inches
96 pages, 80 color, hardbound
ISBN 978-88-6208-279-2
$30 | £20
Village: One Land Two Systems
and Platform Paradise
Edited and with text by Malkit
Shoshan, Maurizio Bortolotti
16.5 x 24 cm | 6 ½ x 9 ½ inches
256 pages, 200 color, softcover
ISBN 978-88-6208-254-9
$30 | £19
Jeff Zimmerman
Text by John Drury
Interview by Sean Kelly
24 x 28 cm | 9 ½ x 11 inches
224 pages, 210 color, hardbound
ISBN 978-88-6208-358-4
$60 | £39
Antiques & Collectibles
Longines Watches
Edited by John Goldberger.
Text by Giampiero Negretti
21 x 29 cm | 8 ½ x 11 ½ inches
304 pages, 280 color, hardbound
ISBN 978-88-89431-47-4 (French)
$99 | £60
John Goldberger
Patek Philippe Steel Watches
Limited edition of 300 copies
numbered and signed by the author
24 x 32.5 cm | 9 ½ x 12 ¾ inches
440 pages, 900 color, hardbound
with cork, plexiglass slipcase
ISBN 978-88-6208-304-1
$800 | £500
Manfred Rössler
Zenith
21 x 29 cm | 8 ½ x 11 ½ inches
328 pages, 700 color, hardbound
English & Italian
ISBN 978-88-6208-069-9
(English)
ISBN 978-88-6208-068-2 (Italian)
$150 | £80
Backlist 99
 Past exhibitions
Via dello Scalo, 3/2 ABC In June 2015, Damiani opened a new gallery space, Spazio Damiani. Joel Meyerowitz
40131 Bologna, Italy Past exhibitions include Morandi’s Objects by Joel Meyerowitz, Morandi's Objects
Tel. +39 051 438 07 47 Dirt Meridian by Andrew Moore, Opera by David Leventi,
info@damianieditore.com Fink on Warhol: New York Photographs of the 1960s by Larry Fink, Considered one of the most
www.spaziodamiani.com The City is a Novel by Alexey Titarenko, Electricities by David Goldes, important American photographers,
Beach Therapy by Martin Parr. Joel Meyerowitz was among the first
to use colour film. Meyerowitz was
Spazio Damiani offers a continuing programme of exhibitions devoted the only person allowed to photograph Ground Zero
to showcasing the work of significant contemporary artists along with from close up immediately after the terrorist attacks.
lectures and other events. With his most recent works, he pays tribute to the
great painters Giorgio Morandi and Paul Cézanne.
Open to the public from Monday to Friday, 12.00 to 6.00 pm, and by appointment. The inauguration of Spazio Damiani took place with
the exhibition of his work titled Morandi’s Objects.
Andrew Moore
Dirt Meridian
An American photographer and
director, Andrew Moore is known
to the general public for photographs taken in
Detroit, New York, Cuba and the great American
plains. Dirt Meridian series describes the life and
atmosphere of an elusive and remote America,
combining boundless horizons and rural towns with
intimate portraits of a community bound to a harsh
and not always hospitable landscape.
Larry Fink
Fink on Warhol:
New York Photographs of the 1960s
An exponent of the beat generation,
Larry Fink is considered one
of the most important social
photographers of the century.
Spazio Damiani has shown the Fink on Warhol:
New York Photographs of the 1960s which presents
the different faces of the New York of the 1960s.
In addition to the shots documenting the social
upheavals of those years, the subjects of the works
displayed include Andy Warhol, Lou Reed and the
Velvet Underground.
100
David Leventi
Opera
The artistic work of David Leventi
often looks at large architectural
spaces. Spazio Damiani presented
extraordinary shots of a medium
and large format taken from the Opera series: Covent
Garden in London, the Teatro di San Carlo in Naples,
the Metropolitan in New York, the Fenice in Venice
and Palais Garnier in Paris.
Alexey Titarenko
The City is a Novel
Alexey Titarenko proposes a cultured
and refined style, imbued with
literary references and powerful
elements of introspection. The City is a Novel exhibition
presented small and medium-format black and white
works taken in New York, St. Petersburg and Venice.
All the works are silver salt prints made with a
selenium conservative fixative and subsequent toning
in gold or silver.
David Goldes
Electricities
The favoured subject of David Goldes’s
artistic investigation is electrical energy.
The photographic works with Electricities exhibition on
the one side pay tribute to the experiments of the pioneers
of scientific research, and on the other question the very
definition of “what is science”.
Martin Parr
Beach Therapy
Parr returns to investigate societies
and their most controversial aspects by showing a
selection of shots taken on the most famous beaches
around the world, from Wales to Argentina, and from
Italy to England. In the artist’s photographs, wild
and uncontaminated beaches alternate with crowded
landscapes “denatured” by the confusion of masses of
people, from which emerges a new reflection by Parr
on consumerism and mass tourism.
101
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Contacts
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Printed in October 2018 by Grafiche Damiani – Faenza Group SpA, Italy.

Unless otherwise indicated, all photographs are copyright the artists.

Cover and back cover: Martin Parr, St Ives, Cornwall, England, 2017. © Martin Parr / Magnum Photos. From Beach Therapy (p. 7)
Pages 4–5: Louise Bourgeois. © The Easton Foundation/VAGA at ARS, NY. From Spiral (p. 9)
Pages 38–39: Tria Giovan, Beauty Salon in Vedado-Havana, Cuba, 1993 (detail). © Tria Giovan. From The Cuba Archive. Photographs 1990-1996 (p. 47)
Pages 70–71: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 66–69)
Pages 66–67: Frédéric Lagrange, A local man takes a stroll on Tolbo Lake, Bayan-Ölgii Aimag, 2018. © Frédéric Lagrange. From Mongolia (p. 79)

Information in this catalogue was accurate when going to press. Prices, specifications, and terms are subject to change without notice.
104