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Improving aesthetics
in CAD/CAM dentistry
– anatomic shell
technique
Authors_ Drs Nelson RFA Silva & Paulo Kano, Brazil, Dr Eric Van Dooren, Belgium, Dr Cristiano Xavier, Brazil,
Dr Jonathan L. Ferencz, USA, Emerson Lacerda, Brazil
30 I CAD/CAM
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Fig. 2a Fig. 2b
and convexities that vary in complexity and inten- At this point, it was decided to address the Figs. 2a & b_Image of the Hajto
sity from tooth to tooth. The ability to observe and patient’s aesthetic goals with porcelain veneers. model showing the surface texture
replicate the surface texture and lustre to create an To achieve a rapid aesthetic transformation, the of the anterior teeth (a).
anterior restoration that is indistinguishable from treatment plan involved using digital dental tech- Image of composite shells under
adjacent natural teeth typically requires a highly nology together with a novel concept in which com- polarised light. Note the opalescence
skilled laboratory technician. However, if one could posite resin temporary veneers (composite resin of the composite shells when
mimic the surface texture of adjacent natural tooth shells) were utilised prior to the placement of the the photograph was taken
surfaces and use a milling machine to reproduce it, final restorations to predict the final aesthetic under polarised light (b).
one could provide a very good aesthetic restoration outcome and to provide lifelike texture. Figs. 3a–f_Anatomic resin shell
without the need for a highly skilled laboratory being positioned (a), polished (b) and
technician. The goal of this article is to describe _Materials luted (c) without etching and utilising
a novel approach that attempts to reproduce the a flowable composite. The texture
complexities and nuances observed in the surface IPS Empress CAD Multi (leucite-reinforced glass- obtained mimics the original texture
texture and lustre of natural teeth utilising the ceramic blocks; Ivoclar Vivadent) in shade A2 was of the Hajto model shown
AST technique for CAD/CAM restorations. selected for the final restorations. No impressions in Figure 2 (d–f).
_Case description
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In this procedure, the composite shells help to ness of the final restorations and the straighter in- merged and correlated with the
predict the shape and the final aesthetic outcome cisal edges of the two central incisors (Figs. 7a–c) digital image taken with the anatomic
of the milling process. They also serve as a guide compared with the composite shells (Figs. 3d–f). composite shell (b) in place to
to establish the amount of reduction necessary dur- These differences were attributed to a software generate the proper shape (c & d)
ing tooth preparation. After the scanning process, limitation, as no other anatomical/morphological of the permanent veneers
therefore, the teeth were prepared using the com- modification was performed after the milling process to be fabricated (e).
posite resin shells as a reference to determine the had been completed. However, the final outcome Figs. 7a–c_Photograph of
amount of tooth reduction. using monochromatic blocks was acceptable and the the completed clinical case (a).
clinical sequence presented here using AST shows The final texture produced by
A digital impression was taken (CEREC Bluecam) a very simple and innovative way to predict the final the milling machine (b & c) and
after the preparations had been completed. The dig- outcome of an aesthetic treatment and suggests the quality of the aesthetic result
ital image acquired after preparation was merged that CAD/CAM technology is a very attractive con- are satisfactory despite the use
and correlated with the digital image taken with cept when one understands the materials science, of a monochromatic ceramic block.
the anatomic composite shell in place to generate machine capability and the limitations involved._ The texture matches that of the
the proper shape of the permanent veneers to be buccal surface of the Hajto model
fabricated (Figs. 6a–e). The milling process was then Editorial note: A complete list of references is available (Fig. 2a) that was selected
initiated using a CEREC III milling unit equipped from the publisher. for this clinical case.
with CEREC Software 4.0.
After the milling process, the veneers were re- _about the authors CAD/CAM
moved from the milling unit and visually inspected
for potential flaws. The veneers were then tried-in, Nelson RFA Silva, DDS, MSc, PhD
polished with 0.6 µ diamond paste and subsequent- (Federal University of Minas Gerais, Belo Horizonte),
ly placed with Variolink Veneer Medium Value 0 is an assistant professor at the New York University
(Ivoclar Vivadent) using the adhesive technique ac- College of Dentistry.
cording to the manufacturer’s instructions (Figs. 7a–c).
In order to mask the dark shade of the tooth sub- Tel.: +55 31 8949 2405
strate, a staining agent (IPS Empress Universal nrfa.silva@gmail.com
Stains, Ivoclar Vivadent) was applied internally to
each veneer prior to cementation. Paulo Kano, DDS, is enrolled for an M.Sc.
and is in private practice in São Paulo in Brazil.
_Conclusion
Eric Van Dooren, DDS,
The concept of chairside CAD/CAM restoration is a visiting professor at the University of Liège
differs from conventional dentistry in that the and is in private practice in Belgium.
restoration is typically luted or bonded in place
on the same day, whereas conventional dental pros- Cristiano Xavier, DDS, is a professional
theses of larger size, such as crowns, involve the photographer in Belo Horizonte in Brazil.
placement of temporaries for several weeks while
a dental laboratory produces the restoration.1 As the Jonathan L. Ferencz, DDS, is a clinical professor
CAD/CAM restoration is bonded on the same day, the at the New York University College of Dentistry
principles applied in predicting the final outcomes in the USA and in private practice in New York.
present unique challenges compared with conven-
tional clinical procedures for any aesthetic treat- Emerson Lacerda, CDT,
ment. The clinical case described here presented works in a laboratory in São Paulo.
some limitations, as can be seen in the slight bulki-
Text
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