Session 1A - Overview & Camera Basics

DIGITAL PHOTOGRAPHY TECHNOLOGY
“VISUAL IDEAS
COMBINED WITH
TECHNOLOGY
COMBINED WITH
PERSONAL INTERPRETATION
EQUALS PHOTOGRAPHY.
EACH MUST HOLD IT'S OWN;
IF IT DOESN'T,
THE THING COLLAPSES.”
ARNOLD NEWMAN, 1918 – 2006
DIGITAL WORKFLOW
INPUT IMAGE PROCESSING OUTPUT

PRINT
SCREEN
MODULE OVERVIEW
SESSION 1
SESSION 2
SESSION 3
SESSION 4
SESSION 5
SESSION 6
MODULE OVERVIEW
SESSION 4 SIGN-UP
FOR SLOT
MODULE OVERVIEW
ASSESSMENT 1
ASSESSMENT 2
ASSESSMENT 3
EXAMINATION
UNDERSTANDING PHOTOGRAPHY
WHAT DOES
‘PHOTOGRAPHY’
MEAN
TO YOU?
FISHERMAN ALCOHOLIC MILLIONAIRE CONVICT LIFE SAVER PSYCHIC
MEANING & PURPOSE OF PHOTOGRAPHY
“A PHOTOGRAPH IS
SHAPED MORE BY
THE PERSON
BEHIND THE CAMERA
THAN BY
WHAT’S IN FRONT OF IT.”
VISUAL COMMUNICATION
CANON, 2015
VISUAL
UNDERSTAND THE SUBJECT

COMPOSITION
USE OF DESIGN ELEMENTS
COMMUNICATION
TELL A STORY
CONVEY A MESSAGE
EVOKE EMOTIONS
COMMUNICATION
TELL A STORY
CONVEY A MESSAGE
EVOKE EMOTIONS
CAMERA BASICS
CAMERA BASICS
TYPES
DIGITAL
COMPACT
CAMERA
CAMERA BASICS MOBILE
TYPES DEVICES
CAMERA BASICS
TYPES
SINGLE
LENS
REFLEX
CAMERA BASICS
TYPES
DIGITAL
SINGLE
LENS
REFLEX
CAMERA BASICS
CAMERA BASICS
PARTS
CAMERA BASICS
PARTS
LIGHT PROOF BOX

CAMERA BASICS
PARTS
LENS
CAMERA BASICS
VIEWING SUBJECT
PENTA PRISM
VIEWFINDER
MIRROR
CAMERA BASICS
CAPTURING IMAGE
CAMERA BASICS
CAPTURING IMAGE
MIRROR
SHUTTER
CAMERA BASICS
CAPTURING IMAGE
IMAGE SENSOR
CAMERA BASICS
IMAGE SENSOR
CAMERA BASICS
IMAGE SENSOR
SIZE
DOES
MATTER
QUALITY OF IMAGE
ANGLE OF VIEW
DSLR 36 X 24 MM I 3:2
APS-C 25.1 X 16.7 MM I 3:2
MICRO 4/3 17.3 X 13 MM I 4:3
IPHONE 6 4.89 X 3.67 MM I 4:3
CAMERA BASICS
TYPES
DIGITAL
SINGLE
LENS
REFLEX
CAMERA BASICS
TYPES
MIRRORLESS
SYSTEMS
CAMERA BASICS
MIRRORLESS
ELECTRONIC
VIEWFINDER
UNDERSTANDING LENSES
FOCAL LENGTH
FIELD OF
VIEW
FOCAL LENGTH
FIELD OF
VIEW
FOCAL LENGTH:
NORMAL I 35MM - 50MM
FOCAL LENGTH
FIELD OF
VIEW
FOCAL LENGTH:
WIDE I 28MM OR LOWER
FOCAL LENGTH
FIELD OF
VIEW
FOCAL LENGTH:
TELEPHOTO I 70MM & ABOVE
FOCAL LENGTH:
TELEPHOTO
140MM
EVENTS
NATURE
PORTRAIT
SPORTS
GENE V LAM, 2014
FOCAL LENGTH:
NORMAL
50MM
GENERAL
GENE V LAM, 2016

FOCAL LENGTH:
WIDE
28MM
ARCHITECTURE
LANSCAPE
INTERIOR
STREET
GENE V LAM, 2013

TYPES
TYPES
ZOOM
LENS
WIDE – NORMAL – TELEPHOTO
18 ------------------100MM
3.5
TYPES
FIXED
LENS
WIDE/NORMAL/TELEPHOTO
50MM
1.8
TYPES
MACRO
LENS
WIDE/NORMAL/TELEPHOTO/MACRO
100MM
2.8
VYACHESLAV MISHCHENKO, 2015
HANDLING THE CAMERA
HANDLING THE CAMERA
CARRYING
HANDLING THE CAMERA
HOLDING
IMAGE QUALITY
RESOLUTION
MEGA
PIXEL
RASTER
IMAGE
GENE V LAM, 2013
IMAGE QUALITY
COMPRESSION
IMAGE QUALITY
COMPRESSION
RAW FOR PRINTING TIF FOR SHARING JPEG

LOSSLESS LOSSLESS LOSSY
L F
MN
S B
COLOUR TEMPERATURE
SOURCES
AMBIENT LIGHT
SUN
LIGHT 1850K
TUNGSTEN 2400K
GENE V LAM, 2013

COLOUR TEMPERATURE
SOURCES
AMBIENT LIGHT
FLUORE-
SCENT 5000K
CHARLES GUO, 2012

COLOUR TEMPERATURE
SOURCES
AMBIENT LIGHT
PHOTO-
GRAPHIC
LIGHT 5500K
COLOUR TEMPERATURE
WHITE BALANCE
COLOUR TEMPERATURE
WHITE BALANCE
COLOUR TEMPERATURE
WHITE BALANCE
COLOUR TEMPERATURE
AUTO WHITE BALANCE
GENE V LAM, 2015

COLOUR TEMPERATURE
AUTO WHITE BALANCE
FOCUSING
MODES
SHARPNESS
OF THE
SUBJECT.
STATIC OR MOVING
FOCUSING
MODES
S-AF
SINGLE
C-AF
CONTINUOUS
TR-AF
TRACKING
M
MANUAL
C-AF
CONTINUOUS
C-AF
CONTINUOUS
TREE & J HENSDILL, 2009

C-AF
CONTINUOUS
JEFFREY VANHOUTTE, 2015

EXPOSURE
AMOUNT OF
LIGHT
THE CAMERA
IS CAPTURING.
EXPOSURE
HOW WELL
CAN YOU
SEE INDARKNESS LIGHTNESS
THE PHOTO?
EXPOSURE
DARKNESS
GENE V LAM, 2015

EXPOSURE
LIGHTNESS
GENE V LAM, 2015

EXPOSURE
CORRECT
GENE V LAM, 2015

EXPOSURE
MODES
MANUAL
APERTURE-PRIORITY
SHUTTER-PRIORITY
PROGRAM
EXPOSURE
3 VARIABLES ‘BFFS’
WE BARE BEARS, 2015

EXPOSURE
ISO
EXPOSURE
SHUTTER APERTURE
WE BARE BEARS, 2015

EXPOSURE
ISO
EXPOSURE
SHUTTER APERTURE
EXPOSURE
ISO
SENSITIVITY
OF
IMAGE
SENSOR
ISO
HIGH
LOW
EXPOSURE
SHUTTER APERTURE
EXPOSURE
ISO
M ISO f 1/
MANUAL 3200 ? ?s
EXPOSURE
ISO
M ISO f 1/
MANUAL 3200 ? ?s
EXPOSURE
METERING MODES
MEASUREMENT
OF THE
BRIGHTNESS
OF THE SCENE
TO SET THE
SHUTTER SPEED
OR APERTURE
EXPOSURE
METERING MODES
MATRIX
CENTRE
WEIGHTED
SPOT
EXPOSURE
METERING MODES
MATRIX
CENTRE OF
FOCUS POINT
TO ENTIRE
IMAGE AREA
LANDSCAPE
PORTRAIT
GENE V LAM, 2011

EXPOSURE
METERING MODES
CENTRE
WEIGHTED
60
%
CENTRE OF
VIEWFINDER
CLOSE-UP
BACKLIT
BREE FRIESEN, 2016

EXPOSURE
METERING MODES
SPOT
5
%
CENTRE OF
VIEWFINDER
SMALL OBJECTS
ANTI-BACKLIT
SMALL OBJECTS
ANTI-BACKLIT
JAKE OLSON, 2014

EXPOSURE
LIGHT METER
ACHIEVING
THE
CORRECT
EXPOSURE
000 5.6 –2 1 0 1 2+ ISO
3200
4 5.6 –2 1 0 1 2+ ISO
3200
EXPOSURE
ISO
ISO ISO ISO

200 800 3200
EXPOSURE
ISO
ISO ISO ISO
200 800 3200
LOW S E N S I T I V I T Y HIGH
EXPOSURE
ISO
1/ ISO 1/ 1/
ISO
200 ?s 800 ?s ISO
3200 ?s
EXPOSURE
ISO
1/
200 4II
ISO ISO
800 1II ISO
3200 4
CAMERA SHAKE
EXPOSURE
ISO
1/
200 4II
ISO ISO
800 2II ISO
3200 4
ISO ISO
800 3200
EXPOSURE
ISO
1/
200 4II
ISO ISO
800 2II ISO
3200 4
LEAST G R A I N MORE
EXPOSURE
ISO
1/
200 4II
ISO ISO
800 2II ISO
3200 4
LEAST G R A I N MORE
DAY C O N D I T I O N S NIGHT
EXPOSURE
ISO
SENSITIVITY
OF
IMAGE
SENSOR
ISO
HIGH
NOISY
LOW
CLEAN
EXPOSURE
SHUTTER APERTURE
NEXT WEEK
ONLINE – ZOOM ON CANVAS
CAMERA
1 SOFT BALL
USB WIRED/
BLUETOOTH
HEADSET WITH MIC
3 FIGURINES TRIPOD
ZOOM
SETUP
NEXT WEEK
3 VARIABLES ‘OTHER 2 BFFS’
ISO
SHUTTER APERTURE
NEXT WEEK
EXPOSURE MODES
MANUAL
APERTURE-PRIORITY
ISO
SHUTTER-PRIORITY
PROGRAM
SHUTTER APERTURE
“YOUR
FIRST 10,000
PHOTOGRAPHS
ARE YOUR
WORST. ”
HENRI CARTIER-BRESSON, 1908 – 2004

Session 1A - Overview & Camera Basics

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Session 1A - Overview & Camera Basics

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DIGITAL PHOTOGRAPHY TECHNOLOGY

INPUT IMAGE PROCESSING OUTPUT

UNDERSTAND THE SUBJECT

LIGHT PROOF BOX

GENE V LAM, 2016

GENE V LAM, 2013

RAW FOR PRINTING TIF FOR SHARING JPEG

GENE V LAM, 2013

CHARLES GUO, 2012

GENE V LAM, 2015

TREE & J HENSDILL, 2009

JEFFREY VANHOUTTE, 2015

GENE V LAM, 2015

GENE V LAM, 2015

GENE V LAM, 2015

WE BARE BEARS, 2015

WE BARE BEARS, 2015

GENE V LAM, 2011

BREE FRIESEN, 2016

JAKE OLSON, 2014

ISO ISO ISO

Das könnte Ihnen auch gefallen

Session 1A - Overview &amp; Camera Basics

Hochgeladen von

Dokumentinformationen

Copyright

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Dieses Dokument teilen

Dokument teilen oder einbetten

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Stufen Sie dieses Dokument als nützlich ein?

Sind diese Inhalte unangemessen?

Copyright:

Verfügbare Formate

Session 1A - Overview &amp; Camera Basics

Hochgeladen von

Copyright:

Verfügbare Formate

DIGITAL PHOTOGRAPHY TECHNOLOGY

INPUT IMAGE PROCESSING OUTPUT

UNDERSTAND THE SUBJECT

LIGHT PROOF BOX

GENE V LAM, 2016

GENE V LAM, 2013

RAW FOR PRINTING TIF FOR SHARING JPEG

GENE V LAM, 2013

CHARLES GUO, 2012

GENE V LAM, 2015

TREE & J HENSDILL, 2009

JEFFREY VANHOUTTE, 2015

GENE V LAM, 2015

GENE V LAM, 2015

GENE V LAM, 2015

WE BARE BEARS, 2015

WE BARE BEARS, 2015

GENE V LAM, 2011

BREE FRIESEN, 2016

JAKE OLSON, 2014

ISO ISO ISO

Das könnte Ihnen auch gefallen

Session 1A - Overview & Camera Basics

Session 1A - Overview & Camera Basics