Beruflich Dokumente
Kultur Dokumente
Epstein, Dena J. Polacheck. Sinful Tunes and Spirituals: Black Folk Music to the Civil War. Music
in American Life. Urbana: University of Illinois Press, [1977] 2003.
Esedebe, Peter Olisanwuche. Pan-Africanism: The Idea and Movement, 1776–1963. Washington,
DC: Howard University Press, 1982.
Euba, Akin. Essays on Music in Africa. Vol. 1. Bayreuth: IWALEWA-Haus, Universität
Bayreuth, 1988.
Evans, David. “Robert Johnson.” In International Dictionary of Black Composers, edited by
Samuel A. Floyd Jr., 650–56. Chicago: Fitzroy Dearborn, 1999.
Farquharson, Mary. Liner Notes to Africa in America: Corason MTCD 115/7, 1992.
Fatunmbi, Fá’lokun. Esu Elegba: Ifá and the Divine Messenger. Bronx, NY: Original Publications,
1992.
Faulkner, Anne Shaw. What We Hear in Music: A Laboratory Course of Study in Music History
and Appreciation, for Four Years of High School, Academy, College, Music Club or Home Study.
[2nd] ed. Camden, NJ: Educational Dept., Victor Talking Machine Co., 1913.
———. What We Hear in Music: A Course of Study in Music History and Appreciation, for High and
Normal Schools, Colleges, Universities, Conservatories, Music Clubs and Home Study. New rev.
ed. Camden, NJ: Educational Dept., Victor Talking Machine Company, 1916.
———. What We Hear in Music: A Laboratory Course of Study in Music History and Appreciation,
for High and Normal Schools, Colleges, Universities, Conservatories, Music Clubs and Home
Study. Camden, NJ: Educational Dept., Victor Talking Machine Co., 1917.
———. What We Hear in Music: A Course of Study in Music History and Appreciation, for Use in the
Home, Music Clubs, Conservatories, High Schools, Normal Schools, Colleges and Universities.
4th rev. ed. Camden, NJ: Educational Dept., Victor Talking Machine Co., 1921.
———. What We Hear in Music: A Course of Study in Music History and Appreciation, for Use in the
Home, Music Clubs, Conservatories, High Schools, Normal Schools, Colleges and Universities.
Camden, NJ: Educational Dept., Victor Talking Machine Co., 1924.
———. What We Hear in Music: A Course of Study in Music History and Appreciation, for Use in
the Home, High Schools, Normal Schools, Colleges, and Universities. Also for Special Courses in
Conservatories and Music Clubs. Camden, NJ: Educational Dept., Victor Talking Machine
Co., 1928.
———. What We Hear in Music: A Course of Study in Music Appreciation and History for Use in
the Home, High Schools, Normal Schools, Colleges, and Universities. Also for Special Courses
in Conservatories and Music Clubs. 8th rev. ed. Camden, NJ: RCA Victor Co., Educational
Division, 1931.
———. What We Hear in Music: A Course of Study in Music Appreciation and History, for Use in High
Schools, Normal Schools, Colleges, and Universities. Also for Special Courses in Conservatories,
Music Clubs and the Home. Camden, NJ: RCA Manufacturing Co., Educational Dept., RCA
Victor Division, 1936.
———. What We Hear in Music: A Course of Study in Music Appreciation and History, for Use in High
Schools, Normal Schools, Colleges, and Universities. Also for Special Courses in Conservatories,
Music Clubs and the Home. Camden, NJ: RCA Manufacturing Co., 1939.
———. What We Hear in Music: A Course of Study in Music Appreciation and History, for Use in High
Schools, Normal Schools, Colleges, and Universities. Also for Special Courses in Conservatories,
Music Clubs and the Home. Camden, NJ: Educational Dept., RCA Victor Division, Radio
Corp. of America, 1943.
Fikes Jr., Robert. “They Made the Violin Sing: Three Black Virtuosos.” The Crisis 89, no. 5
(1982): 32–34.
Finn, Julio. The Bluesman: The Musical Heritage of Black Men and Women in the Americas. 1st
American ed. New York: Interlink Books, 1992.
Fleurant, Gerdès. Dancing Spirits: Rhythms and Rituals of Haitian Vodun, the Rada Rite.
Contributions to the Study of Music and Dance. Westport, CT: Greenwood Press, 1996.
Floyd Jr., Samuel A. “Alton Augustus Adams.” Black Perspective in Music 5, no. 2 (1977): 173–87.
———. “Black American Music and Aesthetic Communication.” Black Music Research Journal 1
(1980): 1–17.
———. “Black Music in the Circum- Caribbean.” American Music 17, no. 1 (1999a): 1–38.
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