Violin

I Four pictures from New York

            
II Tango Club Roberto MOLINELLI

                  

Vivo  = 150

          
col legno

           


           

        
6

     3
       
               
          
 
      
11

     3  
            


   
           
  
 

15

           
 
      
              
     
   
 
  
18

 
                                
                         
21

              
         
    
    
             

25

    
     
 
         
                  

tenuto ed espressivo

   
3


     

 
    

     
30

   
     
     
                            
                        
34

    
                  
3

        
                
         
  

39
   

                
   
43
rit.

             
 


  

  
          
  
  
50 Più Lento

     
        


     

58

                                 
 molto espr.

  
 
62

                 
  
    
3 3

                                   
                       
66


       
 
      
     
      
 
           

    

Poco meno

    
71

 molto espr.
I solo



 Tempo I  


 

                                 
o

      
79
Tutti

 molto cresc.

     


     
    
                  
 
           
85

s.
g li s

  
molto marcato

     
  
                   
       
         
   

  
88

2
 
                          
     

   

  

  
 
91 3 3

   
          
         


  
               
 
    

     
95


      
          
               
                     
98

              
           
                 
     
102

        
3

       
     

    

                    
 
107


 cresc.

                                

     
113

 
                       
           




   
 
116

                
3

      
                        
 



    
 
119


 
3

                                        

       
122


      
              
                    

126


3