Beruflich Dokumente
Kultur Dokumente
IS218
Reflection Paper
“PHOTOGRAPHY AS RAPE”
The article expresses Resil Mojares’ take on the introduction of photography in the
Philippines. Throughout the article, he compares the photographs of the ilustrados or the
Spanish community to that of the Tinguian, a Philippine tribal group. The Spanish
community was clothed in European garb and posed for Posterity. On the other hand, the
Tinguians were photographed as if they were criminals or lab rats. The portraits were of
them half-naked, positioned and lined up. According to Mojares, they were stereotyped.
Mojares emphasized the important difference between how their portraits were
taken. The ilustrados had a form of control over their bodies thereby controlling their self-
representation through clothes and the freedom to pose. However, the natives seemed
to be assaulted without freedom. As Mojares puts it, “the camera has ‘stolen’ their bodies.”
This was the Spanish strategy of colonization – the Linnaean project of classifying “other”
life-forms as if they were not humans for “scientific” purposes. Overall, Mojares sees the
use of photography in this context as some sort of rape and conquest. It is judged by
something to add of my own. I agree that photography gives or takes something from its
subjects. However, I would like to add that photography shares something as well. It is
not as simple as either give or take but rather a mix of both. As art is complex and depends
on the eye of the beholder, photography is as difficult to judge. For example, the dull
photos of the Filipino natives by the Spaniards may have taken away their dignity and
honor (as some sort of rape as per Mojares) but it gave them something photographs
would always give – immortality. By taking photographs of the natives, their culture is then
framed onto a blank piece of paper giving it color. The culture then lives on as long as the
paper can live. Memories may fade, oral stories may vary, but photographs are forever
(especially today when they can now be digitalized and sent to the cloud).
having respect for the subject at hand. One must understand that not all photographs are
factual and objective as some are subjective to the audience. The purpose of photography
and many others. The photographer must be careful as to how he utilizes his photography
skills to convey a message, thought, or idea. He must be able to distinguish the good
from the bad as photographs, in a snap, could be as powerful as sharpened swords and
sign pens. The use of photography as “exploitation” can be avoided by using it for the
right reasons. What Mojares used as an example was the use of photography as a form
of conquest wherein the subjects were treated as ‘mere objects of taxonomic interest.’
Their identities were controlled without their consent. They were ‘raped’ because their
dignity was taken away just like in the actual physical form of rape.
(where almost anyone can take a picture), we must be careful as to what we photograph
and why. Photography is still a very powerful art. We must use our moral narratives to
direct our photography in a more peaceful and positive light without compromising the
means to do so. According to Mojares’ we are judged according to what our photographs