Beruflich Dokumente
Kultur Dokumente
ECLECTICISM
• Eclecticism is a nineteenth and twentieth-century architectural style in which
a single piece of work incorporates a mixture of elements from previous
historical styles to create something that is new and original.
• Eclecticism came into practice during the late 19th century, as Architects
sought after a style that would allow them to retain previous historic
precedent, but create unseen designs.
• From a complete catalogue of past styles, the ability to mix and combine
styles allowed for more expressive freedom and provided an endless source of
inspiration.
• Eclecticism differed, as the main driving force was creation, not nostalgia and
there was a desire for the designs to be original.
Different Styles in Eclecticism
• Gothic Revival
• Orientalism
• Beaux-Arts
• Arts and Crafts
• Art Nouveau
• Art Deco
Gothic Revival
Natural Gothic
Eclectic Gothic
Modern Gothic
Orientalism
Indian Egyptian
Mayan Moorish
Orientalism
Imperialist
Chinese
Beaux-Art
• Beaux-Arts architecture expresses the academic neoclassical architectural
style taught at the École des Beaux-Arts in Paris.
Iron Structures
Characteristics
Imbricated Facades
High Facades
Arts and Crafts
• Led by William Morris
• If artists and architect became craftsmen once more, the tyranny of the
machine could be overthrown-Idea of William Morris
• His idealised garden city would house 32,000 people on a site of 6,000 acres
planned on a concentric pattern with open spaces, public parks and six
radial boulevards, 120 ft wide, extending from the centre. The garden city
would be self-sufficient and when it reached full population, another garden
city would be developed nearby. Howard envisaged a cluster of several garden
cities as satellites of a central city of 58,000 people, linked by road and rail.
Garden City Movement
• In 1904, Raymond Unwin, a noted architect and town planner, along with his
partner Barry Parker, won the competition to plan Letchworth, an area 34
miles outside London.
• Unwin and Parker planned the town in the centre of the Letchworth estate
with Howard’s large agricultural greenbelt surrounding the town, and they
shared Howard’s notion that the working class deserved better and more
affordable housing. However, the architects ignored Howard’s symmetric
design, instead replacing it with a more ‘organic’ design.
• Two garden cities were built using Howard's ideas: Letchworth Garden
City and Welwyn Garden City, both in England.
• Even until the end of the 1930s, Letchworth and Welwyn remained as the
only existing garden cities. However, the movement did succeed in
emphasizing the need for urban planning policies that eventually led to
the New Town movement.
Garden City Movement
• Divided into six equal wards, by six main Boulevards that radiated from the
central park/garden.
• Civic institutions (Town Hall, Library, Hospital, Theatre, Museum etc. ) are
placed around the central garden.
• The central park enclosed by a crystal palace acts as an arcade for indoor
shops and winter gardens.
• The streets for houses are formed by a series of concentric ringed tree lined
avenues.
• All the industries, factories and warehouses were placed at the peripheral
ring of the city.
• The municipal railway was placed in another ring closer to the industrial
ring, so that the pressure of excess transport on the city streets are reduced
and the city is connected to the rest of the nation.
Garden Cities
• The First Garden City evolved out
of Howard’s principles is
Letchworth Garden City designed
by Raymond Unwin and Barry
Parker in 1903.
• It is located approximately 19 miles from Kings Cross and 24 miles from London.
• On 29 April 1920 a company, Welwyn Garden City Limited, was formed to plan
and build the garden city, chaired by Sir Theodore Chambers. Louis de
Soissons was appointed as architect and town planner and Frederic Osborn as
secretary.
• Separation of the pedestrian walkways from the main roads gives a sense of
natural beauty.
• Radburn provided a prototype for the new towns to meet the requirements for
contemporary good living.
• Radburn was designed to occupy one square mile of land and house some 25,000
residents. However, the Great Depression limited the development to only 149 acres.
• Although Radburn is smaller than planned, it still plays a very important role in the
history of urban planning.
• The Regional Planning Association of America (RPAA) used Radburn as a garden city
experiment.
Radburn, New Jersey
Elements Of Radburn City
• Park as backbone of the neighborhood.
• Specialized Highway system, Complete separation of vehicular and pedestrian traffic with
21% of road areas.
• The Radburn planners achieved the separation of vehicular and pedestrian traffic through
the use of the superblocks, cul-de-sacs, and pedestrian-only pathways. Through the use of
the superblock, houses in Radburn were uniquely designed to have two fronts.
• The ‘back side’ of the house, what we would normally consider the front side, faced the cul-
de-sac and parking. The kitchen was normally placed in the back to provide visitors a place
to enter the house. The ‘front side’ of the house faced towards the green spaces or parks
encouraging pedestrian traffic.
• Since automobiles were given limited access to the ‘backs’ of the houses, the ‘fronts’ of the
house were relatively quiet, therefore, the bedrooms were always placed on this side of the
house. The 2900 residents of Radburn share 23 acres of interior parks, which yield 345
square feet / person.
Art Nouveau
• By the 1890s in Europe, the supremacy of French Beaux- Art and English
Victorian styles were being challenged by Architects in places that were
somewhat remote from the English and French spheres of influence like in
Spain, Austria, Germany, Scotland and Holland.
• Emerging at the end of the 19th century and prevalent until the outbreak of
World War I in 1914.
• Whereas the Arts and Crafts movement aimed to heal the alienation that had
arisen as a consequence of industrialization, Art Nouveau stressed creativity.
• Art Nouveau artists tended to avoid the heavy, neo medieval look of the Arts
and Crafts, preferring sinuous organic shapes and plant like motifs.
Art Nouveau
• By the end of the 19th Century, Art Nouveau had drifted toward a virtuosic
display of form, a complicated intermingling of materials, and an interlacing of
structure and ornament. It was unabashedly expensive.
Articulating Modernity
Organic Forms
Symbolism
Features of Art Nouveau
Material Contrasts
Anti Ornament
Art Deco(between World Wars)
• Art Deco burst onto the world stage at the Exposition Internationale des Arts
Decoratifs et Industriels Modernes in Paris 1925.
• The aim of the exhibition, which gave Art Deco its name, was to re-establish
Paris as the centre of Design, Fashion and high-end consumer products.
• The exhibition asked for the submissions that were modern. But the
submissions were somewhere between tradition and modernity.
• Art Deco, later was devoid of any intellectual content or of a social or moral
agenda. It was style in its purest sense, and embrace of eclectic ornament,
colour, rich materials and lustrous surfaces.
Glamour
Rectilinear
Exoticism
Characteristics
Geometric Forms
Residual Classicism
Assignment 2-10 Marks
5. What is a Garden City? Write about its inception and the features of
the planning proposed by Sir Ebenezer Howard
• https://www.youtube.com/watch?v=UDgDiP5F7Bs
• https://en.wikipedia.org/wiki/Garden_city_movement
• https://en.wikipedia.org/wiki/Radburn,_New_Jersey
• https://en.wikipedia.org/wiki/Letchworth
• https://en.wikipedia.org/wiki/Welwyn_Garden_City
• https://en.wikipedia.org/wiki/Art_Nouveau
• https://www.geni.com/projects/The-Garden-City-Movement/15255
• https://en.wikipedia.org/wiki/Eclecticism
Further Reads
• https://www.youtube.com/watch?v=W0agil9-b3M
• https://www.youtube.com/watch?v=0WnMUQck-
BE&index=3&list=PLm38RbKnrb8b5dpmTMMD38RRx5I0Khqqm