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Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World

rld War American Art Deco

A.M. Cassandre
Normandie, Colored lithograph, 1935.

Graphic Design History


Joost Schmidt, Exhibition Poster, 1923.

Exam 3 Study Guide


(Final non-comprehensive exam on Tuesday December 14, 7:30–10 pm)

Art 4359 TTU Fall 11.30.10

* Will already be identified on exam

Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco

* Will already be identified on exam

Lyonel Feininger, Cathedral, Weimar Bauhaus,


Woodcut, 1919.
Joseph Binder, Skyscraper Christmas Tree,
Fortune Magazine, Magazine cover,
December 1937.
Mehemed Agha, Margaret Bourke-White,
“Trapping the Magical Waves of Sound,”
Vanity Fair, May 1934.
Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco

Cipe Pineles, Seventeen Cover, July 1949. A.M. Cassandre, Harper’s Bazaar
Cover, October 1938.

Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco

Lester Beall, Rural Electrification Philip Johnson and Henry Russell Hitchcock (curators). “Modern Architecture: International
Administration, 1937. Silkscreen. Exhibition,” Museum of Modern Art, New York, 1931.
Graphic Design History Art 4359 TTU Fall 2010 American Art Deco and the Second World War American Art Deco Graphic Design History Art 4359 TTU Fall 2010 The Second World War

Josef Albers, Machine Art Exhibition Catalog.


Museum of Modern Art, New York, 1934.

Kem Weber, Zephyr Clock, 1933. Brass, copper.

Ludwig Hohlwein, The Reich Sports Day of the


Association of German Girls, Poster, 1934.

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Graphic Design History Art 4359 TTU Fall 2010 The Second World War Graphic Design History Art 4359 TTU Fall 2010 The Second World War

Anonymous, Entartete Kunst (Degenerate


Art) Exhibition poster, 1937.

John Heartfield, The Nazis Play with Fire,


Poster, 1933.
*
Graphic Design History Art 4359 TTU Fall 2010 The Second World War Graphic Design History Art 4359 TTU Fall 2010 The Second World War

Will already be identified on exam

Howard Chandler Christy,


Howard Miller, We Can Do It!, Poster, 1942.
Gee!! I Wish I Were a Man
Poster photo lithograph, 1917.

Jean Carlu, America’s answer


PRODUCTION, poster for
the Office of Emergency
Management, 1942.

Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: “Swiss Style” Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: “Swiss Style”

Adrian Frutiger, Univers Typeface, Deberny &


Peignot, 1954–57

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Josef-Müller Brockmann, Volg Traubensaft Poster, 1962.

Bruno Pláffli of Atelier Frutiger, Composition


with Univers U, c. 1960.
Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: “Swiss Style” Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: American Modernists I

Armin Hofmann, poster for the Basel


theater production of Giselle, 1959. Saul Bass, film ‘symbol’ for The Man with the
Golden Arm, 1956.

*
Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: American Modernists I Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style

Will already be identified on exam

Pat Gorman and Frank


Olinsky of Manhattan Design
MTV, “Colorforms” logo,
1985.

* Will already be identified on exam


Anton Stankowski,
Deutsche Bank Logo, 1974.

Bradbury Thompson, pages from Westvaco


Inspirations, 210, 1958.
Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: Corporate Identity in Germany and America Graphic Design History Art 4359 TTU Fall 2010 The Triumph of the International Style: Corporate Identity in Germany and America

Paul Rand, Modern Art in Your Life, 1949, Book


cover

Paul Rand, Westinghouse Light-Bulbs, 1968.

Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Early Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Early Postmodernism

Victor Moscoso, Youngbloods,


1967. Poster.

Seymour Chwast, The Push Pin Monthly


Graphic, no. 54, 1969. Interior.
Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Early Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Early Postmodernism

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Marcel Duchamp. Self-Portrait in Profile.


1958. Torn colored paper on black
background. Private collection.

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Milton Glaser, Bob Dylan poster, 1967.

Right, Herbert Matter, Swiss Tourism poster, 1934 and left, Paula Scher, Swatch Watch poster, 1985.

Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism

Wolfgang Weingart
Schreibkunst,
Poster, 1984.

Right: Allen Hori, Typography as Discourse, Poster, 1989.

Above left: Guillaume Apollinaire Il Pleut (It Rains)


calligramme, ca 1918.

* Will already be identified on exam


Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism

April Greiman, graphic imagery for Design Quarterly 133, 1986.

Above left, Tibetan sand painted mandala,


ca 2006, Kresge foundation.

Right: Tibor Kalman, Speaking in Tongues, 1983.


Talking Heads album cover.

* Will already be identified on exam

Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism

Rudy Vanderlans, Emigre no. 1, 1983. Collage and typography. Below right:

Ron Haeberle (photographer), Peter Brandt (caption writer), Q. And babies? A. And babies, 1970. Offset poster.
Graphic Design History Art 4359 TTU Fall 2010 Postmodernism, The Return of Expression: Mature Postmodernism Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments

Alexander Rodchenko, “Look at Me Henceforth!” Poster, 1924.


* Will already be identified on exam

Hans Neuburg, Liebig Barbara Kruger, Your Body Is a


Super Bouillon, Poster ca. Battleground, 1989. Poster.
1950.

* Will already be identified on exam


David Carson (art director) and Pat Blashill (photographer), “Hanging at Carmine Street,” Beach Culture, 1991.

Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments

Tomato, Dubnobasswithmyheadman by Edward Fella, mailer for Detroit Focus


Underworld, 1993, Album cover.
Gallery, 1987.

* Will already be identified on exam


Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments

Art Chantry, Kustom Kulture, 1994. Poster Fred Woodward, Rolling Stone, February
serigraph. 20, 1997.

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H.J. Ward, Spicy Mystery Stories, 1936.

Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Eclectic Experiments

Stefan Sagmeister, Set the Twighlight Chip Kidd, cover for George Saunder’s
Reeling, 1996. Poster for album cover. Pastoralia, 2000, book cover.
Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: The Technology Aesthetic Graphic Design History Art 4359 TTU Fall 2010 Contemporary Graphic Design: Citizen Designer

Jonathan Barnbrook, Virus says


stop American cultural
imperialism, 1999.

John Plunkett, Wired No. 1.01, 1993. Magazine collage.

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