Suite para orquesta de viento de

"La ópera de tres centavos"

Kleine Dreigroschenmusik
Flauta I
1. Obertura Kurt Weill

                    
Maestoso

 

  
f f

            1          

10
       
     

mf f

                       
    
19

 


   3                    

26 2
 
f

             
       
       
45

 
f

4 
                   
            
51

 
f ff

 
60                



         
64 
     

2 Flauta I

2. La balada de Mackie Navaja

 5 
 

  7                

26 6
  
p

46                      
    
  
3 3 3 p

       
  
 
      
  
  
51

   
3

57
   

8
   
mf

    
  
9

66

     

71     
  
 3. Canción en lugar de
Flauta I

    
Kurt Weill

 
Moderato (q =100)
10
     
f mf

17           
       

 12
24 11             
     
f p

                               
39

            

           
43

                        
cresc.

        
 
   
46

      
f dim. p
 4. La balada de la buena vida
Flauta I


 
Kurt Weill

  
Foxtrot (q=96) molto leggiero
  
           
a tempo


molto rit. p p

13
8
    

14
        

p p

    
  

24
    
15
      
p

        
   
    
 
 
30

   
16
     
pp

                              

 
             
35  
    

              

 
  
39

    
17
     
p

                                 

       

45

       
p

  
                             

    
  
       
49

         


         
                             
53


p

     


    
 
   
 
  
  
                
60

      

mf p p
 5. La canción de Polly
Flauta I

Kurt Weill
Andante con moto (q =70)

   
 
 
 
 
 
 
 
 
pp

        
9

        
p

        
17

                
18

                       
25

 

    
19
        
dolce


33

        
p

             
  
   
41

  

   
    
48


pp
Flauta I
5a. Tango-Balada Kurt Weill
(h =58)


TACET
 6. Canción de los cañones
Flautín

         
 
Charleston tempo h = 92 Kurt Weill
  
       
    
 
     
   
f f
8

                            
  
mf
  
15 20          
           
  p
   21              

  
35

             
ff
                   
                   
43

 
f 3 3 3

50                                    


 

3 3

 
        
22
  

         
57 23
        
3

            

   
      
83

          
f
 
90
              
                 
ff f

                                

24 h=q A tempo
98

      

     
f

                          


105

      

111
                     
          

    

                       
            
116      
   
ff
 7. Tres centavos - Final
Flauta I

         
h. = 60 25 h=50
   
  
p
  
     
30

      
p

          
41 26 h.=60

     
  
 
pp pp p


50

                                    

 
57

                          

   
                       
63

 

          
27
   
68 Poco animato

 
p

                 
 
75


ff
        
             
81
28 Tempo I


          
pp subito pp

       
Choral h.=40

     
90 29
 
                   
   
pp ff
98     

    
   
   
106


        

112      

ff