Spiriti

for Accordion and Orchestra

Jukka Tiensuu 2005

Jukka Tiensuu:
Spiriti (2005)
Concerto for Accordion and Orchestra

Instrumentation:
2 flutes (also piccolo) 2 bassoons Timpani
2 oboes 2 horns in F Accordion solo
2 clarinets in Bb 2 trumpets in C Strings (4.4.2.2.2 minimum)

Performance note
The form of Spiriti is cyclic, i.e. the performance may begin with any movement and end with any, as long as the order of the movements is
kept, and each movement played at least once. Always attacca, i.e. no extra pauses between movements.
Accidentals apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading.
Ornaments: mordent: , pralltrill: (start from above), vibrato slow: fast: (when combined means vibr. accel. or rall.)
Tremoli are always measured (1/16-, 1/32- or 1/64-notes).
Dynamics as usual, refer more to the physical effort than to the actual loudness. It is left to the conductor to fine adjust the dynamic
balance between the instruments.
Glissandi are played evenly during the indicated time (not portamento).
glissando. Where an even glissando is not obtainable, simulate it by strong bendings within a (chromatic) scale.
A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated.
Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked.
quasi gliss As the character of the glissando - and not the actual in- between notes - is important here, the performer may do small changes
in the written pitches except for the first and the last pitch, if necessary to facilitate the performance of a rapid "glissando".
(E.g. using alternative "not-so-good" fingerings, transposing a tone half-step up or down or, in the extreme case, leaving out
one note altogether.)
_
tenuto, play note to the full length.
. normal staccato. For the clarity of writing used often as short-hand to indicate a shortish 16th-note.
short, sharp staccato (regardless of the written length of the note).
A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
A small pitch deviation, minimum 1/8-tone, maximum 1/6-tone higher/lower than the written note.
o dal niente/start from nothing (i.e. the audience should not be able to hear when the sound begins).
o al niente/let sound die (the last notes need not be heard by the audience)
l.v. let vibrate
Accordion:
Registers and fingering according to the Finnish button accordion system. For other systems, the accordionist should makes his
or her own adjustments trying to get as close to the original as possible.
Suoni reali, i.e. when combination registers are used, the lowest sounding octave is notated.
x Release the indicated (depressed) key at this point
l.v. Leave keys down as long as convenient (until marked by x, see above)
l.v. poco Lave keys down long enough to result in ca. 3-4 notes sounding at any one time. This always refers to both staves. You can
divide the passage between hands differently than indicated, if necessary to facilitate the execution, aslong as you select as
identically sounding registers as possible. For an example, see model in movement II.
Start and end marks of continues "bellows-shake" (the keys are pressed down before the bellows are activated and the rhythm is
produced by the bellows, only).

additional notes:
The repeat in bars 61-70 of Scatto finale is optional.
The dynamics of bar 170 in Scatto finale is f if movement I follows, otherwise ff.
Decreasing sizes of note-heads are occasionally used to visualize the disappearence of sound (al niente). Even when not, the diminuendi esp.
in mvt IV, difficult as they may feel, should strive for extreme quietness, even on the risk of the last notes not being heard.
 Spiriti
Concerto for Accordion and Orchestra
I. Introduzione Jukka Tiensuu 2005
=112 Allegro ispirando
1
fl1

poco dim.

fl2

ob1

poco dim.

ob2

cl1
poco dim.

cl2

3 3 3 3

bn1
poco dim.

bn2

hn1

poco dim.

hn2

tpt1

tpt2

tmp

j
Ac

f
div.
v1

(div.)

v2

(div.)
va

(div.)
div.
unis.
vc

div. pizz.

cb

poco dim.
Copyright © Jukka Tiensuu 2015
2 5
fl1

fl2

ob1

ob2

3 3

cl1

cl2

3 3 3 3

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(cluster gliss.)

6 3
Ac dolce
(overlapping, quasi gliss.)

v1

v2

va

vc

cb
 12
rall. p. a p. 3
fl1

fl2

ob1

ob2

3 3 3 3

cl1

3 3 3 3 3 3 3

cl2

bn1

bn2

hn1

hn2

tpt1
3 3 3 3 3 3
tpt2

tmp

rall. p. a p.

Ac p. a p. cresc.

pizz. (l.v.)
v1

v2

va

vc

cb
4 17
=40
fl1

fl2

ob1

ob2

5 5
3
cl1

3 5 5 3
cl2

bn1

bn2

3 3 3

hn1

3 3 3

hn2

tpt1

tpt2

tmp

=40 (l.v.)
3

Ac piu

arco (div.) (id.)

v1

v2

va

sul C
vc

arco sul E
cb
 20 muta in piccolo
=80 piccolo
5
fl1

muta in piccolo piccolo

fl2

ob1

ob2

cl1

cl2

3 3
bn1

3 3
bn2

hn1

hn2

tpt1

tpt2

tmp

=80
legatissimo (l.v. poco)

(8va bassa)
Ac

(8va bassa)

8va
(unis.)
v1
6 6

v2

va

unis., marcato sulla corda div.

vc

legatissimo div. 3 3
cb
6 24
fl1
6

fl2

ob1

ob2

cl1

cl2

3 3 3
bn1

3 3 3
bn2

hn1

hn2

tpt1

tpt2

tmp

Ac

8va 8va 8va

v1
poco

v2

va

vc

non div.
3 3 3

cb

3 3
 29
muta in flauto
rall. molto =30 7
fl1

fl2
3 poco

ob1

ob2

(sotto voce)
cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

rall. molto =30

Ac

8va 1.-4.soli

v1
3
poco
1.-4.soli
v2

va

vc

div. unis. (non div.)

cb

3 3
8 34 attacca
fl1

muta in flauto
fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

harmon mute + slow + o + o...

tpt1
harmon mute + slow + o + o...
tpt2

tmp

attacca

Ac

senza vibr. l.v.

tutti div.
v1

senza vibr. l.v.

tutti div.
v2

senza vibr. l.v.

div.
va

senza vibr. l.v.

vc

senza vibr.
div. unis. ( ) l.v.
cb
 9
II. Elevazione
Jukka Tiensuu 2005
=30 Lento celeste
1 (cassotto)
l.v.

Ac
l.v.

6
fl1

,
()
fl2

ob1

ob2

cl1

cl2

hn1

hn2

con sord.
tpt1

(tacet)
prc

(let tones die one by one) 8va

l.v.

Ac poco poco

( )

v.1

v.2

va

vc

cb
10
11
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

8va con ardore (vibrati espressivi)

, , ( ) ( )
( ) ( )

Ac poco

( )

v.1

v.2

va

vc

cb
 11
16
fl1

fl2

ob1

ob2

cl1

cl2

bn1
3

bn2
3

hn1

hn2

tpt1

tpt2

prc

8va
(legato) 5
l.v.

Ac poco
(loco)

div.
v.1

div.
v.2

div.
va

div.
vc

div.
cb
12
21
fl1
poco

fl2

ob1

ob2

cl1
poco

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

l.v. poco
l.v.

Ac

unis.
v.1
poco
unis.
v.2

unis.
va

unis.
vc

cb
 13
26
fl1

fl2

ob1

ob2

(sotto voce)
cl1

cl2

bn1

bn2

hn1

hn2

tpt1

con sord.
tpt2

prc

Performed (model):
Ac
B.S. l.v. poco

Ac

1.-4.soli
div.
v.1

div. 1.-4.soli
v.2

div.
va

div.
vc

div.
cb
14
30
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

Ac

l.v. poco

Ac (poco)

N.B. Individual entries should not

be covered by the sustained tones.
n.v. tutti
v.1

n.v. tutti
v.2

n.v.
unis.
va
n.v.
unis.
vc

cb
 15
36
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

8va
l.v. poco

Ac

poco sul pont.

div. trem. molto rall.
(tremoli misurati)
v.1
3 3
poco sul pont.
(tremoli misurati) trem. molto rall.
v.2
3 3

va

vc

cb
16
43
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

(l.v.) (l.v.)
3
3

Ac poco piu 3 ( )

ord. div.
v.1

ord. div.
v.2

div.
va

div.
vc

div.
cb
 17
47 attacca
fl1
muta in piccolo
muta in piccolo
fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

prc

B.S. "shivering"
8va trem. molto rall.
3 attacca

3
Ac

3
3

unis.
non vibr.
v.1

unis.
non vibr.
v.2

unis.
non vibr.
va

unis.
non vibr.
vc

unis.
non vibr.
cb
18
III. Esaltazione
=96 Allegretto acceso Jukka Tiensuu 2005
8va sempre
1

Ac
poco (l.h.) 3 3 3
(l.h.) (l.h.)

Ac
(l.h.)
(l.h.)

10

Ac
(l.h.) 3 3 3

17

Ac
(l.h.)

21
picc.
fl1
6

picc.
fl2

Ac
8va 8va
1.+2. soli
8va

v1
6 6

v2

33
fl1
3

fl2
3

Ac
3 3 3
(l.h.) (l.h.)

v1
3

v2
 19
40
fl1

fl2

( )

Ac
poco
(8va sempre)

v1

v2

45
fl1

fl2

3
Ac

v1

v2

div.
6

cb

3 3
53
fl1
6 6

fl2

Ac

8va
8va
tutti

v1

v2
non div.

cb
3
20
61
fl1
(quasi gliss.)

fl2

3 3 3
Ac (l.h.) (l.h.)

v1

v2

cb

3 3
67
fl1

fl2

bn1

bn2

Ac

8va

v1

v2

vc

cb
 21
73
fl1
3

fl2
3

bn1

3
bn2

Ac

1.+2. soli
8va

v1
3

v2

vc

cb

80
fl1

fl2

bn1

bn2

Ac

8va 8va

v1
6 6
8va 8va

v2

vc

cb
22
85 (quasi gliss.)

fl1
6

fl2

bn1

bn2

Ac

8va
tutti

v1

v2

vc
non div.

cb

3 3
91
fl1

fl2

bn1

bn2

(wide gliss. with variable speed)

Ac 8va bassa

8va

v1

v2

vc

cb
poco
 23
100
fl1
6 6

fl2

bn1
poco

bn2
poco

(B.S.)

Ac sempre

1.+2. soli
8va

v1

v2

vc
poco

cb

107
fl1

fl2

bn1

bn2

(l.v. poco) (l.h.)

Ac

8va 8va
tutti

v1

v2

vc

cb

3 3
24
112
fl1

fl2

bn1

bn2

hn1

hn2

15ma

Ac 8va

3 3 3
3 3 3

8va 8va

v1

v2

vc

cb
 25
120
fl1

fl2

bn1

bn2

hn1

hn2

15ma

Ac 8va

3 3 3 3
3

v1

v2

vc

cb
26
129
fl1
(subito)

fl2
(subito)

ob1

3 3 3 3 3 3

cl1

bn1

bn2

hn1

hn2

8va sempre

Ac 8va sempre

v1

v2

vc

cb

136

Ac

3
 27
142
fl1
3

fl2

ob1

cl1

bn1

3 3 3 3
bn2

hn1

hn2
(fingering for button-accordion:)

4 4 3 3
1

15ma
1 2 2

Ac (l.h.)

8va
8va 1.+2. soli

v1
6 6

v2

va

vc

div. 3 3 3 3
cb
28
148
muta in flauto
fl1

muta in flauto
fl2

ob1

ob2

cl1

cl2

bn1

3 3
bn2

hn1

hn2

con sord.

tpt2
con sord.

tpt2

tmp

15ma
cadenza ad lib.
l.v.
(loco) 3

Ac

8va
tutti

v1

v2

va

pizz.

vc

3 3 pizz.

cb
 29
157
attacca
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

con sord. via sord.

tpt2
con sord. via sord.

tpt2

tmp

8va
attacca

Ac
8va

(non spiccato)

v1

(non spiccato)

v2
(non spiccato)

va

vc

cb
30 IV. Incubo nostalgico
=40 Adagio tetro Jukka Tiensuu 2005
1
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1
sempre

tpt2
sempre

tmp

( )

Ac poco

v1

v2

va

vc

cb
 8
31
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(non cassotto)
8va
l.v. poco 3

3
Ac 3 3

v1

v2

div.
va

div.
vc

div.
cb
32 12
fl1

fl2

ob1

ob2

cl1
(non dim.)

cl2
(non dim.)

bn1
(non dim.)

bn2
(non dim.)

hn1
(non dim.)

hn2
(non dim.)

tpt1

tpt2

tmp

(l.v. poco, come prima)

l.v. poco 3 3
espressivo 3 3

Ac cantabile
(m)

v1

v2

va

vc

cb
 18
33
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

3 l.v.

Ac

(div.)
v1

v2

va

div.
vc

cb
34 22
fl1

fl2

ob1

ob2

cl1

cl2

3
bn1

bn2

hn1
3

hn2

tpt1

tpt2

tmp

legatissimo (l.v. poco) l.v.

Ac ( )

v1

v2

va

unis., marcato sulla corda div.

vc

cb
 27
35
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

3 3
3 3

Ac

v1

v2

va

vc

cb
36 30
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

3
3

Ac

(unis.) (div.)
v1

v2

va

div.
vc

cb
 33
37
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(cassotto)
6 3
3 3 l.v. poco

Ac

v1

v2

(div.)
va

(div.)
vc

(div.)
cb
38 37
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

3
( ) ( ) l.v. poco 3 3

Ac

v1

v2

(unis.)
va

vc

(unis.)
cb
 42
39
fl1

fl2

ob1

ob2

3
3
cl1

3
3
cl2

3
bn1
3
3

bn2
3

3 3
hn1

3
hn2
3

tpt1

tpt2

tmp

(l.v.)
3
l.v. (l.v.)

Ac

3
(unis.)
v1

v2

(div.) (unis.)
va

(div.) (unis.)
vc

(div.)
cb
40 46
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(non cassotto) l.v. poco

8va
3

Ac
8va

(div.) (unis.) 8va

v1

8va
v2

va

vc

(unis.)
cb
 50
41
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(gliss. ord.)

Ac

(chrom. overlapping, quasi gliss.)

(div.)
v1

v2

va

(div.)
vc

cb
42 53 attacca
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

B.S.
(1/32 triplets) attacca
(l.v.) ( )

Ac

(unis.)
v1

(div.) (unis.)
v2

(div.) (unis.)
va

(unis.)
vc

cb
 43
V. Scatto finale
Jukka Tiensuu 2005
1
=120 Presto chiassoso (tremoli misurati, non flz)
fl1

(tremoli misurati, non flz)

fl2

ob1

ob2

(tremoli misurati, non flz)

cl1

(tremoli misurati, non flz)

cl2

bn1

bn2

(tremoli misurati, non flz)

hn1

(tremoli misurati, non flz)

hn2

tpt1

tpt2

tmp

Ac

simile
sul pont.
v1

simile
sul pont.
v2

sul pont. simile

va

sul pont. simile

vc

sul pont. simile

cb
44
8
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1
poco

tpt2
poco

tmp

Ac

v1

v2

va

vc

cb
 45
molto legato 3 3
12 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Ac

v1

v2

va

vc

cb

16
fl1

fl2

ob1

ob2

cl1

cl2

3 3 3 3 3 3 3 3

bn1

bn2

3 3
3

3 3
Ac cresc. 3 3 3
46
20

Ac

6 6 6 6 6 6 6 6 6 6
v1

5 6 6 6 6 6 6 6 6 6
v2

3 6 6 6 6 6 6 6 6 6
va

vc
5 6 6 6 6 6 6 6 6

cb
5 5 5 5 5 5 5 5

23

Ac

6 6 6 6 6 6 6
v1

6 6 6 6 6 6 6 3
v2

6 6 6 6 6 6 6 6
va

6 6 3

vc
6 6 6 6 6 6

cb
5 5 5 5 5 5 5 5 5
 47
26
fl1

fl2

3 3 3 3 3 3 3 3
ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

3 3 3 3 3 3
tpt1

tpt2

tmp

Ac

v1

v2

va

vc

cb
48
30
fl1

fl2

3 3 3
3 3 3 3
ob1

ob2

cl1

cl2

3 3
3
bn1
3

...3

Ac 3
3
3 3 ...3 3

33
fl1

fl2

3
ob1
3 3 3

ob2

cl1

cl2

bn1
3 3

8va

legatissimo (overlapping)
Ac

6 6 6 6
 49
37 6
fl1
3
5
6
fl2

6
ob1

6
ob2

6
cl1
5
5
6 5
cl2
5

bn1
6

bn2
6 3 3 3 3
3

hn1

hn2

tpt1

tpt2

tmp

8va
(B.S.)

Ac subito

v1

v2

va

div. unis.
vc

cb
50
40 legatissimo

Ac subito cresc. molto

6 6 6 6

molto sul pont.

6 6 6 6 6 6
v1

molto sul pont.

6 6 6 6 6 6
v2

molto sul pont.

6 6 6 6 6 6
va

molto sul pont.

vc
6 6 6 6 6
6
molto sul pont.

cb
5 5 5 5 5 5

42 non legato
fl1

non legato
ob1

non legato
cl1

non legato
cl2

(B.S. sempre)
6
6

Ac 3

ord.
non legato
v1

ord.
non legato
v2

ord.
non legato
va

vc

cb
 51
6 3
46

Ac

div. (non spicc.) non div. div.

v1

div. (non spicc.) non div. div.

v2

(non spicc.)
va

ord.
(non spicc.)
vc

(non spicc.)
ord.
cb

(chrom.)
50

Ac

3
v1

3
v2

3
va

ord.
3
vc

ord.
3
cb
52
54
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(B.S.)
(B.S.)

Ac

v1

v2

va

vc

cb
 53
58
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp
non legato sempre

( )
Ac

( )

v1

v2

va

vc

cb
54
62

Ac

8va

68 70

Ac

8va

73

Ac

78

Ac (m)

81 3 3 3
cl1

3 3
cl2

Ac

3
3
va

vc
3
 55
85 3 5
3 3
cl1

3 3
cl2
5

Ac

va
5 3

vc
3 3
5

3
89 3
cl1

3 3
3
cl2

Ac

va
3 3

vc
3 3

93
cl1

cl2

Ac

pizz.
va

pizz.
vc
56
3
97 3

Ac

101

Ac

105

3
Ac

109

Ac 3

113 6

Ac

116 3 3 3

Ac
 57
119
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1
poco
tpt2
poco

tmp

Ac

div. div.
v1

(div.)
v2

arco div.
va

arco div. unis.

vc
(div.)
(div.)

cb
58
124
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

Ac

. . . unis.
v1

unis.
div.
v2

unis.
va

div.
vc

pizz. arco
cb
 59
127
fl1
6 6 6 3

fl2
5 5 5

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

Ac

div.
v1
6 6 6 6 5
legatissimo
div.
v2
5 5 5 5
legatissimo

va

vc

cb
60
130
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

Ac

unis.
v1

unis.
v2

va

unis.
vc

pizz.
cb
 61
134
fl1

fl2

ob1

ob2

cl1

cl2

3 3 3 3 3 3
bn1

3 3 3
bn2

hn1

hn2

tpt1

tpt2

tmp

6 3

Ac

v1

v2

va

vc

cb
62
138
fl1

fl2

ob1

ob2

cl1

cl2

5 5

bn1

5 5

bn2

hn1

hn2

tpt1

tpt2

tmp

8va

Ac poco dim. ( ) cresc.

(non spicc.)
non div.
v1

(non spicc.)
non div.
v2

(non spicc.)
va

(non spicc.)
vc

arco
(non spicc.)
cb
 63
5
142
fl1

fl2

quasi gliss. 5 5

ob1

quasi gliss. 5 5
ob2

quasi gliss. 5 5

cl1

quasi gliss. 5 5
cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

Ac

div. non div. div. non div. div.

v1

div. non div. div. non div. div.

v2

va

vc

cb
64
3
146 quasi gliss. 3 3 3

fl1

quasi gliss.
fl2

quasi gliss. 5 5 5 5

ob1

quasi gliss. 5 5 5 5
ob2

quasi gliss. 5 5 5 5
cl1

quasi gliss. 5 5 5 5
cl2

quasi gliss.
bn1
5 5 5 5
quasi gliss.
bn2
5 5 5 5

hn1

hn2

tpt1

tpt2

tmp

Ac

div. non div. div.

unis. pizz.
v1

div. non div. div.

unis. pizz.
v2

pizz.
va

pizz.
vc

pizz.
cb
 65
(chrom.)
150

Ac

152
fl1

fl2

ob1

ob2

3 3 3 3 3 3

cl1

cl2

bn1

bn2

hn1

hn2

3 3 3 3 3 3
tpt1

Ac

arco

v1

arco
v2

vc

pizz.
cb
66
156
fl1

fl2

ob1

ob2
cresc.

cl1
cresc.

cl2
cresc.

bn1
cresc.

bn2
cresc.

hn1
cresc.

hn2
cresc.

tpt1

tpt2

tmp

(B.S. sempre)
(B.S.)

Ac

v1

v2

arco
va
cresc. poco a poco
arco
vc
cresc. poco a poco
div{ 1. pizz.
2. spicc. unis. spicc.
cb
cresc. poco a poco
 67
162
fl1

fl2

ob1
cresc.

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(chrom.)

Ac sempre
8ba

8ba

v1

v2

va

(sul C)
vc

martellato
cb
68 (attacca 1st mvt.)
166
fl1

fl2

ob1

ob2

cl1

cl2

bn1

bn2

hn1

hn2

tpt1

tpt2

tmp

(attacca 1st mvt.)

Ac 8ba

8ba

v1

v2

va

flautando ord.
vc
flautando
ord.
cb