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1) timbre dolce or sweet or dark (right hand over the 16th key)
When touching a string the concact has to happen on your finger tip
and then on your nail: nails are indispensable to reach a strong and
pure sound.
You'll need short nails, they sould be flat and attached to your fingers
tips. If your nails are bended you'll have to experience a longer shape
and sometimes you'll have to play just with your nails.
You'll need a wide nail shape, it is basic to reach pure sounds: avoid
triangular or chapel like nails shape. File down your nails to cut off
edges and smooth them using a piece of leather.
Try to figure out that you have to hit the string to press it down and not
to pull it up or tear it.
Fir is the quickest wood for vibrations spreading and then there is cedar
tree.
Picking a string two times in the same point with the same action but
different strength will produce a purer sound thanks to the less energy
applied.
There are two kinds of stroke : free stroke and rest stroke
Free stroke is mainly used for arpeggio, rest stroke (or apoyando) is
mainly used for increasing scale volume. Rest stroke requires a
well-trained right hand.
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classical guitar technique right hand http://www.classicalguitarvideo.com/teachpag/righthand.htm
thumb has to come back to its starting position after the picking action
using muscular mass between thumb and index.
Little Mouvements
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classical guitar technique right hand http://www.classicalguitarvideo.com/teachpag/righthand.htm
Rolled Chords
The history of the rolled chord probably goes as far back as armony.
Guitarists should feel free to experiment with this effect and must still
decide upon various elements such as the speed of the rool, the
direction, the intensity, the rhythmic placement (on the beat, before the
beat).
From the baroque period untill nowaday, the roll was performed in a
variety of ways.
Segovia seemed to prefere one type of roll from the bottom to the top:
this is an aspect of Segovia style quite important, infact a significant
percentage of the chords within any given piece were played as rolled
chords by Segovia.
Speed and exact placement of the roll are all left up to the performer.
Reader Hints:
Graham Wade and Gerard Garno 'A new look at Segovia' Mel Bay
Publications
All topics remaining regarding the right hand are the follopwings:
2) Staccato;
3) Sound stopping;
4) Rasgueado;
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classical guitar technique right hand http://www.classicalguitarvideo.com/teachpag/righthand.htm
Stoppato or Pizzicato
Stoppato is to put the right hand palm on the bridge and then turn the
wrist untill the thumb will be on top of the sixth string: doing like this
the palm will stop strings vibration and the bass sounds will result
thump: Andres Segovia often applied this effect.
Watching 'La Alborada' video you will see my way to use the stoppato
effect and besides my way to play the harmonics just with my right hand
and the slurs with the left hand.
Sound Stopping
Stopping sound is another task for the right hand, it happens shutting
the strings vibration. One sound is turned off due to musical reasons,
rhythm reasons or harmonic unsuitable reasons concerning subsequent
sounds (open strings vibration or vibrancy).
1) Hand palm
2) One finger stopping one vibrating string coming from a lower string
(i,m,a) or coming from a higher string (thumb) applying the rest stroke.
This processes can be applied while others fingers make other sounds.
The thumb can stop a sound while making another one from the lower
string too.
Rasgueado
your fingers posture solid and compact and your mouvement will be
driven by your knuckles and phalanxes. Rasgueado can touch three or
six strings and you can do the rasgueado technique with the I A M
sequence as well.
Right hand relaxation is a good hint for whom has a strong right hand
but when we have to play loud or louder or if the right hand is weak
some tension is usefull: when your fingers are weak yuo'll get poor
sounds and you'll have to reinforce your fingers muscles, for examples
you can exercice on "120 Arpeggi" by Mauro Giuliani.
Support points
The former guitarists were used to attach the little finger on the board
or on the bridge. Now a day we can't use this help no more becouse the
timbre dynamic and technique as well want more right hand action: the
support can exist only inside the right hand itself. You'll have to keep
your thum and little finger opened to external supports and you'll get an
opposition in your right hand palm working as support point. Keep on
exercice on arpeggio, and try to figure out there is a gum ball in your
hand palm and try to squeeze it.
Artificial Harmonics
To obtain artificial harmonics you'll have to press with your left hand
the first E string at the first fret and lean lightly against the XIII fret
your index finger (i). Then you'll have to play using your ring finger (a).
When playing basses you could play using your thumb too. If you need
to play others notes along with harmonics as it happens playing Spanish
Dances by E. Granados you'll have to play the second string B using
your medium finger (m).
Armstrong Moon
Ghost
free .pdf score
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classical guitar technique right hand http://www.classicalguitarvideo.com/teachpag/righthand.htm
Apollo 11
free .pdf score
All free .pdf scores about Daniele Magli music and tips
HERE
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