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history, Noble takes pains to explain why he could not then, we can finally free ourselves from those meta-
embrace the scholarly presuppositions of the members phors that encourage us to flee the timeful complexity
of the myth/symbol school of American Studies who of a locality to find liberty in the timeless abstractions
were his contemporaries. Noble's account of the of the marketplace. Perhaps, then, we will be able to
change in the scholarly stance of Parrington's and construct metaphors that will allow us to live at home
Matthiessen's disciples Henry Nash Smith and Leo in the circle of the earth" (p. 301).
Marx is remarkable for the pathos evident in his DONALD PEASE
characterization of the profound losses that took place Dartmouth University
at this moment of transition. In Noble's opinion, Smith
and Marx knew that Miller and Matthiessen had lost CHARLES TILLY. The Politics of Collective Violence.
faith in the progressive values of American culture, (Cambridge Studies in Contentious Politics.) New
and the myth/symbol school originated out of Smith's York: Cambridge University Press. 2003. Pp. xii, 276.
and Marx's desire to enshrine the values in which their Cloth $65.00, paper $23.00.
mentors had believed within a timeless realm kept
apart from the incursions of the marketplace. In this ambitious new work, Charles Tilly seeks to
When they idealized the United States as an excep- account for significant variations in the quantity, char-
tional nation, myth/symbol scholars drew on the foun- acter, and intensity of collective violence across time,
dational assumptions concerning the national anthro- place, and social setting. He also proposes answers to
pology that distinguished "authentic rational cultures" some important real-world puzzles. Why do people
from "inauthentic irrational cultures." But by idealiz- who have lived in relative peace for years suddenly
ing the national culture as authentic, myth/symbol start to kill each other? Why do certain kinds of
studies scholars dismissed as inauthentic all of the political regime appear to host different levels and
cultures that had not sprung from the national land- forms of collective violence? Building on his own and
scape. The members of the myth/symbol school also other scholars' work on large-scale social change,
constructed literary canons that supposedly repre- "contentious politics," and "social inequality," Tilly
sented the purity of the national identity but that in sets out to address these questions by proposing an
fact justified the exclusion of Anglo-Protestant women unusual two-dimensional typology of collective vio-
from the precincts of authentic national culture as well lence. The key variables in this typology are the
as American Indians, African Americans, Mexican "salience" of violence in the overall interaction among
Americans, and Catholic and Jewish Americans. contending parties, and the degree of "coordination"
Following his exposition of the limitations in the among violent actors (pp. 14-16). Using this schema,
myth/symbol school paradigm, Nobles identifies his Tilly identifies six broad categories of collective vio-
lifelong scholarly project with the questions that their lence, which he names according to their most typical
graduate students addressed to the exponents of the manifestations: violent rituals, coordinated destruc-
myth/symbol school. These disenchanted successors tion, opportunism, brawls, scattered attacks, and bro-
desacralized the myths of the United States as a virgin ken negotiations. The unique characteristics of each
land and the national history as a providential errand type are then examined in separate chapters, each of
into the wilderness. They also fostered a new paradigm which draws fruitfully upon a wide range of historical
that Noble calls "postnational" American Studies and examples.
that his book aspires to authorize as the dominant Tilly advances two principal arguments in the book.
disciplinary perspective in the present configuration of The first is that significant variation in the form and
the field. incidence of collective violence can best be explained
As Noble explains it, "postnational" Americanist by reference to a number of crucial causal "mecha-
scholarship replaces the state of nature anthropology nisms" and "processes." The book identifies several
with a cultural constructivist model that undermines such mechanisms, including, for example, "category
the aesthetic authority of the national landscape and formation," "boundary activation," "polarization," and
subverts the literary canon as an instrument of Amer- "brokerage." It also usefully highlights the key roles
icanization. The new paradigm emerged from inter- played by "political entrepreneurs" and "violent spe-
ventions of feminist and gay and lesbian scholars, as cialists" (i.e. soldiers, policemen, gangsters) in these
well as students of the black Atlantic and members of processes.
Latin American subaltern studies groups who wrote The second major argument is that collective vio-
out of a powerful sense of the relationship between lence varies significantly by regime type. To make this
their academic projects and their involvement in inter- case, Tilly proposes another two-dimensional typology
national and transnational movements. in which regimes are categorized according to their
Throughout this lucid and broad-gauged account, "capacity" (high or low) and whether they are "dem-
Noble writes from the position of a cultural critic who ocratic" or "undemocratic" (pp. 41-42). He then seeks
has grasped the core assumptions and values of the to demonstrate how the character of collective vio-
driving paradigms of the American Studies movement; lence is shaped by different regime types and by
he also writes as a scholar for whom these paradigms specific regime behaviors. Tilly's main conclusion is
matter personally as well as professionally. "Perhaps, that "the most extensive violence [is found] in the