Beruflich Dokumente
Kultur Dokumente
Bold
Bangles!
Use Long Drop Beads
to Stitch These Stunning Cuffs
PLUS Hot Projects With
New Peanut Beads
16
Peyote, Right-Angle
Must-try
Techniques
Weave, Herringbone,
and much more!
Make this
modern
vintage
choker
p. 62
ANNOUNCING OUR
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beadworkmagazine.com Designers of the Year!
v
Supplying Your Imagination TM
YO U R T R U S T E D S O U RC E FO R E XC E P T I O N A L B E A D S & S U P P L I E S TM
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Artbeads.com and ShopHandmade For FREE instrucƟons on how to make this necklace, visit the Learning Center on our website at:
are part of the Stores in MoƟon family. www.artbeads.com/mirkwood-flower-necklace.html
2 beadworkmagazine.com
contents | F E B R U A R Y/ M A R C H 2 0 1 1
VOLUME 14 NUMBER 2
32 QUEEN OF DIAMONDS BRACELET Kelly Wiese 56 ROYAL DELTA COLLAR Susan B. Swanson
Use right-angle weave and peyote stitches—plus picot edging—to create the
repeating diamond shapes in this modern bracelet 58 CAMELOT CROSS BRACELET Carole Ohl
36 44 22 48
68 26 62 32
Featured Instructors: Anna Draeger, Bonnie Clewans, Debra Saucier, Diane Fitzgerald, Diane Hertzler,
Diane Whiting, Fernando Dasilva, Jamie North, Katie Hacker, Kellie DeFries, Kristal Wick, Laura Andrews,
Laura Timmons, Leslie Rogalski, Lilian Chen, Linda Hartung, Lisa Pavelka, Monica Han, Nick Regine,
Stephanie Dixon, Sue Jackson, Tammy Honaman, Val Hirata
Don’t miss the launch of the 2011 CREATE YOUR STYLE Magazine which features sparkling designs
inspired by that most elemental of elements, water!
WWW.CREATE-YOUR-STYLE.COM
BEADWORK february/march 2011 3
Departments
6 Passing Through 19 Katie’s Finds Katie Hacker
CINDY CAR AWAY PAM MORRISON
8 Bead Buzz 74 Simply Seeds Nancy Jones
10 Contributors 76 Custom Cool
12 The Challenge 94 Techniques
14 Stitch Pro: Netting 96 Bead Artist: Laura
18 Cool Stuff Bowker Tina Koyama
74
PICOT 22, 32, 56, 62, 76
RIGHT-ANGLE WEAVE 32, 48, 62 THIS QUICK + EASY SECTION FEATURES THESE 9 NEW PROJECTS:
SQUARE STITCH 22 Roller Rink Bracelet by Cindy Caraway, Tic Tac Pearl by Pam
STRINGING 26 Morrison, Floradora Necklace by Glorianne Ljubich, Petite Pearls
WHIPSTITCH 56 Toggle and Counterbalance Bracelet by Csilla Csirmaz, Starflower
WIREWORKING 36, 52 Earrings by Janis Loehr, Hoop-La Bangle by Julie Harper, Roman
Holiday by Jennifer VanBenschoten, and Licorice Twist Bracelet
ON THE WEB! by Sheri Caruso.
bonus video Katie Hacker shares
product reviews of industrial-inspired components. Download irresistible bonus projects each issue!
On the Web at beadworkmagazine.com/videos beadworkmagazine.com/super.
ne
BW 04 Contents feb11_Sub_A.indd 4 12/16/10 11:01 AM
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passing through
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BESIDES THE DAY we send a new issue to the printer EDITORIAL
(imagine a wonderful feeling of accomplishment), my second- EDITORIAL DIRECTOR Jamie Bogner
favorite day at work is one spent planning our upcoming EDITOR Melinda Barta
issues. Not only does our staff pore through the many impres- SENIOR EDITOR Jean Campbell
MANAGING EDITOR Debbie Blair
sive submissions we receive and choose what we feel are the
ASSOCIATE EDITOR Danielle Fox
best-looking and most fun-to-make projects, but we also talk about what you’ve ASSISTANT EDITOR Allison Mackin
told us you want. And whether you tell us at bead shows, by e-mail, on Facebook, COPY EDITOR Liz McGehee
or through surveys, what we hear most often is more, more, more projects. This is what EDITOR, beadingdaily.com Kristal Wick
makes me so happy to say that beginning with this issue, Beadwork now gives you
more projects, techniques, and tips than ever before! See more information on PUBLISHING
our special section of bonus content below. GROUP PUBLISHER, ART & JEWELRY DIVISION David Pyle
If nine extra projects and forty-eight pages of expanded content aren’t enough ADVERTISING MEDIA SALES DIRECTOR, ART & JEWELRY DIVISION
to get you excited about our February/March issue, the announcement of our 2011 Jim McIntosh
SENIOR ADVERTISING SALES MANAGER Marilyn C. Koponen
Designers of the Year will surely do the trick. I’m proud to reveal this year’s amaz-
ADVERTISING MANAGER Debbi Simon
ing lineup of talent, designers you have no doubt heard of before: Cynthia ADVERTISING COORDINATOR Jennifer Samsell
Rutledge, Sherry Serafini, Kelly Wiese, and Carol Wilcox Wells. Expect great CLASSIFIED ADVERTISING Monica Turner
things from these four amazing beaders and dive in now with their projects that AD TRAFFICKERS Melissa Marie Brown, Tina Rolf
start on page 22! MARKETING MANAGER Christan Humphries
MARKETING ASSISTANT Jessi Zilk
Melinda Barta :: beadwork@interweave.com
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DOWNLOAD YOUR PRODUCTION DIRECTOR Trish Faubion
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9 QUICK+EASY PROJECTS TODAY! PRODUCTION EDITOR Nancy Arndt
Great news! In addition to the excellent designs featured in this issue of Beadwork, TECHNICAL ILLUSTRATION Bonnie Brooks
your low subscription price also grants you access to forty-eight extra pages of expanded PHOTOGRAPHY/PHOTO STYLING Joe Coca, Ann Swanson
content! Simply visit the special subscriber page at beadworkmagazine.com/super VIDEO MANAGER Garrett Evans
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Designs in this issue of Beadwork are for inspiration and
This special QUICK + EASY project section features designs geared toward beginning
seed beaders, experienced beaders looking for a quick project, and those wanting personal use only. Beadwork does not recommend, approve, or
projects that go a little beyond seed beading to incorporate wireworking techniques endorse any of the advertisers, products, services, or views adver-
and more. tised in Beadwork. Nor does Beadwork evaluate the advertis-
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BANGLES
DESIGNS
The Super Beadwork version of this issue you’ll find at your locall
FOR THE
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TE BEAD
ER
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Bangle
NEW
craft shop or bookstore for $12.99 contains the same great con- n- s!
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fs
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tioned online content. But only your subscription to Beadwork + Easy For advertising information, call Jim
29 IRRE
delivers you access to all of the same projects in digital format McIntosh at (513) 961-0034, e-mail
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For editorial inquiries, call (970) 669-7672,
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HAPPENINGS Beadwork (ISSN 1528-5634) is published bimonthly by Interweave Press LLC, 201
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BEADWORK VII: THE BEADED EARTH. Let the natural wonders of our world cals postage paid at Loveland, CO 80538, and additional mailing offices. © 2011
Interweave Press LLC. All rights reserved. Reproduction in whole or in part is
guide your next beaded creation for our seventh juried exhibition, Beadwork VII: The prohibited, except by permission of the publisher. Subscription rate is $29.95/one
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6 beadworkmagazine.com
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bead buzz bead guilds and groups are up to. Check our website, beadworkmagazine
.com, for corrections, announcements, and free projects. Plus, chat with
other beaders in our forums at beadingdaily.com.
Beaders Lynn Be
Berry, Jennifer Cameron,
As soon as I came across Melinda Barta’s Lacy I recently got out notes
Bouquet necklace (June/July 2010 issue), from classes I took with
I knew I had to make it. As luck would have it, David Chatt at Split Rock
I had chanced
c upon a red, black, and white and decided to play with
outfit
outf that exactly matched the lacy floral right-angle-weave varia-
motif of Melinda’s necklace. I intended
mo tions. I came up with this
to wear
w the necklace and outfit to a base that simply presents
crafter’s
cra retreat just a few days after itself as an empty palette,
I received
re the magazine. Despite just waiting to be filled with
forgetting
fo to bring the magazine with wonderful designs and
me,
me necessitating an improvised strap embellishments. I thought
idea,
ide I was able to finish the piece and I’d share this finished cuff,
wear
wea the whole ensemble as intended. which uses 12mm Swarovski
See more
m of my work at www buttons.
.badablingdesigns.com.
.badab
HATTIE NEWMAN/SANTA FE,
DELSIE DO
DOUGLAS/TOANO, VIRGINIA NEW MEXICO
8 beadworkmagazine.com
beadworkma
contributors
Q: What valuable advice have you learned from another artist lately?
10 beadworkmagazine.com
Showroom in Portland, OR
2121 NE Broadway 877.962.3282
l
the challenge
Melinda Barta, Rosie Long, Allison Mackin, and Kristal Wick
the rules: We use our favorites from the materials provided and,
where necessary, round out projects with our own materials.
kristal allison
A BIT OF BLING A DAY keeps the blues away. That’s THE PEARLS IN THIS KIT have the most beautiful glow,
what I was thinking while making this challenge piece. While so I really wanted to showcase them in an ethereal-looking piece.
I use Swarovski elements frequently and simply love their elegance Double strands of pearls looked bold, but still elegant. The selection
and versatility, the colors and shapes in this kit surprised me. of crystals was also spectacular. I immediately thought they could be
The color palette is very much out of my comfort zone, but since stitched into beautiful beaded beads like those used in The Party
I love to push myself as a designer, I challenged myself to use Girl Necklace by Robin Cowart in the free eBook, How to Make Beads
as many of the elements as possible without going over the top. from Beading Daily on beadingdaily.com. When I turned the beaded
I added some simple peyote-stitched connectors and TierraCast beads on their sides, they looked like little flowers, so I embellished
textured rings. A simple lobster clasp makes the length adjustable. around them to make them the focals of the necklace. Using a
The little splash of colored jump rings pulled the whole necklace watery-colored ombré ribbon to secure the necklace added a touch
together, along with the teeny adorable butterfly beads. of whimsy to offset the potential seriousness of the pearls.
12 beadworkmagazine.com
rosie
FOR MY CHALLENGE PIECE, I was inspired
by nature, which I love. The bird is a high-domed button
that I encased with seed beads using peyote and netting
stitches. I also incorporated a beautiful sash pin from the
late-nineteenth century and added beads and Lucite flowers
to the center of it. The unique shape of the entire pendant
was the result of outlining the larger focal pieces with bead-
embroidered seed beads. I used fringe and free-form peyote
to create vines around the edges. I love how the fairy pendant
created by Bob Burkett looks as if she were holding the entire
necklace over her head. Beadwork inspires me, thrills me, and
challenges me!
Attention bead artists, retailers, and wholesalers: If you would like to contribute materials and supplies to
The Challenge, please contact Allison Mackin at amackin @interweave.com or (970) 613-4650.
BEADWORK february/march 2011 13
TRIANGLE
Row 1: String beads in a multiple of 4,
then string 2 more. Pass back through
the second-to-last bead strung
(Photo 1).
Row 2: String 5 beads, skip 3 beads from
Row 1, and pass back through the next
bead; repeat across the row. Set up for
the next row by stringing 1 bead and
passing back through the last bead
exited and the last 3 beads added in
this row (Photo 2).
Row 3: String 5 beads and pass back
through the middle bead of the next
net added in the previous row; repeat
across (Photo 3). To turn the thread
14 beadworkmagazine.com
4
JEAN CAMPBELL is senior editor of Beadwork magazine and a jewelry-design artist and teacher. She is
also the author of Creating Glamorous Jewelry with Swarovski Elements (Creative Publishing International,
2010). Read Jean’s weekly blog at beadingdaily.com and visit www.jeancampbellink.com.
Reach Ê:LJ\YLJSVZ\YLÊ+LZPNULYMPUPZOLZ
16 beadworkmagazine.com
cool stuff
Michelle Mach
METAL MANIA
Show off your earthy design sense with a clasp studded with gemstones ($45),
a polka-dotted silver toggle ($50), or go dramatic with a copper triangle toggle
with garnets ($45). (306) 343-1892, www.metaldesignz.com
GORGEOUS GEMS
Sterling silver clasps inlaid with turquoise,
mother-of-pearl, blue topaz, and other
gemstones add a touch of the Southwest. VINTAGE CHARM
$60 to $300. (480) 945-5988,
www.scottsdalebeadsupply.com Delightful vintage Lucite baubles from
the 1960s to 1980s, hand-drilled to accom-
modate the wire loops, are sold in color-
themed packages priced from $12 to $16 for
about twenty-eight to thirty-seven pieces.
(877) 922-3437, www.beadinpath.com
BEAD CAP BONANZA
Choose from more than seventy styles of bead
caps, from tiny Russian gold-plated flowers
to large brass Victorian-style bead caps, to finish
the ends of your necklaces or bracelets in style.
Shown priced from $2.95 to $4.95 for six to
twelve bead caps. www.bsueboutiques.com
katie’s finds
share more great industrial-
inspired components.
New Industrial
The popular steampunk look is evolving to include all types of industrial-
inspired components for jewelry making. Gears, locks, keys, and clocks
are all hot design elements. Try these new takes on the trend:
A splash
of color!
HIP TO BE SQUARE
These 2-hole flat 5mm squares from Miyuki have seed beaders every-
where in a frenzy. Tila beads are available in more than thirty colors, Melanie Brooks’s handmade porcelain pendants
including a range of metallics. Prices vary. Check your local bead shop. ($35 each), links ($10 each), and charms ($10
each) feature industrial motifs with a bit of
color thrown into the mix.
www.earthenwoodstudio.com
CREATIVE CROCHET
Only three crochet stitches are needed
to create the eighteen sophisticated
projects in Tapestry Bead Crochet
Projects & Techniques by Ann Benson.
Visual learners will love the bonus
DVD of techniques.
LARK BOOKS. SOFTBOUND,
$22.95. 127 PAGES, COLOR. Jangles offers a whimsical version of mixed
ISBN 978-1-60059-337-6 media with a found-object pendant kit ($20)
that combines a vintage key with colorful beads.
(706) 207-9032, www.etsy.com/shop/jangles
MAKING CONNECTIONSS
Follow the large step-by-step photos in
Chain and Bead Jewelry: Geometric Connections
by Scott David Plumlee to re-create the
thirty-plus geometric designs inspired
by traditional Byzantine chain.
WATSUN-GUPTILL PUBLICATIONS. SOFTBOUND, Make your own button closure
$22.99. 160 PAGES, COLOR. with steampunk-inspired
ISBN 978-0-8230-3393-3 clock-and-gears buttons ($2.54 each).
(866) 715-2323, www.artbeads.com
www.beadalon.com
New home of
ARTIST’S TIP
For a tight embellished square-
stitched chain, use a two-step
method of stitching. First add the
two square-stitch beads, pulling
the thread all the way through to
set them in place. Then hold the
thread tension and add the
embellishment bead to the
surface.
TECHNIQUES
square stitch
picot
PROJECT LEVEL
See p. 94 for helpful technique and
project-level information.
22 beadworkmagazine.com
necklace
author of Creative
Bead Weaving
(Lark Books,
1996) and The Art
and Elegance of
Beadweaving (Lark
Six two-sided bezels form a central component that floats Books, 2002) and
the curator of
up and down an embellished square-stitched chain. Masters Beadweaving (Lark Books, 2008).
She’s enthralled with beads (can’t play
1) BEZELS. Work a double-sided bezel: Use the tail thread to repeat on the with them enough), her husband (who
doesn’t mind all the beads), and where
Base: Use 8' of thread and a size 12 nee- other side of the bezel, this time add-
she lives (way out in the mountains of
dle to string 2C; slide them to the ing 1B between each loop and adding
western North Carolina). See her kits at
center of the thread and pass through a topaz bezel. Don’t trim the threads; www.schoolofbeadwork.com.
them again, manipulating them so set aside.
they sit side by side. String 2C and Repeat entire step seven times for a total
pass down through the first C previ- of 8 double-sided bezels.
MATERIALS
ously strung, up through the second C 12 g blueberry-lined clear size 15° seed
previously strung, and the first C just 2) CHAIN ENDS. Use the working beads (A)
strung; repeat eighteen times to form thread of one bezel to string 3B, pass 12 g metallic bronze size 15° seed
a strip of square stitch 2C wide and down through the fifth A of the same beads (B)
20 rows long (Fig. 1). loop, then string 1B, and pass up 12 g matte gilt-lined turquoise size 11°
seed beads (C)
Ring: Place another size 12 needle on the
8 amethyst 11mm crystal rivolis
tail thread and pass up through the
8 topaz 11mm crystal rivolis
left-hand bead column so both Grayish blue size B nylon beading thread
threads are exiting from the same end Fig. 1: Square-stitching
of the strip in separate columns. Pass the base TOOLS
one thread at a time through the cor- Scissors
responding column to form a ring Size 12 and 13 beading needles
(Fig. 2—blue thread).
FINISHED SIZE: 30"
Loops: Use the working thread and a size
(adjustable)
13 needle to string 7A, then pass
through the last C exited and 2 more
C in the same column on the base;
repeat nine times to add a total of
10 loops with A. Weave through beads
Fig. 2: Forming the ring
to exit from the fourth A of one of the and stitching the loops
loops. Repeat with the tail thread, this
time using 7B in each loop (Fig. 2—red
thread). Note: It’s important that the
loops are opposite each other.
Rivoli: Working loosely, use the working
thread to string 1A, then pass through
the fourth A of the nearest loop;
repeat around to add a total of 10A
(Fig. 3). Add an amethyst rivoli to the
center of the work and pull tight to
Fig. 3: Connecting Fig. 4: Bezeling
bezel it into place; repeat the thread the loops the rivoli
path to reinforce and exit up through
the third A of one of the loops (Fig. 4).
BEADWORK february/march 2011 23
the previous set and the first C just forty-eight times, except this time
added; repeat to work an embellished embellish every stitch. To do so, place
strip 12 rows long (Fig. 10). the A first on one side of the chain
Connect: Join the tab to the 2B that mir- and then the other (Fig. 13a—front view;
rors the last 2A exited on the amethyst Fig. 13b—side view). Finish with a Sec-
rivoli side. Secure the thread and tion 2 repeat.
trim. Section 52: Repeat Section 1, Row 2,
Repeat entire step three times for a total using B as the base and A to embellish
of 4 tabs at each of the pendant’s corners for a total of 7".
(Fig. 11). Set the pendant aside. Repeat Sections 51–1, in that order, to
form the second half of the chain. Don’t
5) CHAIN. Square-stitch sections of trim the thread.
chain:
Section 1, Row 1: Use 8' of thread and a 6) ASSEMBLY. Lay the pendant on the
size 12 needle to string 2C; pass work surface with 2 tabs on the left and
through the first C, leaving a 12" tail. 2 tabs on the right. Take one end of the
Adjust the beads so they sit side by chain and pass it through the tabs on the Fig. 14: Attaching
a chain-end bezel
side. left, from bottom to top. Pass the other
Section 1, Row 2: String 2C and pass down chain end up through the tabs on the
through the next bead from the previ- right. Center the pendant on the chain. in Section 3, and, staying within the
ous row and up through 2C (Fig. 12— Take the left side of the chain and pass it same column of beads, weave through
blue thread). down through the tabs on the right until beads to exit from the opposite column,
Section 1, Row 3: String 2C and pass down about 5" dangle from the bottom of the passing through 5C (3 from Section 3
through the next bead from the previ- pendant. Then take the right side of the and 2 from Section 1). Pull tightly and
ous row. String 1A and pass up chain and pass it down through the tabs pass through the beads several times to
through 2C (Fig. 12—red thread). on the left, again leaving about 5" dan- reinforce the connection several times.
Section 1, Rows 4–9: Repeat Rows 2 and gling. Secure the thread and trim. Repeat to
3 three times for a total of 9 rows. add the remaining bezel to the other
Section 2: Repeat Section 1, Rows 2 and 7) ATTACHING ENDS. Place a size chain end. ✦
3, for 13 rows, this time using B for 12 needle on the chain’s tail thread and
the square stitch and A for the embel- wrap the chain around the center of one
RESOURCES Check your local bead shop or
lishment. of the chain-end bezels, placing the un-
contact: Kits containing Swarovski SS47 rivolis,
Section 3: Repeat Section 1, Rows 2 and embellished side so it touches the bezel. Nymo nylon beading thread, and all other
3, for a total of 9 rows. Sections 1 and 3 will meet tightly at the materials: School of Beadwork, (805) 440-2613,
Sections 4–51: Repeat Sections 2 and 1 top of the bezel (Fig. 14). Pass through 3C www.schoolofbeadwork.com.
TECHNIQUES
backstitch bead embroidery
tubular peyote stitch
netting
brick stitch
stringing
PROJECT LEVEL
See p. 94 for helpful technique
and project-level information.
26 beadworkmagazine.com
round of tubular peyote stitch (Fig. 1— the H. Work I across the top of the TOOLS
black thread). Step up for the next and bezel. Work C around all the bead- Ruler
subsequent rounds by passing through work. Use B to fill in the rest of the Scissors
the first bead of the current round. foundation. Toothpicks
Bezel Round 4: Work tubular peyote stitch Sequins: Weave through beads to exit up 2 size 11 beading needles
Fine black permanent marker
with 1D in each stitch (Fig. 1—green through the foundation, about
thread). ¼" from the bottom right corner of FINISHED SIZE: 17" (necklace);
Bezel Round 5: Work tubular peyote stitch the beadwork. String 1 sequin and 1A, 7" (focal)
with 1A in each stitch (Fig. 1—blue then pass back through the sequin and
thread). down through the foundation; repeat
BEADWORK february/march 2011 27
28 beadworkmagazine.com
b b
a a
ARTIST’S TIPS
• Play with the arrangement of the components.
• Instead of using the small donut components for the
necklace, make earrings out of them.
through the next B at the top of the that will visually extend Connection
large donut component and up 3. String 1E, 1G, 1A, 1H, 1F, 1H, and
through the following B. String 4B 1A. String {1E, 1G, 1E, 1A, 1H, 1F,
and pass up through the following B 1H, and 1A} six times or to desired
on the small donut component length. String 1E, 1G, 11E, and one
c (Fig. 9b). Repeat the entire thread half of the clasp; pass back through
path to reinforce. Secure the thread the first E added and the rest of the
and trim. beads (Fig. 10c—red thread). Repeat the
Connection 3: Fold 3' of thread in half to thread path to reinforce. Secure the
double it. Anchor the thread and thread and trim. Repeat this entire
weave through the beads to exit up step to add the other half of the clasp
b through the second B at the top-left to the right small donut.
corner of the large donut component; If necessary, use the permanent marker
repeat to add a second thread to the to color any white spots showing on the
second B at the top-right corner. On foundation. ✦
the left thread, string 1G, 4E, 1A, 1H,
1F, 1G, 1F, 1H, 1A, and 4E (Fig. 10a)
and pass up through the edge E that’s RESOURCES Check your local bead shop or
a contact: Pear-shaped cabochon: S and S Lapidary,
3 beads to the right of the dangle on (865) 278-3548, www.sandslapidary.com. Lacy’s
1 small donut component; pass down Stiff Stuff beading foundation; Nymo nylon
through the next E to the right. On beading thread; Delica cylinder beads; E6000
the right thread, string 1G, 4E, 1A, adhesive; Swarovski sequins, bicones, and drops;
1H, 1F, 1G, 1F, 1H, 1A, and 4E and and all other materials: Fire Mountain Gems and
Beads, (800) 355-2137, www.firemountaingems
pass up through the edge E that’s
.com.
3 beads to the left of the dangle on the
third small donut component; pass
down through the next E to the left.
Use the left thread to string 1A, 1H,
1G, 1H, and 1A; repeat for the right
thread. Locate spots at the edge of the
center small donut component to
connect these final bead strands
so the piece hangs evenly; use
each thread to connect to the
center small donut compo-
nent (Fig. 10b—blue thread).
Repeat these thread paths to
reinforce. Secure the thread
Fig. 10: Adding and trim.
Connections 3
and 4 Connection 4: Fold 3' of thread in
half to double it. Anchor the
thread and weave through the
beads to exit up through a top edge E
of the left small donut component
30 beadworkmagazine.com
©
Original cast designs copyright protected TCI337
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TECHNIQUES
right-angle weave
peyote stitch
picot
PROJECT LEVEL
See p. 94 for helpful technique and MEET THE ARTIST
project-level information. Kelly will be teaching at Bead Fest
Santa Fe, March 9–13, 2011.
beadfest.com
32 beadworkmagazine.com
of diamonds
who travels nation-
ally to teach her
designs. She is the
author of Beaded
bracelet
Allure (North Light,
2010). She enjoys
combining a
variety of stitches
to make beaded
components that she connects to make
the final piece.
Geometric diamonds take on a softer look with
picot edgings and crystals. A crystal-encrusted
MATERIALS
toggle bar completes the look. 3 g bronze metallic size 15° Japanese seed
beads (A)
11 g bronze metallic size 11° Japanese seed
beads (B)
6 g purple matte metallic iris size 11°
1) BASE. Work right-angle weave and a total of 28B. Weave through beads to
Japanese seed beads (C)
peyote stitch to form a diamond-shaped exit from an inner B in Round 1 86 amethyst 3mm crystal bicones (D)
base. (Fig. 3—blue thread). 10 Dorado 4mm crystal bicones (E)
Round 1, Side 1: Use 5' of thread and 22B Round 4: String 1C and pass through the Size D tan nylon beading thread
to work a strip of right-angle weave next inner B in Round 1; repeat
7 units long. Exit through a side B of around the inside of the base for a TOOLS
Size 12 beading needles
the final unit (Fig. 1—blue thread). total of 20C. Weave through beads to
Scissors
Round 1, Side 2: Use 18B to work a strip of exit from the nearest inner B in
right-angle weave 6 units long off of Round 1 (Fig. 3—red thread). FINISHED SIZE: 7½"
Side 1. Exit through the inner B of the
final unit added to this side (Fig. 1—red
thread).
Round 1, Side 3: Use 18B to work a strip of
right-angle weave 6 units long off of
Fig. 1: Stitching
Side 2. Exit through the inner B of Sides 1 and 2 in
the final unit added to this side (Fig. 2— Round 1 of the base
blue thread).
Round 1, Side 4: Use 12B to work a strip of
right-angle weave 4 units long off of
Side 3. String 1B and pass through the
inner B of the first unit in Side 1;
string 1B and pass through the nearest
B of the final unit added on this side.
Exit through an outer B of Side 1
(Fig. 2—red thread).
Round 2: Work peyote stitch by stringing
1C and passing through the next outer
B in Round 1; repeat around for a
total of 28C. Step up through the first
C added in this round (Fig. 3—green
thread).
Round 3: String 1B and pass through the Fig. 2: Adding Sides 3 and 4 in Round 1 Fig. 3: Adding Rounds 2–4 of the base
of the base
next C in Round 2; repeat around for
BEADWORK february/march 2011 33
ARTIST’S TIP
Embellish all the diamonds with crystals for extra sparkle
or embellish all of them with seed beads
bea for a simpler look.
Row 3: String 1B and pass through the diamond. String 1B, 1D, 1B, 1E, 1B, ited on the second diamond (Fig. 10—blue
next B from Row 1; repeat around to 1D, and 1B; pass back through the last thread). Weave through beads to exit up
add a total of 24B. Step up through C exited on the clasp bar (Fig. 9). through the middle C of the next picot.
the first B added in this row (Fig. 7—red Repeat the thread path to reinforce. String 1E; pass down through the corre-
thread). Secure the thread and trim. sponding A of the first diamond (Fig. 10—
Row 4: String 1D and pass through the red thread). Repeat entire thread path to
next B that sits diagonally from the 5) CONNECTIONS. Weave the working reinforce.
last B exited; repeat nine times to add thread of one crystal-embellished dia- Repeat entire step to connect the other
a total of 10D. Weave through beads to mond through the beads to exit through diamonds the same way, alternating the
exit a C in Row 2 (Fig. 8—blue thread). the middle A of a picot at the end of one crystal-embellished diamonds with the
Picots: String 3A and pass through the side, right above the corner picot. String seed bead–embellished ones and ending
next C; repeat around the edge of the 1E and pass up through the correspond- with the diamond attached to the clasp
bar for a total of 78A (Fig. 8—red thread). ing bead of a seed bead–embellished bar. Secure the thread and trim. ✦
Connect: Weave through beads to exit the diamond (Fig. 10—green thread). Weave
center C on one side at the back of the through beads to exit down through the
RESOURCES Check your local bead shop or
clasp bar. String 1B, 1D, 1B, 1E, 1B, middle A of the corner picot. Pass up contact: All materials: Beyond Beadery, (800)
1D, and 1B; pass through the middle A through the corner A on the first dia- 840-5548, www.beyondbeadery.com. Kits: Bead
at one point of a crystal-embellished mond and down through the last A ex- Parlor, (719) 320-2059, www.beadparlor.com.
ARTIST’S TIPS
• This bezeling process works great on shells,
but it really can be done on any flat shape.
Just adjust the number of rounds to accom-
modate the width of your particular shape.
• Working with a waxed thread lends struc-
ture and support to the beadwork, while
keeping the thread in good condition.
• Beginning the bezel from the middle of the
thread gives you a working thread on each
side of the bezel, saving you the time of
weaving from one side of the bezel to the
other.
• Starting the bezel with a flat peyote-
stitched strip allows for bead-count
adjustments.
• Terrifically Tacky Tape is awesome! I use it
to stick the shell pieces together and when
I need to control the starting rows of a
beaded bezel.
TECHNIQUES
wirework
flat and tubular peyote stitch
netting
PROJECT LEVEL
See p. 94 for helpful technique and project-
level information.
36 beadworkmagazine.com
shells lariat
crystal bead chain, engraved shell
pieces, and a sophisticated color pal-
ette adds interest and elegance to this
simple, contemporary lariat.
Cynthia has been sharing the art of
beading for eighteen years. Her focus
A perfectly peyote-stitched bezel encircles is the use of off-loom weaving to cre-
ate jewelry designs that have a contemporary but timeless ele-
four engraved shell pendants, creating a gance. Passionate about history, Cynthia incorporates historical
perspective in almost all of her art, transporting the viewer of
beautiful pair of two-sided focal pieces in this her work to the worlds of fourteenth- to eighteenth-century
Europe and the Mediterranean. She teaches throughout the
sophisticated lariat design. United States and internationally, her goal being to keep the
art form of beading alive and well. Please visit Cynthia’s web-
site at www.cynthiarutledge.net.
1) DANGLES. String 1 rondelle on together to test the fit (Fig. 1). If MATERIALS
1 head pin and form a wrapped more tape is necessary, peel the 2 g amber/rose luster size 15° seed beads (A)
loop; set aside. Repeat five times to plastic coating off the first piece 2 g dark rose/purple metallic AB size 15° seed beads (B)
2 g rose luster size 15° seed beads (C)
form a total of 3 peridot and 3 ame- of tape and add another piece on
2 g amber/green luster size 15° seed beads (D)
thyst dangles. top. Continue until a strong
2 g medium rose/purple-lined amber size 15° seed beads (E)
connection of the two shell 2 g yellow/green luster size 15° seed beads (F)
2) SEGMENTS. Use chain-nose pieces is formed. Peel off the 2 g purple-lined size 15° seed beads (G)
pliers to disassemble the chain, last bit of plastic coating and 2 g seafoam green turquoise AB size 11° cylinder beads (H)
forming four segments. Each seg- stick the back of the second 3 g bronze/rose metallic AB size 11° cylinder beads (I)
ment should include 1 beaded link oval to the tape. 2 g dark green/bronze metallic AB size 11° cylinder beads (J)
and 1 jump ring. Keep the remain- Donuts: Use craft scissors to cut 2 g amber/purple luster size 11° seed beads (K)
1 g medium rose/purple-lined amber size 11° seed beads (L)
ing 35" of the chain intact, making three 3⁄8" wide pieces of tape.
1 g lavender/teal blue luster size 11° seed beads (M)
sure the ends are beaded links, not Stick the pieces to the back of one 1 g dark rose/purple metallic AB size 11° seed beads (N)
jump rings. Set aside. donut, taking care to not overlap 1 g gilt-lined jonquil 3mm Japanese drops
the strips. Trim away any tape 3 amethyst 3.5×2mm rondelles
3) SHELLS. Use the tape to stick the that sticks out beyond the donut’s 3 peridot 3.5×2mm rondelles
engraved shells together: edges. Put the backs of the two 1 gold 30×45mm engraved oval shell
Ovals: Use craft scissors to trim the donuts together to test the fit and 1 pink 30×45mm engraved oval shell
1 celadon 35mm engraved shell donut
tape so it fits the back of 1 oval adjust if necessary (Fig. 2). Peel off
1 red 35mm engraved shell donut
without hanging over the edges. the plastic coating on the tape 6 gold 24-gauge 1" ball-end head pins
Stick the tape to the oval without and stick the backs of the donuts 3' of brandy 6mm crystal beaded gold chain
removing the plastic coating. Put together. 2 gold 4mm jump rings
the backs of the two ovals 1 × 3" double-sided craft tape
Nylon beading thread to match bead colors
Microcrystalline wax
TOOLS
2 pairs of chain-nose pliers
Round-nose pliers
Wire cutters
Craft scissors
Small sharp scissors
Thread burner (optional)
Size 12 beading needles
Fig. 1: Connecting the ovals Fig. 2: Connecting the donuts FINISHED SIZE: 39½"
round; repeat around to form a strip each stitch and one more round on
of peyote stitch. the red side with 1F in each stitch.
Attach: Peel the plastic coating off the Weave one of the threads through
tape on the donut’s edges and carefully beads to exit from the middle row
adhere the beadwork with the donut’s of cylinder beads (Fig. 8).
celedon side up. Bring the ends Edge embellishment: String 1N and pass
together so they meet as in Fig. 4 in through the next I in Row 2; repeat Fig. 10: Embellishing the
the signature up/down peyote-stitch around. Exit from 1N. donut’s center tube
pattern. If necessary, add or remove Loops: String 1N, 3D, the jump ring of
beads to ensure a tight fit as with 1 beaded link, and 1N. Skip 1N along up through the first J added in this
the oval. the edge and pass through the next N. round. Repeat with the tail thread to
Zip: Pass the working thread through the Weave through beads along the donut’s add 1J in each stitch at the other end
end I in Row 3, the next I in Row 2, edge to exit the fourth N. String 1N, of the tube.
and the following I in Row 3 (Fig. 4— 3D, the jump ring of the remaining Attach: Remove the tape’s plastic coating
blue thread). Add a needle to the tail beaded link, and 1N. Skip 1N along on the donut’s inside edge. Center the
thread and pass through the end I in the edge and pass through the follow- tube within the hole and stick it to the
Row 1, the next I in Row 1, and the ing N. Weave through beads to exit tape.
following I in Row 1 to complete the from an inner F (Round 6 or 7) Round 5 (each side): Use the thread on the
circle (Fig. 4—red thread). between the two loops just added on donut’s celadon side to peyote-stitch
Round 4 (each side): Note: For a perfect the donut’s celadon side (Fig. 9—blue 1K in each stitch. Step up through the
bezel, the highest row of peyote stitch thread). first bead added in this round (Fig. 10—
on both sides of the shape must be Drops: On the celadon side, string blue thread). Repeat for the red side,
above the edge of the shape. So, if the 3 drops, skip 1C, and pass through the this time using 1L in each stitch.
beadwork reaches the top with just next C to form a fringe. Secure the Round 6 (each side): Use the thread on the
3 rows, omit this row. If more than thread and trim (Fig. 9—red thread). Use donut’s celadon side to string 3D and
4 rows is necessary to achieve this, the remaining thread to repeat on the pass through the next K in the previ-
add more. red side, passing through F instead. ous round; repeat around (Fig. 10—red
Holding the beadwork steady on the thread). Secure this thread and trim.
tape, use the working thread to work 6) DONUT CENTER. Add an embel- Repeat for the red side, this time
tubular peyote stitch with 1I in each lished peyote-stitched tube to the center using 3E in each stitch.
stitch. Step up for the next and subse- of the donut:
quent rounds by passing through the Rows 1 and 2: Use 4' of waxed thread to 7) ASSEMBLY. Use one 4mm jump
first bead added in the current round. string an even number of J that when ring to connect the open ends of the
Repeat with the tail thread, adding 1I formed into a circle later will fit neatly 2 beaded links on the oval and one end
in each stitch on the gold side of the inside the donut’s center. of the long chain. Use one 4mm jump
oval (Fig. 5—orange threads). Row 3: Work flat peyote stitch using 1J in ring to connect the open ends of the
Rounds 5 and 6 (each side): On the celadon each stitch. 2 beaded links on the donut to the
side, work tubular peyote stitch with Zip: Form the strip into a ring with the other end of the long chain. ✦
1C in each stitch for a total of 2 same technique as before. Test the
rounds. On the red side, work tubular ring for fit and make adjustments as RESOURCES Check your local bead shop or
contact: Kits containing Swarovski chain, One-G
peyote stitch with 1F in each stitch. necessary, but don’t insert the ring
nylon beading thread, Delica cylinder beads,
Round 7 (each side): If needed, work one into the donut center yet. Lillypilly Designs shells, Terrifically Tacky Tape and
more round of tubular peyote stitch Round 4 (each side): Use the working all other materials: Cynthia Rutledge Studio, (909)
on the donut’s celadon side with 1C in thread to work 1J in each stitch. Step 338-0296, www.cynthiarutledge.net.
Fig. 5: Working
Rounds 1–3 of the
beaded ring
Fig. 8: Attaching
the button
Fig. 9: Stitching
the clasp loop
Fig. 6: Arranging
the links
2) RINGS. Form a beaded ring: string 1G and pass up through the stringing 1F, passing through the F
Round 1: Use 3' to ladder-stitch a strip following Round 2 bead; repeat five of the second link, stringing 1F, and
12 beads long and 1 bead high in this times to add a total of 6F and 6G. passing through the last F exited on
order: 2C, 2D, 2E, 2C, 2D, and 2E. Weave through beads to exit through the first link (Fig. 7). Repeat the thread
Ladder-stitch the first and last beads the first F added in this round (Fig. 5— path several times to reinforce. Secure
together to form a ring. Exit up red thread). Don’t trim the thread. Set the thread and trim. Repeat this sec-
through the first C added (Fig. 5—green the ring aside. tion to connect each ring and rivoli
thread). Repeat entire step fifteen times to form link at the red circles marked on
Round 2: Work a round of circular a total of 16 rings. Fig. 6.
herringbone stitch, adding 2 beads Clasp button: Use the working thread of
per stitch in the following order: 2C, 3) ASSEMBLY. Connect all the rivoli the beaded ring on the left side of the
2D, 2E, 2C, 2D, 2E. At the end of the links and rings to form the necklace: necklace to string 3F; pass through the
round, step up through the first C Arrange: Follow Fig. 6 to arrange the rivoli last F exited. Repeat the thread path
added in Rounds 1 and 2 (Fig. 5—blue links and rings into the proper con- twice to reinforce and exit through
thread). figuration. the second F just added (Fig. 8—blue
Round 3: String 1F and pass down Stitch: Use the working thread of one thread). String 3B, 1F, 4B, the button,
through the next Round 2 bead, then ring to connect it to the next ring by and 4B; pass back through the last F
42 beadworkmagazine.com
Clasp On-
Clasp Off
The Artists’ Choice
brilliant buckle
Rounds 1–2: Tie a tension bead to the center
of 12' of thread. String 60A and let them
slide to the tension bead. Tie a square
knot to form a circle and pass through
2) BASE. Work three-drop peyote stitch Strip 1: Weave through beads to exit from from the right edge. Work three
to form the body of the cuff: the second set of 3C in the strip’s peyote stitches with 3C in each stitch
Rows 1–2: String a tension bead at the second-to-last row. Work a strip of for a total of 31 rows (Fig. 8—green
end of 4' of thread, leaving a 6" tail. three-drop peyote stitch off the base thread). Form a hidden turnaround to
String 26C. that’s 6C wide and 30 rows long (Fig. 5— pass back through the final set of 3C
Row 3: String 1C, skip 1C from the previ- blue thread). Don’t trim the thread. added. Work two peyote stitches with
ous row, and pass through the follow- Strip 2: Start a new 1' thread that exits 3C in each stitch for a total of 12 rows
ing 3C. String 3C, skip 3C from the from the fourth set of 3C in the strip’s (Fig. 8—blue thread). Form a hidden
previous row, and pass through the second-to-last row. Work a strip of turnaround to pass back through the
following 3C; repeat twice. String 3C, three-drop peyote stitch 6C wide and final set of 3C added. Work one peyote
skip 3C, and pass through the follow- 30 rows long (Fig. 5—red thread). stitch with 3C in each stitch for a total
ing 1C to add a total of 13C (Fig. 4—blue Connect: Lay one of the buckle’s long of 12 rows (Fig. 8—red thread).
thread). edges across the strips just formed. Loop, Rounds 1–2: String 15C or enough
Row 4: String 1C and pass back through *Loop one of the strips through the to fit snugly around a flower. Pass
the last 3C added in the previous row. buckle and stitch the strip end to the through the final 2 rows added on the
String 3C and pass back through the base to hold the buckle in place (Fig. 6). tab to exit from 3C on the tab.
next 3C added in the previous row; Exit up through the center of the con- Loop, Round 3: String 1C, skip the 1C just
repeat twice. String 3C, skip 3C, and nection point, string 1 flower and 1C, added, and pass through the next C;
pass through the following 1C to add a and pass back down through the repeat around to add a total of 7C.
total of 13C (Fig. 4—red thread). flower and the base (Fig. 7); repeat the String 1C and pass through the final
Rows 5 and on: Repeat Row 4 to work a thread path several times to reinforce. 2 rows of the tab. Step up through the
strip of flat peyote stitch 5½" to Secure all threads and trim. Repeat first C added in this round.
6" long. Note: These lengths are from * to connect and embellish the Loop, Round 4: Work circular peyote stitch
approximate and can be adjusted later. other strip. in this bead order: 2C, 2C, 1C, 2C,
1C, 2C, and 2C (Fig. 9). Repeat the
3) BUCKLE CONNECTION. Peyote- 4) CLASP. Peyote-stitch the clasp: thread path to reinforce. Secure the
stitch strips off the base and use them to Tab:Turn the base so Row 1 is up. Start a thread and trim.
secure the buckle to the base: new 3' thread that exits the fourth C
46 beadworkmagazine.com
Fig. 7: Embellishing
the loop with a
flower bead
Button: Test the bracelet for size, thread-
ing the tab through the other side of
the buckle until the loop touches the Fig. 8:
Stitching
base. Start a new 8" thread at this the tab
point so it exits from the front of the
base. String 1C, 1 flower, and 1C; pass
back through the flower, the next C,
and into the base. Repeat the thread
path to reinforce. Secure the thread Fig. 9: Adding
the loop
and trim. ✦
DIANE DENNIS is primarily a self-taught bead
artist. She has been teaching beadwork in the
northern Virginia area at Stars Beads in Vienna,
Accents Beads in Rockville, Maryland, and
Bead Obsessions in Alexandria. Contact Diane at
DianeDennisBeadwork@comcast.net and
through her website, www.DianeDennisBead
work.com.
BEADWORK
K february/march 2011 47
diamond of pearls
pendant Tr a n g G o r d o n
50 beadworkmagazine.com
editors’ tip
Use mint and forest green beads
combined with a crystal AB rivoli
for a different, bold look.
TECHNIQUES
tubular peyote stitch
wireworking
PROJECT LEVEL
See p. 94 for helpful technique and project-
level information.
Stringing magazine is
chock-full of new, fashion-savvy
bead designs sure to inspire
you to create your own fabulous
jewelry. Subscribe today and
get a FREE TRIAL ISSUE!
54 beadworkmagazine.com
of materials and tools to create art gallery quality bracelets, necklaces, and
rings. Jewelry artists will get a sense of how mixed techniques and media
9FFB "
;M;
25
24
23
22
21
20
19
18
17 Fig. 5: Adding the bottom edging
16
15 SUSAN B. SWANSON is a primarily self-taught
14 Fig. 3: Adding the clasp bar beader and has been beading for four years. She
13
12 lives in Richland, Washington, and also enjoys
11 gardening and illustrating. Visit Susan’s website,
10 www.susanbernadine.com, or contact her at
9
8 susanbernadine@yahoo.com.
7
6 RESOURCES Check your local bead shop
5
4 or contact: Delica cylinder beads and all other
3 materials: Beads ’n’ Beyond/Quiltworks
2 Northwest, (425) 453-6005, www.beadsand
1
beyond-wa.com.
Fig. 4: Stitching the top edging
Fig. 2: Forming Rows 1–25
TECHNIQUES
herringbone stitch
circular peyote stitch
PROJECT LEVEL
See p. 94 for helpful technique and project-
level information.
60 beadworkmagazine.com
61
TECHNIQUES
ladder stitch
herringbone stitch
flat and tubular peyote stitch
picot
fringe
right-angle weave
PROJECT LEVEL
See p. 94 for helpful technique and project-
level information.
64 beadw
beadworkmagazine.com
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66 beadworkmagazine.com
with
WO R K S H O P
Melinda Barta
Figure 6
PEYOTE STITCH
Shaping FIGURE 7: Peaked edging. To give the end
FIGURE 4: End-row decrease. To end a row of your beadwork a decorative look, create
Figure 2 short, work a mid-row turnaround between peaked edging by adding a bead in every
previously stitched beads by passing the other stitch. For the spaces where you
Embellishments needle under the thread of the previous aren’t adding beads, weave through beads
FIGURE 3: Decorative turnaround for flat row. String 1 bead (indicated in blue) and of the previous rows to reach the next “up”
herringbone. Instead of looping your thread continue peyote-stitching across the row. bead.
around previous threads to work a turn-
around, string 1 bead at the end of each
row (indicated in orange). Not only does
this bead act as a stopper to allow you to
turn around and pass back through the last
herringbone bead exited, but it also adds a
bit of decoration. Figure 4 Figure 7
TECHNIQUES
circular peyote stitch
herringbone stitch
PROJECT LEVEL
See p. 94 for helpful technique and project-
level information.
TOOLS
2 size 12 beading needles
Scissors
1) SCALLOP COMPONENT. Work
rounds of circular peyote and herring- FINISHED SIZE: 7"
bone stitch to form one of the bracelet’s
components: Fig. 1: Forming
the base
Base: Use 3' of thread to string 1A, 1D,
1F, 1D, and 1A, leaving a 6" tail. Pass
back through the last D added and
continue through the F/D/A. Weave
through the beads again to reinforce,
exiting the first A (Fig. 1).
Rounds 1 and 2: String 20A and pass
through the A at the other end of the
base. String 20A and pass through the
first A exited in this section. Weave
through beads to exit from the same
A the thread exits; tie a square knot.
Add a needle to the tail, weave
through several beads, and trim.
Weave the working thread to exit 1A
right of the knot (Fig. 2—green thread). Fig. 2: Stitching
Rounds 1–4
Round 3: String 1A, skip 1A from the
previous round, and pass through the
next A; repeat around to add a total of
21A. Step up through the first A
added in this round (Fig. 2—blue thread).
Round 4: Work peyote stitch with 1A in
each stitch for a total of 21A (Fig. 2—red a
thread). Weave through beads to exit
down through the sixth A from the
left of the top A (Fig. 3a).
Round 5 (semicircle): Work eleven peyote
stitches with 2B in each stitch for a
total of 22B. Weave through beads to
exit up through the last B added Fig. 3: Adding
Round 5
(Fig. 3).
70 beadworkmagazine.com
Fig. 8: Stitching
Fig
the clasp loop
to new heights
Beads, Jewelry & More
Wholesale only
inquiry@tambrookbeads.com
503.826.0878
www.tambrookbeads.com
ON THE
COVER!
TECHNIQUES
ladder stitch
brick stitch
peyote stitch
PROJECT LEVEL
See p. 94 for helpful technique and
project-level information.
MATERIALS
15 g matte blue iris size 8° seed
beads (A)
28 g matte green iris 4×7mm long
drops (B)
Smoke 6 lb braided beading thread
TOOLS
Size 10 beading needle
Scissors
2) JOIN. Making sure the beadwork isn’t Fig. 2: Brick-stitching the second row in the base
twisted, align the base’s ends and weave
in and out of beads to stitch them to-
gether, forming a tube. Note: The beads
should align so they maintain a brick-
stitched pattern (Fig. 3).
BEADWORK
K february/march 2011 75
ARTIST’S TIPS
• Some freshwater pearls have small holes. If
needed, use a bead reamer to enlarge the holes
before you begin the project or eliminate the
pearls with small holes.
• If you have trouble keeping tight tension, wax or
condition your thread before you begin stitching.
Earthy Zen by Marlene Blessing Flirty Flower Brooch by Louise Smith Monet’s Garden Bracelet by Kathleen Lynam
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beadworkmagazine.com
C-Koop Beads
BE A DS BEADS BEA D S
BEADS &
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Raintree Craft and Design Corp.–Titusville this ad in for $5 off any $25 purchase of merchandise.
Complete bead shop. Large selection of beads—glass, porcelain, crys- Ayla’s Originals Bead Bazaar–Evanston 341 W. State St. (815) 895-3011
tals, turquoise, sterling, novelty, charms, findings, wire, and books. www.aylasoriginals.com
Classes and workshops daily, including crocheting and knitting with Time stands still when you enter our sumptuous world of beads. The Genuine Article–Wheaton
wire and beads. Sears Town Mall. Extraordinary colors, shapes, and creative possibilities await. We wel- www.BettyJamesStudios.com
3550 S. Washington Ave., Ste. 15 (321) 383-1556 come you with genuine service and helpful hands. Come and let your Beads for sale and classes designed for beginners to artisans. Stop in
imagination run free. for tea or coffee and enjoy our unique selection of beads, charms, and
GEORGIA (877) 328-AYLA books. Class information on website.
On the Rocks–Dacula (Hamilton Mill) 1511 Sherman Ave. (847) 328-4040 Corner of Front and Hale Sts. (630) 690-BEAD
www.ontherocks.biz Galena Beads “serving creativity”–Galena
Northeast Georgia’s premier jewelry arts center, just 3 miles from Mall INDIANA
www.galenabeads.com
of Georgia. Semiprecious, seed beads, Czech glass, Swarovski crystals.
Visit the bead divas in historic Galena, Illinois. A must-stop bead Bead Angels–Indianapolis
Classes in weaving, wire, chain mail, metalwork, etc. Check our
shop! An amazing selection of “Made in Galena Jewelry,” unique www.beadangelsindy.com
classes, kits, and free projects online. Mon–Fri 10–6, Sat 10–5. The area’s best selection of Swarovski crystals, Japanese seed beads,
beads, Vintaj Natural Brass findings, specialty bead mixes, jewelry kits,
2760 Braselton Hwy., #102 (770) 904-6310 wire-crochet supplies, walk-in workshops, and friendly service. Cre- Delicas, Czech seed beads, semiprecious stones, sterling silver, Czech
Atlanta Bead Market–Gwinnett Co. ativity awaits! glass, pearls, books, and supplies. Call for class schedule. Tue and Thu
www.atlantabeadmarket.com 109 N. Main St. (815) 777-4080 10–8; Wed and Fri 10–5; Sat 10–6.
A large, diverse variety of beads and oh-so-many seeds and Delicas. 6419 N. Ferguson St. (317) 259-7677
Chicago Bead Inc.–Glen Ellyn
Full-service bead store and gathering place for all beaders. Friendliest
www.chicagobead.com Bead Palace–Indianapolis (Greenwood)
staff in town. Located off I-985, exit 8 Friendship Rd., 10 minutes
Premium, full-service bead store and jewelry design studio! Finest in www.bead-palace.com
from Mall of Georgia. Tue–Fri 10–6, Wed 10–8, Sat 10–4. Largest selection (3,000 sq. ft.) of gemstone beads, Swarovski, sterling
sterling, Bali, GF, copper findings, Swarovski, Miyuki, gemstones,
922 Gainsville Hwy. (Buford Hwy.) (678) 714-8293 pendants, charms, pearls, Czech glass, cubic zirconia, lampwork, silver, and Bali-style beads in the country. Glass beads, too. Every
Beads by Design–Marietta books, tools, supplies. Classes, parties, design services, repairs. Tuesday free classes. Beadalon distributor. Mon–Sat 10:30–6; Tue
www.BeadsbyDesign.US Friendly/knowledgeable staff. Designer originals! Gift certificates and 10:30–8. (7 miles S. of Indianapolis).
Atlanta area, full-service bead store. Wonderful selection of loose frequent-shopper discounts. Tue and Thu 11–8; Wed and Sat 11–6; Fri. 163 S. Madison Ave. (888) BEADS-11
beads, Czech fire polish, Bali silver, pearls, gemstones, Swarovski and Sun12–6. Beads Amore’–Indianapolis
crystals, findings, Delicas, books, and patterns. Classroom instruction. 491 Roosevelt Rd. (630) 858-2626 www.beadsamore.com
Glass beadmaking supplies and more. Chelsea’s Beads–Highland Park Beads, wire, supplies, classes, and parties, by the bead or strand,
585 Cobb Pkwy. S., Ste. L (770) 425-3909 www.chelseasbeads.com Czech, Swarovski, seed beads, vintage, silver, semiprecious, cabs, and
silversmithing classes and supplies. Mon–Thu 10–8; Fri and Sat 10–6;
H AWA I I Largest bead store on the North Shore. Parties, classes, everything to
Sun 10–4.
make jewelry. Bali, sterling, and gold-filled parts, seed beads,
Kathleen’s Creations–Hawi Swarovski crystals, pearls, semiprecious beads, fancy glass beads, tools, 3834 E. 82nd St. (317) 595-0144
www.kathleenscreations.net
“E komo mai” is Hawaii’s way to welcome you to “Come on in.” Kath-
stringing supplies. eBay store. Mon–Fri 10–5:30; Sat 11–5; Sun 12–4. I OWA
Fax: (847) 681-0681. E-mail: info.chelseasbeads@sbcglobal.net.
leen’s Creations is a full-service bead shop and gallery where you can 1799 St. Johns Ave. (847) 433-3451 Bead Haven–Cedar Rapids
find a diverse selection of beads and inspirational designs using gem- www.beadhavenbeads.com
stones, pearls, and shells. Made with the island touch! In Historic Pumpkin Glass–Morton A beader’s dream. Great selection and quality! Tables, tools, and great
Hawi on the Big Island. www.pumpkinglass.com design staff available. Classes for all levels. Open Mon–Sat. Located
Junction of Hwys. 250 and 270 (808) 889-5531 Dazzling original lampwork, crystals, Bali Silver, seed beads, wire and directly off I-380 and 33rd Ave. SW.
findings. Lampwork glass rods, tools and supplies for beadmakers. 3260 Southgate Pl. SW, Ste. 5 (319) 247-2323
IDAHO Finished Art Jewelry. Lots of Classes!
Pandora’s Baubles and Beads–Idaho Falls 2059 S. Main St. (309) 266-7884 KANSAS
www.pandorasbaublesandbeads.com Goldie’s Beads, Findings, Buttons & Crafts Plum Bazaar–Emporia
Area’s largest selection of German vintage beads, Tibet and silver, –Oak Lawn www.plumbazaarbeads.com
Czech glass, trade beads, Japanese and Czech seed beads in all sizes. Customer quotes: “best prices,” “beautiful store,” “biggest selection, Largest selection of beads in Kansas including gemstones, pearls, glass,
New beads in daily. Classes available for beginner to advanced. Tue–Sat just awesome.” Classes available. Swarovski crystals and pearls, seed shell, metal, ceramic, sterling, bone, vintage beads, and findings.
11–5:30. beads, Czech, Bali, semiprecious, gemstones, sterling silver initials, Direct importer. In-store quantity discounts. Custom-made jewelry
440 Park Ave. (208) 529-3696 books, charms, bone, wood, sterling silver wire, chain. Mon, Tue, and classes. Silk yarn, purses, gifts. Mon–Sat 9:30–5:30. Sun by
appointment.
ILLINOIS Wed, Fri 11–7; Thu, Sat 11–6; Sun 12–5.
615 Commercial (620) 342-6607
4909 W. 95th St. (708) 952-0603
City Beads–Chicago Heartland Bead Market–Lenexa
www.citybeadschicago.com Bead in Hand–Oak Park
Seed Bead and AIKO Specialists! Nationally renowned teachers, Gary www.beadinhand.com www.heartlandbeadmarket.com
An extraordinary selection of beads and beading supplies. Birthday Come to browse. Stay to bead. Awesome selection. Friendly service.
Wilson cabochons, Kathy Hoope lampwork, Czech glass, pearls, and
parties and classes. Mon, Tue, Fri 10–6, Thu 10–7, Sat 10–5, Sun 1–5, Swarovski, Czech glass, semiprecious, seed beads, Bali silver, hill tribe
semiprecious stones. DISCOUNT PRICES! Showroom hours by
closed Wed. Exit off 290 at Austin Blvd. silver, and more. We love to help you create. Classes—Parties—
appointment. For class schedules and more information, visit our
145 Harrison St. (708) 848-1761 Repairs—Custom designs. Open beading always. Old Town Lenexa.
website or call to be added to our mailing list.
3928 N. Rockwell St. (312) 316-1910 13440 Santa Fe Trail Dr. (913) 888-0231
Bead World–Palatine
String-A-Strand On Wells–Chicago www.beadworldbeads.com Beadazzler–Overland Park
www.string-a-strand.com Jewelry and gift items from around the world, specializing in ancient www.beadazzlerbeads.com
and new Indonesian glass beads, (Indonesian glass beads available Kansas City’s premier bead shop. We have the most unique selection
Beads from around the world. Handcrafted sterling silver jewelry.
wholesale) and recycled glass beads. Jewelry repair—books—findings— in town. A relaxed and creative atmosphere for beading, classes, and
Much more! Fax (312) 335-1931; contact us via e-mail at stringas-
body jewelry—piercings. parties. Open 7 days a week. Beadazzler . . . what a bead shop should
trand2@sbcglobal.net.
8 S. Brockway (847) 776-BEAD (2323) be . . . and more!
1361N. Wells St. (Old Town) (312) 335-1930
7315 W. 80th St. (913) 64BEADS
Studio Beads–Deerfield Free to Bead–Peoria Heights (913) 642-3237
www.studiobeads.com www.freetobead.com
We carry a great assortment of all sizes of seed beads, freshwater pearls, The only full-service bead store in the Peoria area. We have silver, Bali,
“BASHA” and other nationally known lampworked beads, semipre- semiprecious, crystals, pearls, glass, seed beads, supplies, tools, and
cious beads, and finished jewelry from artists across the country. We classes. Everything you need and more. Come bead with us.
have a great assortment of vintage purses and jewelry. We offer classes 1311 E. Seiberling Ave. (309) 682-2323
and workshops with nationally recognized teachers. Visit us online for La Bead, Oh!–Springfield
more information. Mon, Tue, Wed, Fri 10–5;Thu 10–8, Sat 10–4. www.labeadoh.com
816 Waukegan Rd. (847) 607-8702 Large selection of gemstones, Czech glass, Swarovski crystals, Delicas,
lampwork, and vintage beads, sterling and gold findings, wire, metal.
Tools, books, classes. Sun 12–5:30, Mon, Wed, Thu, Fri, Sat 10–5:30,
Tue 10–7.
1500 S. Sixth St. (217) 544-8473
86 beadworkmagazine.com
725 Snelling Ave. N. (651) 645-0343 29 Howard St. (603) 654-2805 Thunderbird Supply Company
MISSOURI NEW JERSEY –Albuquerque
www.thunderbirdsupply.com
Plum Bazaar–Branson Beads by Blanche–Bergenfield A beader’s candy store. Albuquerque’s largest and most complete bead
www.plumbazaarbeads.com www.beadsbyblanche.com store! Filled with findings, Bali beads, strands, seed beads, and string-
Bead store in historic downtown Branson, near the Branson Landing. (Only miles from NYC.) Visit East Coast’s premier bead shop. 3,000+ ing and wire-wrapping supplies. We carry a complete line of fabricated
Direct importer of beads. Bulk strands, turquoise, coral, gemstone colors/styles of Japanese seed beads, glass, crystal, semiprecious, lamp- silver and gold-filled sheet and wire product. Mon–Fri 8:30–6, Sat
beads, pearls, glass. Findings, sterling beads, complete line of supplies, work, and more! Classes by local and nationally known artists. Exten- 10–5.
and friendly instruction. Custom jewelry. Open 7 days! sive inventory for unlimited possibilities! 2311 Vassar NE (505) 884-7770
123 E. Main St. (417) 337-7586 (PLUM) 106 N. Washington Ave. (201) 385-6225
Thunderbird Supply Company–Gallup
Bead Browsery–Liberty Extraordinary Beads–Clinton www.thunderbirdsupply.com
Beads, supplies, and vintage chic. Basic supplies plus many types of www.extraordinarybeadsnj.com Our main showroom store is just off I-40, located just minutes from
vintage including watch parts and Swarovski. Located in a historic Full-service shop offering quality beads and supplies. Inspiring col- the Navajo and Zuni Nation, and is filled with over 13,000 items;
setting with close access to wool fiber, roving, and yarn supplies. Open lection of Swarovski crystal; Miyuki seed beads and kits; Czech, Vene- fabricated silver and gold-filled findings, Bali beads, metalsmithing
beading; classes available. Mon–Sat 10–5. tian, and artist-made glass; PMC; and fusing. Great classes! Great tools, beading supplies, natural and man-made strands. Catalog avail-
131 S. Water St. (Corbin Milll) (816) 415-8750 service! It takes Extraordinary Beads to make exceptional jewelry! Tue, able online or at any of our 3 store locations; Gallup, Albuquerque,
Wed, Thu, Sat 10–6; Fri 10–7:30; Sun 12–5. Come in! or Flagstaff. Mon–Sat 8:30–6.
Lady Bug Beads–St. Louis 2 E. Main St. (908) 735-6797 1907 W. 66 Ave. (800) 545-7968
www.ladybugbeads.net
Midwest’s premier bead shop. 3,000+ seed beads including Toho,
Jubili Beads & Yarns®–Collingswood The Beading Heart of Santa Fe–Santa Fe
Aiko, Czech, and Delicas. Full selection of Swarovski and semiprecious
www.jubilibeadsandyarns.com www.beadingheartof santafe.com
Everything you need under one roof! Fabulous full-service source for
stones. Pearls always on special. U.S. distributor for the Craft Kit beads, classic and novelty yarns. Eight-torch lampwork studio, spin- Largest selection of SEED BEADS in Santa Fe as well as numerous
Company and Toho Treasure Kits. We are a teaching store. Mon, Wed, ning, weaving, knitting, crocheting, PMC, and more! Repairs, custom semi-precious strands, pearls, crystals and Czech Glass. We provide
Fri 10–6; Tue and Thu 10–8; Sat 9–4; Sun 12–4. jewelry, parties. Contact us via e-mail at info@jubilibeadsandyarns. instruction and feature finished jewelry by well-known local artists.
7616 Big Bend Blvd. (314) 644-6140 com. We offer weekly classes in a variety of techniques for all skill levels, and
713 Haddon Ave. (856) 858-7844 we carry many pre-made kits. Our staff is friendly and knowledgeable
N EVA DA and always welcome beaders to our “Community Table.” Mon–Sat
Bead Jungle–Henderson (Las Vegas area) Sojourner–Lambertville 10–5:30 e-mail:beadingheart@qwestoffice.net
www.beadjungle.com www.sojourner.biz 939 West Alameda Street (505) 988-8961
Sojourner stocks freshwater pearls, semiprecious stones, Swarovski
Most complete bead shop in the Las Vegas area with the largest variety
of beads and findings. Classes, silversmithing, parties, workshops, and
crystals, Czech glass and seed beads, sterling beads, Chinese enamel N EW YO R K
beads, castings, charms, ethnic beads, findings—including our own
volume discounts. Minutes from the Strip. Open 7 days a week 10–6, design sterling silver box clasps bezel set with vintage and semipre- Let’s Bead!–East Rochester
Extended hours Tue, Wed, and Thu 10–8. cious elements. Open daily 11–6. www.letsbead.com
1550 W. Horizon Ridge Pkwy., Ste. G 26 Bridge St. (609) 397-8849 3,200 sq. ft. bright full-service bead shop. Ever-growing selection of
(702) 432-2323 tools, books, beads, stringing materials, findings, wire, chain mail,
The Birds & the Beads–Morganville kumihimo, Swarovski crystals, classes, and more! Relax, use our tools,
Bead Haven–Las Vegas www.thebirdsandthebeads.com and get friendly help at our in-store design station.
www.beadhavenlasvegas.com Surround yourself in beads! Incredible collection of hand-selected 349 W. Commercial St. (585) 586-6550
Nevada’s most comprehensive bead store, catering to all bead enthu- stone, pearl, glass, and shell beads. Plus, all the best seed beads, tools,
siasts. Huge selection of findings, pressed glass, seed beads. Full line Beads Mosaic–Nanuet
books, findings, PMC. Please call or stop by for further information www.BeadsMosaic.com
of Swarovski. Free classes daily. Mon— Sat 10–6, Closed Sun. and our extensive class schedule.
7664 W. Lake Mead Blvd., #111 (702) 233-2450 Exclusive beads boutique! Huge selection of quality semiprecious, pre-
411 Rt. 79 (732) 591-8233 cious and gem stones, sterling silver beads, charms and findings, cop-
NEW HAMPSHIRE Multi Creations (NJ) Inc.–Old Bridge per and brass beads/findings, seed beads, pearls, shell pearls, raku,
Bella Beads–Center Harbor www.MultiCreationsNJ.com Swarovski, Kazuri, artist lampwork, beading supplies, tools, and
www.bellabeadsnh.com All kinds of silver, gold-filled, and 14/18k gold findings, chains by more! Open 7 days/week. Exit 14 off I-87/NY Thruway, 40 minutes
“The Chic Boutique on the Bay”. Great lampwork, strands, and ster- foot, Bali silver beads, hill tribe silver, gemstone and glass beads, pearls north of NYC. Beading classes and store hours at www.BeadsMosaic.
ling findings. Custom jewelry or make your own. Classes and gather- and Swarovski crystals, beading accessories, tools, and much more at com.
ings, come by car or boat. The friendly bead shop that’s open 7 days. wholesale prices. Tue–Sat 10–6; Sun 11–3; closed Mon. MultiCreation- 38 First St. (845) 501-8295
Harbor Corner. sNJ@aol.com; mobile (732) 642-2260; fax (732) 607-6416. Beads World Inc.–New York
34 Plymouth House St. (603) 253-9010 1405 Rt. 18 S., Unit #102 (732) 607-6422 www.beadsworldusa.com
Bead It!–Concord The Bead Cellar–Pennsauken From beads to crystals to leather cords and more. Beads World is your
www.beadit.biz www.beadcellar.com one-stop shop. Quality selections in the heart of NYC’s fashion dis-
Experience beading in a warm, sharing, and creative atmosphere while trict. Mon–Fri 9–7 and Sat–Sun 10–5.
Worth the trip? You bet! Fabulous shop, chock-full of semiprecious,
browsing our extensive inventory. Thousands of seed and accent beads, 1384 Broadway (212) 302-1199
freshwater pearls, Swarovski crystal, Venetian and lampworked glass, lampwork and semiprecious, findings and supplies. Just minutes from
Czech fire-polished, and hanks, sterling, gold-filled, vermeil. Gor- Philadelphia with easy parking, free instruction, parties, and classes. I Dream of Beading–Poughkeepsie
geous clasps. Sun–Mon 12–5; Tue–Wed 10–6; Thu–Fri 10–8, Sat 10–6. 6305 Westfield Ave. (856) 665-4744 www.idreamofbeading.com
146 N. Main St. (603) 223-0146 Hudson Valley’s premier source for beads and more. Stop by for the
The Place to Bead–Princeton selection and inspiration to fulfill your wildest beading dreams!
Le Beaderie LLC–Derry www.beadnow.com
www.lebeaderie.com Classes/workshops. Kit selection available online. Tue–Fri 10–6, Wed
Quality, variety, and friendly service! The best findings, tools, books, till 8, Sat 10–4. (in Freedom Executive Park).
Swarovski crystals and pearls, Miyuki Delicas and seed beads, Bali sil- and beads: Delicas, seed beads, glass, ethnic, semiprecious, sterling
ver, huge selection of semiprecious stones, an abundance of unique Rt. 55, Ste. 107 (845) 452-7611
silver and gold-filled, Thai silver, dichroic, lampwork, bone; unique
products and findings, and no sales tax! Come find out why all roads and collectible. Classes/worktable/parties. Open seven days a week. Studio 34 Bead Mercantile and Gallery
lead to Le Beaderie! beadnow@yahoo.com; fax (609) 921-3920. –Rochester
6 W. Broadway, #5 (603) 432-2700 41 Witherspoon St. (609) 921-8050 www.studio34beads.com
Castleander Beads–Hudson Specializing in contemporary jewelry and glass. Beads, books, EuroTo-
Bazaar Star Beadery–Ridgewood ols, BeadSmith, Lindstom, wire, PMC, crystals, Mykonos, custom
www.castleander.com www.bazaarstarbeadery.com
Welcome to 214-D Central St., Rte 111... the NEW home of Castlean- glass beads. Classes for metalsmithing, wireworking, PMC, polymer,
Take a journey into the colorful wonderland of beads galore. Eclectic chain mail, glass beadmaking, design, repair, seed bead, beginner to
der Beads! We are located on the right hand side of the Drink Shoppe. collection gathered from around the world awaits you! Come one,
We love our customers... the ones we know and the ones we have yet come all, sit and stay, we’ll help you create it all. Ladies parties/birth- master. New York’s premier public access studio and store.
to meet. Come in, peruse, sit and bead; enjoy yourself. days/original kits and instructions. 34 Elton St. (585) 737-5858
214 D Central St., Rte. 111 (603) 594-0048 216 E. Ridgewood Ave. (201) 444-5144 N O RT H C A RO L I N A
Earth Treasures–Keene The Beaded Path–South Orange Beads & Beyond–Asheville
www.nebeads.com www.beadedpath.com
One of New England’s largest bead stores. An incredible selection:
www.beads-and-beyond.com
New location! Same superior selection and service. Quality beads, Open 22 years. Asheville’s first and oldest bead store. Unsurpassed
glass, stone, bone, horn, Bali, pearls, Japanese and Czech seed beads, findings, tools, books, chain, wire, and latest trend materials. Friendly, and inspiring collection of modern, vintage, and ancient beads. Spe-
castings, findings, tools, books, and classes. Mon–Sat 10–6; Sun 11–5. knowledgeable staff. Open studio, PMC, classes, parties, repair. Open cializing in stone beads and pearls, books, tools, and supplies for bead-
12 Main St. (603) 352-7192 7 days/ample parking. (Off S. Orange Ave.) ing and metalsmithing. Mon–Sun.
9 Village Plaza (973) 821-5280 37 Wall St. (828) 254-7927
88 beadworkmagazine.com
90 beadworkmagazine.com
E-mail: info@thedownthestreetbeadshow.com
Website: www.thedownthestreetbeadshow.com
The Down the Street Bead Shows, with stops in DeLand
(Orlando area), Tampa, St. Augustine, Pompano, West
CANDIE COOPER
Palm, and Ft. Myers, have ongoing classes in basic beading,
seed beading, wire wrapping, cold fusion, soldering, fused
glass, kumihimo braiding, and more.
ILLINOIS
Nature’s Creation Ltd.
40W541 IL Rt. 64-B360
Wasco, IL 60183
Ph. (630) 377-0197
E-mail: info@dichroic.biz
Website: www.dichroic.biz
“Hands-on” instruction, small classes, flexible scheduling.
Dichroic glass jewelry studio and rock shop offering classes
MARY HETTMANSPERGER
in silver jewelry, silver clay (PMC), cabochons, and di-
chroic-glass fusing. Retail/wholesale: designer cabs, fused
and flameworked beads, fusible glass—Bullseye, C.B.S., Di-
chroMagic, Navitar, and Moretti Rods.
K AT IE HA CK E R
NEW JERSEY
Jubili Beads & Yarns®
New Host,
713 Haddon Ave.
Collingswood, NJ 08108
Ph. (856) 858-7844
Fresh Look,
E-mail: info@jubilibeadsandyarns.com
Website: www.jubilibeadsandyarns.com
Crafter’s ecstasy! Great classes in all levels of beaded jewelry
making, bead weaving. Featuring state-of-the-art, 8-torch
flame-work studio. Open studio rental available. Mixed-
media specialists offering classes and supplies in knitting, More Great Jewelry-
crocheting, loom weaving, PMC, wirework, and more! Vin-
tage attic now open! Making How-Tos!
TEXAS TAKE THE NEXT STEP IN YOUR JOURNEY AS A JEWELRY ARTIST
with the newest season of America’s favorite jewelry-making TV show:
Bitter Creek Designs
17711 I-H 10 W., Bldg. 700, Ste. 104 Beads, Baubles, and Jewels
San Antonio, TX 78257
Ph. (210) 558-0559; Fax: (830) 249-1499
E-mail: jenny@bittercreekdesigns.com JOIN LEADING DESIGNER & NEW HOST KATIE HACKER FOR WATCH-AND-LEARN
Website: www.bittercreekdesigns.com
In or near the San Antonio area? We offer a large selection
LESSONS, STEP-BY-STEP PROJECTS, & THE INDUSTRY'S TOP EXPERTS’ TIPS &
of classes, including basic and advanced stringing, beginner TRICKS! BOOST YOUR JEWELRY-MAKING SKILLS WITH FUN-TO-WATCH EPISODES:
and advanced wire wrapping, dichroic glass and beadmak-
ing, beginner and advanced PMC, and chain mail. No ex- t %JTDPWFSUIFEFTJHOTFDSFUTPGKFXFMSZXPSMEhTMFBEJOHEFTJHOFST
perience required. Call or visit our website for more $BOEJF$PPQFS
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92 beadworkmagazine.com
Plus!
four can’t-miss projects from
our 2011 Designers of the Year::
Cynthia Rutledge, Sherry Serafini,
Kelly Wiese, and Carol Wilcox Wells
ADVERTISERS’ INDEX
Accent Bead Design . . . . . . . . . . . . 80 Products . . . . . . . . . . . . . . . . . . . . . . 51 Green Girl Studios. . . . . . . . . . . . . . 80 Rocky Mountain Bead Society. . 20
Accessories Susan/Vintage Jew- Beyond Beadery . . . . . . . . . . . . . . . . . .7 Innovative Beads Expo, The . . . . 17 Royalwood Ltd.. . . . . . . . . . . . . . . . . 81
elry Supplies Company . . . . . . . . 31 B’Sue Boutiques . . . . . . . . . . . . . . . . 31 Interweave . . 51, 54, 55, 72, 78, 83, San Gabriel Bead Company, The 83
AD Adornments. . . . . . . . . . . . . . . . 81 Canadian Bead Oasis Shows Inc. 81 92 School Of Beadwork . . . . . . . . . . . 81
Adam Beadworks. . . . . . . . . . . . . . . 43 Caravan Beads (ME). . . . . . . . . . . . . .9 Jane’s Fiber & Beads/Bead Shipwreck Beads . . . . . . . . . . . . . . . 21
Artbeads.com . . . . . . . . . . . . . . . . . . ifc Chevron Trading Post & Bead Co. Mercantile . . . . . . . . . . . . . . . . . . . . 16 Soft Flex Co. . . . . . . . . . . . . . . . . . . . . . .5
Artful Beads Studio & Workshop . 16 John Bead Corp . . . . . . . . . . . . . . . . . .1 Studio Baboo . . . . . . . . . . . . . . . . . . . 83
82 C-Koop Beads . . . . . . . . . . . . . . . . . . 80 JP Designs . . . . . . . . . . . . . . . . . . . . . . 80 Sun Country Gems . . . . . . . . . . . . . 82
Bead Need . . . . . . . . . . . . . . . . . . . . . 43 Crazy Crow Trading Post . . . . . . . 73 JP Imported . . . . . . . . . . . . . . . . . . . . 80 Swarovski North America . . . . . . . .3
Bead Palace Inc.. . . . . . . . . . . . . . . . . 17 Creative Castle . . . . . . . . . . . . . . . . . 82 Kabela Design . . . . . . . . . . . . . . . . . . 82 Tambrook Bead & Trade . . . . . . . 73
Bead Parlor, The . . . . . . . . . . . . . . . . 80 Crystal Creations/Beads Gone Kandra’s Gallery & Beads . . . . . . 82 TierraCast, Inc. . . . . . . . . . . . . . . . . . 31
Bead Society of Greater Kansas Wild. . . . . . . . . . . . . . . . . . . . . . . . . . . 82 LanaiKinsky.com. . . . . . . . . . . . . . . . 82 TOHO Company Limited. . . . . . . 73
City . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Cynthia Rutledge . . . . . . . . . . . . . . . 82 Leslee Frumin. . . . . . . . . . . . . . . . . . . 82 Too Cute Beads. . . . . . . . . . . . . . . . . 51
Beadaholique. . . . . . . . . . . . . . . . . . . 17 Dava Bead & Trade. . . . . . . . . . . . . 11 Lillypilly Designs Inc.. . . . . . . . . . . . 81 U Bead It . . . . . . . . . . . . . . . . . . . . . . . 73
Beadalon . . . . . . . . . . . . . . . . . . . .20-21 Designer’s Findings . . . . . . . . . . . . . 81 Lumina Inspirations/3C Studio Universal Synergetics/Beadcats 81
Beaded Bungalow, The . . . . . . . . . 83 E.H. Ashley & Company Inc.. . . . 20 Beads . . . . . . . . . . . . . . . . . . . . . . . . . 80 Venetian Bead Shop . . . . . . . . . . . . 81
BeadFX . . . . . . . . . . . . . . . . . . . . . . . . . 82 Embellishments Inc. . . . . . . . . . . . . 80 Merchants Overseas . . . . . . . . . . . 11 Via Murano. . . . . . . . . . . . . . . . . . . . . 16
Beadiak. . . . . . . . . . . . . . . . . . . . . . . . . 82 Ezel Findings. . . . . . . . . . . . . . . . . . . . 81 Metalliferous Inc.. . . . . . . . . . . . . . . 51 WEBS America’s Bead Store. . . . 31
Beadin’ Path, The. . . . . . . . . . . . . . . 80 Fire Mountain Gems & Beads. . bc MK Beads . . . . . . . . . . . . . . . . . . . . . . 82 Whole Bead Show. . . . . . . . . . . . . . ibc
Beading Heart of Santa Fe, The. 43 Foxden Designs. . . . . . . . . . . . . . . . . 80 Monsterslayer Inc.. . . . . . . . . . . . . . 31 Wynwoods Gallery & Studio. . . 83
Beadsmith/Helby Imports . . . . . 11 Fusion Beads . . . . . . . . . . . . . . . . . . . . .7 Nina Designs . . . . . . . . . . . . . . . . . . . 21
beadsRfun.com. . . . . . . . . . . . . . . . . 80 Gaea. . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 PUGDOG Enterprises Inc.. . . . . . 83
Beaducation . . . . . . . . . . . . . . . . . . . . 81 Gem & Lapidary Wholesalers. . 81 Red Panda Beads . . . . . . . . . . . . . . . 81
Best Craft Organizer/First Choice Grace Lampwork Beads . . . . . . . . 16 Rio Grande . . . . . . . . . . . . . . . . . . . . . 16
F I N I S H I N G A N D S TA R T-
ING NEW THREADS Begin with a foundation row of even-
Tie off your old thread when it’s count ladder stitch. String 2 beads, For circular peyote stitch, string
about 4" long by making a simple pass down through the second-to- 3 beads and form the first round by
One-drop flat peyote stitch begins by passing through the first bead. For
knot between beads. Pass through last bead in the ladder and up stringing an even number of beads to
a few beads and pull tight to hide through the next bead. String the second round, string 2 beads and
create the first two rows. Begin the pass through the next bead of the
the knot. Weave through a few more 2 beads, pass down the next bead and third row by stringing 1 bead and
beads and trim the thread close then up through the following. previous round; repeat twice. To step
passing back through the second-to- up to the third round, pass through
to the work. Start the new thread Repeat to the end of the row. To end last bead of the previous row. String
by tying a knot between beads the row, pass back through the last the first bead of the current round.
another bead and pass back through For the third round, string 1 bead
and weaving through a few beads. bead strung. To begin the next row, the fourth-to-last bead of the previ-
Pull tight to hide the knot. Weave string 2 beads and pass down and pass through the next bead of the
ous row. Continue adding 1 bead at a previous round; repeat all around,
through several beads until you through the second-to-last bead of time, passing over every other bead
reach the place to resume beading. the previous row and up through the then step up at the end of the
of the previous row. round. Continue in this manner,
following bead. Repeat, stringing
FRINGE 2 beads per stitch and passing down alternating the two previous rounds.
then up through 2 beads of the previ- You may need to adjust the bead
Exit from your
ous row. The 2-bead stitch will cause count depending on the relative size
foundation row
the beads to angle-up in each col- of the beads in order to keep the cir-
of beads or fab-
umn, like a herringbone fabric. cle flat.
ric. String a
length of beads Two-drop flat peyote stitch is
plus 1 bead. worked the same as above, but with
Skipping the 2 beads at a time instead of 1.
last bead, pass
back through all
the beads just strung to create a
fringe leg. Pass back into the founda-
tion row or fabric.
S Q U A R E S T I TC H
Make a mid-project peyote-stitch For tubular peyote stitch, string an
increase by working a two-drop over even number of beads and make a
Begin tubular herringbone stitch a one-drop in one row. In the next foundation circle by passing through
with a foundation row of ladder row, work a one-drop peyote stitch them two more times, exiting from
stitch. Join the ends together to form between the two-drop. For a smooth the first bead strung. String 1 bead
a tube. String 2 beads. Pass down increase, use very narrow beads for and pass through the third bead of
through the next bead and up both the two-drop and the one-drop the foundation circle. String 1 bead
through the following bead. Repeat between. and pass through the fifth bead of the
Begin by stringing a row of beads. foundation circle. Continue adding
For the second row, string 2 beads, around the tube. At the end of the
round, pass through the first beads of 1 bead at a time, skipping over 1 bead
pass through the second-to-last bead of the first round, until you have
of the first row, and through the sec- the previous and current rounds to
step up to the new round. added half the number of beads of
ond bead just strung. Continue by the first round. Step up for the next
stringing 1 bead, passing through the round by exiting from the first bead
third-to-last bead of the first row, L A D D E R S T I TC H
To make a mid-project peyote- of the second round. String 1 bead,
and through the bead just strung. stitch decrease, simply pass the pass through the second bead added
Repeat this looping technique to the thread through 2 beads without add- in the second round, and pull thread
end of the row. ing a bead in the “gap.” In the next tight. String 1 bead and pass through
String 2 beads and pass through
them again. String 1 bead. Pass row, work a regular one-drop peyote the third bead added in the second
through the last stitched bead and the stitch over the decrease. Keep ten- round. Continue around, filling in
one just strung. Repeat, adding sion taut to avoid holes. the “spaces” 1 bead at a time. Exit
1 bead at a time and working in a from the first bead added in each
figure-eight pattern. Use this stitch to round.
94 beadworkmagazine.com
LAURA BOWKER
W
hen you see Laura “I look back at my beads in 1000 Glass
Bowker’s work for the Beads (Lark Books, 2004) and my work
first time, you imme- is completely different now,” she says,
diately notice unique noting the shiny finish, bright stria-
features you have never seen before in tions, and multicolors that were part of
a lampworked-glass bead. Instead of her repertoire then. “It’s all about tex-
a typically glossy surface, the bead has ture now.” The texture comes from
a matte finish engraved with intricate holding each bead in her hand and
patterns, lines, and grooves. You might applying it to a diamond wheel
even wonder if the bead is made of mounted in a custom lathe machine.
clay or resin, although the heft would Changing the wheel or its angle imparts Laura has recently begun learning
give you a clue that it is, indeed, glass. the glass with a sublime matte finish, silversmithing, copper electroforming,
One of very few American bead artists subtle details, and stunning faceting. and bronze casting. These new skills
engraving glass, Laura is a beadmaking To showcase these unique qualities, enable her to incorporate metal with
pioneer in the battuto technique. Laura now makes beads in solid colors her engraved beads and cabochons,
To learn this famed Italian tech- or only a few colors. The beads also resulting in a new line of jewelry. She
nique, the Stanwood, Washington, tend to be larger to make them easier to also currently serves as a regional
resident traveled to Murano in 2007 to hold while working and to provide director for the International Society
study with master glass engraver Luigi more surface area for engraving. of Glass Beadmakers.
Camozzo. Two weeks of working daily What hasn’t changed for Laura is What’s next for Laura? Currently
with him one-on-one gave Laura the the internal “happy place” she visits selling her work at bead shows and on
basic skills she needed to begin engrav- each time she creates a new bead. her website (www.lbglass.net), Laura is
ing in her home studio. Working at the torch is a slow, medita- seeking galleries to represent her work.
A lampwork beadmaker since 1997, tive process, while engraving requires In addition, she has been teaching
Laura was so inspired by the battuto a different type of energy and focus. from her home studio and hopes to do
technique that it revolutionized her “I have fallen in love with glass once more of it in the future to continue
approach. Battuto, which in Italian again,” she says. Indeed, glass has been sharing her passion for glass. ✦
means to hammer, chisel, or beat, a lifelong love. Her grandmother, a
“totally changed my work,” Laura says. glass-paperweight collector, intro-
TINA KOYAMA is an artist, an instructor, and a
Other than small spacer beads, “every duced Laura as a young child to the writer in Seattle. She was recently an artist-in-
bead I make now is engraved with the wonders of glass by taking her to a residence at Pratt Fine Arts Center. Contact Tina
battuto technique.” glassblowing studio in Oregon. through her website, www.tinakoyama.com.
96 beadworkmagazine.com
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