Beruflich Dokumente
Kultur Dokumente
Borderlands
Author(s): Jorge Cañizares-Esguerra
Source: The Eighteenth Century, Vol. 53, No. 2 (SUMMER 2012), pp. 243-247
Published by: University of Pennsylvania Press
Stable URL: https://www.jstor.org/stable/41468182
Accessed: 01-04-2020 23:11 UTC
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"Orinoco out into the light":
A Modern Jesuit's Efforts to Kick the Devil Out of the
Borderlands
Jorge Cañizares-Esguerra
University of Texas at Austin
The blazing light of Francisco Xavier, the apostle of Asia, guided many an early
modern Jesuit into voluntary exile and even martyrdom at the hands of utter
cultural strangers. Like many of his brethren, José Gumilla was inspired by
the Navarrese saint to leave Spain in 1705 for missionary work. He devoted
some three decades of his life rounding up the Achagua, Abane, Amaca, Aturi,
Betoye, Caverre, Chiricoya, Guamo, Guajivo, Guayno, Guayquirie, Guarauno,
Maypure, Mapuye, Otomoca, Pao, Quirruba, Quiriquiripa, Sáliva, and Yaruro
Indians into missions located on the banks of the Casanare, Meta, Apure,
Bichada, Guabare, and Orinoco Rivers. The Valencian Gumilla willingly ex-
changed home for the terrors of the tropics: man-eating crocodiles; clouds of
bloodletting insects and skin-drilling parasites; treacherous anacondas whose
breath could mysteriously numb their prey; raiders wielding arrows poisoned
with curare, a substance of occult demonic powers that within seconds could
paralyze the body; and relentlessly hostile cannibal Caribs, whose alliance with
the Dutch in Surinam gave them access to firearms. In a book addressed to
the youth of Europe to join the Jesuits in a crusade against the Devil in the
tropics, Gumilla produced an ethnographic manual for would-be missionar-
ies. Gumilla's Orinoco ilustrado ("Orinoco brought out into the light," as Gu-
milla would have liked the title translated) is poorly known among students of
Spanish- American Enlightenment, for it is too quickly assumed that the book
is a pre-modern, baroque catalogue of wonders rather than a rational, secular
interpretation of natural phenomena. In a provocative analysis of Gumilla as
a figure of the Catholic Enlightenment, Margaret Ewalt does away with these
simplistic generalizations and, in the process, she greatly complicates our ge-
nealogies of scientific modernity in Peripheral Wonders : Nature , Knowledge , and
Enlightenment in the Eighteenth-Century Orinoco (Bucknell, 2008).
The Eighteenth Century, vol. 53, no. 2 Copyright © 2012 University of Pennsylvania Press. All rights reserved.
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244 THE EIGHTEENTH CENTURY
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CAÑIZARES-ESGUERRA - "ORINOCO OUT INTO THE LIGHT" 245
of the many ancient systems. The novelty of novatores like Gumilla seem
have resided in their willingness to incorporate promiscuously scraps of
modern philosophical systems, including Atomism, Mechanical Philosoph
and Paracelsianism.
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246 THE EIGHTEENTH CENTURY
misunderstood dimension of th
lar, northern European travelers
created a narrative that casts Eu
non-European sources. Yet the cru
ing network, connecting "cores"
the Jesuits, although wedded to
a global Christendom with amp
corrects and complicates the his
was constantly drawing attentio
most of his informants.
For all her thoughtful contributions, Ewalt presents Gumilla in splendid iso-
lation. Was Gumilla really any different from his sixteenth-century predecessor,
the Jesuit natural historian Jose de Acosta, as Ewalt suggests? The difference
cannot possibly lie in Gumilla's alleged greater eclectic willingness to embrace
modern systems in order to interpret new empirical evidence, for Acosta was
every bit as much of a self-confessed modern and eclectic empiricist as Gumilla
was. If empiricism and eclecticism are the hallmarks of our modernity, regard-
less of whether one holds any religious beliefs, then Iberia had already brought
us the Enlightenment in the fifteenth and sixteenth centuries.
In Ewalťs hands, "the Enlightenment" ceases to be a meaningful analyti-
cal category. Ewalt challenges a historiography that has long been superseded,
namely, that of Peter Gay and Ernest Cassirer who parochially confused moder-
nity with the views of a coterie of French, Scottish, and German philosophers.2
But the Enlightenment is now defined differently: as part of a commercial revo-
lution unleashed by Europe's imperial global expansion. Ewalt ignores that the
term "the Enlightenment" has been bandied about as a euphemism for a new,
more democratic culture of knowledge production that circumvented the tra-
ditional monopoly held by universities, churches, and courts: a culture of acad-
emies, salons, coffee shops, newspapers, and briskly traded books otherwise
referred to as a "public sphere." Was the Orinoco ilustrado the product of a new
vibrant transatlantic public sphere? If the answer is "no," then it should not be
regarded as a "modern" text.
In addition to working with a rather narrow and outmoded definition of
the Enlightenment, Ewalt misses the opportunity to locate Gumilla within a
much larger body of natural histories of the Jesuit global borderlands in the
mid-eighteenth century: New France, Chaco, Paraguay, California, Florida, the
Mariana Islands, and the Philippines. How does Gumilla's work compare to
those of his contemporaries: Joseph-François Lafitau, Moeurs des savages améric-
aines (1724); Pedro de Montenegro, Materia médica misional (1710); José Sánchez
Labrador, Paraguay natural (1750-80); Florian Paucke, Entre los mocovies (1749-
67); Martin Dobrizhoffer, Historia de abiponibus (1 787); Thomas Falkner, Descrip-
tion of Patagonia (1774); and Jose Jolis, Saggio sulla storia naturale della provindo
de gran chaco (1789)? The historiography on the Jesuits in the Enlightenment
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CAÑIZARES-ESGUERRA- "ORINOCO OUT INTO THE LIGHT" 247
has priviliged those whose work reflected life in the Spanish- American c
The massive output of those Jesuits in the American borderlands awaits ca
scrutiny by both historians and literary critics.
Ewalt takes apart the category of the Enlightenment by deploying a m
forgotten and alternative Iberian geneaology of modernity. In the process,
wever, the term loses any meaninful analytical power. Her project is ambi
and rewarding but it is also problematic.
NOTES
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