Below

we have some examples of how to connect scale arpeggios with superimposed

ascending & descending tetrad arpeggios. It is important to understand that sometimes we
have to add notes between the chosen possibilities in order to better connect them. We call
these “connecting notes”.

Emi7-----------------
descending arpeggio connecting
↓ ↓ note
1) œ3 œ1 œ œ1 2 1
↓
œ
1
4 œ œ œ
3

œ
3 1

œ œ
3

&4 œ
2 3 1 1 3 2

œ œ œ œ
Ami7 scale arpeggio (2nd Zone)
3

Cmaj7 descending arpeggio

↑----------------------↑ ↑--------------------------------------------------------
↑
starting from the 7th

≥ 7≤
10
≥ ≤ ≥ ≤ ≥ ≥ ≤ S ≥ ≤ ≥ ≤ ≥ ≤
T 8 5
5 4 7 5 4
A 7 7 5
B 7 5
8 7
3

Cmaj7 descending arpeggio

Emi7 Double descending arpeggio
------------------------------------------------------- starting from the 7th Ending
------------------ note
↓ ↓ ↓ ↓
2) œ œ
↓
œ1
1 1

œ3
3

œ
3 3

& 44
1 1

œ œ œ ‰
3 3 2 2

œ œ œ3 œ
1 2

œ œ œ
≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ H ≥ ≥ ≤ ≥
10
12 8
9 7
9 5 5 9 7
7 5 7
7 8
3

Cmaj7 descending arpeggio

Ami7 descending arpeggio Cmaj7 scale arpeggio (1st Zone)
connecting
starting from the 7th note
------------------------ -------------------------- ---------------------------------
↓ ↓ ↓ ↓ ↓ ↓ ↓
œ4 œ2
4œ œ1 œ1 œ3 œ1 œ3 2 3 1 2 1
3)
œ œ œ œ œ œ œ œ
2

&4 œ
3 1 3 1 2 3

œ œ
≤ ≥ ≤ ≥ ≥ H ≥ ≥3 ≤
7
≥5 ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤
3
8 5 5 3
9 5 4 5 5 4
7 5 2
3 2

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